Marihuana theme by Sygal
Download: Marihuana.p3t
(3 backgrounds)
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KSA(02) theme by Waleed Almalki
Download: KSA02.p3t
(4 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
KSA(01) theme by Waleed Almalki
Download: KSA01.p3t
(5 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Black Label Clan 3rd theme by Third Degree
Download: BlackLabelClan3rd.p3t
(3 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Blu Clan theme by Lizzy
Download: BluClan.p3t
(2 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Lava theme by Donass
Download: Lava.p3t
(3 backgrounds)
Lava is molten or partially molten rock (magma) that has been expelled from the interior of a terrestrial planet (such as Earth) or a moon onto its surface. Lava may be erupted at a volcano or through a fracture in the crust, on land or underwater, usually at temperatures from 800 to 1,200 °C (1,470 to 2,190 °F). The volcanic rock resulting from subsequent cooling is also often called lava.
A lava flow is an outpouring of lava during an effusive eruption. (An explosive eruption, by contrast, produces a mixture of volcanic ash and other fragments called tephra, not lava flows.) The viscosity of most lava is about that of ketchup, roughly 10,000 to 100,000 times that of water. Even so, lava can flow great distances before cooling causes it to solidify, because lava exposed to air quickly develops a solid crust that insulates the remaining liquid lava, helping to keep it hot and inviscid enough to continue flowing.[1]
The word lava comes from Italian and is probably derived from the Latin word labes, which means a fall or slide.[2][3] An early use of the word in connection with extrusion of magma from below the surface is found in a short account of the 1737 eruption of Vesuvius, written by Francesco Serao, who described "a flow of fiery lava" as an analogy to the flow of water and mud down the flanks of the volcano (a lahar) after heavy rain.[4][5]
Solidified lava on the Earth's crust is predominantly silicate minerals: mostly feldspars, feldspathoids, olivine, pyroxenes, amphiboles, micas and quartz.[6] Rare nonsilicate lavas can be formed by local melting of nonsilicate mineral deposits[7] or by separation of a magma into immiscible silicate and nonsilicate liquid phases.[8]
Silicate lavas are molten mixtures dominated by oxygen and silicon, the most abundant elements of the Earth's crust, with smaller quantities of aluminium, calcium, magnesium, iron, sodium, and potassium and minor amounts of many other elements.[6] Petrologists routinely express the composition of a silicate lava in terms of the weight or molar mass fraction of the oxides of the major elements (other than oxygen) present in the lava.[9]
The silica component dominates the physical behavior of silicate magmas. Silicon ions in lava strongly bind to four oxygen ions in a tetrahedral arrangement. If an oxygen ion is bound to two silicon ions in the melt, it is described as a bridging oxygen, and lava with many clumps or chains of silicon ions connected by bridging oxygen ions is described as partially polymerized. Aluminium in combination with alkali metal oxides (sodium and potassium) also tends to polymerize the lava.[10] Other cations, such as ferrous iron, calcium, and magnesium, bond much more weakly to oxygen and reduce the tendency to polymerize.[11] Partial polymerization makes the lava viscous, so lava high in silica is much more viscous than lava low in silica.[10]
Because of the role of silica in determining viscosity and because many other properties of a lava (such as its temperature) are observed to correlate with silica content, silicate lavas are divided into four chemical types based on silica content: felsic, intermediate, mafic, and ultramafic.[12]
Felsic or silicic lavas have a silica content greater than 63%. They include rhyolite and dacite lavas. With such a high silica content, these lavas are extremely viscous, ranging from 108 cP (105 Pa⋅s) for hot rhyolite lava at 1,200 °C (2,190 °F) to 1011 cP (108 Pa⋅s) for cool rhyolite lava at 800 °C (1,470 °F).[13] For comparison, water has a viscosity of about 1 cP (0.001 Pa⋅s). Because of this very high viscosity, felsic lavas usually erupt explosively to produce pyroclastic (fragmental) deposits. However, rhyolite lavas occasionally erupt effusively to form lava spines, lava domes or "coulees" (which are thick, short lava flows).[14] The lavas typically fragment as they extrude, producing block lava flows. These often contain obsidian.[15]
Felsic magmas can erupt at temperatures as low as 800 °C (1,470 °F).[16] Unusually hot (>950 °C; >1,740 °F) rhyolite lavas, however, may flow for distances of many tens of kilometres, such as in the Snake River Plain of the northwestern United States.[17]
Intermediate or andesitic lavas contain 52% to 63% silica, and are lower in aluminium and usually somewhat richer in magnesium and iron than felsic lavas. Intermediate lavas form andesite domes and block lavas and may occur on steep composite volcanoes, such as in the Andes.[18] They are also commonly hotter than felsic lavas, in the range of 850 to 1,100 °C (1,560 to 2,010 °F). Because of their lower silica content and higher eruptive temperatures, they tend to be much less viscous, with a typical viscosity of 3.5 × 106 cP (3,500 Pa⋅s) at 1,200 °C (2,190 °F). This is slightly greater than the viscosity of smooth peanut butter.[19] Intermediate lavas show a greater tendency to form phenocrysts.[20] Higher iron and magnesium tends to manifest as a darker groundmass, including amphibole or pyroxene phenocrysts.[21]
Mafic or basaltic lavas are typified by relatively high magnesium oxide and iron oxide content (whose molecular formulas provide the consonants in mafic) and have a silica content limited to a range of 52% to 45%. They generally erupt at temperatures of 1,100 to 1,200 °C (2,010 to 2,190 °F) and at relatively low viscosities, around 104 to 105 cP (10 to 100 Pa⋅s). This is similar to the viscosity of ketchup,[22] although it is still many orders of magnitude higher than that of water. Mafic lavas tend to produce low-profile shield volcanoes or flood basalts, because the less viscous lava can flow for long distances from the vent. The thickness of a solidified basaltic lava flow, particularly on a low slope, may be much greater than the thickness of the moving molten lava flow at any one time, because basaltic lavas may "inflate" by a continued supply of lava and its pressure on a solidified crust.[23] Most basaltic lavas are of ʻaʻā or pāhoehoe types, rather than block lavas. Underwater, they can form pillow lavas, which are rather similar to entrail-type pahoehoe lavas on land.[24]
Ultramafic lavas, such as komatiite and highly magnesian magmas that form boninite, take the composition and temperatures of eruptions to the extreme. All have a silica content under 45%. Komatiites contain over 18% magnesium oxide and are thought to have erupted at temperatures of 1,600 °C (2,910 °F). At this temperature there is practically no polymerization of the mineral compounds, creating a highly mobile liquid.[25] Viscosities of komatiite magmas are thought to have been as low as 100 to 1000 cP (0.1 to 1 Pa⋅s), similar to that of light motor oil.[13] Most ultramafic lavas are no younger than the Proterozoic, with a few ultramafic magmas known from the Phanerozoic in Central America that are attributed to a hot mantle plume. No modern komatiite lavas are known, as the Earth's mantle has cooled too much to produce highly magnesian magmas.[26]
Some silicate lavas have an elevated content of alkali metal oxides (sodium and potassium), particularly in regions of continental rifting, areas overlying deeply subducted plates, or at intraplate hotspots.[27] Their silica content can range from ultramafic (nephelinites, basanites and tephrites) to felsic (trachytes). They are more likely to be generated at greater depths in the mantle than subalkaline magmas.[28] Olivine nephelinite lavas are both ultramafic and highly alkaline, and are thought to have come from much deeper in the mantle of the Earth than other lavas.[29]
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Tholeiitic basalt lava SiO2 (53.8%) Al2O3 (13.9%) FeO (9.3%) CaO (7.9%) MgO (4.1%) Na2O (3.0%) Fe2O3 (2.6%) TiO2 (2.0%) K2O (1.5%) P2O5 (0.4%) MnO (0.2%)
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Rhyolite lava SiO2 (73.2%) Al2O3 (14%) FeO (1.7%) CaO (1.3%) MgO (0.4%) Na2O (3.9%) Fe2O3 (0.6%) TiO2 (0.2%) K2O (4.1%) P2O5 (0.%) MnO (0.%)
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Some lavas of unusual composition have erupted onto the surface of the Earth. These include:
The term "lava" can also be used to refer to molten "ice mixtures" in eruptions on the icy satellites of the Solar System's giant planets.[34]
The lava's viscosity mostly determines the behavior of lava flows. While the temperature of common silicate lava ranges from about 800 °C (1,470 °F) for felsic lavas to 1,200 °C (2,190 °F) for mafic lavas,[16] its viscosity ranges over seven orders of magnitude, from 1011 cP (108 Pa⋅s) for felsic lavas to 104 cP (10 Pa⋅s) for mafic lavas.[16] Lava viscosity is mostly determined by composition but also depends on temperature[13] and shear rate.[35]
Lava viscosity determines the kind of volcanic activity that takes place when the lava is erupted. The greater the viscosity, the greater the tendency for eruptions to be explosive rather than effusive. As a result, most lava flows on Earth, Mars, and Venus are composed of basalt lava.[36] On Earth, 90% of lava flows are mafic or ultramafic, with intermediate lava making up 8% of flows and felsic lava making up just 2% of flows.[37] Viscosity also determines the aspect (thickness relative to lateral extent) of flows, the speed with which flows move, and the surface character of the flows.[13][38]
When highly viscous lavas erupt effusively rather than in their more common explosive form, they almost always erupt as high-aspect flows or domes. These flows take the form of block lava rather than ʻaʻā or pāhoehoe. Obsidian flows are common.[39] Intermediate lavas tend to form steep stratovolcanoes, with alternating beds of lava from effusive eruptions and tephra from explosive eruptions.[40] Mafic lavas form relatively thin flows that can move great distances, forming shield volcanoes with gentle slopes.[41]
In addition to melted rock, most lavas contain solid crystals of various minerals, fragments of exotic rocks known as xenoliths, and fragments of previously solidified lava. The crystal content of most lavas gives them thixotropic and shear thinning properties.[42] In other words, most lavas do not behave like Newtonian fluids, in which the rate of flow is proportional to the shear stress. Instead, a typical lava is a Bingham fluid, which shows considerable resistance to flow until a stress threshold, called the yield stress, is crossed.[43] This results in plug flow of partially crystalline lava. A familiar example of plug flow is toothpaste squeezed out of a toothpaste tube. The toothpaste comes out as a semisolid plug, because shear is concentrated in a thin layer in the toothpaste next to the tube and only there does the toothpaste behave as a fluid. Thixotropic behavior also hinders crystals from settling out of the lava.[44] Once the crystal content reaches about 60%, the lava ceases to behave like a fluid and begins to behave like a solid. Such a mixture of crystals with melted rock is sometimes described as crystal mush.[45]
Lava flow speeds vary based primarily on viscosity and slope. In general, lava flows slowly, with typical speeds for Hawaiian basaltic flows of 0.40 km/h (0.25 mph) and maximum speeds of 10 to 48 km/h (6 to 30 mph) on steep slopes.[37] An exceptional speed of 32 to 97 km/h (20 to 60 mph) was recorded following the collapse of a lava lake at Mount Nyiragongo.[37] The scaling relationship for lavas is that the average speed of a flow scales as the square of its thickness divided by its viscosity.[46] This implies that a rhyolite flow would have to be about a thousand times thicker than a basalt flow to flow at a similar speed.
The temperature of most types of molten lava ranges from about 800 °C (1,470 °F) to 1,200 °C (2,190 °F) [16] depending on the lava's chemical composition. This temperature range is similar to the hottest temperatures achievable with a forced air charcoal forge.[47] Lava is most fluid when first erupted, becoming much more viscous as its temperature drops.[13]
Lava flows quickly develop an insulating crust of solid rock as a result of radiative loss of heat. Thereafter, the lava cools by a very slow conduction of heat through the rocky crust. For instance, geologists of the United States Geological Survey regularly drilled into the Kilauea Iki lava lake, formed in an eruption in 1959. After three years, the solid surface crust, whose base was at a temperature of 1,065 °C (1,949 °F), was still only 14 m (46 ft) thick, even though the lake was about 100 m (330 ft) deep. Residual liquid was still present at depths of around 80 m (260 ft) nineteen years after the eruption.[16]
A cooling lava flow shrinks, and this fractures the flow. Basalt flows show a characteristic pattern of fractures. The uppermost parts of the flow show irregular downward-splaying fractures, while the lower part of the flow shows a very regular pattern of fractures that
Sfere Purple by Dremth
Download: SferePurple.p3t
(2 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Dude theme by Elvfam. Icons by GAT305
Download: Dude.p3t
(1 background)
Dude is American slang for an individual, typically male.[1] From the 1870s to the 1960s, dude primarily meant a male person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a "city slicker". In the 1960s, dude evolved to mean any male person, a meaning that slipped into mainstream American slang in the 1970s. Current slang retains at least some use of all three of these common meanings.[2]
The term "dude" may have derived from the 18th-century word "doodle", as in "Yankee Doodle Dandy".[5]
In the popular press of the 1880s and 1890s, "dude" was a new word for "dandy"—an "extremely well-dressed male", a man who assigned particular importance to his appearance. The café society and Bright Young Things of the late 1800s and early 1900s were populated with dudes. Young men of leisure vied to display their wardrobes. The best known of this type is probably Evander Berry Wall, who was dubbed "King of the Dudes" in 1880s New York and maintained a reputation for sartorial splendor all his life. This meaning of the word, though rarely consciously known today, remains occasionally in some American slang, as in the phrase "all duded up" for getting dressed in fancy clothes.[6]
The word was used to refer to American Easterners, specifically referring to a man with "store-bought clothes".[7] The word was used by cowboys to unfavorably refer to the city dwellers.[8]
A variation of this was a "well-dressed man who is unfamiliar with life outside a large city". In The Home and Farm Manual (1883), author Jonathan Periam used the term "dude" several times to denote an ill-bred and ignorant but ostentatious man from the city.[citation needed]
The implication of an individual who is unfamiliar with the demands of life outside of urban settings gave rise to the definition of dude as a "city slicker", or "an Easterner in the [American] West".[1] Thus "dude" was used to describe the wealthy men of the expansion of the United States during the 19th century by ranch-and-homestead-bound settlers of the American Old West. This use is reflected in the dude ranch, a guest ranch catering to urbanites seeking more rural experiences. Dude ranches began to appear in the American West in the early 20th century, for wealthy Easterners who came to experience the "cowboy life". The implicit contrast is with those persons accustomed to a given frontier, agricultural, mining, or other rural setting. This usage of "dude" was still in use in the 1950s in America, as a word for a tourist—of either sex—who attempts to dress like the local culture but fails.[9] An inverse of these uses of "dude" would be the term "redneck," a contemporary American colloquialism referring to poor farmers and uneducated persons, which itself became pejorative, and is also still in use.[10][11][12]
As the word gained popularity and reached the coasts of the U.S. and traveled between borders, variations of the slang began to pop up such as the female versions of dudette and dudines; however, they were short lived due to dude also gaining a neutral gender connotation and some linguists see the female versions as more artificial slang. The slang eventually had gradual decline in usage until the early to mid 20th century when other subcultures of the U.S. began using it more frequently while again deriving it from the type of dress and eventually using it as a descriptor for common male and sometimes female companions. Eventually, lower class schools with a greater mix of subcultures allowed the word to spread to almost all cultures and eventually up the class ladders to become common use in the U.S. By the late 20th to early 21st century, dude had gained the ability to be used in the form of expression, whether that be disappointment, excitement, or loving and it also widened to be able to refer to any general person no matter race, sex, or culture.[13]
The term was also used as a "job description", such as "bush hook dude" as a position on a railroad in the 1880s. For an example, see the Stampede Tunnel.[citation needed]
In the early 1960s, dude became prominent in surfer culture as a synonym of guy or fella. The female equivalent was "dudette" or "dudess", but these have both fallen into disuse and "dude" is now also used as a unisex term. This more general meaning of "dude" started creeping into the mainstream in the mid-1970s. "Dude", particularly in surfer and "bro" culture,[citation needed] is[when?] generally used informally to address someone ("Dude, I'm glad you finally called") or refer to another person ("I've seen that dude around here before").[14]
One of the first known references to the word in American film was in the 1969 movie Easy Rider where Wyatt (portrayed by Peter Fonda) explains to his cellmate lawyer (portrayed by Jack Nicholson) the definition of "dude": "Dude means nice guy; Dude means regular sort of person." Mark Farner of Grand Funk Railroad claims that drummer Don Brewer popularized the word dude with the song "We're an American Band" which was released in 1973.[15] The usage of the word to mean a "cool person" was further popularized in American films of the 1980s and 1990s such as Teenage Mutant Ninja Turtles, Fast Times at Ridgemont High, Bill and Ted's Excellent Adventure, Wayne's World, and Clerks.[16]
The 1998 film The Big Lebowski featured Jeff Bridges as "The Dude", described as a "lazy deadbeat". The character was largely inspired by activist and producer Jeff Dowd who has been called "Dude" since childhood.[17] The film's central character inspired the creation of Dudeism, a neoreligion.[18]
In 2008, Bud Light aired an advertising campaign in which the dialogue consists entirely of different inflections of "Dude!" and does not mention the product by name. It was a followup to their near-identical and more widely noted "Whassup?" campaign.[19][16]
On July 23, 2019, Boris Johnson used the word "dude" as an acronym for his Conservative Party leadership campaign platform. In his leadership speech he explained it as referring to Deliver Brexit – Unite the country – Defeat Jeremy Corbyn – Energize the country.[20]
Ghost theme by Creighton
Download: Ghost.p3t
(no backgrounds)
Part of a series on the |
Paranormal |
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In folklore, a ghost is the soul or spirit of a dead person or non-human animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely, from an invisible presence to translucent or barely visible wispy shapes to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a séance. Other terms associated with it are apparition, haunt, haint, phantom, poltergeist, shade, specter, spirit, spook, wraith, demon, and ghoul.
The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and the ghosts of animals other than humans have also been recounted.[2][3] They are believed to haunt particular locations, objects, or people they were associated with in life. According to a 2009 study by the Pew Research Center, 18% of Americans say they have seen a ghost.[4]
The overwhelming consensus of science is that there is no proof that ghosts exist.[5] Their existence is impossible to falsify,[5] and ghost hunting has been classified as pseudoscience.[6][7][8] Despite centuries of investigation, there is no scientific evidence that any location is inhabited by the spirits of the dead.[6][9] Historically, certain toxic and psychoactive plants (such as datura and hyoscyamus niger), whose use has long been associated with necromancy and the underworld, have been shown to contain anticholinergic compounds that are pharmacologically linked to dementia (specifically DLB) as well as histological patterns of neurodegeneration.[10][11] Recent research has indicated that ghost sightings may be related to degenerative brain diseases such as Alzheimer's disease.[12] Common prescription medication and over-the-counter drugs (such as sleep aids) may also, in rare instances, cause ghost-like hallucinations, particularly zolpidem and diphenhydramine.[13] Older reports linked carbon monoxide poisoning to ghost-like hallucinations.[14]
In folklore studies, ghosts fall within the motif index designation E200–E599 ("Ghosts and other revenants").
The English word ghost continues Old English gāst. Stemming from Proto-Germanic *gaistaz, it is cognate with Old Frisian gāst, Old Saxon gēst, Old Dutch gēst, and Old High German geist. Although this form is not attested in North Germanic and East Germanic languages (the equivalent word in Gothic is ahma, Old Norse has andi m., önd f.), it appears to be a dental suffix derivative of pre-Germanic *ghois-d-oz ('fury, anger'), which is comparable to Sanskrit héḍas ('anger') and Avestan zōižda- ('terrible, ugly'). The prior Proto-Indo-European form is reconstructed as *ǵʰéys-d-os, from the root *ǵʰéys-, which is reflected in Old Norse geisa ('to rage') and *geiski ('fear'; cf. geiskafullr 'full of fear'), in Gothic usgaisjan ('to terrify') and usgaisnan ('to be terrified'), as well as in Avestan zōiš- (cf. zōišnu 'shivering, trembling').[15][16][17]
The Germanic word is recorded as masculine only, but likely continues a neuter s-stem. The original meaning of the Germanic word would thus have been an animating principle of the mind, in particular capable of excitation and fury (compare óðr). In Germanic paganism, "Germanic Mercury", and the later Odin, was at the same time the conductor of the dead and the "lord of fury" leading the Wild Hunt.
Besides denoting the human spirit or soul, both of the living and the deceased, the Old English word is used as a synonym of Latin spiritus also in the meaning of "breath" or "blast" from the earliest attestations (9th century). It could also denote any good or evil spirit, such as angels and demons; the Anglo-Saxon gospel refers to the demonic possession of Matthew 12:43 as se unclæna gast. Also from the Old English period, the word could denote the spirit of God, viz. the "Holy Ghost".
The now-prevailing sense of "the soul of a deceased person, spoken of as appearing in a visible form" only emerges in Middle English (14th century). The modern noun does, however, retain a wider field of application, extending on one hand to "soul", "spirit", "vital principle", "mind", or "psyche", the seat of feeling, thought, and moral judgement; on the other hand used figuratively of any shadowy outline, or fuzzy or unsubstantial image; in optics, photography, and cinematography especially, a flare, secondary image, or spurious signal.[18]
The synonym spook is a Dutch loanword, akin to Low German spôk (of uncertain etymology); it entered the English language via American English in the 19th century.[19][20][21][22] Alternative words in modern usage include spectre (altn. specter; from Latin spectrum), the Scottish wraith (of obscure origin), phantom (via French ultimately from Greek phantasma, compare fantasy) and apparition. The term shade in classical mythology translates Greek σκιά,[23] or Latin umbra,[24] in reference to the notion of spirits in the Greek underworld. The term poltergeist is a German word, literally a "noisy ghost", for a spirit said to manifest itself by invisibly moving and influencing objects.[25]
Wraith is a Scots word for ghost, spectre, or apparition. It appeared in Scottish Romanticist literature, and acquired the more general or figurative sense of portent or omen. In 18th- to 19th-century Scottish literature, it also applied to aquatic spirits. The word has no commonly accepted etymology; the OED notes "of obscure origin" only.[26] An association with the verb writhe was the etymology favored by J. R. R. Tolkien.[27] Tolkien's use of the word in the naming of the creatures known as the Ringwraiths has influenced later usage in fantasy literature. Bogey[28] or bogy/bogie is a term for a ghost, and appears in Scottish poet John Mayne's Hallowe'en in 1780.[29][30]
A revenant is a deceased person returning from the dead to haunt the living, either as a disembodied ghost or alternatively as an animated ("undead") corpse. Also related is the concept of a fetch, the visible ghost or spirit of a person yet alive.
A notion of the transcendent, supernatural, or numinous, usually involving entities like ghosts, demons, or deities, is a cultural universal.[31] In pre-literate folk religions, these beliefs are often summarized under animism and ancestor worship. Some people believe the ghost or spirit never leaves Earth until there is no-one left to remember the one who died.[32]
In many cultures, malignant, restless ghosts are distinguished from the more benign spirits involved in ancestor worship.[33]
Ancestor worship typically involves rites intended to prevent revenants, vengeful spirits of the dead, imagined as starving and envious of the living. Strategies for preventing revenants may either include sacrifice, i.e., giving the dead food and drink to pacify them, or magical banishment of the deceased to force them not to return. Ritual feeding of the dead is performed in traditions like the Chinese Ghost Festival or the Western All Souls' Day. Magical banishment of the dead is present in many of the world's burial customs. The bodies found in many tumuli (kurgan) had been ritually bound before burial,[34] and the custom of binding the dead persists, for example, in rural Anatolia.[35]
Nineteenth-century anthropologist James Frazer stated in his classic work The Golden Bough that souls were seen as the creature within that animated the body.[36]
Although the human soul was sometimes symbolically or literally depicted in ancient cultures as a bird or other animal, it appears to have been widely held that the soul was an exact reproduction of the body in every feature, even down to clothing the person wore. This is depicted in artwork from various ancient cultures, including such works as the Egyptian Book of the Dead, which shows deceased people in the afterlife appearing much as they did before death, including the style of dress.
While deceased ancestors are universally regarded as venerable, and often believed to have a continued presence in some form of afterlife, the spirit of a deceased person that persists in the material world (a ghost) is regarded as an unnatural or undesirable state of affairs and the idea of ghosts or revenants is associated with a reaction of fear. This is universally the case in pre-modern folk cultures, but fear of ghosts also remains an integral aspect of the modern ghost story, Gothic horror, and other horror fiction dealing with the supernatural.
Another widespread belief concerning ghosts is that they are composed of a misty, airy, or subtle material. Anthropologists link this idea to early beliefs that ghosts were the person within the person (the person's spirit), most noticeable in ancient cultures as a person's breath, which upon exhaling in colder climates appears visibly as a white mist.[32] This belief may have also fostered the metaphorical meaning of "breath" in certain languages, such as the Latin spiritus and the Greek pneuma, which by analogy became extended to mean the soul. In the Bible, God is depicted as synthesising Adam, as a living soul, from the dust of the Earth and the breath of God.
In many traditional accounts, ghosts were often thought to be deceased people looking for vengeance (vengeful ghosts), or imprisoned on earth for bad things they did during life. The appearance of a ghost has often been regarded as an omen or portent of death. Seeing one's own ghostly double or "fetch" is a related omen of death.[37] The impetus of haunting is commonly considered an unnatural death.[38]
White ladies were reported to appear in many rural areas, and supposed to have died tragically or suffered trauma in life. White Lady legends are found around the world. Common to many of them is the theme of losing a child or husband and a sense of purity, as opposed to the Lady in Red ghost that is mostly attributed to a jilted lover or prostitute. The White Lady ghost is often associated with an individual family line or regarded as a harbinger of death similar to a banshee.[39][40][needs context]
Legends of ghost ships have existed since the 18th century; most notable of these is the Flying Dutchman. This theme has been used in literature in The Rime of the Ancient Mariner by Coleridge.
Ghosts are often depicted as being covered in a shroud and/or dragging chains.[41]
A place where ghosts are reported is described as haunted, and often seen as being inhabited by spirits of deceased who may have been former residents or were familiar with the property. Supernatural activity inside homes is said to be mainly associated with violent or tragic events in the building's past such as murder, accidental death, or suicide—sometimes in the recent or ancient past. However, not all hauntings are at a place of a violent death, or even on violent grounds. Many cultures and religions believe the essence of a being, such as the 'soul', continues to exist. Some religious views argue that the 'spirits' of those who have died have not 'passed over' and are trapped inside the property where their memories and energy are strong.
There are many references to ghosts in Mesopotamian religions – the religions of Sumer, Babylon, Assyria, and other early states in Mesopotamia. Traces of these beliefs survive in the later Abrahamic religions that came to dominate the region.[42] The concept of ghosts may p
Black Label Clan theme by capone
Download: BlackLabelClan.p3t
(1 background)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.