An arsenal is a place where arms and ammunition are made, maintained and repaired, stored, or issued, in any combination, whether privately or publicly owned. Arsenal and armoury (British English) or armory (American English)[1][2] are mostly regarded as synonyms, although subtle differences in usage exist.
A sub-armory is a place of temporary storage or carrying of weapons and ammunition, such as any temporary post or patrol vehicle that is only operational in certain times of the day.[3]
The term in English entered the language in the 16th century as a loanword from French: arsenal, itself deriving from the term Italian: arsenale, which in turn is thought to be a corruption of Arabic: دار الصناعة, dār aṣ-ṣināʿa, meaning "manufacturing shop".[4][5][6][7][8][9]
A lower-class arsenal, which can furnish the materiel and equipment of a small army, may contain a laboratory, gun and carriage factories, small-arms ammunition, small-arms, harness, saddlery tent and powder factories; in addition, it must possess great storehouses. In a second-class arsenal, the factories would be replaced by workshops. The situation of an arsenal should be governed by strategic considerations. If of the first class, it should be situated at the base of operations and supply, secure from attack, not too near a frontier, and placed so as to draw in readily the resources of the country. The importance of a large arsenal is such that its defences would be on the scale of those of a large fortress.
In the early 21st century, the term "floating armoury" described a ship storing weapons to be supplied to merchant vessels in international waters subject to piracy, so that the weapons do not enter territorial waters where they would be illegal.
The branches in a great arsenal are usually subdivided into storekeeping, construction and administration:
Under storekeeping the arsenal should have the following departments and stores: Departments of issue and receipt, pattern room, armoury department, ordnance or park, harness, saddlery and accoutrements, camp equipment, tools and instruments, engineer store, timber yard, breaking-up store, and unserviceable store.
Under construction: Gun factory, carriage factory, laboratory, small arms factory, harness and tent factory, gunpowder factory, etc. In a second-class arsenal there would be workshops instead of factories.
Under the head of administration would be classed the chief director of the arsenal, officials military and civil, non-commissioned officers and military artificers, civilian foremen, workmen and laborers, with the clerks and writers necessary for the office work of the establishments.[10]
In the manufacturing branches are required skill, and efficient and economical work, both executive and administrative; in the storekeeping part, good arrangement, great care, thorough knowledge of all warlike stores, both in their active and passive state, and scrupulous exactness in the custody, issue and receipt of stores. Frederick Taylor introduced command and control techniques to arsenals, including the U.S.'s Watertown Arsenal (a principal center for artillery design and manufacture) and Frankford Arsenal (a principal center for small arms ammunition design and manufacture).[10]
^Soanes, Catherine and Stevenson, Angus (ed.) (2005). Oxford Dictionary of English, 2nd Ed., revised, Oxford University Press, Oxford, New York, p. 85. ISBN978-0-19-861057-1.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
In 2001: A Space Odyssey (1968), HAL is initially considered a dependable member of the crew, maintaining ship functions and engaging genially with his human crew-mates on an equal footing. As a recreational activity, Frank Poole plays chess against HAL. In the film, the artificial intelligence is shown to triumph easily. However, as time progresses, HAL begins to malfunction in subtle ways and, as a result, the decision is made to shut down HAL in order to prevent more serious malfunctions. The sequence of events and manner in which HAL is shut down differs between the novel and film versions of the story. In the aforementioned game of chess HAL makes minor and undetected mistakes in his analysis, a possible foreshadowing to HAL's malfunctioning.
In the film, astronauts David Bowman and Frank Poole consider disconnecting HAL's cognitive circuits when he appears to be mistaken in reporting the presence of a fault in the spacecraft's communications antenna. They attempt to conceal what they are saying, but are unaware that HAL can read their lips. Faced with the prospect of disconnection, HAL decides to kill the astronauts in order to protect and continue his programmed directives. HAL uses one of the Discovery's EVA pods to kill Poole while he is repairing the ship. When Bowman, without a space helmet, uses another pod to attempt to rescue Poole, HAL locks him out of the ship, then disconnects the life support systems of the other hibernating crew members. After HAL tells him "This mission is too important for me to allow you to jeopardize it", Bowman circumvents HAL's control, entering the ship by manually opening an emergency airlock with his service pod's clamps, detaching the pod door via its explosive bolts. Bowman jumps across empty space, reenters Discovery, and quickly re-pressurizes the airlock.
While HAL's motivations are ambiguous in the film, the novel explains that the computer is unable to resolve a conflict between his general mission to relay information accurately, and orders specific to the mission requiring that he withhold from Bowman and Poole the true purpose of the mission. With the crew dead, HAL reasons, he would not need to lie to them.
In the novel, the orders to disconnect HAL come from Dave and Frank's superiors on Earth. After Frank is killed while attempting to repair the communications antenna he is pulled away into deep space using the safety tether which is still attached to both the pod and Frank Poole's spacesuit. Dave begins to revive his hibernating crew mates, but is foiled when HAL vents the ship's atmosphere into the vacuum of space, killing the awakening crew members and almost killing Bowman, who is only narrowly saved when he finds his way to an emergency chamber which has its own oxygen supply and a spare space suit inside.
In both versions, Bowman then proceeds to shut down the machine. In the film, HAL's central core is depicted as a crawlspace full of brightly lit computer modules mounted in arrays from which they can be inserted or removed. Bowman shuts down HAL by removing modules from service one by one; as he does so, HAL's consciousness degrades. HAL finally reverts to material that was programmed into him early in his memory, including announcing the date he became operational as 12 January 1992 (in the novel, 1997). When HAL's logic is completely gone, he begins singing the song "Daisy Bell" as he gradually deactivates (in actuality, the first song sung by a computer, which Clarke had earlier observed at a text-to-speech demonstration).[4][5][6] HAL's final act of any significance is to prematurely play a prerecorded message from Mission Control which reveals the true reasons for the mission to Jupiter.
2010: Odyssey Two (novel) and 2010: The Year We Make Contact (film)[edit]
In the 1982 novel 2010: Odyssey Two written by Clarke, HAL is restarted by his creator, Dr. Chandra, who arrives on the Soviet spaceship Leonov.
Prior to leaving Earth, Dr. Chandra has also had a discussion with HAL's twin, SAL 9000. Like HAL, SAL was created by Dr. Chandra. Whereas HAL was characterized as being "male", SAL is characterized as being "female" (voiced by Candice Bergen in the film) and is represented by a blue camera eye instead of a red one.
Dr. Chandra discovers that HAL's crisis was caused by a programming contradiction: he was constructed for "the accurate processing of information without distortion or concealment", yet his orders, directly from Dr. Heywood Floyd at the National Council on Astronautics, required him to keep the discovery of the Monolith TMA-1 a secret for reasons of national security. This contradiction created a "Hofstadter-Moebius loop", reducing HAL to paranoia. Therefore, HAL made the decision to kill the crew, thereby allowing him to obey both his hardwired instructions to report data truthfully and in full, and his orders to keep the monolith a secret. In essence: if the crew were dead, he would no longer have to keep the information secret.
The alien intelligence initiates a terraforming scheme, placing the Leonov, and everybody in it, in danger. Its human crew devises an escape plan which unfortunately requires leaving the Discovery and HAL behind to be destroyed. Dr. Chandra explains the danger, and HAL willingly sacrifices himself so that the astronauts may escape safely. In the moment of his destruction the monolith-makers transform HAL into a non-corporeal being so that David Bowman's avatar may have a companion.
The details in the novel and the 1984 film 2010: The Year We Make Contact are nominally the same, with a few exceptions. First, in contradiction to the book (and events described in both book and film versions of 2001: A Space Odyssey), Heywood Floyd is absolved of responsibility for HAL's condition; it is asserted that the decision to program HAL with information concerning TMA-1 came directly from the White House. In the film, HAL functions normally after being reactivated, while in the book it is revealed that his mind was damaged during the shutdown, forcing him to begin communication through screen text. Also, in the film the Leonov crew initially lies to HAL about the dangers that he faced (suspecting that if he knew he would be destroyed he would not initiate the engine burn necessary to get the Leonov back home), whereas in the novel he is told at the outset. However, in both cases the suspense comes from the question of what HAL will do when he knows that he may be destroyed by his actions.
In the novel, the basic reboot sequence initiated by Dr. Chandra is quite long, while the movie uses a shorter sequence voiced from HAL as: "HELLO_DOCTOR_NAME_CONTINUE_YESTERDAY_TOMORROW".
While Curnow tells Floyd that Dr. Chandra has begun designing HAL 10000, it has not been mentioned in subsequent novels.
2061: Odyssey Three and 3001: The Final Odyssey[edit]
In Clarke's 1987 novel 2061: Odyssey Three, Heywood Floyd is surprised to encounter HAL, now stored alongside Dave Bowman in the Europa monolith.
In Clarke's 1997 novel 3001: The Final Odyssey, Frank Poole is introduced to the merged form of Dave Bowman and HAL, the two merging into one entity called "Halman" after Bowman rescued HAL from the dying Discovery One spaceship toward the end of 2010: Odyssey Two.
Clarke noted that the first film was criticized for not having any characters except for HAL,[clarification needed] and that a great deal of the establishing story on Earth was cut from the film (and even from Clarke's novel).[7] Clarke stated that he had considered Autonomous Mobile Explorer–5 as a name for the computer, then decided on Socrates when writing early drafts, switching in later drafts to Athena, a computer with a female personality, before settling on HAL 9000.[8] The Socrates name was later used in Clarke and Stephen Baxter's A Time Odyssey novel series.
The earliest draft depicted Socrates as a roughly humanoid robot, and is introduced as overseeing Project Morpheus, which studied prolonged hibernation in preparation for long term space flight. As a demonstration to Senator Floyd, Socrates' designer, Dr. Bruno Forster, asks Socrates to turn off the oxygen to hibernating subjects Kaminski and Whitehead, which Socrates refuses, citing Asimov'sFirst Law of Robotics.[9]
In a later version, in which Bowman and Whitehead are the non-hibernating crew of Discovery, Whitehead dies outside the spacecraft after his pod collides with the main antenna, tearing it free. This triggers the need for Bowman to revive Poole, but the revival does not go according to plan, and after briefly awakening, Poole dies. The computer, named Athena in this draft, announces "All systems of Poole now No–Go. It will be necessary to replace him with a spare unit."[10] After this, Bowman decides to go out in a pod and retrieve the antenna, which is moving away from the ship. Athena refuses to allow him to leave the ship, citing "Directive 15" which prevents it from being left unattended, forcing him to make program modifications during which time the antenna drifts further.[11]
During rehearsals Kubrick asked Stefanie Powers to supply the voice of HAL 9000 while searching for a suitably androgynous voice so the actors had something to react to. On the set, British actor Nigel Davenport played HAL.[12][13] When it came to dubbing HAL in post-production, Kubrick had originally cast Martin Balsam, but as he felt Balsam "just sounded a little bit too colloquially American", he was replaced with Douglas Rain, who "had the kind of bland mid-Atlantic accent we felt was right for the part".[14] Rain was only handed HAL's lines instead of the full script, and recorded them across a day and a half.[15]
HAL's point of view shots were created with a Cinerama Fairchild-Curtis wide-angle lens with a 160° angle of view. This lens is about 8 inches (20 cm) in diameter, while HAL's on set prop eye lens is about 3 inches (7.6 cm) in diameter. Stanley Kubrick chose to use the large Fairchild-Curtis lens to shoot the HAL 9000 POV shots because he needed a wide-angle fisheye lens that would fit onto his shooting camera, and this was the only lens at the time that would work. The Fairchild-Curtis lens has a focal length of 23 mm (0.9 in) with a maximum aperture of f/2.0 and a weight of approximately 30 lb (14 kg); it was originally designed by Felix Bednarz[16] with a maximum aperture of f/2.2 for the first Cinerama 360 film, Journey to the Stars, shown at the 1962 Seattle World's Fair.[17] Bednarz adapted the lens design from an earlier lens he had designed for military training to simulate human peripheral vision coverage.[18] The lens was later recomputed for the second Cinerama 360 film To the Moon and Beyond, which had a slightly different film format. To the Moon and Beyond was produced by Graphic Films and shown at the 1964/1965 New York World's Fair,[19] where Kubrick watched it; afterwards, he was so impressed that he hired the same creative team from Graphic Films (consisting of Douglas Trumbull, Lester Novros, and Con Pederson) to work on 2001.[20][21]
A HAL 9000 face plate, without lens (not the same as the hero face plates seen in the film), was discovered in a junk shop in Paddington, London, in the early 1970s by Chris Randall.[22] This was found along with the key to HAL's Brain Room. Both items were purchased for ten shillings (£0.50).[23][24] Research revealed that the original lens was a Fisheye Nikkor 8 mm f/8.[25] The collection was sold at a Christie's auction in 2010 for £17,500[26] to film director Peter Jackson.[27]
HAL's name, according to writer Arthur C. Clarke, is derived from Heuristically programmed ALgorithmic computer.[8][2] After the film was released, fans noticed HAL was a one-letter shift from the name IBM and there has been much speculation since then that this was a dig at the large computer company,[28][29] something that has been denied by both Clarke and 2001 director Stanley Kubrick.[2] Clarke addressed the issue in his book The Lost Worlds of 2001:
...about once a week some character spots the fact that HAL is one letter ahead of IBM, and promptly assumes that Stanley and I were taking a crack at the estimable institution ... As it happened, IBM had given us a good deal of help, so we were quite embarrassed by this, and would have changed the name had we spotted the coincidence.[8]
IBM was consulted during the making of the film and their logo can be seen on props in the film, including the Pan Am Clipper's cockpit instrument panel and on the lower arm keypad on Poole's space suit. During production it was brought to IBM's attention that the film's plot included a homicidal computer but they approved association with the film if it was clear any "equipment failure" was not related to their products.[30][31][29]
HAL Communications Corporation is a real corporation, with facilities located in Urbana, Illinois,[32] which is where HAL in the movie identifies himself as being activated: "I am a HAL 9000 computer. I became operational at the H-A-L plant in Urbana Illinois on the 12th of January 1992."[33]
The former president of HAL Communications, Bill Henry, has stated that this is a coincidence: "There was not and never has been any connection to 'Hal', Arthur Clarke's intelligent computer in the screen play '2001' — later published as a book. We were very surprised when the movie hit the Coed Theatre on campus and discovered that the movie's computer had our name. We never had any problems with that similarity - 'Hal' for the movie and 'HAL' (all caps) for our small company. But, from time-to-time, we did have issues with others trying to use 'HAL'. That resulted in us paying lawyers. The offenders folded or eventually went out of business."[34]
The scene in which HAL's consciousness degrades was inspired by Clarke's memory of a speech synthesis demonstration by physicist John Larry Kelly, Jr., who used an IBM 704 computer to synthesize speech. Kelly's voice recorder synthesizer vocoder recreated the song "Daisy Bell", with musical accompaniment from Max Mathews.[4]
HAL's capabilities, like all the technology in 2001, were based on the speculation of respected scientists. Marvin Minsky, director of the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL) and one of the most influential researchers in the field, was an adviser on the film set.[35] In the mid-1960s, many computer scientists in the field of artificial intelligence were optimistic that machines with HAL's capabilities would exist within a few decades. For example, AI pioneer Herbert A. Simon at Carnegie Mellon University had predicted in 1965 that "machines will be capable, within twenty years, of doing any work a man can do".[36]
Apple Inc.'s 1999 website advertisement "It was a bug, Dave" was made by meticulously recreating the appearance of HAL 9000 from the movie.[43] Launched during the era of concerns over Y2K bugs, the ad implied that HAL's behavior was caused by a Y2K bug, before driving home the point that "only Macintosh was designed to function perfectly".[44]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
A burl (American English) or burr (British English) is a tree growth in which the grain has grown in a deformed manner. It is commonly found in the form of a rounded outgrowth on a tree trunk or branch that is filled with small knots from dormant buds. Burl formation is typically a result of some form of stress such as an injury or a viral or fungal infection.
Burls yield a very peculiar and highly figured wood sought after in woodworking, and some items may reach high prices on the wood market. Poaching of burl specimens and damaging the trees in the process poses a problem in some areas.
A burl results from a tree undergoing some form of stress. It may be caused by an injury, virus or fungus.[1] Most burls grow beneath the ground, attached to the roots as a type of malignancy that is generally not discovered until the tree dies or falls over. Such burls sometimes appear as groups of bulbous protrusions connected by a system of rope-like roots. Almost all burl wood is covered by bark, even if it is underground. Insect infestation and certain types of mold infestation are the most common causes of this condition.
In some tree species, burls can grow to great size. The largest, at 26 ft (8 m), occur in coast redwoods (Sequoia sempervirens) and can engirdle the entire trunk; when moisture is present, these burls can grow new redwood trees. The world's second-largest burls can be found in Port McNeill, British Columbia. One of the largest burls known was found around 1984 in the small town of Tamworth, New South Wales. It stands 6.4 ft (2.0 m) tall, with an odd shape resembling a trombone. In January 2009, this burl was controversially removed from its original location, and relocated to a public school in the central New South Wales city of Dubbo.
A burled spruce log carved for use as a railing with built-in seats on a log cabin
Burls yield a very peculiar and highly figured wood, prized for its beauty and rarity. It is sought after by furniture makers, artists, and wood sculptors. There are a number of well-known types of burls (each from a particular species); these are highly valued and sliced into veneers for furniture, inlay in doors, picture frames, household objects, automobile interior paneling and trim, musical instruments, and woodturning. It is also used for car dashboards.
The prized "burr maple" is not a species of a maple, but wood from a maple's burl (burr).
The famous birdseye maple of the sugar maple (Acer saccharum) superficially resembles burr maple, but it is something else entirely.
Burl wood is very hard to work with hand tools or on a lathe, because its grain is twisted and interlocked, causing it to chip and shatter unpredictably. This "wild grain" makes burl wood extremely dense and resistant to splitting, which made it valued for bowls, mallets, mauls and "beetles" or "beadles" for hammering chisels and driving wooden pegs.[2]
Because of the value of burls, ancient redwoods in national parks in the Western United States have recently been poached by thieves for their burls, including at Redwood National and State Parks.[3] Poachers often cut off the burls from the sides of the trunks using chainsaws, which exposes the tree to infection and disease, or fell the entire tree to steal burls higher up.[3] Because of the risk of poaching, Jeff Denny, the state park's redwood coast sector supervisor, encourages those buying burl to inquire where it came from and to ensure it was obtained legally. Legal acquisition methods for burl include trees from private land cleared for new development and from lumber companies with salvage permits.[3]
Zalasky, Harry (1975). "Low-temperature-induced cankers and burls in test conifers and hardwoods". Canadian Journal of Botany. 53 (21): 2526–35. doi:10.1139/b75-277.
This disambiguation page lists articles associated with the title Ram. If an internal link led you here, you may wish to change the link to point directly to the intended article.
A remastered version titled BloodRayne 2: Terminal Cut was released on November 20, 2020, and later on PlayStation 4, PlayStation 5, Xbox One and Nintendo Switch as BloodRayne 2: ReVamped on November 18, 2021.[4]
The FMV opens with a flashback set shortly after the first game. Rayne is seen entering a library (called Blood Library), with a few Nazis inside. She finds that Brimstone members have been slaughtered and realizes her vampiric father Kagan is here, acting as an influential Nazi. Rayne rushes to confront him for revenge for her mother's rape and the murder of her family, and Kagan mocks Rayne by saying he does not recognize her, as he sired numerous offspring that way. He finds what he was looking for, called the Vesper Shard. Knowing Rayne still wants to kill him, he then brings Professor Trumain up from the floor, strangled by his own small intestine, but barely alive. Kagan knows that they know each other, and that Trumain "stole" yet another offspring from him. While Kagan mocks Rayne, Truman pulls out a detonator, first giving time for Rayne to run, then detonating the grenade, killing himself and seemingly taking Kagan with him.
Denied the pleasure of killing him herself, Rayne spends the 60 years after the war seeking out and destroying Kagan's offspring.[5] These offspring, Rayne's half-siblings, have banded together to form a group called the Cult of Kagan.[5] The Cult has created the Shroud, a substance that can render sun rays harmless to vampires, allowing them to surface at all times of the day, and which twists nature into a nightmarish perversion [5] (trees dying almost instantly, grass catching on fire, corpses twitching). Using the Shroud, the Cult has pledged to create a new era of vampiric supremacy, continuing Kagan's legacy.
Rayne and her ally Severin find high ranking members of the Cult, who are responsible for hundreds of disappearances in a city. Rayne learns of their plot and defeats her ambitious half-sister Ferrill, the apparent leader of the cult. It is soon revealed that Kagan himself has long survived over the years and has come out of hiding. After Kagan has Ferrill dispatched, he sets about the plot to activate the Shroud, blocking out the sun and setting loose an army of vampires and demonic entities to destroy the city, making it his kingdom. Rayne again sets her sights on killing Kagan.
With Kagan's army having taken over the city, Rayne seeks out his tower to face him once and for all, fighting his army to get to him. A vengeful Ferrill makes an army of her own to usurp Kagan. After Rayne dispatches the last of her half-siblings, she confronts Kagan in his throne room, with Kagan mocking her one last time about the effort he took to create her. A fight ensues and Rayne kills her father, avenging her family.
Despite Kagan's death, the vampires still plague the city, and Severin suggests that Rayne should run it now. Brimestone declares martial law to rescue the surviving humans, cracking down hard on all vampires and more vampire overlords setting their sights on the city.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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One or more of the preceding sentences incorporates text from this source, which is in the public domain: Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. Vol. 02 (11th ed.). Cambridge University Press. pp. 650 to 651.
