This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Sin City is a series of neo-noircomics by American comic book writer-artist Frank Miller. The first story originally appeared in Dark Horse Presents Fifth Anniversary Special (April 1991), and continued in Dark Horse Presents #51–62 from May 1991 to June 1992, under the title of Sin City, serialized in thirteen parts. Several other stories of variable lengths have followed. The intertwining stories, with frequently recurring characters, take place in Basin City.
In a 2016 interview with the Kubert School, Miller explained his inspiration for Sin City thus:
I've been a fanatic for a long time for old crime movies and old crime novels. But it started with the movies. And the old Cagney movies. Bogart and all that. I loved just how the morals of the stories are. They're all about right and wrong. But in Sin City in particular I wanted them all to happen to in a world where virtuous behavior was rare, which greatly resembled the world I lived in. It's kinda like the old Rolling Stones song, where every cop's a criminal, and all the sinners are saints, where the lowlifes would often be heroic, and the most stridently beautiful and sweet women would be prostitutes. I wanted it to be a world out of balance, where virtue is defined by individuals in difficult situations, not by an overwhelming sense of goodness that was somehow governed by this godlike Comics Code.[2]
The film noir influence on the series' artwork[1][3][4][5] is seen in its use of shadow and stark backgrounds. Black and white are the sole colors most of the time, with exception of red, yellow, blue, and pink, of which limited use is made in some stories to draw attention to particular characters.[1][6]
Miller's Sin City work challenges some conventions of comic book form. The letters of onomatopoeic words like "blam" are often incorporated into scenes via lighting effects, or are suggested by the negative space between panels, or are created by the outline of the panels themselves. This is especially evident in early "yarns," such as The Hard Goodbye, which were more experimental.[9]
On April 28, 2022, it was officially announced that Miller was launching the comic book publishing company Frank Miller Presents (FMP), with one of his initial contributions being a Western tale set in Sin City's past, titled Sin City 1858.[10]
An example of Frank Miller's use of high contrasts in Sin City
Basin City, almost universally referred to by the nickname "Sin City", is a fictional town in the Western United States. The climate is hot and arid, although Sacred Oaks[clarification needed] is characterized as being heavily wooded. A major river runs through the city, which has an extensive waterfront. Usually twice a year, a major downpour comes, and the city is prone to heavy snowfall in the winter. Desert lizards and palm trees are common, while tar pits, desert areas, mountain ranges and flat farmland make up the landscape around the city.[citation needed]
The Basin City Police Department are more or less along the lines of paramilitary or SWAT, as they have to deal with incredibly high crime rates among criminals and civilians alike, which is why they have access to what most would consider "heavy weaponry" and full body armor. Those who make up the force have been described as commonly being lazy, cowardly and/or corrupt. Only a handful of the cops are honest, though frequently the wealthy of the city bribe the corrupt members of the police into performing their duty (usually as a result of some crime being committed or threatened against a member of their family).[citation needed]
During the California Gold Rush, the Roark family "imported" a large number of attractive women to keep the miners happy, making a fortune and turning a struggling mining camp into a thriving, bustling city. Over the years, as the Roark family migrated into other areas of business and power, these women ended up forming the district of Old Town, the prostitute quarter of the city where they rule with absolute authority. In addition, the people charged with governing the city, most of them from the Roark line, remained in power for generations, running it as they saw fit.[citation needed]
As the various yarns progress, the audience gradually becomes familiar with key locations in and around Basin City:
The Projects, the run-down and poor side of Sin City, are a tangle of high-rise run-down and desolated apartments where crime runs rampant with no police inside. Its inhabitants have apparently evolved their own independent society with almost no legal contact with the outside world and SWAT teams rarely go in The Projects. Marv was born in the Projects, and currently resides there. Dwight avoids The Projects and hates the neighborhood.
The Docks, a collection of wharfs and warehouses that are local to the Projects, since The Docks overlook The Projects. Hartigan and Roark Junior have their first confrontation here in That Yellow Bastard, and Marv drives a stolen police car off one of the piers at the beginning of The Hard Goodbye.
Kadie's Club Pecos is a strip club and bar in Old Town, where Nancy Callahan and Shellie work, and where Dwight McCarthy and Marv spend their spare time. Despite being filled with drunk and violent men, Kadie's bar is one of the safest areas in Sin City since it is heavily guarded by prostitutes and their protectors. Marv, who possesses an extraordinarily high sense of chivalry, protects the female employees of Kadie's from any violence that makes its way inside.
Roark Family Farm (a.k.a. "The Farm") is located at North Cross and Lennox on the hills outside Basin City and shows up in several stories, including The Hard Goodbye, That Yellow Bastard, The Babe Wore Red and Hell and Back. It was also home to Kevin, a serial killer with ties to the Roark family. Marv burns down one of the buildings, and the Farm is abandoned sometime after the initial Sin City storyline. The Farm is the only location in the comic books that is outside Basin City.
Old Town is the red-light district, where the city's population of prostitutes reside. Old Town is run by Goldie and Wendy. Old Town is off limits to the police. Though willing to engage in almost any sexual act for the right price, the women of Old Town show no mercy to those who "break the rules," and back up their independence with lethal force. The mafia families and pimps who were into Old Town's business were thrown out of the neighborhood.
Sacred Oaks is the home to the rich and powerful of Sin City. This suburb is located on the outskirts of Basin City as a protection. A university is located in Sacred Oaks, and the entire area is patrolled by armed employees of its wealthy inhabitants, mostly SWAT teams.
Basin City Central Train Station, which has a direct connection to Phoenix. It is located in the outskirts near The Docks and it is considered one of safer places.
Mimi's, a small run-down motel on the far outskirts of Basin City, with only few rooms and a place where young couples make love. Nancy and Hartigan hid in Mimi's where she confessed her love to him. Junior also attacked Hartigan here and left him to die, although he saved himself.
The Santa Yolanda Tar Pits, an abandoned amusement park of sorts outside the city, where several tar pits are located and dinosaur bones were excavated at some time. After a "big-budget dinosaur movie" caused a sensation, the county put up concrete statues of dinosaurs there to draw crowds. However, after an old lady fell through a railing into one of the pits and had a heart attack, the place was shut down indefinitely. They are frequently used as a place to dump things that people don't want found; high-schoolers also tend to sneak in there a lot. This is where Delia tells Phil to drive in Wrong Turn and where Dwight takes the corpses of Jackie Boy and his friends in The Big Fat Kill. Frank Miller has admitted the main reason the Tar Pits exist is as an excuse to draw the dinosaur statues.
Because a large majority of the residents of Basin City are criminals, there are several organizations and cartels central to the stories who are vying for monopoly over the various criminal enterprises in the city. Listed below are crime syndicates, gangs and other low-lifes who figure heavily in the Sin City mythos.
The Basin City Police Department: So deep does corruption and criminality run in Basin City that even their police officers qualify as a gang of paid thugs, turning a blind eye to the affairs of those too poor to pay them off. Few among them are considered incorruptible; even the honest officers are unable (or unwilling) to curtail the criminal actions of the dishonest ones. Notable characters in the series who are police include Detective John Hartigan, his partner Bob, Lieutenants Jack Rafferty and Mort, Commissioner Liebowitz, and Officers Manson and Bundy from Hell and Back.
Roark family: A dynasty of corrupt landowners and politicians whose influence over Basin City has stretched as far back as the days of the Old West. Famous Roarks of this generation include a senator, a cardinal, an attorney general, and Roark Junior, 'That Yellow Bastard'.
The Girls of Old Town: Populating the region of Basin City known as Old Town is a group of women in the world's oldest profession, having made a truce with the cops to allow them to govern and police themselves. As of A Dame to Kill For, they were led by the twins, Goldie and Wendy.
Wallenquist Organization: A powerful crime syndicate led by Herr Wallenquist, a mysterious crime lord with a broad range of criminal enterprises to his name. Although they are one of the city's two "normal" criminal organizations, the Wallenquist management seems to be the most peaceful and forgiving of the various leaders. It is unknown which crime rings they hold.
Magliozzi Crime Family: The undisputed heads of the local Cosa Nostra, the Magliozzi family seems to be the purest example of "true" Mafia lifestyle. While they appear in only one story, it is hinted that the Mafia influence in Basin City's underworld is a lot larger than just their family and that there are more families.
Other groups that have been seen or mentioned in the comics include:
Tong gangsters: Mentioned, but not seen as of A Dame to Kill For. Miho's life was saved by Dwight when he secretly protected her during a fight with several Tong gangsters in a dark alleyway.
White slavers: Mentioned, but not seen as of A Dame to Kill For. Led by a man named Manuel, whose brothers were also involved. Were "taken care of" by Dwight prior to the events of A Dame to Kill For.
Irish mercenaries: Seen during The Big Fat Kill, most of them are evidently former IRA members, as implied by one of the mercenaries referring to his glee at blowing up a public house (British pubs were targeted by the IRA). All are killed by Dwight and Miho.
The stories have been collected into a number of trade paperbacks and hardcover editions. There is also a collection of art, The Art of Sin City.
In 2016, Dark Horse Comics released an ambitious, oversized edition titled Frank Miller’s Sin City The Hard Goodbye Curator’s Collection.[11] This 15 x 21 inch book reprints the entire first storyline, scanned and reproduced exactly from the original art at 1:1 size. When referencing the production process in an interview with Michael Dooley for Print Magazine, editor/designer John Lind gave the anecdote “When Frank and I first reviewed some of the scanned pages from Sin City, he pulled one aside and said, ‘You can see details in some of the scans where you can tell what the humidity was like when I was lettering because you can see the smudging from my hand.’ That type of reaction represents the level of detail I'm working hard to achieve with the production.[12]
The Hard Goodbye, A Dame to Kill For, The Big Fat Kill, That Yellow Bastard, Family Values, Booze, Broads and Bullets, Hell and Back, and The Art of Sin City
Frank Miller's Sin City Vol.1: The Hard Goodbye Curator's Edition
The Hard Goodbye scanned from the original artwork in Frank Miller's archives and reproduced at full size. Introduction by Robert Rodriguez, with an afterword by Mike Richardson and an interview about the artistic process with Frank Miller.
Dimension Films planned to develop a soft reboot of the series for television; Stephen L’Heureux who produced the second film was to oversee the series with Sin City creator Frank Miller.[13] The new TV series would feature new characters and timelines and be more like the comics rather than the films.[14] On November 15, 2019, Legendary Pictures bought the rights for the television series.[15]
You can help expand this article with text translated from the corresponding article in French. (August 2012) Click [show] for important translation instructions.
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You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Stade Toulousain]]; see its history for attribution.
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Toulouse is the most successful club in Europe, having won the Heineken Cup/European Rugby Champions Cup a record six times – in 1996, 2003, 2005, 2010, 2021 and 2024. They were also runners-up in 2004 and 2008 against London Wasps and Munster, respectively. Stade Toulousain have also won a record 23 Boucliers de Brennus, the French domestic league trophy. It is traditionally one of the main providers for the French national team and its youth academy is one of the best in the world. Stade Toulousain also have the biggest fan base in Europe, and the biggest social media and brand presence of any non-national rugby team across both league and union.
The logo of Thomas Aquinas (left) in the Basilica of Saint-Sernin and The ceremonial red and black colours worn by the Capitouls (right) influenced the crest and colours of the club respectively.
Before 1907, rugby union in Toulouse was only played in schools or universities. In 1893, students of secondary school "Lycée de Toulouse" got together in a new team "Les Sans-Soucis". Once attending university, the same students founded "l'Olympique Toulousain", which became "Stade Olympien des Étudiants de Toulouse" (SOET) a few years later in 1896. In the same period, 'non-students' grouped in "le Sport Athlétique Toulousain" (SAT) while students of the veterinary school created "l'Union Sportive de l'École Vétérinaire" (USEV). Both entities merged in 1905 and called themselves "Véto-Sport". Finally in 1907, Stade Toulousain was founded resulting from a union between the SOET and Véto-Sport.
Since its creation in 1907, Stade Toulousain drew on the past of the city. The design of Stade Toulousain's crest refers to the initials of Thomas Aquinas (transl. Saint Thomas in French ; S and T, same as the club's name) whose bones rest in the Church of the Jacobins, in Toulouse. The interlaced letters came from a famous tiled floor of the Basilica of Saint-Sernin, where the relics were temporarily moved for almost two centuries after the French Revolution.[1] The historical colours, red and black, are rooted in the ceremonial costume of the capitouls of Toulouse. A municipal body created in 1147, the capitouls were until the French Revolution the consuls of the city. Their traditional costume was red and black (with white bands), as shown in the oldest portraits dating from the 14th century.[2]
Stade Toulousain played its first final of the national title French Championship in 1909 and lost it to Stade Bordelais Université Club (17–0) in Toulouse. In 1912 Stade Toulousain won its first national title. It had to wait until 1922 before it won its second. However the 1920s were a golden era for the club. Their first final action in the 1920s was in 1921, when they were defeated by USA Perpignan. Despite losing in 1921, the side went on to win the 1922, 1923, 1924, 1926 and 1927 championships.
The following decades were relatively quiet after such a dominant era during the 1920s. Stade Toulousain would not make it to any grand finals during the 1930s, and it would not be until the late 1940s when they would return. However they did contest the Challenge Yves du Manoir with RC Toulon in 1934, though it ended in a nil-all tie and both teams were winners. The club made it to the final of the 1947 championship, and claimed the premiership, beating SU Agen, 10 to 3. However, no such championships followed, the club was again relatively quiet on the championship. It was 22 years in the waiting; Toulouse made it to the final, but were defeated by the CA Bègles club.
In 1971 Toulouse contested the Challenge Yves du Manoir against US Dax, losing 18 to 8. Eleven years after the CA Bègles defeat, the club was again disappointed in the final, being defeated by AS Béziers in the championship game of 1980. The latter end of the decade was however, reminiscent of the 1920s sides. Toulouse were again contesting the Challenge Yves du Manoir for the 1984 season, though they lost to RC Narbonne 17 to 3. They did however claim their first championship since 1947, defeating RC Toulon in the 1985 final. The following season saw them successfully defend their championship, defeating SU Agen in the final. After a number of defeats in the Challenge Yves du Manoir finals, Toulouse defeated US Dax to win the 1988 competition. Both Toulon and Agen won the following premierships (1987 and 1988) but Toulouse won another championship in 1989.
The dominance continued in the 1990s, starting with a grand final loss in 1991, and a Challenge Yves du Manoir championship in 1993, defeating Castres 13 to 8 in the final. The mid-1990s saw Stade Toulousain become a major force yet again, as the club claimed four premierships in a row, winning the championship in 1994, 1995, 1996 and 1997, as well as the Challenge Yves du Manoir in 1995. The club emulated its success in the European Rugby Cup, becoming the first ever champions in the 1995–96 season.
Stade Français v Stade toulousain. Stade de France, Paris, 27 January 2007.
The late 1990s and the 2000s saw the club again reach great heights. The club won the Challenge Yves du Manoir in 1998, defeating Stade Français Paris, the 1999 championship as well as the 2001 championship. They also were runners-up in the 2003 season, losing to Stade Français in the final. As the club had done in the mid-1990s, Stade Toulousain replicated this success in the European Rugby Cup, winning the 2002–03 and the 2004–05 cups. The club made it to the final of the 2005-06 Top 14, and despite only trailing Biarritz 9–6 at half time, Toulouse could not prevent a second-half whitewash, eventually going down 40–13. They ended their seven-year title drought with a 26–20 win over ASM Clermont Auvergne on 28 June 2008. In 2008 they narrowly lost a Heineken Cup Final to Munster by 3 points. In 2010 Toulouse defeated Leinster to reach the final where they faced Biarritz Olympique at Stade de France in Paris on Saturday 22 May 2010. Toulouse won the game by 21–19 to claim their fourth Heineken Cup title,[3][4] making them the first club to win the title four times. Stade Toulousain is also the only French club to have taken part in all the editions of Heineken Cup since its creation (17, with the 2011–12 season). They won the French championship in 2011 against Montpellier (15–10) and 2012 against Toulon (18–12). Stade Toulousain reached the semi-finals of the French championship 20 consecutive years (from 1994 to 2013). In 2019, Toulouse came back to victory, earning a 20th French Rugby Union Championship title before making an historic double, winning the 2021 Champions Cup and the 2021 Top 14. Their latest title is the 2023 French championship earned against La Rochelle, teams were ranked respectively first and second of the regular season 2023.
They won the champions cup for the 6th time after beating Leinster 31-22 at the Tottenham Hotspur stadium and as a result became the highest ranked team in Europe
Toulouse play their home games at the Stade Ernest-Wallon, which was built in the late 1980s and was recently renovated. It has a capacity of 19,500. Stade Toulousain is one of the rare teams, in France and especially in rugby union, that own its stadium. Since February 2020, it has also been home to rugby league team Toulouse Olympique, which currently competes in the 2nd tier Championship, following negotiations and an agreement between both executive boards.[5]
The stadium however cannot always accommodate all the fans of the Toulouse club. For the larger fixtures, such as championship or Champions Cup games or play-offs, the fixture may be moved to Stadium de Toulouse, which has more capacity, 33,150. The stadium was used for numerous matches at the 2007 Rugby World Cup and will host the 2023 Rugby World Cup.[6]
"World War Hulk" is a comic book crossover storyline that ran through a self-titled limited series and various titles published by Marvel Comics in 2007, featuring the Hulk.[1]
The plot is the culmination of a series of events that began with the Hulk being tricked into space by the Illuminati and a Life Model Decoy of Nick Fury. Planet Hulk shows the Hulk's subsequent exile and his imminent return to Earth to seek revenge on the Illuminati.
The story, a crossover throughout various series, began in the one-shotWorld War Hulk Prologue: World Breaker (May 2007), written by Peter David and penciled by Sean Phillips, Al Rio, and Lee Weeks. Marvel followed this with Incredible Hulk vol. 2 #106–111 and World War Hulk: Frontline #1–6[2] as parallel stories following the impact of the Hulk's return on various characters. The crossover extended into regular issues of Avengers: The Initiative, Ghost Rider, Heroes for Hire, Irredeemable Ant-Man, The Punisher War Journal, and Iron Man, as well as a miniseries starring the Hulk and the X-Men and a newly created group, the Gamma Corps.[3] The stories ran from summer through fall, beginning in issues cover-dated July 2007.[4] Initially scheduled to end in October, Marvel announced through the October 10 Diamond Dateline retail newsletter that the final titles in the crossover would be delayed until mid to late November.[5]
Stopping at the Moon, the Hulk defeats Inhuman king Black Bolt. The Hulk proceeds to Manhattan, New York where he demands the presence of The Illuminati.[8]
He travels to the home of the X-Men, where Professor X, absent from the decision to send the Hulk off-planet, admits he would have agreed with the decision, but also tells him he would not have agreed to permanent exile. The Hulk defeats several teams of X-Men [9] and battles the Juggernaut but leaves after learning of the M-Day incident, believing that Xavier has suffered enough.[10]
An imprisoned Tony Stark (Iron Man) communicates with S.H.I.E.L.D., revealing an emergency plan to engulf Manhattan in the Negative Zone, thereby annihilating the Hulk and all other positive matter on the island, should the heroes fail.[16]
Following speeches from the Hulk's human supporters, the Hulk arranges for Doctor Strange, Iron Man, Black Bolt, and Mister Fantastic to fight a tentacled alien and later battle each other to the death, as a cheering audience watches.[19] The Hulk declares his intention was for "justice and not murder", and nobody had to or would die. He plans to destroy New York City and leave the Avengers to their shame.
The Sentry arrives and attacks the Hulk. Sentry and the Hulk battle, leveling the city, until they revert into Robert Reynolds and Bruce Banner with Reynolds passing out. Angered that the Hulk disappeared, Warbound member Miek attacks Banner. Rick Jones pushes Banner aside and is injured, causing Banner to return to Hulk form. As the Hulk attacks the Warbound, Miek reveals the explosion that started this war was not caused by the Illuminati, but by Red King loyalists. Miek chose not to prevent it, hoping the incident would encourage the Hulk to keep destroying. Overwhelming rage causes the Hulk to unwillingly radiate energy that threatens Earth. Stark activates a series of weaponized satellites that open fire on the Hulk, leaving him unconscious in his Bruce Banner form.[20]
S.H.I.E.L.D. later imprisons Banner in a facility three miles underground, with the other Warbound members having been taken into U.S. military custody.[20]
Namor was spared from the Hulk's wrath, as Hulk discovered early on that Namor was the sole Illuminati member who voiced his opposition to banishing the Hulk from the outset and predicting Hulk's eventual return and quest for vengeance.[6]
This section is missing information about the Aftersmash followup one-shot and following series. Please expand the section to include this information. Further details may exist on the talk page.(July 2019)
With the conclusion of the "World War Hulk" storyline, the series The Incredible Hulk was replaced with The Incredible Hercules, which officially replaced the title of the previous series with issue #113, even though the story arc started one issue earlier in The Incredible Hulk #112. The series continued the story of Hercules and Amadeus Cho.
A continuation of both "Planet Hulk" and "World War Hulk" began in May 2009. A special stand-alone prologue and Skaar: Son of Hulk #11 saw the beginning of "Planet Skaar", an arc intended to bring Skaar directly into the middle of the Marvel Universe. Following the return of the Silver Savage (the Silver Surfer), events begin to spiral, forcing Skaar to not only abandon Sakaar but also head toward Earth. As was revealed by series writer Greg Pak, Mister Fantastic, Reed Richards, is not amused with the arrival of another Hulk-like being, and the meeting between father and son will not be very pleasant for the Hulk.
In the 2010 "World War Hulks" storyline, it is revealed that the satellites used to revert Hulk to Banner at the end of "World War Hulk" siphoned off the gamma radiation from his body, in order to collect it for the cathexis ray later used to create the Red Hulk.[21]
A sequel arc titled World War Hulk II is shown in the issues of The Incredible Hulk. After returning from a restored Sakaar, Amadeus Cho's Hulk faces off against Phalkan. His Hulk form's persona changed to where it easily defeated Phalkan and used his "computer brain" to leave Phalkan with a broken arm, a broken foot, a punctured lung, and some broken ribs.[22]
For the 2009 What If series, there was a What If? World War Hulk one-shot which examines two alternatives to the storyline:[23]
The first tale shows Tony Stark not hesitating to fire the laser satellite into New York City, killing the Warbound and many heroes during Hulk's fight with the Sentry. Watching from hiding, the Skrulls hear of the death of their queen Veranke (masquerading as Spider-Woman), but believe the Hulk is a prophet sent to aid them by destroying the heroes. They attack, their sleeper agents allowing them to wipe out most of the remaining super-beings and take over the world. Two months later, the Vision finds Bruce Banner in the ruins of New York, waiting to die, and convinces him to become the Hulk again and help. The Hulk aids the remaining heroes against the Skrulls, inspiring people to help. In this world, it's the Wasp who's a Skrull, and she infects Henry Pym with the bio-weapon that wipes out the remaining heroes. The Hulk survives and summons the Silver Surfer, demanding the Surfer call Galactus to destroy Earth. The Surfer does so, but leaves, disgusted at the Hulk's bloodthirsty ways. Galactus arrives and feeds upon Earth, destroying the Skrulls and the planet. He lets The Hulk live, promising to take away the monster's pain and memories. The Hulk agrees, and is transformed into Galactus' new herald, the World-Breaker.
The second story has Thor and the Warriors Three flying back from Africa on a plane when they hear of The Hulk's attack. Thor leads the others against the Hulk's forces. He and the Hulk engage in a massive battle across Manhattan, before learning of civilians needing help in destroyed subway tunnels, and work together to save them. Thor manages to get through to the Hulk, convincing him to give up his vendetta. Back at Madison Square Garden, the Warbound have discovered Miek's role in the destruction of Sakaar and have surrendered. The Sentry arrives only to find the battle over. Thor negotiates a settlement for all parties with the Hulk and his forces returning to rebuild Sakaar and leave Earth in peace.
In the last issue, the Earth-Z version of Hulk became infected while on the moon, the rest of the Warbound being devoured by the zombie Inhumans (with the Hulk eating Elloe Kaifi when the infection takes control of him). Instead of seeking revenge on the Avengers and Earth, he returned to Earth to satisfy his hunger, and in turn, infects the version of the Sentry that was responsible for the outbreak in the first place. This Hulk goes on to join Spider-Man's team of New Avengers when the Sentry turns against him.
Zen Studios developed a virtual pinball adaptation of the limited comic series, releasing it on the comic's fifth anniversary in 2012 as part of the four Avengers Chronicles tables as downloadable content for Marvel Pinball, Zen Pinball 2, Pinball FX 2 and Pinball FX 3.[24] This table is set in the ruins of New York City and features voice acting and battles between the Hulk and the superheroes he sought to confront as revenge for his exile.
World War Hulk Prologue: World Breaker, World War Hulk #1-5, Incredible Hulk vol. 2 #106-111, Iron Man vol. 4 #19-20, Avengers: Initiative #4-5, Irredeemable Ant-Man #10, World War Hulk: X-Men #1-3, Ghost Rider vol. 4 #12-13, Heroes for Hire (2006) #11-15, Punisher War Journal vol. 2 #12, World War Hulk: Gamma Corps #1-4, World War Hulk: Frontline #1-5, World War Hulk: Aftersmash, World War Hulk: Aftersmash - Damage Control #1-3, World War Hulk: Aftersmash - Warbound #1-5 and Planet Hulk Saga
World War Hulk No. 1 was at the top of the Diamond Comic Distributors' sales chart for June 2007, selling an estimated 178,302 copies.[25] When the first issue sold out, Marvel announced a second printing would have a variant cover by John Romita Jr.[26]
Bleach is the generic name for any chemical product that is used industrially or domestically to remove colour (whitening) from fabric or fiber (in a process called bleaching) or to disinfect after cleaning. It often refers specifically to a dilute solution of sodium hypochlorite, also called "liquid bleach".
Many bleaches have broad-spectrum bactericidal properties, making them useful for disinfecting and sterilizing. They are used in swimming pool sanitation to control bacteria, viruses, and algae and in many places where sterile conditions are required. They are also used in many industrial processes, notably in the bleaching of wood pulp. Bleaches also have other minor uses, like removing mildew, killing weeds, and increasing the longevity of cut flowers.[1]
Bleaches work by reacting with many coloured organic compounds, such as natural pigments, and turning them into colourless ones. While most bleaches are oxidizing agents (chemicals that can remove electrons from other molecules), some are reducing agents (that donate electrons).
Chlorine, a powerful oxidizer, is the active agent in many household bleaches. Since pure chlorine is a toxic corrosive gas, these products usually contain hypochlorite, which releases chlorine. "Bleaching powder" usually refers to a formulation containing calcium hypochlorite.[citation needed]
Bleaches generally react with many other organic substances besides the intended coloured pigments, so they can weaken or damage natural materials like fibers, cloth, and leather, and intentionally applied dyes, such as the indigo of denim. For the same reason, ingestion of the products, breathing of the fumes, or contact with skin or eyes can cause bodily harm and damage health.
Early method of bleaching cotton and linen goods on lawns, using a combination of exposure to direct sunlight and the application of water
The earliest form of bleaching involved spreading fabrics and cloth out in a bleachfield to be whitened by the action of the Sun and water.[4][5] In the 17th century, there was a significant cloth bleaching industry in Western Europe, using alternating alkaline baths (generally lye) and acid baths (such as lactic acid from sour milk, and later diluted sulfuric acid). The whole process lasted up to six months.[4]
Chlorine-based bleaches, which shortened that process from months to hours, were invented in Europe in the late 18th century. Swedish chemist Carl Wilhelm Scheele discovered chlorine in 1774,[4] and in 1785 Savoyard scientist Claude Berthollet recognized that it could be used to bleach fabrics.[4] Berthollet also discovered sodium hypochlorite, which became the first commercial bleach, named Eau de Javel ("Javel water") after the borough of Javel, near Paris, where it was produced.
Scottish chemist and industrialist Charles Tennant proposed in 1798 a solution of calcium hypochlorite as an alternative for Javel water, and patented bleaching powder (solid calcium hypochlorite) in 1799.[4][6] Around 1820, French chemist Antoine Germain Labarraque discovered the disinfecting and deodorizing ability of hypochlorites and was instrumental in popularizing their use for such purpose.[7] His work greatly improved medical practice, public health, and the sanitary conditions in hospitals, slaughterhouses, and all industries dealing with animal products.[8]
Louis Jacques Thénard first produced hydrogen peroxide in 1818 by reacting barium peroxide with nitric acid.[9] Hydrogen peroxide was first used for bleaching in 1882, but did not become commercially important until after 1930.[10]Sodium perborate as a laundry bleach has been used in Europe since the early twentieth century, and became popular in North America in the 1980s.[11]
Colours of natural organic materials typically arise from organic pigments, such as beta carotene. Chemical bleaches work in one of two ways:
An oxidizing bleach works by breaking the chemical bonds that make up the chromophore. This changes the molecule into a different substance that either does not contain a chromophore or contains a chromophore that does not absorb visible light. This is the mechanism of bleaches based on chlorine but also of oxygen-anions which react through the initial nucleophilic attack.[12]
A reducing bleach works by converting double bonds in the chromophore into single bonds. This eliminates the ability of the chromophore to absorb visible light. This is the mechanism of bleaches based on sulfur dioxide.[13]
Sunlight acts as a bleach through a process leading to similar results: high-energy photons of light, often in the violet or ultraviolet range, can disrupt the bonds in the chromophore, rendering the resulting substance colourless. Extended exposure often leads to massive discolouration usually reducing the colours to a white and typically very faded blue.[14]
The broad-spectrum effectiveness of most bleaches is due to their general chemical reactivity against organic compounds, rather than the selective inhibitory or toxic actions of antibiotics. They irreversibly denature or destroy many proteins, including all prions, making them extremely versatile disinfectants.
Hypochlorite bleaches in low concentration were also found to attack bacteria by interfering with heat shock proteins on their walls.[15] According to 2013 Home Hygiene and Health report,[16] using bleach, whether chlorine- or peroxide-based, significantly increases germicidal efficiency of laundry even at low temperatures (30-40 degrees Celsius), which makes it possible to eliminate viruses, bacteria, and fungi from a variety of clothing in a home setting.[17]
Chlorine-based bleaches are found in many household "bleach" products, as well as in specialized products for hospitals, public health, water chlorination, and industrial processes.
The grade of chlorine-based bleaches is often expressed as percent active chlorine. One gram of 100% active chlorine bleach has the same bleaching power as one gram of elemental chlorine.
The most common chlorine-based bleaches are:
Sodium hypochlorite (NaClO), usually as a 3–6% solution in water, usually called "liquid bleach" or just "bleach". Historically called "Javel water" (French: eau de Javel). It is used in many households to whiten laundry, disinfect hard surfaces in kitchens and bathrooms, treat water for drinking, and keep swimming pools free of infectious agents.
Bleaching powder (formerly known as "chlorinated lime"), usually a mixture of calcium hypochlorite (Ca(ClO) 2), calcium hydroxide (slaked lime, Ca(OH) 2), and calcium chloride (CaCl 2) in variable amounts.[18] Sold as a white powder or in tablets, it is used in many of the same applications as sodium hypochlorite but is more stable and contains more available chlorine.
Peroxide-based bleaches are characterized by the peroxide chemical group, namely two oxygen atoms connected by a single bond, (–O–O–). This bond is easily broken, giving rise to very reactive oxygen species, which are the active agents of bleach.
The main products in this class are:
Hydrogen peroxide itself (H 2O 2). It is used, for example, to bleach wood pulp and hair or to prepare other bleaching agents like perborates, percarbonates, peracids, etc.
Sodium percarbonate (Na 2H 3CO 6), an adduct of hydrogen peroxide and sodium carbonate ("soda ash" or "washing soda", Na 2CO 3). Dissolved in water, it yields a solution of the two products, that combines the degreasing action of the carbonate with the bleaching action of the peroxide.
Sodium perborate (Na 2H 4B 2O 8). Dissolved in water it forms some hydrogen peroxide, but also the perborate anion (B(OOH)(OH)− 3) which can perform nucleophilic oxidation.[20]
Peracetic (peroxoacetic) acid (H 3CC(O)OOH). Generated in situ by some laundry detergents, and also marketed for use as industrial and agricultural disinfection and water treatment.[21]
Ozone (O 3). While not properly a peroxide, its mechanism of action is similar. It is used in the manufacture of paper products, especially newsprint and white Kraft paper.[23]
Potassium persulfate (K2S2O8) and other persulfate salts. It, alongside ammonium and sodium persulfate, is common in hair-lightening products.[24]
Sodium dithionite (also known as sodium hydrosulfite) is one of the most important reductive bleaching agents. It is a white crystalline powder with a weak sulfurous odor. It can be obtained by reacting sodium bisulfite with zinc
2 NaHSO3 + Zn → Na2S2O4 + Zn(OH)2
It is used as such in some industrial dyeing processes to eliminate excess dye, residual oxide, and unintended pigments and for bleaching wood pulp.
In Negative film processing, silver halide grains are associated with couplers which, on development, produce metallic silver and a coloured image. The silver is 'bleached' to a soluble form in a solution of ferric EDTA, which is then dissolved in 'fix', a solution of sodium or ammonium thiosulfate. The procedure is the same for paper processing except that the EDTA and thiosulfate are mixed in 'bleachfix'.
In Reversal processing, residual silver in the emulsion after the first development is reduced to a soluble silver salt using a chemical bleach, most commonly EDTA. A conventional fixer then dissolves the reduced silver but leaves the unexposed silver halide intact. This unexposed halide is then exposed to light or chemically treated so that a second development produces a positive image. In colour and chromogenic film, this also generates a dye image in proportion to the silver.
Photographic bleaches are also used in black-and-white photography to selectively reduce silver to reduce silver density in negatives or prints. In such cases, the bleach composition is typically an acid solution of potassium dichromate.
A Risk Assessment Report (RAR) conducted by the European Union on sodium hypochlorite conducted under Regulation EEC 793/93 concluded that this substance is safe for the environment in all its current, normal uses.[26] This is due to its high reactivity and instability. The disappearance of hypochlorite is practically immediate in the natural aquatic environment, reaching in a short time concentration as low as 10−22 μg/L or less in all emission scenarios. In addition, it was found that while volatile chlorine species may be relevant in some indoor scenarios, they have a negligible impact in open environmental conditions. Further, the role of hypochlorite pollution is assumed as negligible in soils.
Industrial bleaching agents can be sources of concern. For example, the use of elemental chlorine in the bleaching of wood pulp produces organochlorines and persistent organic pollutants, including dioxins. According to an industry group, the use of chlorine dioxide in these processes has reduced the dioxin generation to under-detectable levels.[27] However, the respiratory risk from chlorine and highly toxic chlorinated byproducts still exists.
A European study conducted in 2008 indicated that sodium hypochlorite and organic chemicals (e.g., surfactants, fragrances) contained in several household cleaning products can react to generate chlorinated volatile organic compounds (VOCs).[28] These chlorinated compounds are emitted during cleaning applications, some of which are toxic and probable human carcinogens. The study showed that indoor air concentrations significantly increase (8–52 times for chloroform and 1–1170 times for carbon tetrachloride, respectively, above baseline quantities in the household) during the use of bleach-containing products. The increase in chlorinated volatile organic compound concentrations was the lowest for plain bleach and the highest for the products in the form of "thick liquid and gel".
The significant increases observed in indoor air concentrations of several chlorinated VOCs (especially carbon tetrachloride and chloroform) indicate that bleach use may be a source that could be important in terms of inhalation exposure to these compounds. While the authors suggested that using these cleaning products may significantly increase the cancer risk,[28][29] this conclusion appears to be hypothetical:
The highest level cited for a concentration of carbon tetrachloride (seemingly of highest concern) is 459 micrograms per cubic meter, translating to 0.073 ppm (part per million), or 73 ppb (part per billion). The OSHA-allowable time-weighted average concentration over eight hours is 10 ppm,[30] almost 140 times higher;
The OSHA highest allowable peak concentration (5-minute exposure for five minutes in 4 hours) is 200 ppm,[30] twice as high as the reported highest peak level (from the headspace of a bottle of a sample of bleach plus detergent).
Sodium hypochlorite solution, 3–6%, (common household bleach) is typically diluted for safe use when disinfecting surfaces and when used to treat drinking water.[31][32]
A weak solution of 2% household bleach in warm water is typical for sanitizing smooth surfaces before the brewing of beer or wine.[citation needed]
US government regulations (21 CFR 178 Subpart C) allow food processing equipment and food contact surfaces to be sanitized with solutions containing bleach, provided that the solution is allowed to drain adequately before contact with food and that the solutions do not exceed 200 parts per million (ppm) available chlorine (for example, one tablespoon of typical household bleach containing 5.25% sodium hypochlorite, per gallon of water).
A 1-in-47 dilution of household bleach with water (1 part bleach to 47 parts water: e.g. one teaspoon of bleach in a cup of water, or 21 ml per litre, or 1/3 cup of bleach in a gallon of water) is effective against many bacteria and some viruses in homes.[33] Even "scientific-grade", commercially produced disinfection solutions such as Virocidin-X usually have sodium hypochlorite as their sole active ingredient, though they also contain surfactants (to prevent beading) and fragrances (to conceal the bleach smell).[34]
See hypochlorous acid for a discussion of the mechanism for disinfectant action.
An oral rinse with a 0.05% dilute solution of household bleach is shown to treat gingivitis.[35]
Colour-safe bleach is a chemical that uses hydrogen peroxide as the active ingredient (for stain removal) rather than sodium hypochlorite or chlorine.[36] It also has chemicals in it that help brighten colours.[37] Though hydrogen peroxide is used for sterilization purposes and water treatment, its ability to disinfect laundry is limited because the concentration of hydrogen peroxide in laundry products is lower than what is used in other applications.[37]
The safety of bleaches depends on the compounds present, and their concentration.[38] Generally speaking, the ingestion of bleaches will cause damage to the esophagus and stomach, possibly leading to death. On contact with the skin or eyes, it causes irritation, drying, and potentially burns. Inhalation of bleach fumes can cause mild irritation of the upper airways..[38]Personal protective equipment should always be used when using bleach.
Bleach should never be mixed with vinegar or other acids, as this will create highly toxic chlorine gas, which can cause severe burns internally and externally.[39][40][41][42] Mixing bleach with ammonia similarly produces toxic chloramine gas, which can burn the lungs.[39][40][42] Mixing bleach with rubbing alcohol makes highly toxic chloroform,[43] while mixing with hydrogen peroxide results in an exothermic and potentially explosive chemical reaction that releases oxygen.[44]
Miracle Mineral Supplement (MMS), also promoted as "Master Mineral Solution" or "Chlorine Dioxide Solution" or CDS,[45] to evade restrictions by online retail platforms, is a bleach solution that has been fraudulently promoted as a cure-all since 2006.[46] Its main active ingredient is sodium chlorite, which is "activated" with citric acid to form chlorine dioxide. In an attempt to evade health regulations, its inventor Jim Humble, a former Scientologist, founded the Genesis II Church of Health and Healing, which considers MMS as its sacrament.[47][48]
During the COVID-19 pandemic, advocates of MMS including QAnon proponent Jordan Sather and Mark Grenon, who are affiliated with the Genesis II Church, began to suggest this would treat COVID-19.[49][50] Several news outlets, including The New York Times and The Washington Post, portrayed U.S. president Donald Trump's remarks in a 23 April 2020 briefing as promoting the injection of bleach as a potential COVID-19 treatment.[51][52][53] According to fact-checkers, many such reports were false and misleading, as they lacked needed context—including the fact that, at the same briefing, Trump specifically clarified that any such treatments "wouldn't be through injections, we're talking about almost a cleaning and sterilization of an area. Maybe it works, maybe it doesn't work, but it certainly has a big effect if it's on a stationary object.".[54][55] Nevertheless, the widespread reporting led the CDC, scientists, and bleach companies to re-state that bleach is harmful to humans and should not be ingested or injected.[56][53] MSN News quoted Professor Rob Chilcott, a
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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