This disambiguation page lists articles associated with the title Akatsuki. If an internal link led you here, you may wish to change the link to point directly to the intended article.
Look up akatsuki in Wiktionary, the free dictionary.
This disambiguation page lists articles associated with the title Akatsuki. If an internal link led you here, you may wish to change the link to point directly to the intended article.
One Piece (stylized in all caps) is a Japanese manga series written and illustrated by Eiichiro Oda. It has been serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump since July 1997, with its individual chapters compiled in 108 tankōbon volumes as of March 2024[update]. The story follows the adventures of Monkey D. Luffy and his crew, the Straw Hat Pirates, where he explores the Grand Line in search of the mythical treasure known as the "One Piece" in order to become the next King of the Pirates.
The manga spawned a media franchise, having been adapted into a festival film by Production I.G, and an anime series by Toei Animation, which began broadcasting in 1999. Additionally, Toei has developed fourteen animated feature films, one original video animation, and thirteen television specials. Several companies have developed various types of merchandising and media, such as a trading card game and numerous video games. The manga series was licensed for an English language release in North America and the United Kingdom by Viz Media and in Australia by Madman Entertainment. The anime series was licensed by 4Kids Entertainment for an English-language release in North America in 2004 before the license was dropped and subsequently acquired by Funimation in 2007.
One Piece has received praise for its storytelling, world-building, art, characterization, and humor. It has received many awards and is ranked by critics, reviewers, and readers as one of the best manga of all time. By August 2022, it had over 516.6 million copies in circulation in 61 countries and regions worldwide, making it the best-selling manga series in history, and the best-selling comic series printed in book volume. Several volumes of the manga have broken publishing records, including the highest initial print run of any book in Japan. In 2015 and 2022, One Piece set the Guinness World Record for "the most copies published for the same comic book series by a single author". It was the best-selling manga for eleven consecutive years from 2008 to 2018, and is the only manga that had an initial print of volumes of above 3 million continuously for more than 10 years, as well as the only that had achieved more than 1 million copies sold in all of its over 100 published tankōbon volumes. One Piece is the only manga whose volumes have ranked first every year in Oricon's weekly comic chart existence since 2008.
The world of One Piece is populated by humans and other races such as dwarves (more akin to faeries in size), giants, merfolk, fish-men, long-limbed tribes, long-necked people known as the Snakeneck Tribe, and animal people (known as "Minks"). The world is governed by an intercontinental organization known as the World Government, consisting of dozens of member countries. The Navy is the sea military branch of the World Government that protects the known seas from pirates and other criminals. There is also Cipher Pol which is a group of agencies within the World Government that are their secret police. While pirates are major opponents against the Government, the ones who really challenge their rule are the Revolutionary Army who seeks to overthrow them. The central tension of the series pits the World Government and their forces against pirates. The series regularly emphasizes moral ambiguity over the label "pirate", which includes cruel villains, but also any individuals that do not submit to the World Government's authoritarian—and often morally ambiguous—rule. The One Piece world also has supernormal characteristics like Devil Fruits,[Jp 1] which are mysterious fruits that grant whoever eats them transformative powers. Another supernatural power is Haki,[Jp 2] which grants its users enhanced willpower, observation, and fighting abilities, and it is one of the only effective methods of inflicting bodily harm on certain Devil Fruit users.
The world itself consists of two vast oceans divided by a massive mountain range called the Red Line.[Jp 3] Within the oceans is a second global phenomenon known as the Grand Line,[Jp 4] which is a sea that runs perpendicular to the Red Line and is bounded by the Calm Belt,[Jp 5] strips of calm ocean infested with huge ship-eating monsters known as Sea Kings.[Jp 6] These geographical barriers divide the world into four seas: North Blue,[Jp 7] East Blue,[Jp 8] West Blue,[Jp 9] and South Blue.[Jp 10] Passage between the four seas, and the Grand Line, is therefore difficult. Unique and mystical features enable transport between the seas, such as the use of Sea Prism Stone[Jp 11] employed by government ships to mask their presence as they traverse the Calm Belt, or the Reverse Mountain[Jp 12] where water from the four seas flows uphill before merging into a rapidly flowing and dangerous canal that enters the Grand Line. The Grand Line itself is split into two separate halves with the Red Line between being Paradise[Jp 13] and the New World.[Jp 14]
The series focuses on Monkey D. Luffy—a young man made of rubber after unintentionally eating a Devil Fruit—who sets off on a journey from the East Blue Sea to find the deceased King of the Pirates Gol D. Roger's ultimate treasure known as the "One Piece", and take over his prior title. In an effort to organize his own crew, the Straw Hat Pirates,[Jp 15] Luffy rescues and befriends a pirate hunter and swordsman named Roronoa Zoro, and they head off in search of the titular treasure. They are joined in their journey by Nami, a money-obsessed thief and navigator; Usopp, a sniper and compulsive liar; and Sanji, an amorous but chivalrous cook. They acquire a ship, the Going Merry[Jp 16]—later replaced by the Thousand Sunny[Jp 17]—and engage in confrontations with notorious pirates. As Luffy and his crew set out on their adventures, others join the crew later in the series, including Tony Tony Chopper, an anthropomorphized reindeer doctor; Nico Robin, an archaeologist and former Baroque Works assassin; Franky, a cyborgshipwright; Brook, a skeleton musician and swordsman; and Jimbei, a whale shark-type fish-man and former member of the Seven Warlords of the Sea who becomes their helmsman. Together, they encounter other pirates, bounty hunters, criminal organizations, revolutionaries, secret agents, different types of scientists, soldiers of the morally-ambiguous World Government, and various other friends and foes, as they sail the seas in pursuit of their dreams.
Eiichiro Oda's interest in pirates began in his childhood, watching the animated series Vicky the Viking, which inspired him to want to draw a manga series about pirates.[2] The reading of pirate biographies influenced Oda to incorporate the characteristics of real-life pirates into many of the characters in One Piece; for example, the character Marshall D. Teach is based on and named after the historical pirate Edward "Blackbeard" Teach.[3] Apart from the history of piracy, Oda's biggest influence is Akira Toriyama and his series Dragon Ball, which is one of his favorite manga.[4] He was also inspired by The Wizard of Oz, claiming not to endure stories where the reward of adventure is the adventure itself, opting for a story where travel is important, but even more important is the goal.[5]
While working as an assistant to Nobuhiro Watsuki, Oda began writing One Piece in 1996.[6] It started as two one-shot stories entitled Romance Dawn[6]—which would later be used as the title for One Piece's first chapter and volume. They both featured the character of Luffy, and included elements that would appear later in the main series. The first of these short stories was published in August 1996 in Akamaru Jump, and reprinted in 2002 in One Piece Red guidebook. The second was published in the 41st issue of Weekly Shōnen Jump in 1996, and reprinted in 1998 in Oda's short story collection, Wanted![7] In an interview with TBS, Takanori Asada, the original editor of One Piece, revealed that the manga was rejected by Weekly Shōnen Jump three times before Shueisha agreed to publish the series.[8]
Oda's primary inspiration for the concept of Devil Fruits was Doraemon; the Fruits' abilities and uses reflect Oda's daily life and his personal fantasies, similar to that of Doraemon's gadgets, such as the Gum-Gum Fruit being inspired by Oda's laziness.[9] When designing the outward appearance of Devil Fruits Oda thinks of something that would fulfill a human desire; he added that he does not see why he would draw a Devil Fruit unless the fruit's appearance would entice one to eat it.[10] The names of many special attacks, as well as other concepts in the manga, consist of a form of punning in which phrases written in kanji are paired with an idiosyncratic reading. The names of some characters' techniques are often mixed with other languages, and the names of several of Zoro's sword techniques are designed as jokes; they look fearsome when read by sight but sound like kinds of food when read aloud. For example, Zoro's signature move is Onigiri, which is written as demon cut but is pronounced the same as rice ball in Japanese. Eisaku Inoue, the animation director, has said that the creators did not use these kanji readings in the anime since they "might have cut down the laughs by about half".[11] Nevertheless, Konosuke Uda, the director, said that he believes that the creators "made the anime pretty close to the manga".[11]
Oda was "sensitive" about how his work would be translated.[12] In many instances, the English version of the One Piece manga uses one onomatopoeia for multiple onomatopoeia used in the Japanese version. For instance, "saaa" (the sound of light rain, close to a mist) and "zaaa" (the sound of pouring rain) are both translated as "fshhhhhhh".[13] Unlike other manga artists, Oda draws everything that moves himself to create a consistent look while leaving his staff to draw the backgrounds based on sketches he has drawn.[14] This workload forces him to keep tight production rates, starting from five in the morning until two in the morning the next day, with short breaks only for meals. Oda's work program includes the first three days of the week dedicated to the writing of the storyboard and the remaining time for the definitive inking of the boards and for the possible coloring.[15] When a reader asked who Nami was in love with, Oda replied that there would hardly be any love affairs within Luffy's crew. The author also explained he deliberately avoids including them in One Piece since the series is a shōnen manga and the boys who read it are not interested in love stories.[16]
Oda revealed that he originally planned One Piece to last five years, and that he had already planned the ending. However, he found it would take longer than he had expected as Oda realized that he liked the story too much to end it in that period of time.[17] In 2016, nineteen years after the start of serialization, the author said that the manga has reached 65% of the story he intends to tell.[18] In July 2018, on the occasion of the twenty-first anniversary of One Piece, Oda said that the manga has reached 80% of the plot,[19] while in January 2019, he said that One Piece is on its way to the conclusion, but that it could exceed the 100th volume.[20] In August 2019, Oda said that, according to his predictions, the manga will end between 2024 and 2025.[21] However, Oda stated that the ending would be what he had decided in the beginning; he is committed to seeing it through.[22] In a television special aired in Japan, Oda said he would be willing to change the ending if the fans were to be able to predict it.[5] In August 2020, Shueisha announced in the year's 35th issue of Weekly Shōnen Jump that One Piece was "headed toward the upcoming final saga."[23] On January 4, 2021, One Piece reached its thousandth chapter.[24][25][26] In June 2022, Oda announced that the manga would enter a one-month break to prepare for its 25th anniversary and its final saga, set to begin with the release of chapter 1054.[27]
Written and illustrated by Eiichiro Oda, One Piece has been serialized by Shueisha in the shōnen manga anthology Weekly Shōnen Jump since July 22, 1997.[28][29] Shueisha has collected its chapters into individual tankōbon volumes. The first volume was released on December 24, 1997.[30] By March 4, 2024, a total of 108 volumes have been released.[31]
The first English translation of One Piece was released by Viz Media in November 2002, who published its chapters in the manga anthology Shonen Jump, and later collected in volumes since June 30, 2003.[32][33][34] In 2009, Viz announced the release of five volumes per month during the first half of 2010 to catch up with the serialization in Japan.[35] Following the discontinuation of the print Shonen Jump, Viz began releasing One Piece chapterwise in its digital successor Weekly Shonen Jump on January 30, 2012.[36] Following the digital Weekly Shonen Jump's cancelation in December 2018, Viz Media started simultaneously publishing One Piece through its Shonen Jump service, and by Shueisha through Manga Plus, in January 2019.[37][38]
Oda teamed up with Akira Toriyama to create a single crossover of One Piece and Toriyama's Dragon Ball. Entitled Cross Epoch, the one-shot was published in the December 25, 2006, issue of Weekly Shōnen Jump and the April 2011 issue of the English Shonen Jump.[51] Oda collaborated with Mitsutoshi Shimabukuro, author of Toriko, for a crossover one-shot of their series titled Taste of the Devil Fruit (実食! 悪魔の実!!, Jitsushoku! Akuma no Mi!!, lit.'The True Food! Devil Fruit!!'),[52] which ran in the April 4, 2011, issue of Weekly Shōnen Jump. The spin-off series One Piece Party (ワンピースパーティー, Wan Pīsu Pātī), written by Ei Andō in a super deformed art style, began serialization in the January 2015 issue of Saikyō Jump.[53] Its final chapter was published on Shōnen Jump+ on February 2, 2021.[54]
One Piece: Defeat Him! The Pirate Ganzack! was produced by Production I.G for the 1998 Jump Super Anime Tour and was directed by Gorō Taniguchi.[55] Luffy, Nami, and Zoro are attacked by a sea monster that destroys their boat and separates them. Luffy is found on an island beach, where he saves a little girl, Medaka, from two pirates. All the villagers, including Medaka's father have been abducted by Ganzack and his crew and forced into labor. After hearing that Ganzack also stole all the food, Luffy and Zoro rush out to retrieve it. As they fight the pirates, one of them kidnaps Medaka. A fight starts between Luffy and Ganzack, ending with Luffy's capture. Meanwhile, Zoro is forced to give up after a threat is made to kill all the villagers. They rise up against Ganzack, and while the islanders and pirates fight, Nami unlocks the three captives. Ganzack defeats the rebellion and reveals his armored battleship. The Straw Hat Pirates are forced to fight Ganzack once more to prevent him from destroying the island.
A second film, One Piece: Romance Dawn Story, was produced by Toei Animation in July 2008 for the Jump Super Anime Tour. It is 34 minutes in length and based on the first version of Romance Dawn.[56][7] It includes the Straw Hat Pirates up to Brook and their second ship, the Thousand Sunny. In search for food for his crew, Luffy arrives at a port after defeating a pirate named Crescent Moon Gally on the way. There he meets a girl named Silk, who was abandoned by attacking pirates as a baby and raised by the mayor. Her upbringing causes her to value the town as her "treasure". The villagers mistake Luffy for Gally and capture him just as the real Gally returns. Gally throws Luffy in the water and plans to destroy the town, but Silk saves him and Luffy pursues Gally. His crew arrives to help him, and with their help he recovers the treasure for the town, acquires food, and destroys Gally's ship. The film was later released as a triple feature DVD with Dragon Ball: Yo! Son Goku and His Friends Return!! and Tegami Bachi: Light and Blue Night, that was available only though a mail-in offer exclusively to Japanese residents.[57]
The One Piece Film Strong World: Episode 0original video animation adapts the manga's special "Chapter 0", which shows how things were before and after the death of Roger. It received a limited release of three thousand DVDs as a collaboration with the House Foods brand.[58]
An anime television series adaptation produced by Toei Animation premiered on Fuji Television on October 20, 1999;[59] the series reached its 1,000th episode in November 2021.[60]
In December 2023 at the Jump Festa '24 event, it was announced that Wit Studio would be producing an anime series remake for Netflix, restarting from the East Blue story arc, to commemorate the 25th anniversary of the original anime series. The remake will be titled The One Piece.[61]
Fourteen animated theatrical films based on the One Piece series have been released. The films are typically released in March to coincide with the spring vacation of Japanese schools.[62] The films feature self-contained, completely original plots, or alternate retellings of story arcs with animation of a higher quality than what the weekly anime allows. The first three films were typically double features paired up with other anime films, and were thus usually an hour or less in length. The films themselves offer contradictions in both chronology and design that make them incompatible with a single continuity. Funimation has licensed the eighth, tenth, and twelfth films for release in North America, and these films have received in-house dubs by the company.[63][64]
On July 21, 2017, Weekly Shōnen Jump editor-in-chief Hiroyuki Nakano announced that Tomorrow Studios (a partnership between Marty Adelstein and ITV Studios) and Shueisha would commence production of an American live-action television adaptation of Eiichiro Oda's One Piece manga series as part of the series' 20th anniversary celebrations.[65][66]Eiichiro Oda served as executive producer for the series alongside Tomorrow Studios CEO Adelstein and Becky Clements.[66] The series would reportedly begin with the East Blue arc.[67]
In January 2020, Oda revealed that Netflix ordered a first season consisting of ten episodes.[68] On May 19, 2020, producer Marty Adelstein revealed during an interview with SyFy Wire, that the series was originally set to begin filming in Cape Town sometime around August, but has since been delayed to around September due to COVID-19. He also revealed that, during the same interview, all ten scripts had been written for the series and they were set to begin casting sometime in June.[69] However, executive producer Matt Owens stated in September 2020 that casting had not yet commenced.[70] On September 15, 2023, Oda revealed that the show has been renewed for the second season.[71]
Tori-Emaki (Japanese for "bird picture scroll") is an interactive emakimono developed by London Studio in association with Playlogic Entertainment for the PlayStation 3 platform, which utilizes the PlayStation Eye camera peripheral. It was released on the European PlayStation Store on November 1, 2007 and on the North American PlayStation Store on January 17, 2008.
Art, folklore and possibly history. Use hand gestures and whole body movements seen by the PlayStation Eye to direct your flock of birds from location to location within the panning scroll, left, right, up or down. Every location worthwhile of the flock's touch down has its own ambiance you need to allow to let sink in. Some detailed exploration is in order as you steer your flock. Your flock shall observe human family life, struggle, war, and other worldly happenings in the japanese interpretation. Relaxation and wonder are key words here.
Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes.
A real band was set up in order to perform the band's music in live shows. Both bands were created by Brendon Small and Tommy Blacha. The music heard on Metalocalypse is performed by Brendon Small, with others needed for live concerts and albums. On August 25, 2017, Brendon Small released his second solo album, Brendon Small's Galaktikon II, which is considered to serve as "a new Dethklok album", due to Adult Swim holding the rights to the band name.[8][9] However, after a five-year absence, the band returned to perform at Adult Swim Festival 2019.[10] Their fourth album, and first in over a decade, Dethalbum IV, was released in August 2023, along with a soundtrack album to the film Metalocalypse: Army of the Doomstar. The band embarked on a national tour from August to October 2023, with co-headliners Babymetal and supported by Jason Richardson.[11]
In the Metalocalypse series, Dethklok is depicted as the world's most popular and successful death metal band. The members of Dethklok reside in a colossal, fortress-like castle elevated high above ground called Mordhaus, which serves as their residence and recording studio. Beyond their extremely wealthy financial status, they also oversee a massive personal organization of devoted workers known as Klokateers, who act as their personal servants, as well as their roadies, security personnel, and private military squadron. The band's fan base includes billions of metal fanatics, who frequently endanger themselves watching the band perform live, as their costly shows are commonly held in dangerous locations and include numerous hazards such as excessive pyrotechnics, aircraft, lasers, and giant bladed pendulums, with many shows concluding in multiple attendee deaths.[12][13] With their widespread commercial success and lucrative sponsorship contracts, Dethklok is ranked as the world's seventh largest economy by the end of the second season.[14]
Despite their otherworldly success, the members of Dethklok are often portrayed as incompetent at almost everything unrelated to their profession. The band struggles to perform everyday tasks, including grocery shopping, preparing food, and maintaining proper social relationships. Throughout the series, they are often assisted by their manager and lawyer, Charles Foster Offdensen, who frequently attempts to prevent the band from making poor decisions. The band's actions and uncanny misfortune have caught the attention of an Illuminati-style council known as The Tribunal. The Tribunal is portrayed as Dethklok's antagonist throughout the series and secretly monitors their actions in almost every episode. They describe Dethklok as the "world's greatest cultural force." The leader of The Tribunal (Mr. Salacia), however, frequently instructs the other members to allow Dethklok to do as they will.
Nathan Explosion is the frontman, lead vocalist and "lyrical visionary" of Dethklok. Portrayed as a tall and stocky guy with long black hair, black nails, and green eyes, Nathan speaks with a death growl even when not singing; admitting during the comet episode that he knows his lyrics are largely incomprehensible. He did not speak a word until he was five years old and in high school excelled only in frog dissection and football. According to his dating profile, Nathan describes his ethnicity as "White/Native American". He was raised in New Port Richey, Florida. He is the lead songwriting force in Dethklok, and uses violent imagery or plot elements when writing and composing song material. Nathan is slightly more sensible than the rest of the band, and a great deal more emotionally stable, though he is still incompetent at most things in life such as the use of a grocery store or reading a cooking recipe. Despite this, he does seem to have some knowledge in specific areas, such as negotiating a contract, extensive knowledge of rock culture, and a proficiency in French. He attempts to get his GED in "Go Forth And Die", and only fails in part due to the band's influence, and in "Fatherklok" tells Murderface not to interfere with Skwisgaar's father issues. Nathan sometimes acts in a parental manner towards Toki, and in the first episode insisted that the band never drink before a show (notwithstanding the fact they had all been drinking all day).
In the episode "Fatherklok", it was revealed that Nathan enjoys an excellent relationship with his father. He does, however, find his parents embarrassing as they are normal parents and not "brutal" as seen in "Dethfam". A brief montage shows Nathan and his father fishing, racing go-karts, and playing Scrabble. He is the only member of the band who spends time with or likes his father, stating in the episode "Dethdad" he often drinks beer and goes hunting with his father regularly and would be very sad if his father died.
Skwisgaar Skwigelf is Dethklok's lead guitarist. He is described as "a handsome guy who thinks and knows he's the greatest thing in the world". Show creator Brendon Small compares Skwisgaar's attitude and technical playing style to Yngwie Malmsteen.[15] He is tall and thin with long blond hair, a studded belt with a skull buckle, and blue eyes. He played a Gibson Explorer for the first three seasons, but switched to the Gibson "Thunderhorse" Explorer for the fourth. He often carries around his guitars even when not playing. He is often referred to as the fastest guitar player in the world. He is depicted as having extreme sexual prowess and a preference for plump or elderly women. Hailing from Sweden, Skwisgaar has a marked Swedish accent and often makes mistakes when conjugating verbs. He is responsible for the majority of the arrangement of Dethklok's songs, writing the guitar lines as well as Murderface's bass lines. Skwisgaar also typically discards and re-records the rhythm guitar (and the bass guitar parts) recorded by Toki Wartooth for Dethklok's albums and frequently belittles as well competes with him over his guitar playing skills. Nonetheless, when Toki originally auditioned for the band, it was Skwisgaar who requested that Toki be chosen, feeling that no other guitarist made Skwisgaar play as well as he did.
Toki Wartooth is Dethklok's rhythm guitarist. He typically played a Gibson Flying V, but has switched to the Brendon Small "Snow Falcon" V for the fourth season. A native of "an abandoned town near Lillehammer", Norway, he was forced to constantly perform manual labor by his abusive cultist parents. He has a distinct accent and often inappropriately pluralizes words, but refers to Pickles as "Pickle". Visually, he has a distinct Fu Manchu moustache, long brown hair, and very pale blue eyes. He is also shown to be extremely physically fit, in stark contrast to the rest of his bandmates.
Toki is the only Dethklok member with no prior band experience, as well as the only one not with the band in its initial form, having been chosen to replace the violent and egomaniacal Magnus Hammersmith. Small explains Toki's relationship with Skwisgaar as "...Norwegian to Skwisgaar's Swedish, pompous attitude. And, again, a second-class citizen in the same band",[15] and compared his guitar playing style to that of Iron Maiden.[15]
In contrast to the deep cynicism, grim outlook, promiscuity, and alcohol abuse of the other band members, Toki's character is generally childlike, innocent, and good-natured, yet traumatized and can be quite violent when pushed too far. He has a boyish bedroom complete with action figures, stuffed animals, and wall posters, and a prominent hobby of his is building model planes. He is a type 2 diabetic and requires insulin shots.
A recurring plot point is the death of people Toki grows fond of, including a guitar teacher and his father; the Tribunal has described him as an "angel of death". Any living being that gets close to Toki (with the exception of Dr. Rockso, Charles and his bandmates) tends to die after a brief period of time.
Pickles is Dethklok's drummer. He was raised in Tomahawk, Wisconsin and speaks with an Upper Midwestern accent. He refers to himself as "very Irish American" and has long red hair, styled into dreadlocks and a comb-over skullet, and green eyes. He is depicted as having an average build with a strong propensity for drugs and alcohol abuse stemming from feelings of resentment towards his family. He comes off as the most socially-capable member of the band, able to grasp most concepts outside the scope of death metal that the other four cannot. In later seasons, this capacity often puts him at odds with Nathan, though ironically they are the only two the others can talk to on certain levels. Charles Offdensen refers to Nathan and Pickles as the "most responsible" members in the group, much to their disdain. Pickles is a multi-talented performer, whom IGN Magazine described as "the band's deepest thinker".[16] Pickles is the former front-man of a group called Snakes 'n' Barrels, providing the vocals and performing as the lead guitarist.
Brendon Small used the voice of Pickles on The Dethalbum to sing the chorus of the song "Hatredcopter", as well as the entirety of "Kill You", a song by Snakes N' Barrels "covered" by Dethklok, which serves as a bonus track. Describing the character, Small said, "I thought the drummer should be able to do a bunch of stuff, like Roger Taylor in Queen. Even though it's not based on his personality, it's what he can do in the band and what parts of the songs he does contribute to."[15]
The original design of the character was changed to avoid his looking too much like Devin Townsend.[17]
William Murderface is Dethklok's bassist, who plays a Gibson Thunderbird Studio 5-string. He has brown hair, green eyes, a heavy lateral lisp and a gap in his front teeth. He has tattoos on the top and bottom parts of his abdomen, the top reading "Pobody's Nerfect", and the bottom saying "This Mess Is A Place". When he was a baby, Murderface's deranged and mentally unstable father killed his wife—Murderface's mother—with a chainsaw before turning it upon himself in front of Murderface in a grisly murder-suicide (Murderface believes this happened because he was ugly). This left Murderface to be raised by his grandparents.
Murderface is "a self-hating bass player who's always trying to act like he's more important than he is", in part because his bass playing is usually mixed out completely.[15] Although Murderface's musical contribution is apparently totally unnecessary to the group's sound, Dethklok realizes when they expel him from the band in "Dethsiduals" that he imposes a mentality of negativity and hatred upon the band that is crucial to their songwriting.
Brendon Small describes Murderface as "thin-skinned and incredibly sensitive and just wants to be accepted constantly but can't get that because he's such a dick and pushes people away".[18] He is sensitive about his weight and appearance, which his bandmates often obliviously exacerbate. Additionally, he is generally disliked by the opposite sex to the point that even female Klokateers, who are absolutely devoted to Dethklok, reject his advances. Murderface's voice was originally achieved by Tommy Blacha putting paper towels inside his mouth when voicing the character, but he has since refined his technique to forgo the paper towels.[19]
Magnus Hammersmith was the first rhythm guitarist of Dethklok, but was kicked out of the band very early for his violent behavior. He returns to antagonize and threaten the band several times.
In late 2007, Adult Swim organized a promotional tour featuring Dethklok and ...And You Will Know Us by the Trail of Dead.[21] The tour comprised performances at twelve college campuses, with tickets available to students only (except for 50 tickets set aside for the UCLA show in the Los Angeles area). The band featured Brendon Small, guitarist Mike Keneally, bassist Bryan Beller and drummer Gene Hoglan.[22] Tour information was made available on Adult Swim's promotional site.[23] In an interview with Ultimate Guitar, Brendon Small described the tour as being "like Gorillaz, with the animated characters" with Small's ensemble of musicians performing visibly.[24]
In a February 2008 interview on California radio station Indie 103.1 with Full Metal Jackie, plans for a summer 2008 tour were announced. Brendon Small described the tour as being like "a Disney ride but with murder". Dethklok toured the US in June and early July with Chimaira and Soilent Green. In April 2008, 27 seven dates were announced.[25]
Dethklok performed at Heavy MTL on June 21, 2008. They then toured with Chimaira and Soilent Green during June and July 2008. During the June 5, 2008, show at The Fillmore in San Francisco, an electrical fire broke out during Soilent Green's set. Attendees were hesitant to leave the building thinking that it was part of the show (in their fictional universe, Dethklok is infamous for causing disasters that result in deaths), which created a dangerous situation, but they soon realized that the fire was real and evacuated and the concert was rescheduled.[26][27]
Small on stage in 2008
Dethklok toured with co-headliner Mastodon, High on Fire, and Converge during October and November 2009. The band performed in San Bernardino on July 9, 2011, at the Mayhem Festival in place of Megadeth. Dethklok played a free show at San Diego Comic Con on July 13, 2012, on the USS Midway.[28] Dethklok was scheduled to play in Toronto, Ontario at the Heavy T.O. festival on August 11, 2012,[29] and also in Montreal, QC at Heavy MTL Festival on August 12, 2012;[30] however, Dethklok's appearances at both festivals were cancelled. Dethklok was also scheduled to play the main stage for both days of Knotfest on August 17 and 18, 2012;[31] however, Dethklok's appearance was cancelled. The band was scheduled to co-headline a tour in North America with Lamb of God (with special guest Gojira) in August 2012;[32] this tour was cancelled due to bail hearings at the time for Randy Blythe in the Czech Republic.[33]
Dethklok performed at Festival Supreme on October 25, 2014, in Los Angeles, California.[35] Dethklok then performed at Adult Swim Festival 2019.[10] Dethklok, afterwards, went on to play the Adult Swim Festival 2022. [36] The band then went on to tour in North America, in support of Dethalbum IV, with Babymetal and Jason Richardson from August to October 2023.[37]
In the spring of 2024, Dethklok headlined the "Mutilation on a Spring Night" tour, running from early April to early May in the United States. Support on the tour was provided by DragonForce and Nekrogoblikon.[38]
Dethklok received the award for best international band during the 2009 Revolver Golden God Awards.[39] A clip of the band's acceptance speech was played after they were announced as the recipients. They were presented the award by Chuck Billy, best known for his work as the vocalist for the thrash metal band Testament.[40][41] In 2013, Dethalbum III won an Independent Music Award for Best Metal/Hardcore Album.[42]
This disambiguation page lists articles associated with the title Usher. If an internal link led you here, you may wish to change the link to point directly to the intended article.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Double rainbow and supernumerary rainbows on the inside of the primary arc. The shadow of the photographer's head at the bottom of the photograph marks the centre of the rainbow circle (the antisolar point).
A rainbow is an optical phenomenon caused by refraction, internal reflection and dispersion of light in water droplets resulting in a continuous spectrum of light appearing in the sky.[1] The rainbow takes the form of a multicoloured circular arc.[2] Rainbows caused by sunlight always appear in the section of sky directly opposite the Sun. Rainbows can be caused by many forms of airborne water. These include not only rain, but also mist, spray, and airborne dew.
Rainbows can be full circles. However, the observer normally sees only an arc formed by illuminated droplets above the ground,[3] and centered on a line from the Sun to the observer's eye.
In a primary rainbow, the arc shows red on the outer part and violet on the inner side. This rainbow is caused by light being refracted when entering a droplet of water, then reflected inside on the back of the droplet and refracted again when leaving it.
In a double rainbow, a second arc is seen outside the primary arc, and has the order of its colours reversed, with red on the inner side of the arc. This is caused by the light being reflected twice on the inside of the droplet before leaving it.
Rainbows can be observed whenever there are water drops in the air and sunlight shining from behind the observer at a low altitude angle. Because of this, rainbows are usually seen in the western sky during the morning and in the eastern sky during the early evening. The most spectacular rainbow displays happen when half the sky is still dark with raining clouds and the observer is at a spot with clear sky in the direction of the Sun. The result is a luminous rainbow that contrasts with the darkened background. During such good visibility conditions, the larger but fainter secondary rainbow is often visible. It appears about 10° outside of the primary rainbow, with inverse order of colours.
The rainbow effect is also commonly seen near waterfalls or fountains. In addition, the effect can be artificially created by dispersing water droplets into the air during a sunny day. Rarely, a moonbow, lunar rainbow or nighttime rainbow, can be seen on strongly moonlit nights. As human visual perception for colour is poor in low light, moonbows are often perceived to be white.[4]
It is difficult to photograph the complete semicircle of a rainbow in one frame, as this would require an angle of view of 84°. For a 35 mm camera, a wide-angle lens with a focal length of 19 mm or less would be required. Now that software for stitching several images into a panorama is available, images of the entire arc and even secondary arcs can be created fairly easily from a series of overlapping frames.
From above the Earth such as in an aeroplane, it is sometimes possible to see a rainbow as a full circle. This phenomenon can be confused with the glory phenomenon, but a glory is usually much smaller, covering only 5–20°.
The sky inside a primary rainbow is brighter than the sky outside of the bow. This is because each raindrop is a sphere and it scatters light over an entire circular disc in the sky. The radius of the disc depends on the wavelength of light, with red light being scattered over a larger angle than blue light. Over most of the disc, scattered light at all wavelengths overlaps, resulting in white light which brightens the sky. At the edge, the wavelength dependence of the scattering gives rise to the rainbow.[5]
The light of a primary rainbow arc is 96% polarised tangential to the arc.[6] The light of the second arc is 90% polarised.
Number of colours in a spectrum or a rainbow[edit]
For colours seen by the human eye, the most commonly cited and remembered sequence is Isaac Newton's sevenfold red, orange, yellow, green, blue, indigo and violet,[7][a] remembered by the mnemonicRichard Of York Gave Battle In Vain, or as the name of a fictional person (Roy G. Biv). The initialism is sometimes referred to in reverse order, as VIBGYOR. More modernly, the rainbow is often divided into red, orange, yellow, green, cyan, blue and violet.[9] The apparent discreteness of main colours is an artefact of human perception and the exact number of main colours is a somewhat arbitrary choice.
Newton, who admitted his eyes were not very critical in distinguishing colours,[10] originally (1672) divided the spectrum into five main colours: red, yellow, green, blue and violet. Later he included orange and indigo, giving seven main colours by analogy to the number of notes in a musical scale.[7][b][11] Newton chose to divide the visible spectrum into seven colours out of a belief derived from the beliefs of the ancient Greeksophists, who thought there was a connection between the colours, the musical notes, the known objects in the Solar System, and the days of the week.[12][13] Scholars have noted that what Newton regarded at the time as "blue" would today be regarded as cyan, and what Newton called "indigo" would today be considered blue.[8][9][14]
Newton's first colours
Red
Yellow
Green
Blue
Violet
Newton's later colours
Red
Orange
Yellow
Green
Blue
Indigo
Violet
Modern colours
Red
Orange
Yellow
Green
Cyan
Blue
Violet
The colour pattern of a rainbow is different from a spectrum, and the colours are less saturated. There is spectral smearing in a rainbow owing to the fact that for any particular wavelength, there is a distribution of exit angles, rather than a single unvarying angle.[15] In addition, a rainbow is a blurred version of the bow obtained from a point source, because the disk diameter of the sun (0.5°) cannot be neglected compared to the width of a rainbow (2°). Further red of the first supplementary rainbow overlaps the violet of the primary rainbow, so rather than the final colour being a variant of spectral violet, it is actually a purple. The number of colour bands of a rainbow may therefore be different from the number of bands in a spectrum, especially if the droplets are particularly large or small. Therefore, the number of colours of a rainbow is variable. If, however, the word rainbow is used inaccurately to mean spectrum, it is the number of main colours in the spectrum.
Moreover, rainbows have bands beyond red and violet in the respective near infrared and ultraviolet regions, however, these bands are not visible to humans. Only near frequencies of these regions to the visible spectrum are included in rainbows, since water and air become increasingly opaque to these frequencies, scattering the light. The UV band is sometimes visible to cameras using black and white film.[16]
The question of whether everyone sees seven colours in a rainbow is related to the idea of linguistic relativity. Suggestions have been made that there is universality in the way that a rainbow is perceived.[17][18] However, more recent research suggests that the number of distinct colours observed and what these are called depend on the language that one uses, with people whose language has fewer colour words seeing fewer discrete colour bands.[19]
Light rays enter a raindrop from one direction (typically a straight line from the Sun), reflect off the back of the raindrop, and fan out as they leave the raindrop. The light leaving the rainbow is spread over a wide angle, with a maximum intensity at the angles 40.89–42°. (Note: Between 2 and 100% of the light is reflected at each of the three surfaces encountered, depending on the angle of incidence. This diagram only shows the paths relevant to the rainbow.)
White light separates into different colours on entering the raindrop due to dispersion, causing red light to be refracted less than blue light.
When sunlight encounters a raindrop, part of the light is reflected and the rest enters the raindrop. The light is refracted at the surface of the raindrop. When this light hits the back of the raindrop, some of it is reflected off the back. When the internally reflected light reaches the surface again, once more some is internally reflected and some is refracted as it exits the drop. (The light that reflects off the drop, exits from the back, or continues to bounce around inside the drop after the second encounter with the surface, is not relevant to the formation of the primary rainbow.) The overall effect is that part of the incoming light is reflected back over the range of 0° to 42°, with the most intense light at 42°.[20] This angle is independent of the size of the drop, but does depend on its refractive index. Seawater has a higher refractive index than rain water, so the radius of a "rainbow" in sea spray is smaller than that of a true rainbow. This is visible to the naked eye by a misalignment of these bows.[21]
The reason the returning light is most intense at about 42° is that this is a turning point – light hitting the outermost ring of the drop gets returned at less than 42°, as does the light hitting the drop nearer to its centre. There is a circular band of light that all gets returned right around 42°. If the Sun were a laser emitting parallel, monochromatic rays, then the luminance (brightness) of the bow would tend toward infinity at this angle if interference effects are ignored (see Caustic (optics)). But since the Sun's luminance is finite and its rays are not all parallel (it covers about half a degree of the sky) the luminance does not go to infinity. Furthermore, the amount by which light is refracted depends upon its wavelength, and hence its colour. This effect is called dispersion. Blue light (shorter wavelength) is refracted at a greater angle than red light, but due to the reflection of light rays from the back of the droplet, the blue light emerges from the droplet at a smaller angle to the original incident white light ray than the red light. Due to this angle, blue is seen on the inside of the arc of the primary rainbow, and red on the outside. The result of this is not only to give different colours to different parts of the rainbow, but also to diminish the brightness. (A "rainbow" formed by droplets of a liquid with no dispersion would be white, but brighter than a normal rainbow.)
The light at the back of the raindrop does not undergo total internal reflection, and most of the light emerges from the back. However, light coming out the back of the raindrop does not create a rainbow between the observer and the Sun because spectra emitted from the back of the raindrop do not have a maximum of intensity, as the other visible rainbows do, and thus the colours blend together rather than forming a rainbow.[22]
A rainbow does not exist at one particular location. Many rainbows exist; however, only one can be seen depending on the particular observer's viewpoint as droplets of light illuminated by the sun. All raindrops refract and reflect the sunlight in the same way, but only the light from some raindrops reaches the observer's eye. This light is what constitutes the rainbow for that observer. The whole system composed by the Sun's rays, the observer's head, and the (spherical) water drops has an axial symmetry around the axis through the observer's head and parallel to the Sun's rays. The rainbow is curved because the set of all the raindrops that have the right angle between the observer, the drop, and the Sun, lie on a cone pointing at the sun with the observer at the tip. The base of the cone forms a circle at an angle of 40–42° to the line between the observer's head and their shadow but 50% or more of the circle is below the horizon, unless the observer is sufficiently far above the earth's surface to see it all, for example in an aeroplane (see below).[23][24] Alternatively, an observer with the right vantage point may see the full circle in a fountain or waterfall spray.[25]
It is possible to determine the perceived angle which the rainbow subtends as follows.[26]
Given a spherical raindrop, and defining the perceived angle of the rainbow as 2φ, and the angle of the internal reflection as 2β, then the angle of incidence of the Sun's rays with respect to the drop's surface normal is 2β − φ. Since the angle of refraction is β, Snell's law gives us
sin(2β − φ) = n sin β,
where n = 1.333 is the refractive index of water. Solving for φ, we get
φ = 2β − arcsin(n sin β).
The rainbow will occur where the angle φ is maximum with respect to the angle β. Therefore, from calculus, we can set dφ/dβ = 0, and solve for β, which yields
Substituting back into the earlier equation for φ yields 2φmax ≈ 42° as the radius angle of the rainbow.
For red light (wavelength 750nm, n = 1.330 based on the dispersion relation of water), the radius angle is 42.5°; for blue light (wavelength 350nm, n = 1.343), the radius angle is 40.6°.
"Double rainbow" redirects here. For other uses, see Double Rainbow.
Double rainbow with Alexander's band visible between the primary and secondary bows. Also note the pronounced supernumerary bows inside the primary bow.
A secondary rainbow, at a greater angle than the primary rainbow, is often visible. The term double rainbow is used when both the primary and secondary rainbows are visible. In theory, all rainbows are double rainbows, but since the secondary bow is always fainter than the primary, it may be too weak to spot in practice.
Secondary rainbows are caused by a double reflection of sunlight inside the water droplets. Technically the secondary bow is centred on the sun itself, but since its angular size is more than 90° (about 127° for violet to 130° for red), it is seen on the same side of the sky as the primary rainbow, about 10° outside it at an apparent angle of 50–53°. As a result of the "inside" of the secondary bow being "up" to the observer, the colours appear reversed compared to those of the primary bow.
The secondary rainbow is fainter than the primary because more light escapes from two reflections compared to one and because the rainbow itself is spread over a greater area of the sky. Each rainbow reflects white light inside its coloured bands, but that is "down" for the primary and "up" for the secondary.[27] The dark area of unlit sky lying between the primary and secondary bows is called Alexander's band, after Alexander of Aphrodisias, who first described it.[28]
Unlike a double rainbow that consists of two separate and concentric rainbow arcs, the very rare twinned rainbow appears as two rainbow arcs that split from a single base.[29] The colours in the second bow, rather than reversing as in a secondary rainbow, appear in the same order as the primary rainbow. A "normal" secondary rainbow may be present as well. Twinned rainbows can look similar to, but should not be confused with supernumerary bands. The two phenomena may be told apart by their difference in colour profile: supernumerary bands consist of subdued pastel hues (mainly pink, purple and green), while the twinned rainbow shows the same spectrum as a regular rainbow.
The cause of a twinned rainbow is believed to be the combination of different sizes of water drops falling from the sky. Due to air resistance, raindrops flatten as they fall, and flattening is more prominent in larger water drops. When two rain showers with different-sized raindrops combine, they each produce slightly different rainbows which may combine and form a twinned rainbow.[30]
A numerical ray tracing study showed that a twinned rainbow on a photo could be explained by a mixture of 0.40 and 0.45 mm droplets. That small difference in droplet size resulted in a small difference in flattening of the droplet shape, and a large difference in flattening of the rainbow top.[31]
Meanwhile, the even rarer case of a rainbow split into three branches was observed and photographed in nature.[32]
In theory, every rainbow is a circle, but from the ground, usually only its upper half can be seen. Since the rainbow's centre is diametrically opposed to the Sun's position in the sky, more of the circle comes into view as the sun approaches the horizon, meaning that the largest section of the circle normally seen is about 50% during sunset or sunrise. Viewing the rainbow's lower half requires the presence of water droplets below the observer's horizon, as well as sunlight that is able to reach them. These requirements are not usually met when the viewer is at ground level, either because droplets are absent in the required position, or because the sunlight is obstructed by the landscape behind the observer. From a high viewpoint such as a high building or an aircraft, however, the requirements can be met and the full-circle rainbow can be seen.[33][34] Like a partial rainbow, the circular rainbow can have a secondary bow or supernumerary bows as well.[35] It is possible to produce the full circle when standing on the ground, for example by spraying a water mist from a garden hose while facing away from the sun.[36]
A circular rainbow should not be confused with the glory, which is much smaller in diameter and is created by different optical processes. In the right circumstances, a glory and a (circular) rainbow or fog bow can occur together. Another atmospheric phenomenon that may be mistaken for a "circular rainbow" is the 22° halo, which is caused by ice crystals rather than liquid water droplets, and is located around the Sun (or Moon), not opposite it.
High dynamic range photograph of a rainbow with additional supernumerary bands inside the primary bow
In certain circumstances, one or several narrow, faintly coloured bands can be seen bordering the violet edge of a rainbow; i.e., inside the primary bow or, much more rarely, outside the secondary. These extra bands are called supernumerary rainbows or supernumerary bands; together with the rainbow itself the phenomenon is also known as a stacker rainbow. The supernumerary bows are slightly detached from the main bow, become successively fainter along with their distance from it, and have pastel colours (consisting mainly of pink, purple and green hues) rather than the usual spectrum pattern.[37] The effect becomes apparent when water droplets are involved that have a diameter of about 1 mm or less; the smaller the droplets are, the broader the supernumerary bands become, and the less saturated their colours.[38] Due to their origin in small droplets, supernumerary bands tend to be particularly prominent in fogbows.[39]
Supernumerary rainbows cannot be explained using classical geometric optics. The alternating faint bands are caused by interference between rays of light following slightly different paths with slightly varying lengths within the raindrops. Some rays are in phase, reinforcing each other through constructive interference, creating a bright band; others are out of phase by up to half a wavelength, cancelling each other out through destructive interference, and creating a gap. Given the different angles of refraction for rays of different colours, the patterns of interference are slightly different for rays of different colours, so each bright band is differentiated in colour, creating a miniature rainbow. Supernumerary rainbows are clearest when raindrops are small and of uniform size. The very existence of supernumerary rainbows was historically a first indication of the wave nature of light, and the first explanation was provided by Thomas Young in 1804.[40]
Reflection rainbow (top) and normal rainbow (bottom) at sunset
When a rainbow appears above a body of water, two complementary mirror bows may be seen below and above the horizon, originating from different light paths. Their names are slightly different.
A reflected rainbow may appear in the water surface below the horizon.[41] The sunlight is first deflected by the raindrops, and then reflected off the body of water, before reaching the observer. The reflected rainbow is frequently visible, at least partially, even in small puddles.
A reflection rainbow may be produced where sunlight reflects off a body of water before reaching the raindrops, if the water body is large, quiet over its entire surface, and close to the rain curtain. The reflection rainbow appears above the horizon. It intersects the normal rainbow at the horizon, and its arc reaches higher in the sky, with its centre as high above the horizon as the normal rainbow's centre is below it. Reflection bows are usually brightest when the sun is low because at that time its light is most strongly reflected from water surfaces. As the sun gets lower the normal and reflection bows are drawn closer together. Due to the combination of requirements, a reflection rainbow is rarely visible.
Up to eight separate bows may be distinguished if the reflected and reflection rainbows happen to occur simultaneously: the normal (non-reflection) primary and secondary bows above the horizon (1, 2) with their reflected counterparts below it (3, 4), and the reflection primary and secondary bows above the horizon (5, 6) with their reflected counterparts below it (7, 8).[42][43]
Occasionally a shower may happen at sunrise or sunset, where the shorter wavelengths like blue and green have been scattered and essentially removed from the spectrum. Further scattering may occur due to the rain, and the result can be the rare and dramatic monochrome or red rainbow.[44]
In addition to the common primary and secondary rainbows, it is also possible for rainbows of higher orders to form. The order of a rainbow is determined by the number of light reflections inside the water droplets that create it: One reflection results in the first-order or primary rainbow; two reflections create the second-order or secondary rainbow. More internal reflections cause bows of higher orders—theoretically unto infinity.[45] As more and more light is lost with each internal reflection, however, each subsequent bow becomes progressively dimmer and therefore increasingly difficult to spot. An additional challenge in observing the third-order (or tertiary) and fourth-order (quaternary) rainbows is their location in the direction of the sun (about 40° and 45° from the sun, respectively), causing them to become drowned in its glare.[46]
For these reasons, naturally occurring rainbows of an order higher than 2 are rarely visible to the naked eye. Nevertheless, sightings of the third-order bow in nature have been reported, and in 2011 it was photographed definitively for the first time.[47][48] Shortly after, the fourth-order rainbow was photographed as well,[49][50] and in 2014 the first ever pictures of the fifth-order (or quinary) rainbow were published.[51] The quinary rainbow lies partially in the gap between the primary and secondary rainbows and is far fainter than even the secondary. In a laboratory setting, it is possible to create bows of much higher orders. Felix Billet (1808–1882) depicted angular positions up to the 19th-order rainbow, a pattern he called a "rose of rainbows".[52][53][54] In the laboratory, it is possible to observe higher-order rainbows by using extremely bright and well collimated light produced by lasers. Up to the 200th-order rainbow was reported by Ng et al. in 1998 using a similar method but an argon ion laser beam.[55]
Tertiary and quaternary rainbows should not be confused with "triple" and "quadruple" rainbows—terms sometimes erroneously used to refer to the (much more common) supernumerary bows and reflection rainbows.
Like most atmospheric optical phenomena, rainbows can be caused by light from the Sun, but also from the Moon. In case of the latter, the rainbow is referred to as a lunar rainbow or moonbow. They are much dimmer and rarer than solar rainbows, requiring the Moon to be near-full in order for them to be seen. For the same reason, moonbows are often perceived as white and may be thought of as monochrome. The full spectrum is present, however, but the human eye is not normally sensitive enough to see the colours. Long exposure photographs will sometimes show the colour in this type of rainbow.[56]
Fogbows form in the same way as rainbows, but they are formed by much smaller cloud and fog droplets that diffract light extensively. They are almost white with faint reds on the outside and blues inside; often one or more broad supernumerary bands can be discerned inside the inner edge. The colours are dim because the bow in each colour is very broad and the colours overlap. Fogbows are commonly seen over water when air in contact with the cooler water is chilled, but they can be found anywhere if the fog is thin enough for the sun to shine through and the sun is fairly bright. They are very large—almost as big as a rainbow and much broader. They sometimes appear with a glory at the bow's centre.[57]
Fog bows should not be confused with ice halos, which are very common around the world and visible much more often than rainbows (of any order),[58] yet are unrelated to rainbows.
Monochrome sleetbow captured during the early morning on 7 January 2016 in Valparaiso, Indiana.
A sleetbow forms in the same way as a typical rainbow, with the exception that it occurs when light passes through falling sleet (ice pellets) instead of liquid water. As light passes through the sleet, the light is refracted causing the rare phenomena. These have been documented across United States with the earliest publicly documented and photographed sleetbow being seen in Richmond, Virginia on 21 December 2012.[59] Just like regular rainbows, these can also come in various forms, with a monochrome sleetbow being documented on 7 January 2016 in Valparaiso, Indiana.[citation needed]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
The name "Ghibli" was chosen by Miyazaki from the Italian noun ghibli (also used in English), the nickname of Italy's Saharan scouting plane Caproni Ca.309, in turn derived from the Italianization of the Libyan Arabic name for a hot desert wind (قبليqibliyy). The name was chosen by Miyazaki due to his passion for aircraft and also for the idea that the studio would "blow a new wind through the anime industry".[11][12] Although the Italian word would be more accurately transliterated as "Giburi" (ギブリ), with a hard g sound, the studio's name is written in Japanese as Jiburi (ジブリ, [dʑiꜜbɯɾi]ⓘ).[11]
The studio was founded after the success of the 1984 film Nausicaä of the Valley of the Wind. Suzuki was part of the film's production team, and founded Studio Ghibli with Miyazaki, who also invited Takahata to join them.[14][15][16]
The studio has mainly produced films by Miyazaki, with the second most prolific director being Takahata (most notably with Grave of the Fireflies). Other directors who have worked with Studio Ghibli include Yoshifumi Kondō, Hiroyuki Morita, Gorō Miyazaki, and Hiromasa Yonebayashi. Composer Joe Hisaishi has provided the soundtracks for most of Miyazaki's Studio Ghibli films. In their book Anime Classics Zettai!, Brian Camp and Julie Davis made note of Michiyo Yasuda as "a mainstay of Studio Ghibli's extraordinary design and production team".[17] At one time the studio was based in Kichijōji, Musashino, Tokyo.[18]
In August 1996, The Walt Disney Company and Tokuma Shoten formed a partnership wherein Walt Disney Studios would be the sole international distributor for Tokuma Shoten's Studio Ghibli animated films.[19] Under this agreement, Disney also agreed to finance 10% of the studio's production costs.[20] Since then, all three of the aforementioned films by Miyazaki at Studio Ghibli that were previously dubbed by Streamline Pictures have been re-dubbed by Disney.[21] On June 1, 1997, Tokuma Shoten Publishing consolidated its media operations by merging Studio Ghibli, Tokuma Shoten Intermedia software and Tokuma International under one location.[22]
Over the years, there has been a close relationship between Studio Ghibli and the magazine Animage, which regularly runs exclusive articles on the studio and its members in a section titled "Ghibli Notes". Artwork from Ghibli's films and other works are frequently featured on the cover of the magazine. Saeko Himuro's novel Umi ga Kikoeru was serialised in the magazine and subsequently adapted into Ocean Waves, Studio Ghibli's first animated feature-length film created for television. It was directed by Tomomi Mochizuki.[23]
In October 2001, the Ghibli Museum opened in Mitaka, Tokyo.[24] It contains exhibits based on Studio Ghibli films and shows animations, including a number of short Studio Ghibli films not available elsewhere.
The studio is also known for its strict "no-edits" policy in licensing their films abroad due to Nausicaä of the Valley of the Wind being heavily edited for the film's release in the United States as Warriors of the Wind.
Between 1999 and 2005, Studio Ghibli was a subsidiary brand of Tokuma Shoten; however, that partnership ended in April 2005, when Studio Ghibli was spun off from Tokuma Shoten and was re-established as an independent company with relocated headquarters.
On February 1, 2008, Toshio Suzuki stepped down from the position of Studio Ghibli president, which he had held since 2005, and Koji Hoshino (former president of Walt Disney Japan) took over. Suzuki said he wanted to improve films with his own hands as a producer, rather than demanding this from his employees. Suzuki decided to hand over the presidency to Hoshino because Hoshino has helped Studio Ghibli to sell its videos since 1996 and has also aided the release of the Princess Mononoke film in the United States.[25] Suzuki still serves on the company's board of directors.
On Sunday, September 1, 2013, Hayao Miyazaki held a press conference in Venice to confirm his retirement, saying: "I know I've said I would retire many times in the past. Many of you must think, 'Once again.' But this time I am quite serious."[27]
In 2013, a documentary directed by Mami Sunada called The Kingdom of Dreams and Madness (Japanese: 夢と狂気の王国, Hepburn: Yume to kyōki no ōkoku) was created delving into the lives of those working at Studio Ghibli and the productions of the animated films The Wind Rises and The Tale of the Princess Kaguya, including storyboard sketching, inking, painting, and voice actor selection for the films.[28]
In March 2014, Toshio Suzuki retired as producer and assumed the new position of general manager. Yoshiaki Nishimura replaced Suzuki in the producer role.[31]
On August 3, 2014, Toshio Suzuki announced that Studio Ghibli would take a "brief pause" to re-evaluate and restructure in the wake of Miyazaki's retirement. He stated some concerns about where the company would go in the future.[32][33][34][35] This led to speculation that Studio Ghibli will never produce another feature film again. On November 7, 2014, Miyazaki stated, "That was not my intention, though. All I did was announce that I would be retiring and not making any more features."[36] Lead producer Yoshiaki Nishimura among several other staffers from Ghibli, such as director Hiromasa Yonebayashi, left to found Studio Ponoc in April 2015, working on the film Mary and the Witch's Flower.
In February 2017, Toshio Suzuki announced that Hayao Miyazaki had come out of retirement to direct a new feature film with Studio Ghibli.[38]
On November 28, 2017, Koji Hoshino stepped down as president; he was replaced by Kiyofumi Nakajima (former Ghibli Museum director). Hoshino was then appointed as Chairman of Studio Ghibli.[39][40]
In May 2020, Toshio Suzuki confirmed that a new film from Gorō Miyazaki is in development at Studio Ghibli. On June 3, 2020, Studio Ghibli announced that the film would be an adaptation of the novel Earwig and the Witch by Diana Wynne Jones. The film was announced as the first full 3D CG animated Ghibli film and slated for a television premiere on NHK in late 2020.[41] The company had a net income of ¥1.253 billion, and a total asset worth ¥24.521 billion by August 2021.[42]
On November 1, 2022, the Studio Ghibli themed amusement park Ghibli Park opened.[43]
On April 4, 2023, Koji Hoshino announced that he had stepped down as chairman, and would serve as a representative director before planning to exit Studio Ghibli completely during the company's annual general shareholder's meeting in June, one month prior to the release of director Hayao Miyazaki's final movie The Boy and the Heron on July 14. He also announced that Toshio Suzuki would be replacing Kiyofumi Nakajima as president of Studio Ghibli, assuming the role for the first time since 2008, while Nakajima would continue to serve as a director.[44] This change of management came about amidst reports that Suzuki had allegedly been mismanaging company funds by directing them towards his girlfriend's failed business ventures. This reportedly created tension between Suzuki and Hoshino, with the latter reportedly citing it as a long-term internal problem at the company since the couple met in 2013 and was the reason for his planned departure from the company, although a spokesperson for Studio Ghibli in a statement to Variety denied that Hoshino's departure had anything to do with these reports.[45][46][47] The source of the allegations came from the tabloid paper, Shūkan Josei and was not corroborated by the mainstream media in Japan.[48]
In October 2023, the studio became a subsidiary of Nippon Television Holdings, Inc.. Studio Ghibli's leadership transitioned to Hiroyuki Fukuda, a senior executive at NTV. Toshio Suzuki became Chairman and Hayao Miyazaki became Honorary Chairman. Nippon TV acquired a 42.3% stake in Studio Ghibli. The decision was driven by the advanced ages of Miyazaki and Suzuki, aged 82 and 75, respectively. The studio had considered Miyazaki's son, Goro Miyazaki, as a successor but opted for external leadership due to concerns and Goro's reluctance. NTV started to handle management, allowing Studio Ghibli to focus on creative endeavors.[49][50] The takeover took effect on October 6.[51]
Before the Disney deal, Tokuma Shoten released Ghibli movies themselves through their "Animage Video" imprint, as well as all Laserdisc releases of the movies, as the Disney deal did not include that format.
After purchasing the global distribution rights from World Film Corporation,[55]Manson International and Showmen, Inc. produced a 95-minute English dub of Nausicaä of the Valley of the Wind, titled Warriors of the Wind,[56] which was released theatrically in the United States by New World Pictures on June 14, 1985, followed by a VHS release in December 1985.[57][58] The voice actors and actresses were not credited, and the film was heavily edited to give it a faster pace.[59] The film received a PG rating just like Disney's later English dub.[60] By removing several of the longer dialogue scenes, some of the environmentalist themes were simplified as was the main subplot of the Ohmu, altered to remove Nausicaä's childhood connection to them.[61] Most of the characters' names were changed, including the titular character who became Princess Zandra. The North American poster and VHS cover featured a cadre of male characters who are not in the film, riding the resurrected God Warrior—including a still-living Warrior shown briefly in a flashback. Overall, approximately 22 minutes was cut for North American release.[60]Warriors of the Wind also prompted Miyazaki to allow translator Toren Smith of Studio Proteus to create an official, faithful translation of the Nausicaä manga for Viz Media.[62]
In the late 1980s, an English dub of Castle in the Sky was produced for international Japan Airlines flights at the request of Tokuma Shoten. The Castle dub was briefly screened in the United States by Streamline Pictures. Carl Macek, the head of Streamline, was disappointed with this dub, deeming it "adequate, but clumsy".[63] Following this, Tokuma allowed Streamline to dub their future acquisitions My Neighbor Totoro and Kiki's Delivery Service. In April 1993, Troma Films, under their 50th St. Films banner, distributed the Totoro dub as a theatrical release, and the dub was later released onto VHS and eventually onto DVD by 20th Century Fox Home Entertainment. In the early 1990s, an English dub of Porco Rosso was produced by an unknown company, again for international Japan Airlines flights. The original dubs can be seen on the 1996 Ghibli ga Ippai Laserdisc set, and on the initial copies for the Japanese DVD releases of Totoro, Laputa and Porco.
In 1996, Walt Disney Studios acquired worldwide distribution rights to the Studio Ghibli library, with Disney redubbing all previously dubbed films.[19][64] In addition, Walt Disney Studios Japan agreed to contribute 10% of the funding for all future releases, starting with My Neighbors the Yamadas, in exchange for right of first refusal regarding international distribution.[20] Disney continues with this practice to this day, even extending it to the works of Studio Ponoc and to co-productions like The Red Turtle in Japan. It reportedly took four years for Disney and Studio Ghibli to reach a distribution deal. Originally, the Ghibli films were meant to headline a line of videos called Animation Celebration, highlighting critically acclaimed animated films from around the world. These plans never materialized in full, but the Animation Celebration logo can be seen on Disney's original VHS release of Kiki's Delivery Service. During Disney's tenure, the studio produced the English dubs and released 15 of Ghibli's films, plus Nausicaä of the Valley of the Wind, through the Walt Disney Pictures, Buena Vista Home Video, Miramax and Touchstone Pictures banners.[65]
Disney and Ghibli have also selectively chosen not to promote and record an English-dubbed version for films and works deemed less internationally marketable, including some of Takahata's more developmental and obscure pieces.[66] Although the Studio has a "No cuts" policy in terms of international versions and dubs, this does not apply to promotional posters, etc., for which the film makers collaborate with Disney to produce cultural appropriate international versions. The Studio has not shied away from slight rebranding on the international stage in order to convey slightly tweaked promotional imagery for different cultural norms. One example of these slight tweaks to international promotional materials can be seen between the Japanese and English versions of the movie poster for Spirited Away (2001). For American and other English-speaking audiences, the name of the film was changed from the Japanese version, which directly translates roughly to, "The Disappearance of Chihiro and Sen", to Spirited Away to suggest more mystical, otherworldly themes, since the direct Japanese translation could be taken to mean that Chihiro/Sen disappeared due to some more dangerous reason. On the American movie poster, more pictures of spirits from the film were added to the background to further pique the viewer's interest with more supernatural themes, creating an association between the pictures spirits and what most American people would think of as "ghosts". For the Japanese poster, there are fewer spirits as the Japanese Shinto religion normalizes the existence of spirits, so less emphasis is needed to convey the importance of non-human spirits. Also, Disney enlarged the "Studio Ghibli" and "Hayao Miyazaki" labels on the poster, helping to bring greater awareness to the studio through the success of Spirited Away.[67]
In 2011, GKIDS acquired the North American theatrical distribution rights of the aforementioned Ghibli films, with Walt Disney Studios Home Entertainment retaining the home video rights.[68] Afterwar
.jpg)
.png)
.jpg)
.jpg)
