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Banksy | |
|---|---|
 Banksy art on Brick Lane, East End of London, 2004 | |
| Born | |
| Known for | Street art |
| Website | |
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation.[2] Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world.[3] His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians.[4] Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.[5]
Banksy displays his art on publicly visible surfaces such as walls and self-built physical prop pieces. He no longer sells photographs or reproductions of his street graffiti, but his public "installations" are regularly resold, often even by removing the wall on which they were painted.[6] Much of his work can be classified as temporary art.[7] A small number of his works are officially, non-publicly, sold through an agency he created called Pest Control.[8] Banksy's documentary film Exit Through the Gift Shop (2010) made its debut at the 2010 Sundance Film Festival.[9] In January 2011, he was nominated for the Academy Award for Best Documentary Feature for the film.[10] In 2014, he was awarded Person of the Year at the 2014 Webby Awards.[11]
Identity[edit]
Banksy's name and identity remain unconfirmed and the subject of speculation. In a 2003 interview with Simon Hattenstone of The Guardian, Banksy is described as "white, 28, scruffy casual—jeans, T-shirt, a silver tooth, silver chain and silver earring. He looks like a cross between Jimmy Nail and Mike Skinner of The Streets."[12] An ITV News segment of 2003 featured a short interview with someone identified in the reporting as Banksy.[13] Banksy began as an artist at the age of 14, was expelled from school, and served time in prison for petty crime. According to Hattenstone, "anonymity is vital to him because graffiti is illegal".[12] Banksy reportedly lived in Easton, Bristol, during the late 1990s, before moving to London around 2000.[14][15][16]
In an interview with the BBC in 2003, which was rediscovered in November 2023, reporter Nigel Wrench asked if Banksy is called Robert Banks; Banksy responded that his forename is Robbie.[17] The Mail on Sunday claimed in 2008 that Banksy is Robin Gunningham,[18] born on 28 July 1974 in Yate, 12 miles (19 km) from Bristol.[19][20][14] Several of Gunningham's associates and former schoolmates at Bristol Cathedral School have corroborated this, and, in 2016, a study by researchers at the Queen Mary University of London using geographic profiling found that the incidence of Banksy's works correlated with the known movements of Gunningham.[21][22][23][24] According to The Sunday Times, Gunningham began employing the name Robin Banks, which eventually became Banksy. Two cassette sleeves featuring his art work from 1993, for the Bristol band Mother Samosa, exist with his signature.[25] In June 2017, DJ Goldie referred to Banksy as "Rob" in an interview for a podcast.[26]
Other speculations on Banksy's identity include the following:
- Robert Del Naja (also known as 3D), a member of the trip hop band Massive Attack, had been a graffiti artist during the 1980s prior to forming the band, and was previously identified as a personal friend of Banksy.[27][28]
- In 2020, users on Twitter began to speculate that former Art Attack presenter Neil Buchanan was Banksy. This was denied by Buchanan's publicist.[29]
- In 2022, Billy Gannon, a local councillor in Pembroke Dock was rumoured to be Banksy. He subsequently resigned because the speculation was affecting his ability to carry out the duties of a councillor. "I'm being asked to prove who I am not, and the person that I am not may not exist," he said. "I mean, how am I supposed to prove that I'm not somebody who doesn't exist? Just how do you do that?"[30]
In October 2014, an internet hoax circulated that Banksy had been arrested and his identity revealed.[31]
Career[edit]
Early career (1990–2001)[edit]
Banksy started as a freehand graffiti artist in 1990–1994[33] as one of Bristol's DryBreadZ Crew (DBZ), with two other artists known as Kato and Tes.[34] He was inspired by local artists and his work was part of the larger Bristol underground scene with Nick Walker, Inkie and 3D.[35][36] During this time he met Bristol photographer Steve Lazarides, who began selling Banksy's work, later becoming his agent.[37] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a work. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number[38] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[38] He was the goalkeeper for the Easton Cowboys and Cowgirls football team in the 1990s, and toured with the club to Mexico in 2001.[39] Banksy's first known large wall mural was The Mild Mild West painted in 1997 to cover advertising of a former solicitors' office on Stokes Croft in Bristol. It depicts a teddy bear lobbing a Molotov cocktail at three riot police.[40]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist, or anti-establishment. Subjects often include rats, apes, policemen, soldiers, children, and the elderly.[citation needed]
Exhibitions (2002–2003)[edit]
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 331⁄3 Gallery, a tiny Silver Lake venue owned by Frank Sosa and was on view until 18 August.[41][42] The exhibition, entitled Existencilism, "an Exhibition of Art, Lies and Deviousness" was curated by 331⁄3 Gallery, Malathion LA's Chris Vargas, Funk Lazy Promotions' Grace Jehan, and B+.[43] The flyer of the exhibition indicates an opening reception was followed by a performance by Money Mark with DJ's Jun, AL Jackson, Rhettmatic, J.Rocc, and Coleman.[41] Some of the paintings exhibited included Smiley Copper H (2002), Leopard and Barcode (2002), Bomb Hugger (2002), and Love Is in the Air (2002).[42][44]
In 2003, at an exhibition called Turf War, held in a London warehouse, Banksy painted on animals. At the time he gave one of his very few interviews, to the BBC's Nigel Wrench.[45] Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[46] An example of his subverted paintings is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the café. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[47]
Banksy, along with Shepard Fairey, Dmote, and others, created work at a warehouse exhibition in Alexandria, Sydney, for Semi-Permanent in 2003. Approximately 1,500 people attended.
£10 notes to Barely Legal (2004–2006)[edit]
In August 2004, Banksy produced a quantity of spoof British £10 notes[48] replacing the picture of the Queen's head with Diana, Princess of Wales's head and changing the text "Bank of England" to "Banksy of England". Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay. A wad of the notes was also thrown over a fence and into the crowd near the NME signing tent at the Reading Festival. A limited run of 50 signed posters containing ten uncut notes was also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.[49]
The reproduction of images of the banknotes classifies as a criminal offence (s.18 Forgery and Counterfeiting Act 1981). In 2016, the American Numismatic Society received an email from a Reproductions Officer at the Bank of England, which brought attention to the illegality of publishing photos of the banknotes on their website without prior permission.[50] The Bank of England holds the copyright over all its banknotes.[51]
Also in 2004, Banksy created a limited edition screenprint titled Napalm (Can't Beat That Feeling). In the print, Banksy appropriated the image of Phan Thi Kim Phuc, a Vietnamese girl who appeared in the iconic 1972 photograph "The Terror of War" by Nick Ut. Napalm shows the image of Kim Phuc as seen in the original photo, but no longer within the tragic war setting. Instead, he situates the young girl against an empty background, still screaming, but now accompanied by Ronald McDonald and Mickey Mouse. The two characters hold her hands as they cheerfully gesture to an invisible audience, seemingly oblivious to the terrified girl. The image of Kim Phuc is flat, grainy and monochromatic; in most of the prints, Ronald McDonald and Mickey Mouse are yellow. In a few limited prints, the corporate characters wear pink or orange. Banksy produced 150 signed and 500 unsigned copies of Napalm.[52][53][54]
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on the Israeli West Bank wall.[55]
There are crimes that become innocent and even glorious through their splendour, number and excess.
Banksy[56]
Banksy held an exhibition called Barely Legal, billed as a "three-day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September 2006. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern, which, according to leaflets handed out at the exhibition, was intended to draw attention to the issue of world poverty. Although the Animal Services Department had issued a permit for the elephant, after complaints from animal rights activists, the elephant appeared unpainted on the final day. Its owners rejected claims of mistreatment and said that the elephant had done "many, many movies. She's used to makeup."[57] Banksy also made artwork displaying Queen Victoria as a lesbian and satirical pieces that incorporated art made by Andy Warhol and Leonardo da Vinci.[58]
Peter Gibson, a spokesman for Keep Britain Tidy, asserts that Banksy's work is simple vandalism.[59] Another official for the same organisation stated: "We are concerned that Banksy's street art glorifies what is essentially vandalism."[60]
Banksy effect (2006–2007)[edit]
After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[62] on 19 October 2006, a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated price. Their stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[63] In December, journalist Max Foster coined the phrase, "the Banksy effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[64]
On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for Bombing Middle England. Two of his other graffiti works, Girl with Balloon and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[65] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina with Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above price estimates.[66] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[60]
In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural that comes with a house attached.[67]
In April 2007, Transport for London painted over Banksy's image of a scene from Quentin Tarantino's film Pulp Fiction (1994), featuring Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the graffiti created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[68] Banksy painted the same site again and, initially, the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Sometime later, Banksy made a tribute artwork over this second Pulp Fiction work. The tribute was for 19-year-old British graffiti artist Ozone who, along with fellow artist Wants, was hit by an underground train in Barking, east London on 12 January 2007.[69] Banksy depicted an angel wearing a bullet-proof vest holding a skull. He also wrote a note on his website saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving handguns. A few weeks later a writer called Ozone completely dogged it and then wrote "If it's better next time I'll leave it" in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone—rest in peace.[70]
On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl and Bird fetching £288,000 (US$576,000) around 20 times the estimate at Bonhams of London.[71] On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award and continued with his anonymous status. On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[72][73] In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[74]
Banksy has published a "manifesto" on his website.[75] The text of the manifesto is credited as the diary entry of British Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been replaced with Graffiti Heroes No. 03, which describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis from imprisonment.[75] By 12 August 2009 he was relying on Emo Philips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn't work that way, so I stole one and prayed for forgiveness." A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.[76]
Banksy, who "is not represented by any of the commercial galleries that sell his work second hand (including Lazarides Ltd, Andipa Gallery, Bank Robber, Dreweatts, etc.)",[77] claims that the exhibition at Vanina Holasek Gallery in New York City (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of their paintings and prints.[78]
2008[edit]
In March, Nathan Wellard and Maev Neal, a couple from Norfolk, UK, made headlines in Britain when they decided to sell their mobile home that contains a 30-foot mural, entitled Fragile Silence, done by Banksy a decade prior to his rise to fame.[79] According to Nathan Wellard, Banksy had asked the couple if he could use the side of their home as a "large canvas", to which they agreed. In return for the "canvas", the Bristol stencil artist gave them two free tickets to the Glastonbury Festival. The mobile home purchased by the couple 11 years earlier for £1,000, was priced at £500,000.[80]
Also in March 2008, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[81]
In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[82]
A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting, depicting a hooded member of the Ku Klux Klan hanging from a noose, was quickly covered with black spray paint and later removed altogether.[83] His first official exhibition in New York City, The Village Pet Store and Charcoal Grill, opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[84]
The Westminster City Council stated in October 2008 that the work One Nation Under CCTV, painted in April 2008 would be painted over as it was graffiti. The council said it would remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art."[85] The work was painted over in April 2009. In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne, Australia, was destroyed. The image had been protected by a sheet of clear perspex; however, silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely obliterated.[86]
Banksy has also been long criticised for copying the work of Blek le Rat, who created the life-sized stencil technique in early 1980s Paris and used it to express a similar combination of political commentary and humorous imagery. Blek has praised Banksy for his contribution to urban art,[87] but said in an interview for the documentary Graffiti Wars that some of Banksy's more derivative work makes him "angry", saying that "It's difficult to find a technique and style in art so when you have a style and you see someone else is taking it and reproducing it, you don't like that."[88]
The Cans Festival (2008)[edit]
In London, over the weekend 3–5 May 2008, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else's.[89] Banksy invited artists from around the world to exhibit their works.[90]
2009[edit]
In May 2009, Banksy parted company with agent Steve Lazarides and announced that Pest Control,[91] the handling service who act on his behalf, would be the only point of sale for new works.
On 13 June 2009, the Banksy vs Bristol Museum show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[92][93] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[94] Over the course of the twelve weeks, the exhibition was visited over 300,000 times.[95]
In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "
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