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Panettiere was born and partly raised in Palisades, New York. She is the daughter of Lesley R. Vogel, a former soap opera actress, and Alan Lee "Skip" Panettiere, a captain in the New York City Fire Department. She is of partial Italian descent. She had one younger brother, fellow actor Jansen Panettiere, who died of complications from enlarged heart syndrome in 2023. (He was 28 years old.)[6][7][8][9] Her mother's family lives in Indiana.[10][11]
After Panettiere attended South Orangetown Middle School in New York, she was homeschooled[12] and had private tutors from grade nine to the completion of high school to accommodate her acting schedule.
Panettiere first appeared in commercials at the age of eleven months, beginning with an advertisement for a Playskool toy train.[13] She landed a role as Sarah Roberts on the ABC soap opera One Life to Live from 1994 to 1997, which was followed by Lizzie Spaulding on the CBS soap opera Guiding Light in 1996, and again from 1997 to 2000. While on Guiding Light, Panettiere's character Lizzie battled leukemia. The Leukemia & Lymphoma Society gave her its Special Recognition Award for drawing the attention of daytime viewers to the disease, and for improving national awareness.
Panettiere gained greater fame as Claire Bennet in the NBC series Heroes, which was created by Tim Kring, as a high school cheerleader with regenerative healing powers. Thanks to her role on Heroes, she became a regular on the science fiction convention circuit, invited to attend conventions around the world in 2007, including Gen Con, New York Comic Con, and Fan Expo Canada. Panettiere has complained that her acting options are sometimes limited because "people look at [her] as either the popular cheerleader type or just the blonde".[15]
In early 2007, Panettiere appeared on the MTV show, Punk'd. The appearance was engineered by her mother and involved a male "fan" discussing her work with her, instigating a jealous reaction from the man's spouse. In April 2012, she hosted an episode of the new series.
In March 2012, it was announced Panettiere had been cast opposite Connie Britton on the ABC musical drama series Nashville, where she portrayed Juliette Barnes.[16][17][18] The show reunited Panettiere with Burgess Jenkins (who appears in the first few episodes) from Remember the Titans. The show moved from ABC to CMT for its fifth and sixth seasons, and concluded its run on July 26, 2018.
Panettiere made her feature film debut at the age of 9, albeit as a voice actor, for 1998's A Bug's Life,[19] but her first released film was the same year's The Object of My Affection at the age of 8, in which she appears briefly as a mermaid in the school play in the opening scene. In 1999, she played the girl on a sinking sailboat in Message in a Bottle. She played the role of Coach Yoast's daughter, Sheryl, in the 2000 Disney film Remember the Titans. In 2004, Disney Channel gave Panettiere her first starring roles as the daughter of actor Bill Pullman's character in Tiger Cruise, and as a teenage girl caught in a fantasy transitional realm alongside fellow child actor Ryan Kelley in fantasy film flick, The Dust Factory.
Her last major acting credit of 2004 was the role of adolescent niece to Kate Hudson's title character in Raising Helen, where Panettiere played the older sister to real life siblings Abigail and Spencer Breslin. In 2005, Panettiere played opposite Michelle Trachtenberg as an ice skating rival in Disney's Ice Princess and lead the screen again, this time, as budding jockey Channing Walsh in 2005's film Racing Stripes. In 2006, Panettiere played a cheerleader in Bring It On: All or Nothing and had a supporting role as Adelaide Bourbon in the 2007 independent film Shanghai Kiss.
In 2008, Panettiere appeared in the drama Fireflies in the Garden as a younger version of Emily Watson's character, Jane Lawrence. In September 2008, she appeared in a satirical video, a mock-PSA for Funny or Die titled "Hayden Panettiere PSA: Your Vote, Your Choice".[22] In October, Panettiere appeared in another satirical PSA video on funnyordie.com titled "Vote for McCain: He's just like George Bush, except older and with a worse temper".[23]
In April 2011, Panettiere appeared in the Scream sequel, Scream 4, playing Kirby Reed. The film received mixed reviews, but she received acclaim for her role and was considered to be a highlight. The same year she replaced Anne Hathaway as the voice of Red for the animated sequel Hoodwinked Too! Hood vs. Evil. In 2012, The Forger, in which she played the role of Amber, was released direct to DVD (both this and Hoodwinked Too! Hood vs. Evil were made in 2009).
In January 2022, Panettiere briefly reprised her role as Kirby Reed in the Scream 4 sequel Scream in a photograph used in the film, revealing the character to have survived the fourth film's events. Panettiere is credited with "Special Thanks" for the photograph's use as well as a voice cameo.[27][28][29][30] In May 2022, it was announced Panettiere would be returning to the Scream franchise on its sixth installment, in what also marks her first on-screen film appearance since 2018 after a career hiatus.[31]
Panettiere was nominated for a Grammy Award in 1999 for A Bug's Life.[34] In 2004, she recorded a song entitled "My Hero Is You" with a video for the Disney Channel film she starred in, Tiger Cruise, and "Someone Like You", a duet with Watt White for another film, The Dust Factory (also with an accompanying video). The next year she recorded a song entitled "I Fly" for the Disney film Ice Princess in which she also co-starred. She recorded a song for the Hollywood Records compilation Girl Next (2006) and another song entitled "Go to Girl" for Girl Next 2 (2007). Also in 2007, she sang the national anthem at A Capitol Fourth and recorded a cover for "Cruella De Vil" for Disneymania 5, "Try" for the Bridge to Terabithiasoundtrack and a ballad called "I Still Believe" for Cinderella III: A Twist in Time.
Panettiere's very first single not associated with an acting role, the reggae-infused "Wake Up Call" was digitally released on August 5. The clothing brand Candie's announced that it was premiering an ad campaign for the single in late July. Candie's provided additional promotion for the single with a television advertisement and a music video.[35]Sebastian Stan, who portrayed the brother of Panettiere's character in The Architect, played her boyfriend in the video.
She has recorded several songs for Nashville, which were released as singles and included on the show's soundtrack albums. She also made numerous concert appearances associated with the show's touring promotion. In 2013, Panettiere recorded a version of "The Fabric of My Life" for a Cotton Incorporated campaign.[36]
In 2009, Panettiere was one of the celebrities featured in the coffee table book Room 23,[43] produced by Diana Jenkins and photographed by Deborah Anderson.[44]
Panettiere began dating her Heroes co-star Milo Ventimiglia in December 2007, when she was 18 and he was 29. They broke up in February 2009.[45][46]
In 2009, Panettiere met then-world heavyweight boxing champion Wladimir Klitschko at the book launch party for mutual acquaintance Diana Jenkins' Room 23, in which both Panettiere and Klitschko were featured. They soon began dating.[47] Panettiere was ringside for Klitschko's knockout victory over Samuel Peter on September 11, 2010.[48] In May 2011, she announced that they had split. Both cited the long-distance nature of their relationship as the reason, and said they would remain close friends.[49] Panettiere confirmed reports that she and Klitschko had resumed their romantic relationship in an April 2013 interview.[47] In October 2013, she announced her engagement to Klitschko.[50][51] In December 2014, Panettiere gave birth to their daughter.[52]
In 2015, she stated that following the birth of her daughter she experienced postpartum depression. In her September 28 appearance on Live with Kelly and Michael, she said that it's "scary and needs to be talked about".[53][54] In October, Panettiere voluntarily checked into a facility for treatment, causing her to miss filming for a few episodes of Nashville.[55] She returned to treatment in May 2016.[56]
In August 2018, Panettiere's mother confirmed the couple had broken up again, remaining on friendly terms.[57]
After she broke up with Klitschko, she started dating Brian Hickerson. In 2020, they broke up after he was arrested for corporal injury on a spouse/cohabitant, assault, and intimidating a witness (Panettiere). The charges stemmed from alleged incidents between May 2019 and June 2020.[58] Despite this abuse and the statement, Panettiere and Hickerson have remained friends since he was released from jail,[59] and Panettiere was reported to be dating Brian's older brother Zach on September 4, 2019.[60]
In a 2022 interview she talked about her past struggles with alcoholism and about her sobriety.[61]
In 2007, Panettiere became an official supporter of Ronald McDonald House Charities and is a member of their celebrity board, called the Friends of RMHC.[62]
On October 31, 2007, Panettiere joined with The Whaleman Foundation to try to disrupt the annual dolphin hunt in Taiji, Wakayama, Japan. She was involved in a confrontation between Japanese fishermen and five other surfers of the group from Australia and the United States (including former Home and Away actress Isabel Lucas). The confrontation lasted more than ten minutes before the surfers were forced to return to the beach, after which they left the country.[63] Parts of the confrontation can be seen on the award-winning Sundance Film Festival documentary film The Cove. The fishermen consider the condemnation as an attack on their culture.[64]
On January 28, 2008, Panettiere handed a letter of protest to the Norwegian ambassador in the U.S. arguing that Norway should stop its hunt for whales. She also delivered a letter to the Japanese ambassador calling for the end of Japan's hunting of whales. At a 2007 Greenpeace event in Anchorage, Alaska, Panettiere defended aboriginal whaling, saying that there is a difference between commercial whaling and the whaling practiced by aboriginal tribes in the U.S.[65]
In May 2008, Panettiere was involved in an eBay auction to benefit Save the Whales Again, a campaign of The Whaleman Foundation. The auction included tickets to a fundraising dinner hosted at the Hollywood restaurant Beso, owned by Eva Longoria, and a whale watching tour, with Panettiere, off the coast of Santa Barbara.[66] The same month, during an interview with Teen Vogue, she explained how her fame gives her a platform for her activism: "The show [Heroes] put me in a place to speak for things that I'm passionate about."[67]
Panettiere has long supported the statehood movement in the District of Columbia.[71] In 2008, she appeared in a public service announcement with DCShadow SenatorPaul Strauss endorsing voting rights for Washington, D.C.[72] In 2011, DC Mayor Vincent Gray acknowledged Panettiere's advocacy on behalf of securing full representation in Congress for District of Columbia residents by naming a day in her honor. At the ceremony, Panettiere reflected, "It seems like such (an) unfathomable fact that, you know, it's taxation without representation in D.C., and that there's no democracy in our democracy, at the heart of it."[73] She participated in Strauss'[74] "51 Stars" campaign which aimed to get 51 celebrities to endorse making Washington, D.C., the 51st state.[75]
On December 6, 2013, Panettiere and her then-fiancé Wladimir Klitschko visited the Euromaidan protests in Kiev, Ukraine.[77] Wladimir's brother, Vitali, was one of the leading figures of the protests.[78][79]
In July 2020, Panettiere advocated for victims of domestic abuse to come forward and share their stories, specifically after she herself had gone through abuse.[80][81]
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719.
In music, an aria (Italian:[ˈaːrja]; pl.: arie, Italian:[ˈaːrje]; arias in common usage; diminutive form: arietta, Italian:[aˈrjetta]; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestralaccompaniment, normally part of a larger work.
The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer.
The Italian term aria, which derives from the Greek ἀήρ and Latin aer (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of complex polyphony, were known as madrigale arioso.[1]
Aria form in late 17th century French and Italian opera[edit]
In the context of staged works and concert works, arias evolved from simple melodies into structured forms. In such works, the sung, melodic, and structured aria differed from the speech-like (parlando) recitative – the latter tending to carry the story-line, the former used to convey emotional content and serve as an opportunity for singers to display their vocal talent.
By the late 17th century operatic arias came to be written in one of two forms. Binary form arias were in two sections (A–B); arias in ternary form (A–B–A) were known as da capo arias (literally 'from the head', i.e. with the opening section repeated, often in a highly decorated manner).[2] In the da capo aria the 'B' episode would typically be in a different key – the dominant or relative major key. Other variants of these forms are found in the French operas of the late 17th century such as those of Jean-Baptiste Lully which dominated the period of the French baroque. Vocal solos in his operas (known of course as the French term, airs) are frequently in extended binary form (ABB') or sometimes in rondeau form (ABACA),[3] (a shape which is analogous to the instrumental rondo).
In the work of Italian composers of the late 17th and early 18th century, the da capo aria came to be include the ritornello (literally, 'little return'), a recurring instrumental episode which featured certain phrases of the aria proper and provided, in early operas, the opportunity for dancing or entries of characters.[4]Da capo aria with ritornelli became a typifying feature of European opera throughout the 18th century and is thought by some writers to be a direct antecedent of sonata form.[5] The ritornelli became essential to the structure of the aria – "while the words determine the character of a melody the ritornello instruments often decided in what terms it shall be presented."[6]
By the early 18th century, composers such as Alessandro Scarlatti had established the aria form, and especially its da capo version with ritornelli, as the key element of opera seria. "It offered balance and continuity, and yet gave scope for contrast. [...] The very regularity of its conventional features enabled deviations from the normal to be exploited with telling effect."[7] In the early years of the century, arias in the Italian style began to take over in French opera, giving rise eventually to the French genre of ariette, normally in a relatively simple ternary form.[8]
Types of operatic aria became known by a variety of terms according to their character – e.g.aria parlante ('speaking-style', narrative in nature),[9]aria di bravura (typically given to a heroine),[10]aria buffa (aria of a comic type, typically given to a bass or bass-baritone),[11] and so on.
M. F. Robinson describes the standard aria in opera seria in the period 1720 to 1760 as follows:
The first section normally began with an orchestral ritornello after which the singer entered and sang the words of the first stanza in their entirety. By the end of this first vocal paragraph the music, if it were in a major key as it usually was, had modulated to the dominant. The orchestra then played a second ritornello usually shorter than the first. The singer re-entered and sang the same words through a second time. The music of this second paragraph was often slightly more elaborate than that of the first. There were more repeats of words and perhaps more florid vocalisations. The key worked its way back to the tonic for the final vocal cadence after which the orchestra rounded the section off with a final ritornello.[12]
The nature and allocation of the arias to the different roles in opera seria was highly formalized. According to the playwright and librettistCarlo Goldoni, in his autobiography,
The three principal personages of the drama ought to sing five arias each; two in the first act, two in the second, and one in the third. The second actress and the second soprano can only have three, and the inferior characters must be satisfied with a single aria each, or two at the most. The author of the words must [...] take care that two pathetic [i.e. melancholy] arias do not succeed one another. He must distribute with the same precaution the bravura arias, the arias of action, the inferior arias, and the minuets and rondeaus. He must, above all things, avoid giving impassioned arias, bravura arias, or rondeaus, to inferior characters.[13]
By contrast, arias in opera buffa (comic opera) were often specific in character to the nature of the character being portrayed (for example the cheeky servant-girl or the irascible elderly suitor or guardian).[14]
By later in the century it was clear that these formats were becoming fossilized. Christoph Willibald Gluck thought that both opera buffa and opera seria had strayed too far from what opera should really be, and seemed unnatural. The jokes of opera buffa were threadbare and the repetition of the same characters made them seem no more than stereotypes. In opera seria the singing was devoted to superficial effects and the content was uninteresting and stale. As in opera buffa, the singers were often masters of the stage and the music, decorating the vocal lines so floridly that audiences could no longer recognise the original melody. Gluck wanted to return opera to its origins, focusing on human drama and passions and making words and music of equal importance. The effects of these Gluckist reforms were seen not only in his own operas but in the later works of Mozart; the arias now become far more expressive of the individual emotions of the characters and are both more firmly anchored in, and advance, the storyline. Richard Wagner was to praise Gluck's innovations in his 1850 essay "Opera and Drama": " The musical composer revolted against the wilfulness of the singer"; rather than "unfold[ing] the purely sensuous contents of the Aria to their highest, rankest, pitch", Gluck sought "to put shackles on Caprice's execution of that Aria, by himself endeavouring to give the tune [...] an expression answering to the underlying Word-text".[15] This attitude was to underlie Wagner's would-be deconstruction of aria in his concept of Gesamtkunstwerk.
Despite the ideals of Gluck, and the trend to organise libretti so that arias had a more organic part in the drama rather than merely interrupting its flow, in the operas of the early 19th century, (for example those of Gioachino Rossini and Gaetano Donizetti), bravura arias remained focal attractions, and they continued to play a major role in grand opera, and in Italian opera through the 19th century.
A favoured form of aria in the first half of the 19th century in Italian opera was the cabaletta, in which a songlike cantabile section is followed by a more animated section, the cabaletta proper, repeated in whole or in part. Typically such arias would be preceded by recitative, the whole sequence being termed a scena. There might also be opportunities for participation by orchestra or chorus. An example is Casta diva from the opera Norma of Vincenzo Bellini.[16]
After around 1850, aria forms in Italian opera began to show more variety – many of the operas of Giuseppe Verdi offer extended narrative arias for leading roles that enable, in their scope, intensification of drama and characterisation. Examples include Rigoletto's condemnation of the court, "Cortigiani, vil razza dannata!" (1851).[16]
Later in the century, the post-1850 operas of Wagner were through-composed, with fewer elements being readily identifiable as self-contained arias;[17] whilst the Italian genre of verismo opera also sought to integrate arioso elements although still allowing some 'show-pieces'.[16]
Concert arias, which are not part of any larger work, (or were sometimes written to replace or insert arias in their own operas or operas of other composers) were written by composers to provide the opportunity for vocal display for concert singers;[18] examples are Ah! perfido, Op. 65, by Beethoven, and a number of concert arias by Mozart, including Conservati fedele.
Title page of the Goldberg Variations (first edition, 1741)
The term 'aria' was frequently used in the 17th and 18th centuries for instrumental music modelled on vocal music.[19] For example, J. S. Bach's so-called "Goldberg Variations" were titled at their 1741 publication "Clavier Ubung bestehend in einer ARIA mit verschiedenen Verænderungen" ("Keyboard exercise, consisting of one ARIA with diverse variations.")
Jessica Claire Timberlake (néeBiel/biːl/; born March 3, 1982) is an American actress. Biel began her career as a vocalist appearing in musical productions until she was cast as Mary Camden in the family drama series 7th Heaven (1996–2006), in which she achieved recognition.[2]
Jessica Claire Biel was born on March 3, 1982[6][7] in Ely, Minnesota, to Kimberly (née Conroe), a homemaker and spiritual healer, and Jonathan Biel, a business consultant and General Electric worker.[8][9] Her paternal great-grandfather was the son of Hungarian-Jewish immigrants, which she discovered on the show Who Do You Think You Are?;[10][11] she also has German, French, English, and Scandinavian ancestry.[12][13]
Biel initially trained to be a vocalist.[16] At age nine, she appeared in several musical productions in her hometown, playing lead roles in productions such as The Sound of Music and Beauty and the Beast.[17] At 11 she participated in a competition sponsored by the International Modeling and Talent Association in Los Angeles where she acquired an agent and professional talent manager.[18] She began modeling for print advertisements and appeared in commercials for products such as Dulux Paint and Pringles.[8] In her film debut, Biel played the character Regrettal, a lead role in the ambitious musical film It's a Digital World, produced and directed by Paul Greenberg. At age 14, after auditioning for several television pilots, Biel was cast as Mary Camden, the oldest daughter and second-oldest child in the family drama 7th Heaven.[18]
Biel landed her first feature film role as Peter Fonda's granddaughter in the critically acclaimed drama Ulee's Gold, released in 1997. Her performance earned her a Young Artist Award.[19] In spring 1998, during a break from filming 7th Heaven, she co-starred in I'll Be Home for Christmas with Jonathan Taylor Thomas as his character's love interest.[17] When she was 17, she posed for a risque photo shoot that appeared in the March 2000 issue of Gear. Producers of 7th Heaven were outraged and brought legal action against Gear.[17] She later expressed regret for doing it, claiming she had been used and that she had been shown different pictures from those published.[20] In 2001, Biel played the love interest of Freddie Prinze, Jr. in the baseball-themed film Summer Catch. In 2002, she starred as promiscuous college student Lara in the ensemble film The Rules of Attraction, an adaptation of the Bret Easton Ellisnovel. The movie received mixed reviews, became a box-office hit, and has since gained a cult following.[21][22]
Biel was cast in her first top-billing role in The Texas Chainsaw Massacre.[23] Although the film met with negative reviews, it was a commercial success, scoring the number-one spot in its opening week and going on to earn more than $80 million in the U.S.[23][24] In 2003, Biel began work on the third installment of the Blade film series, Blade: Trinity. Despite negative reviews, Trinity was a box office hit, grossing $150 million worldwide.[25] After finishing it in 2004, she headed to Australia to shoot the action-thriller Stealth.[26] Biel also appeared in the 2004 film Cellular; played a supporting role, Ellen, in the romantic comedyElizabethtown (2005); and starred in the indie film London. In 2005, Esquire named her the "Sexiest Woman Alive" in a six-part series with each month revealing a different body part and clue to the woman's identity.[8]
At the start of 2008, Biel shot Easy Virtue, an adaptation of the play by Noël Coward. Like the play, the film is set in the 1920s and Biel plays young widow Larita, who impulsively marries John Whittaker in France and must face her disapproving in-laws on returning to England. The film premiered in September 2008 at the Toronto International Film Festival.[30] Critics praised Biel for her performance, with Todd McCarthy of Variety saying Biel "more than kept up" with veterans Kristin Scott Thomas and Colin Firth and praising her "sparkling" performance.[31][32]The Hollywood Reporter described her performance as "an irresistible force of nature — a kind, witty, supremely intelligent and beautiful woman who ... is capable of rejoinders that thoroughly undercut her opponent's withering criticism."[33] Biel also performed two songs on the film's soundtrack, "Mad About the Boy" and "When the Going Gets Tough".[citation needed]
Biel starred in the thriller film Emanuel and the Truth About Fishes, which premiered at the Sundance Film Festival on January 18, 2013.[38] In April 2008, Biel began working on the political satire Nailed, with Jake Gyllenhaal. The film centers around a woman who accidentally gets a nail lodged in her head and travels to Washington, D.C. to fight for better health care. In May 2009, Biel spoke about the film's production turmoil, saying: "That was definitely an experience, something I could not say no to. I am a huge David O. Russell fan. It's just heartbreaking that so many people put so much work into this particular project only to have it sit there, unfinished."[39] The film was released on video on demand on February 10, 2015,[40] and received largely negative reviews from critics.[41]
In 2015, Biel starred in the independent drama Bleeding Heart, in which she plays a yoga instructor named May who meets her biological sister Shiva (Zosia Mamet), a sex worker, for the first time.[42] The film premiered on April 17, 2015, at the Tribeca Film Festival, receiving mixed reviews, though Biel earned praise for her performance. Richard Lawson of Vanity Fair commented: "Though she's not given too much to work with in terms of character, Biel plays May with appealing nuance, creating a low-key, bliss-based Angeleno, all light and airy and gentle and poised, who discovers within herself an untapped hardness and anger and strength... when Biel has to conjure up more profound emotions, she proves adept, and surprisingly subtle."[43] Clayton Davis of AwardsCircuit.com also praised her performance, writing, "With an internalized and very subtle performance, Biel excels in her ability to find the very motivation of May."[44]
On August 2, 2017, Biel's eight-episode limited series murder mystery, The Sinner, debuted on USA Network. Biel is both executive producer and played the series' lead character Cora Tannetti. She stated that she moved into production so that she could develop projects with challenging and interesting roles rather than waiting for them to happen.[49]
In October 2021, it was announced Biel would star and executive produce the true-crime drama miniseries Candy for Hulu.[50]
Biel is set to lead the upcoming sci-fi thriller Ursa Major directed by brothers Jonathan and Josh Baker.[51]
Alongside Robert F. Kennedy Jr., Biel publicly lobbied in June 2019 against California's vaccination bill that would limit medical exemptions from vaccinations without approval from a state public health officer.[58][59][60]
On July 18, 2006, Biel participated in a charity auction to raise medical funds for teen Molly Bloom, who was injured in a limousine accident.[61] "I promise I'm a cheap date", Biel quipped in a pre-recorded video. John Schiffner of Fergus Falls, Minnesota, successfully bid $30,000 to have lunch with Biel. Biel and Schiffner lunched at The Palm restaurant in Denver, Colorado, on August 18, 2006.[62]
In early 2007, Biel co-founded the Make the Difference Network with her father and another business partner, Kent McBride.[63]
Biel teamed with nonprofit health care organization WomanCare Global to develop content that will provide girls with sex education.[66]
In 2021, Biel teamed up with Jeremy Adams, a natural products entrepreneur, and co-founder Greg Willsey, to launch Kinderfarms, a health and wellness brand for families.[67]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
From an ambiguous term: This is a redirect from an ambiguous page name to a page or list that disambiguates it. These redirects are pointed to by links that should always be disambiguated. Therefore, this template should never appear on a page that has "(disambiguation)" in its title – in that case use {{R to disambiguation page}}instead.
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This redirect link is used for convenience; it is often preferable to add the plural directly after the link (for example, [[link]]s). However, do not replace these redirected links with a simpler link unless the page is updated for another reason (see WP:NOTBROKEN).
Use this rcat to tag onlymainspace redirects; when plural forms are found in other namespaces, use {{R from modification}}instead.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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