This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Sin City is a series of neo-noircomics by American comic book writer-artist Frank Miller. The first story originally appeared in Dark Horse Presents Fifth Anniversary Special (April 1991), and continued in Dark Horse Presents #51–62 from May 1991 to June 1992, under the title of Sin City, serialized in thirteen parts. Several other stories of variable lengths have followed. The intertwining stories, with frequently recurring characters, take place in Basin City.
In a 2016 interview with the Kubert School, Miller explained his inspiration for Sin City thus:
I've been a fanatic for a long time for old crime movies and old crime novels. But it started with the movies. And the old Cagney movies. Bogart and all that. I loved just how the morals of the stories are. They're all about right and wrong. But in Sin City in particular I wanted them all to happen to in a world where virtuous behavior was rare, which greatly resembled the world I lived in. It's kinda like the old Rolling Stones song, where every cop's a criminal, and all the sinners are saints, where the lowlifes would often be heroic, and the most stridently beautiful and sweet women would be prostitutes. I wanted it to be a world out of balance, where virtue is defined by individuals in difficult situations, not by an overwhelming sense of goodness that was somehow governed by this godlike Comics Code.[2]
The film noir influence on the series' artwork[1][3][4][5] is seen in its use of shadow and stark backgrounds. Black and white are the sole colors most of the time, with exception of red, yellow, blue, and pink, of which limited use is made in some stories to draw attention to particular characters.[1][6]
Miller's Sin City work challenges some conventions of comic book form. The letters of onomatopoeic words like "blam" are often incorporated into scenes via lighting effects, or are suggested by the negative space between panels, or are created by the outline of the panels themselves. This is especially evident in early "yarns," such as The Hard Goodbye, which were more experimental.[9]
On April 28, 2022, it was officially announced that Miller was launching the comic book publishing company Frank Miller Presents (FMP), with one of his initial contributions being a Western tale set in Sin City's past, titled Sin City 1858.[10]
An example of Frank Miller's use of high contrasts in Sin City
Basin City, almost universally referred to by the nickname "Sin City", is a fictional town in the Western United States. The climate is hot and arid, although Sacred Oaks[clarification needed] is characterized as being heavily wooded. A major river runs through the city, which has an extensive waterfront. Usually twice a year, a major downpour comes, and the city is prone to heavy snowfall in the winter. Desert lizards and palm trees are common, while tar pits, desert areas, mountain ranges and flat farmland make up the landscape around the city.[citation needed]
The Basin City Police Department are more or less along the lines of paramilitary or SWAT, as they have to deal with incredibly high crime rates among criminals and civilians alike, which is why they have access to what most would consider "heavy weaponry" and full body armor. Those who make up the force have been described as commonly being lazy, cowardly and/or corrupt. Only a handful of the cops are honest, though frequently the wealthy of the city bribe the corrupt members of the police into performing their duty (usually as a result of some crime being committed or threatened against a member of their family).[citation needed]
During the California Gold Rush, the Roark family "imported" a large number of attractive women to keep the miners happy, making a fortune and turning a struggling mining camp into a thriving, bustling city. Over the years, as the Roark family migrated into other areas of business and power, these women ended up forming the district of Old Town, the prostitute quarter of the city where they rule with absolute authority. In addition, the people charged with governing the city, most of them from the Roark line, remained in power for generations, running it as they saw fit.[citation needed]
As the various yarns progress, the audience gradually becomes familiar with key locations in and around Basin City:
The Projects, the run-down and poor side of Sin City, are a tangle of high-rise run-down and desolated apartments where crime runs rampant with no police inside. Its inhabitants have apparently evolved their own independent society with almost no legal contact with the outside world and SWAT teams rarely go in The Projects. Marv was born in the Projects, and currently resides there. Dwight avoids The Projects and hates the neighborhood.
The Docks, a collection of wharfs and warehouses that are local to the Projects, since The Docks overlook The Projects. Hartigan and Roark Junior have their first confrontation here in That Yellow Bastard, and Marv drives a stolen police car off one of the piers at the beginning of The Hard Goodbye.
Kadie's Club Pecos is a strip club and bar in Old Town, where Nancy Callahan and Shellie work, and where Dwight McCarthy and Marv spend their spare time. Despite being filled with drunk and violent men, Kadie's bar is one of the safest areas in Sin City since it is heavily guarded by prostitutes and their protectors. Marv, who possesses an extraordinarily high sense of chivalry, protects the female employees of Kadie's from any violence that makes its way inside.
Roark Family Farm (a.k.a. "The Farm") is located at North Cross and Lennox on the hills outside Basin City and shows up in several stories, including The Hard Goodbye, That Yellow Bastard, The Babe Wore Red and Hell and Back. It was also home to Kevin, a serial killer with ties to the Roark family. Marv burns down one of the buildings, and the Farm is abandoned sometime after the initial Sin City storyline. The Farm is the only location in the comic books that is outside Basin City.
Old Town is the red-light district, where the city's population of prostitutes reside. Old Town is run by Goldie and Wendy. Old Town is off limits to the police. Though willing to engage in almost any sexual act for the right price, the women of Old Town show no mercy to those who "break the rules," and back up their independence with lethal force. The mafia families and pimps who were into Old Town's business were thrown out of the neighborhood.
Sacred Oaks is the home to the rich and powerful of Sin City. This suburb is located on the outskirts of Basin City as a protection. A university is located in Sacred Oaks, and the entire area is patrolled by armed employees of its wealthy inhabitants, mostly SWAT teams.
Basin City Central Train Station, which has a direct connection to Phoenix. It is located in the outskirts near The Docks and it is considered one of safer places.
Mimi's, a small run-down motel on the far outskirts of Basin City, with only few rooms and a place where young couples make love. Nancy and Hartigan hid in Mimi's where she confessed her love to him. Junior also attacked Hartigan here and left him to die, although he saved himself.
The Santa Yolanda Tar Pits, an abandoned amusement park of sorts outside the city, where several tar pits are located and dinosaur bones were excavated at some time. After a "big-budget dinosaur movie" caused a sensation, the county put up concrete statues of dinosaurs there to draw crowds. However, after an old lady fell through a railing into one of the pits and had a heart attack, the place was shut down indefinitely. They are frequently used as a place to dump things that people don't want found; high-schoolers also tend to sneak in there a lot. This is where Delia tells Phil to drive in Wrong Turn and where Dwight takes the corpses of Jackie Boy and his friends in The Big Fat Kill. Frank Miller has admitted the main reason the Tar Pits exist is as an excuse to draw the dinosaur statues.
Because a large majority of the residents of Basin City are criminals, there are several organizations and cartels central to the stories who are vying for monopoly over the various criminal enterprises in the city. Listed below are crime syndicates, gangs and other low-lifes who figure heavily in the Sin City mythos.
The Basin City Police Department: So deep does corruption and criminality run in Basin City that even their police officers qualify as a gang of paid thugs, turning a blind eye to the affairs of those too poor to pay them off. Few among them are considered incorruptible; even the honest officers are unable (or unwilling) to curtail the criminal actions of the dishonest ones. Notable characters in the series who are police include Detective John Hartigan, his partner Bob, Lieutenants Jack Rafferty and Mort, Commissioner Liebowitz, and Officers Manson and Bundy from Hell and Back.
Roark family: A dynasty of corrupt landowners and politicians whose influence over Basin City has stretched as far back as the days of the Old West. Famous Roarks of this generation include a senator, a cardinal, an attorney general, and Roark Junior, 'That Yellow Bastard'.
The Girls of Old Town: Populating the region of Basin City known as Old Town is a group of women in the world's oldest profession, having made a truce with the cops to allow them to govern and police themselves. As of A Dame to Kill For, they were led by the twins, Goldie and Wendy.
Wallenquist Organization: A powerful crime syndicate led by Herr Wallenquist, a mysterious crime lord with a broad range of criminal enterprises to his name. Although they are one of the city's two "normal" criminal organizations, the Wallenquist management seems to be the most peaceful and forgiving of the various leaders. It is unknown which crime rings they hold.
Magliozzi Crime Family: The undisputed heads of the local Cosa Nostra, the Magliozzi family seems to be the purest example of "true" Mafia lifestyle. While they appear in only one story, it is hinted that the Mafia influence in Basin City's underworld is a lot larger than just their family and that there are more families.
Other groups that have been seen or mentioned in the comics include:
Tong gangsters: Mentioned, but not seen as of A Dame to Kill For. Miho's life was saved by Dwight when he secretly protected her during a fight with several Tong gangsters in a dark alleyway.
White slavers: Mentioned, but not seen as of A Dame to Kill For. Led by a man named Manuel, whose brothers were also involved. Were "taken care of" by Dwight prior to the events of A Dame to Kill For.
Irish mercenaries: Seen during The Big Fat Kill, most of them are evidently former IRA members, as implied by one of the mercenaries referring to his glee at blowing up a public house (British pubs were targeted by the IRA). All are killed by Dwight and Miho.
The stories have been collected into a number of trade paperbacks and hardcover editions. There is also a collection of art, The Art of Sin City.
In 2016, Dark Horse Comics released an ambitious, oversized edition titled Frank Miller’s Sin City The Hard Goodbye Curator’s Collection.[11] This 15 x 21 inch book reprints the entire first storyline, scanned and reproduced exactly from the original art at 1:1 size. When referencing the production process in an interview with Michael Dooley for Print Magazine, editor/designer John Lind gave the anecdote “When Frank and I first reviewed some of the scanned pages from Sin City, he pulled one aside and said, ‘You can see details in some of the scans where you can tell what the humidity was like when I was lettering because you can see the smudging from my hand.’ That type of reaction represents the level of detail I'm working hard to achieve with the production.[12]
The Hard Goodbye, A Dame to Kill For, The Big Fat Kill, That Yellow Bastard, Family Values, Booze, Broads and Bullets, Hell and Back, and The Art of Sin City
Frank Miller's Sin City Vol.1: The Hard Goodbye Curator's Edition
The Hard Goodbye scanned from the original artwork in Frank Miller's archives and reproduced at full size. Introduction by Robert Rodriguez, with an afterword by Mike Richardson and an interview about the artistic process with Frank Miller.
Dimension Films planned to develop a soft reboot of the series for television; Stephen L’Heureux who produced the second film was to oversee the series with Sin City creator Frank Miller.[13] The new TV series would feature new characters and timelines and be more like the comics rather than the films.[14] On November 15, 2019, Legendary Pictures bought the rights for the television series.[15]
Bleach is the generic name for any chemical product that is used industrially or domestically to remove colour (whitening) from fabric or fiber (in a process called bleaching) or to disinfect after cleaning. It often refers specifically to a dilute solution of sodium hypochlorite, also called "liquid bleach".
Many bleaches have broad-spectrum bactericidal properties, making them useful for disinfecting and sterilizing. They are used in swimming pool sanitation to control bacteria, viruses, and algae and in many places where sterile conditions are required. They are also used in many industrial processes, notably in the bleaching of wood pulp. Bleaches also have other minor uses, like removing mildew, killing weeds, and increasing the longevity of cut flowers.[1]
Bleaches work by reacting with many coloured organic compounds, such as natural pigments, and turning them into colourless ones. While most bleaches are oxidizing agents (chemicals that can remove electrons from other molecules), some are reducing agents (that donate electrons).
Chlorine, a powerful oxidizer, is the active agent in many household bleaches. Since pure chlorine is a toxic corrosive gas, these products usually contain hypochlorite, which releases chlorine. "Bleaching powder" usually refers to a formulation containing calcium hypochlorite.[citation needed]
Bleaches generally react with many other organic substances besides the intended coloured pigments, so they can weaken or damage natural materials like fibers, cloth, and leather, and intentionally applied dyes, such as the indigo of denim. For the same reason, ingestion of the products, breathing of the fumes, or contact with skin or eyes can cause bodily harm and damage health.
Early method of bleaching cotton and linen goods on lawns, using a combination of exposure to direct sunlight and the application of water
The earliest form of bleaching involved spreading fabrics and cloth out in a bleachfield to be whitened by the action of the Sun and water.[4][5] In the 17th century, there was a significant cloth bleaching industry in Western Europe, using alternating alkaline baths (generally lye) and acid baths (such as lactic acid from sour milk, and later diluted sulfuric acid). The whole process lasted up to six months.[4]
Chlorine-based bleaches, which shortened that process from months to hours, were invented in Europe in the late 18th century. Swedish chemist Carl Wilhelm Scheele discovered chlorine in 1774,[4] and in 1785 Savoyard scientist Claude Berthollet recognized that it could be used to bleach fabrics.[4] Berthollet also discovered sodium hypochlorite, which became the first commercial bleach, named Eau de Javel ("Javel water") after the borough of Javel, near Paris, where it was produced.
Scottish chemist and industrialist Charles Tennant proposed in 1798 a solution of calcium hypochlorite as an alternative for Javel water, and patented bleaching powder (solid calcium hypochlorite) in 1799.[4][6] Around 1820, French chemist Antoine Germain Labarraque discovered the disinfecting and deodorizing ability of hypochlorites and was instrumental in popularizing their use for such purpose.[7] His work greatly improved medical practice, public health, and the sanitary conditions in hospitals, slaughterhouses, and all industries dealing with animal products.[8]
Louis Jacques Thénard first produced hydrogen peroxide in 1818 by reacting barium peroxide with nitric acid.[9] Hydrogen peroxide was first used for bleaching in 1882, but did not become commercially important until after 1930.[10]Sodium perborate as a laundry bleach has been used in Europe since the early twentieth century, and became popular in North America in the 1980s.[11]
Colours of natural organic materials typically arise from organic pigments, such as beta carotene. Chemical bleaches work in one of two ways:
An oxidizing bleach works by breaking the chemical bonds that make up the chromophore. This changes the molecule into a different substance that either does not contain a chromophore or contains a chromophore that does not absorb visible light. This is the mechanism of bleaches based on chlorine but also of oxygen-anions which react through the initial nucleophilic attack.[12]
A reducing bleach works by converting double bonds in the chromophore into single bonds. This eliminates the ability of the chromophore to absorb visible light. This is the mechanism of bleaches based on sulfur dioxide.[13]
Sunlight acts as a bleach through a process leading to similar results: high-energy photons of light, often in the violet or ultraviolet range, can disrupt the bonds in the chromophore, rendering the resulting substance colourless. Extended exposure often leads to massive discolouration usually reducing the colours to a white and typically very faded blue.[14]
The broad-spectrum effectiveness of most bleaches is due to their general chemical reactivity against organic compounds, rather than the selective inhibitory or toxic actions of antibiotics. They irreversibly denature or destroy many proteins, including all prions, making them extremely versatile disinfectants.
Hypochlorite bleaches in low concentration were also found to attack bacteria by interfering with heat shock proteins on their walls.[15] According to 2013 Home Hygiene and Health report,[16] using bleach, whether chlorine- or peroxide-based, significantly increases germicidal efficiency of laundry even at low temperatures (30-40 degrees Celsius), which makes it possible to eliminate viruses, bacteria, and fungi from a variety of clothing in a home setting.[17]
Chlorine-based bleaches are found in many household "bleach" products, as well as in specialized products for hospitals, public health, water chlorination, and industrial processes.
The grade of chlorine-based bleaches is often expressed as percent active chlorine. One gram of 100% active chlorine bleach has the same bleaching power as one gram of elemental chlorine.
The most common chlorine-based bleaches are:
Sodium hypochlorite (NaClO), usually as a 3–6% solution in water, usually called "liquid bleach" or just "bleach". Historically called "Javel water" (French: eau de Javel). It is used in many households to whiten laundry, disinfect hard surfaces in kitchens and bathrooms, treat water for drinking, and keep swimming pools free of infectious agents.
Bleaching powder (formerly known as "chlorinated lime"), usually a mixture of calcium hypochlorite (Ca(ClO) 2), calcium hydroxide (slaked lime, Ca(OH) 2), and calcium chloride (CaCl 2) in variable amounts.[18] Sold as a white powder or in tablets, it is used in many of the same applications as sodium hypochlorite but is more stable and contains more available chlorine.
Peroxide-based bleaches are characterized by the peroxide chemical group, namely two oxygen atoms connected by a single bond, (–O–O–). This bond is easily broken, giving rise to very reactive oxygen species, which are the active agents of bleach.
The main products in this class are:
Hydrogen peroxide itself (H 2O 2). It is used, for example, to bleach wood pulp and hair or to prepare other bleaching agents like perborates, percarbonates, peracids, etc.
Sodium percarbonate (Na 2H 3CO 6), an adduct of hydrogen peroxide and sodium carbonate ("soda ash" or "washing soda", Na 2CO 3). Dissolved in water, it yields a solution of the two products, that combines the degreasing action of the carbonate with the bleaching action of the peroxide.
Sodium perborate (Na 2H 4B 2O 8). Dissolved in water it forms some hydrogen peroxide, but also the perborate anion (B(OOH)(OH)− 3) which can perform nucleophilic oxidation.[20]
Peracetic (peroxoacetic) acid (H 3CC(O)OOH). Generated in situ by some laundry detergents, and also marketed for use as industrial and agricultural disinfection and water treatment.[21]
Ozone (O 3). While not properly a peroxide, its mechanism of action is similar. It is used in the manufacture of paper products, especially newsprint and white Kraft paper.[23]
Potassium persulfate (K2S2O8) and other persulfate salts. It, alongside ammonium and sodium persulfate, is common in hair-lightening products.[24]
Sodium dithionite (also known as sodium hydrosulfite) is one of the most important reductive bleaching agents. It is a white crystalline powder with a weak sulfurous odor. It can be obtained by reacting sodium bisulfite with zinc
2 NaHSO3 + Zn → Na2S2O4 + Zn(OH)2
It is used as such in some industrial dyeing processes to eliminate excess dye, residual oxide, and unintended pigments and for bleaching wood pulp.
In Negative film processing, silver halide grains are associated with couplers which, on development, produce metallic silver and a coloured image. The silver is 'bleached' to a soluble form in a solution of ferric EDTA, which is then dissolved in 'fix', a solution of sodium or ammonium thiosulfate. The procedure is the same for paper processing except that the EDTA and thiosulfate are mixed in 'bleachfix'.
In Reversal processing, residual silver in the emulsion after the first development is reduced to a soluble silver salt using a chemical bleach, most commonly EDTA. A conventional fixer then dissolves the reduced silver but leaves the unexposed silver halide intact. This unexposed halide is then exposed to light or chemically treated so that a second development produces a positive image. In colour and chromogenic film, this also generates a dye image in proportion to the silver.
Photographic bleaches are also used in black-and-white photography to selectively reduce silver to reduce silver density in negatives or prints. In such cases, the bleach composition is typically an acid solution of potassium dichromate.
A Risk Assessment Report (RAR) conducted by the European Union on sodium hypochlorite conducted under Regulation EEC 793/93 concluded that this substance is safe for the environment in all its current, normal uses.[26] This is due to its high reactivity and instability. The disappearance of hypochlorite is practically immediate in the natural aquatic environment, reaching in a short time concentration as low as 10−22 μg/L or less in all emission scenarios. In addition, it was found that while volatile chlorine species may be relevant in some indoor scenarios, they have a negligible impact in open environmental conditions. Further, the role of hypochlorite pollution is assumed as negligible in soils.
Industrial bleaching agents can be sources of concern. For example, the use of elemental chlorine in the bleaching of wood pulp produces organochlorines and persistent organic pollutants, including dioxins. According to an industry group, the use of chlorine dioxide in these processes has reduced the dioxin generation to under-detectable levels.[27] However, the respiratory risk from chlorine and highly toxic chlorinated byproducts still exists.
A European study conducted in 2008 indicated that sodium hypochlorite and organic chemicals (e.g., surfactants, fragrances) contained in several household cleaning products can react to generate chlorinated volatile organic compounds (VOCs).[28] These chlorinated compounds are emitted during cleaning applications, some of which are toxic and probable human carcinogens. The study showed that indoor air concentrations significantly increase (8–52 times for chloroform and 1–1170 times for carbon tetrachloride, respectively, above baseline quantities in the household) during the use of bleach-containing products. The increase in chlorinated volatile organic compound concentrations was the lowest for plain bleach and the highest for the products in the form of "thick liquid and gel".
The significant increases observed in indoor air concentrations of several chlorinated VOCs (especially carbon tetrachloride and chloroform) indicate that bleach use may be a source that could be important in terms of inhalation exposure to these compounds. While the authors suggested that using these cleaning products may significantly increase the cancer risk,[28][29] this conclusion appears to be hypothetical:
The highest level cited for a concentration of carbon tetrachloride (seemingly of highest concern) is 459 micrograms per cubic meter, translating to 0.073 ppm (part per million), or 73 ppb (part per billion). The OSHA-allowable time-weighted average concentration over eight hours is 10 ppm,[30] almost 140 times higher;
The OSHA highest allowable peak concentration (5-minute exposure for five minutes in 4 hours) is 200 ppm,[30] twice as high as the reported highest peak level (from the headspace of a bottle of a sample of bleach plus detergent).
Sodium hypochlorite solution, 3–6%, (common household bleach) is typically diluted for safe use when disinfecting surfaces and when used to treat drinking water.[31][32]
A weak solution of 2% household bleach in warm water is typical for sanitizing smooth surfaces before the brewing of beer or wine.[citation needed]
US government regulations (21 CFR 178 Subpart C) allow food processing equipment and food contact surfaces to be sanitized with solutions containing bleach, provided that the solution is allowed to drain adequately before contact with food and that the solutions do not exceed 200 parts per million (ppm) available chlorine (for example, one tablespoon of typical household bleach containing 5.25% sodium hypochlorite, per gallon of water).
A 1-in-47 dilution of household bleach with water (1 part bleach to 47 parts water: e.g. one teaspoon of bleach in a cup of water, or 21 ml per litre, or 1/3 cup of bleach in a gallon of water) is effective against many bacteria and some viruses in homes.[33] Even "scientific-grade", commercially produced disinfection solutions such as Virocidin-X usually have sodium hypochlorite as their sole active ingredient, though they also contain surfactants (to prevent beading) and fragrances (to conceal the bleach smell).[34]
See hypochlorous acid for a discussion of the mechanism for disinfectant action.
An oral rinse with a 0.05% dilute solution of household bleach is shown to treat gingivitis.[35]
Colour-safe bleach is a chemical that uses hydrogen peroxide as the active ingredient (for stain removal) rather than sodium hypochlorite or chlorine.[36] It also has chemicals in it that help brighten colours.[37] Though hydrogen peroxide is used for sterilization purposes and water treatment, its ability to disinfect laundry is limited because the concentration of hydrogen peroxide in laundry products is lower than what is used in other applications.[37]
The safety of bleaches depends on the compounds present, and their concentration.[38] Generally speaking, the ingestion of bleaches will cause damage to the esophagus and stomach, possibly leading to death. On contact with the skin or eyes, it causes irritation, drying, and potentially burns. Inhalation of bleach fumes can cause mild irritation of the upper airways..[38]Personal protective equipment should always be used when using bleach.
Bleach should never be mixed with vinegar or other acids, as this will create highly toxic chlorine gas, which can cause severe burns internally and externally.[39][40][41][42] Mixing bleach with ammonia similarly produces toxic chloramine gas, which can burn the lungs.[39][40][42] Mixing bleach with rubbing alcohol makes highly toxic chloroform,[43] while mixing with hydrogen peroxide results in an exothermic and potentially explosive chemical reaction that releases oxygen.[44]
Miracle Mineral Supplement (MMS), also promoted as "Master Mineral Solution" or "Chlorine Dioxide Solution" or CDS,[45] to evade restrictions by online retail platforms, is a bleach solution that has been fraudulently promoted as a cure-all since 2006.[46] Its main active ingredient is sodium chlorite, which is "activated" with citric acid to form chlorine dioxide. In an attempt to evade health regulations, its inventor Jim Humble, a former Scientologist, founded the Genesis II Church of Health and Healing, which considers MMS as its sacrament.[47][48]
During the COVID-19 pandemic, advocates of MMS including QAnon proponent Jordan Sather and Mark Grenon, who are affiliated with the Genesis II Church, began to suggest this would treat COVID-19.[49][50] Several news outlets, including The New York Times and The Washington Post, portrayed U.S. president Donald Trump's remarks in a 23 April 2020 briefing as promoting the injection of bleach as a potential COVID-19 treatment.[51][52][53] According to fact-checkers, many such reports were false and misleading, as they lacked needed context—including the fact that, at the same briefing, Trump specifically clarified that any such treatments "wouldn't be through injections, we're talking about almost a cleaning and sterilization of an area. Maybe it works, maybe it doesn't work, but it certainly has a big effect if it's on a stationary object.".[54][55] Nevertheless, the widespread reporting led the CDC, scientists, and bleach companies to re-state that bleach is harmful to humans and should not be ingested or injected.[56][53] MSN News quoted Professor Rob Chilcott, a
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Naruto[a] is a Japanese manga series written and illustrated by Masashi Kishimoto. It tells the story of Naruto Uzumaki, a young ninja who seeks recognition from his peers and dreams of becoming the Hokage, the leader of his village. The story is told in two parts: the first is set in Naruto's pre-teen years (volumes 1–27), and the second in his teens (volumes 28–72). The series is based on two one-shot manga by Kishimoto: Karakuri (1995), which earned Kishimoto an honorable mention in Shueisha's monthly Hop Step Award the following year, and Naruto (1997).
Naruto was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from September 1999 to November 2014, with its chapters collected in 72 tankōbon volumes. Viz Media licensed the manga for North American production and serialized Naruto in their digital Weekly Shonen Jump magazine. Part I of the manga was adapted into an animetelevision series by Pierrot and Aniplex, which ran for 220 episodes from October 2002 to February 2007 on TV Tokyo. A second series, which adapts material from Part II of the manga, is titled Naruto: Shippuden and ran on TV Tokyo for 500 episodes from February 2007 to March 2017. Pierrot also developed 11 animated films and 12 original video animations (OVAs). The franchise includes light novels, video games, and trading cards developed by several companies. The story of Naruto continues in Boruto, where Naruto's son Boruto Uzumaki creates his own ninja way instead of following his father's.
Naruto is one of the best-selling manga series of all time, having 250 million copies in circulation worldwide in 47 countries and regions, with 153 million copies in Japan alone and remaining 97 million copies elsewhere. It has become one of Viz Media's best-selling manga series; their English translations of the volumes have appeared on USA Today and The New York Times bestseller list several times, and the seventh volume won a Quill Award in 2006. Reviewers praised the manga's character development, storylines, and action sequences, though some felt the latter slowed the story down. Critics noted that the manga, which has a coming-of-age theme, makes use of cultural references from Japanese mythology and Confucianism.
A powerful fox known as the Nine-Tails attacks Konoha, the hidden leaf village in the Land of Fire, one of the Five Great Shinobi Countries in the Ninja World. In response, the leader of Konoha and the Fourth Hokage, Minato Namikaze, at the cost of his life, seals the fox inside the body of his newborn son, Naruto Uzumaki, making him a host of the beast.[i] The Third Hokage returns from retirement to become the leader of Konoha again. Naruto is often scorned by Konoha's villagers for being the host of the Nine-Tails. Due to a decree by the Third Hokage forbidding any mention of these events, Naruto learns nothing about the Nine-Tails until 12 years later, when Mizuki, a renegade ninja, reveals the truth to him. Naruto defeats Mizuki in combat, earning the respect of his teacher, Iruka Umino.[ii]
Shortly afterward, Naruto becomes a ninja and joins with Sasuke Uchiha, against whom he often competes, and Sakura Haruno, on whom he has a crush, to form Team 7, under an experienced sensei, the elite ninja Kakashi Hatake. Like all the ninja teams from every village, Team 7 completes missions requested by the villagers, ranging from doing chores and being bodyguards to performing assassinations.
After several missions, including a major one in the Land of Waves, Kakashi allows Team 7 to take a ninja exam, enabling them to advance to a higher rank and take on more difficult missions, known as Chunin Exams. During the exams, Orochimaru, a wanted criminal, invades Konoha and kills the Third Hokage for revenge. Jiraiya, one of the three legendary ninjas, declines the title of Fifth Hokage and searches with Naruto for Tsunade whom he chooses to become Fifth Hokage instead.
During the search, it is revealed that Orochimaru wishes to train Sasuke because of his powerful genetic heritage, the Sharingan.[iii] After Sasuke attempts and fails to kill his older brother Itachi,[iv] who had showed up in Konoha to kidnap Naruto, he joins Orochimaru, hoping to gain from him the strength needed to kill Itachi. The story takes a turn when Sasuke leaves the village: Tsunade sends a group of ninja, including Naruto, to retrieve Sasuke, but Naruto is unable to persuade or force him to come back. Naruto and Sakura do not give up on Sasuke; Naruto leaves Konoha to receive training from Jiraiya to prepare himself for the next time he encounters Sasuke, while Sakura becomes Tsunade's apprentice.
Two and a half years later, Naruto returns from his training with Jiraiya. The Akatsuki starts kidnapping the hosts of the powerful Tailed Beasts. Team 7 and other Leaf ninja fight against them and search for their teammate Sasuke. The Akatsuki succeeds in capturing and extracting seven of the Tailed Beasts, killing all the hosts except Gaara, who is now the Kazekage. Meanwhile, Sasuke betrays Orochimaru and faces Itachi to take revenge. After Itachi dies in battle, Sasuke learns from the Akatsuki founder Tobi that Itachi had been ordered by Konoha's superiors to destroy his clan to prevent a coup; he accepted, on the condition that Sasuke would be spared. Devastated by this revelation, Sasuke joins the Akatsuki to destroy Konoha in revenge. As Konoha ninjas defeat several Akatsuki members, the Akatsuki figurehead leader, Nagato, kills Jiraiya and devastates Konoha, but Naruto defeats and redeems him, earning the village's respect and admiration.
With Nagato's death, Tobi, disguised as Madara Uchiha (one of Konoha's founding fathers), announces that he wants to capture all nine Tailed Beasts to cast an illusion powerful enough to control all humanity and achieve world peace. The leaders of the five ninja villages refuse to help him and instead join forces to confront his faction and allies. That decision results in a Fourth Shinobi World War between the combined armies of the Five Great Countries (known as the Allied Shinobi Forces) and Akatsuki's forces of zombie-like ninjas. The Five Kage try to keep Naruto, unaware of the war, in a secret island turtle near Kumogakure (Hidden Cloud Village), but Naruto finds out and escapes from the island with Killer Bee, the host of the Eight-Tails. At that time, Naruto—along with the help of Killer Bee—gains control of his Tailed Beast and the two of them head for the battlefield.
During the conflict, it is revealed that Tobi is Obito Uchiha, a former teammate of Kakashi's who was thought to be dead. The real Madara saved Obito's life, and they have since collaborated. As Sasuke learns the history of Konoha, including the circumstances that led to his clan's downfall, he decides to protect the village and rejoins Naruto and Sakura to thwart Madara and Obito's plans. However, Madara's body ends up possessed by Kaguya Otsutsuki, an ancient princess who intends to subdue all humanity. A reformed Obito sacrifices himself to help Team 7 stop her. Once Kaguya is sealed, Madara dies as well. Sasuke takes advantage of the situation and takes control of all the Tailed Beasts, as he reveals his goal of ending the current village system. Naruto confronts Sasuke to dissuade him from his plan, and after they almost kill each other in a final battle, Sasuke admits defeat and reforms. After the war, Kakashi becomes the Sixth Hokage and pardons Sasuke for his crimes. Years later, Kakashi steps down while Naruto marries Hinata Hyuga and becomes the Seventh Hokage, raising the next generation.
In 1995, Shueisha released Karakuri, a one-shot manga by Masashi Kishimoto that earned an honorable mention in the Hop Step Award in 1996. Kishimoto was unsatisfied with his subsequent drafts for a follow-up, and decided to work on another project.[2] The new project was originally going to feature Naruto as a chef, but this version never made it to print. Kishimoto originally wanted to make Naruto a child who could transform into a fox, so he created a one-shot of Naruto for the summer 1997 issue of Akamaru Jump based on the idea.[3][4] Despite the positive feedback it received in a readers' poll, Kishimoto was unhappy with the art and the story, so he rewrote it as a story about ninjas.[5]
The first eight chapters of Naruto were planned before it appeared in Weekly Shōnen Jump, and these chapters originally devoted many panels of intricate art to illustrating the Konoha village. By the time Naruto debuted, the background art was sparse, instead emphasizing the characters.[5] Though Kishimoto had concerns that chakra (the energy source used by the ninjas in Naruto) made the series too Japanese, he still believed it is an enjoyable read.[6] Kishimoto is a fan of Godzilla, and the tailed beasts mythology was introduced because Kishimoto wanted an excuse to draw monsters.[7] He has said that the central theme in Part I of Naruto is how people accept each other, citing Naruto's development across the series as an example.[8]
For Part II of the manga, Kishimoto tried to keep the panel layouts and the plot easy for the reader to follow, and avoid "overdo[ing] the typical manga-style".[9] He considers that his drawing style has changed from "the classic manga look to something a bit more realistic."[9] Because of wishing to end the arc involving Sasuke Uchiha's search for his brother, Itachi, in a single volume, Kishimoto decided that volume 43 should include more chapters than regular volumes. As a result, Kishimoto apologized to readers for this since volume 43 was more expensive than regular volumes.[10]
When he created Naruto, Kishimoto looked to other shōnen manga as influences for his work and tried to make his characters unique, while basing the story on Japanese culture.[11] The separation of the characters into different teams was intended to give each group a particular flavor. Kishimoto wanted each member to have a high level of aptitude in one skill and be talentless in another.[12] He found it difficult to write about romance, but emphasized it more in Part II of the manga, beginning with volume 28.[8] He introduced villains into the story to have them act as a counterpoint to his characters' moral values and clearly illustrate their differences.[13] As a result of how the younger characters were significantly weaker than the villains, Kishimoto made the ellipsis in order to have them age and become stronger during this time.[14]
Kishimoto made use of the Chinese zodiac tradition, which had a long-standing presence in Japan; the zodiac hand signs originate from this.[6] When Kishimoto was creating the primary setting of the Naruto manga, he concentrated initially on the designs for the village of Konoha. The idea of the setting came to him "pretty spontaneously without much thought", but admits that the scenery became based on his home in the Japanese prefecture of Okayama. Since the storyline does not specify when it is set, he was able to include modern elements in the series such as convenience stores.[15] He considered including automobiles, planes and simple computers, but excluded projectile weapons and vehicles from the plot.[15][16]
Masashi Kishimoto's home was close to Hiroshima where his grandfather lived. He would often tell his grandson stories of war and how it was related to grudges. In retrospect, Kishimoto commented he could not criticize anyone as a result of the war based on it was built.[clarification needed] Upon further researching, Kishimoto decided to create world war story arc for the manga's finale. However, unlike the stories he heard from his grandfather, Kishimoto wanted to give the war covered in Naruto a more hopeful feeling.[17] Nagato's arc paved the way for the ending of Naruto to occur. Nagato stood out as a villain due to suffering war and killing Naruto's mentor Jiraiya. Understanding the fears of war, Naruto's characterization was made more complex for him to experience the Fourth Great Shinobi War. These events end with Naruto forgiving Sasuke as he had forgiven Nagato in the final battle.[14]
Due to unknown issues, the series' finale was delayed. Once volume 66 was released, Kishimoto commented he reached a moment from the narrative involving something he always wanted to draw.[18] When serialization began, Kishimoto decided the ending would feature a fight between two characters: Naruto and Sasuke. However, the writer felt the two were not equals as the former was not a victim of war like the latter whose family was killed to stop a possible civil war.[19]
Kishimoto chose Hinata Hyuga as Naruto's romantic partner from the early stages of the manga, since Hinata had always respected and admired Naruto even before the series' beginning, and Kishimoto felt this meant the two of them could build a relationship.[20] When Hinata first appeared, Kishimoto thought of expanding romantic plotlines.[21][22] but decided to leave Naruto's maturation through romance as an idea for the film 2014 The Last: Naruto the Movie where he worked alongside screenwriter Maruo Kyozuka, a writer more skilled at the theme of romance.[23] Similarly, the title character's relationship with his first son, Boruto, was explored furthermore in the 2015 film Boruto: Naruto the Movie to end Naruto's growth as the character had become an adult, but it was briefly shown in the manga's finale.[24]
Written and illustrated by Masashi Kishimoto, Naruto was serialized for a 15-year run in Shueisha's magazine, Weekly Shōnen Jump from September 21, 1999,[25][26] to November 10, 2014.[27][28] Shueisha collected its chapters in 72 tankōbon volumes—27 for Part I, and the rest for Part II; they were released between March 3, 2000,[29] and February 4, 2015.[30] The first 238 chapters are Part I and constitute the first section of the Naruto storyline. Chapters 239 to 244 include a gaiden (side-story) focusing on Kakashi Hatake's background. The remaining chapters (245 to 700) belong to Part II, which continues the story after a 2+1⁄2-year gap in the internal timeline. Shueisha have also released several ani-mangatankōbon, each based on one of the Naruto movies,[31] and has released the series in Japanese for cell-phone download on their website Shueisha Manga Capsule.[32] A miniseries titled Naruto: The Seventh Hokage and the Scarlet Spring,[b] centered on the main characters' children, began serialization in the Japanese and English editions of Weekly Shōnen Jump on April 27, 2015, and ended after ten chapters on July 6 of the same year.[33][34]
Naruto was scanlated (translated by fans) and available online before a licensed version was released in North America;[35] the rights were acquired by Viz Media, who began serializing Naruto in their anthology comic magazine Shonen Jump, starting with the January 2003 issue.[36] The schedule was accelerated at the end of 2007 to catch up with the Japanese version,[37] and again in early 2009, with 11 volumes (from 34 to 44) appearing in three months, after which it returned to a quarterly schedule.[38] All 27 volumes of Part I were released in a boxed set on November 13, 2007.[39] On May 3, 2011, Viz started selling the manga in an omnibus format with each book containing three volumes.[40]
The franchise has been licensed in 90 countries, and the manga serialized in 35 countries.[41][42]Madman Entertainment began publishing Naruto volumes in Australia and New Zealand in March 2008 after reaching a distribution deal with Viz Media.[43]Carlsen Comics has licensed the series, through its regional divisions, and released the series in German and Danish.[44] The series is also licensed for regional language releases in French and Dutch by Kana,[45] in Polish by Japonica Polonica Fantastica,[46] in Russian by Comix-ART,[47] in Finnish by Sangatsu Manga,[48] in Swedish by Bonnier Carlsen,[49] and Italian by Panini Comics.[50]
A spin-off comedy manga by Kenji Taira, titled Naruto SD: Rock Lee no Seishun Full-Power Ninden,[c] focuses on the character Rock Lee, a character who aspires to be strong as a ninja but has no magical jutsu abilities. It ran in Shueisha's Saikyō Jump magazine from December 3, 2010, to July 4, 2014,[51][52] and was made into an anime series, produced by Studio Pierrot, and premiering on TV Tokyo on April 3, 2012.[53] Crunchyroll simulcasted the series' premiere on their website and streamed the following episodes.[54] Taira also wrote Uchiha Sasuke no Sharingan Den,[d] which released on October 3, 2014, which runs in the same magazine and features Sasuke.[55]
A monthly sequel series titled Boruto: Naruto Next Generations began in the Japanese and English editions of Weekly Shōnen Jump in early 2016, illustrated by Mikio Ikemoto and written by Ukyō Kodachi, with supervision by Kishimoto. Ikemoto was Kishimoto's chief assistant during the run of the original Naruto series, and Kodachi was his writing partner for the Boruto: Naruto the Movie film screenplay. The monthly series was preceded by a one-shot, titled Naruto: The Path Lit by the Full Moon (NARUTO-ナルト-外伝 ～満ちた月が照らす道～, Naruto Gaiden ~Michita Tsuki ga Terasu Michi~), written and illustrated by Kishimoto, and published on April 25 of that same year.[56][57][58] The staff from Shueisha asked Kishimoto if he would write a sequel to Naruto. However, Kishimoto refused the offer and offered his former assistant Mikio Ikemoto and writer Ukyō Kodachi write Boruto: Naruto Next Generations as the sequel to Naruto.[59]
Another one-shot chapter by Kishimoto, titled Naruto: The Whorl Within the Spiral (NARUTO-ナルト-外伝 ～渦の中のつむじ風～, Naruto Gaiden ~Uzu no Naka no Tsumujikaze~), centered on Naruto's father, Minato Namikaze, was published in Weekly Shōnen Jump on July 18, 2023.[60][61]
The first Naruto anime television series, directed by Hayato Date and produced by Pierrot and Aniplex, premiered on TV Tokyo in Japan on October 3, 2002, and concluded on February 8, 2007, after 220 episodes.[62][63] The first 135 episodes were adapted from Part I of the manga; the remaining 85 episodes are original and use plot elements that are not in the manga.[64]Tetsuya Nishio was the character designer for Naruto when the manga was adapted into an anime; Kishimoto had requested that Nishio be given this role.[65][66]
The second anime television series, titled Naruto: Shippuden[e], was also produced by Pierrot and directed by Hayato Date, and serves as a direct sequel to the first Naruto anime series; it corresponds to Part II of the manga.[67] It debuted on Japanese TV on February 15, 2007, on TV Tokyo, and concluded on March 23, 2017.[68][69]
A series of four "brand-new" episodes, to commemorate the original anime's 20th anniversary, were originally scheduled to premiere on September 3, 2023;[70] however, in August of that same year, it was announced that the episodes would be postponed to a later date.[71]
The series was adapted into 11 theatrical films and 12 original video animations (OVAs). The first three films correspond to the first series, and the remaining eight correspond to the second. In July 2015, Lionsgate announced the development of a live-action film with Avi Arad through his production company Arad Productions.[72] The film will be directed by Michael Gracey. On December 17, 2016, Kishimoto announced that he has been asked to co-develop.[73] On November 27, 2023, it was announced that Tasha Huo will work on the script for the film.[74]
On February 23, 2024, Gracey had exited the project, and Destin Daniel Cretton had been hired to direct and co-write the film. Cretton received his blessings from Kishimoto, after a visit in Tokyo, with Kishimoto stating that when he heard that Cretton would be directing, he thought that he was the perfect choice.[75]
Twenty-six Narutolight novels, the first nine written by Masatoshi Kusakabe, have been published in Japan.[76] Of these, the first two have been released in English in North America. The first adapted novel, Naruto: Innocent Heart, Demonic Blood (2002), retells a Team 7 mission in which they encounter the assassins Zabuza and Haku;[77][78] the second, Naruto: Mission: Protect the Waterfall Village! (2003) was based on the second OVA of the anime.[79][80] Viz has also published 16 chapter books written by Tracey West with illustrations from the manga. Unlike the series, these books were aimed at children ages seven to ten.[81] Thirteen original novels have appeared in Japan;[76] eleven of these are part of a series, and the other two are independent novels unconnected to the series. The first independent novel, titled Naruto: Tales of a Gutsy Ninja (2009), is presented as an in-universe novel written by Naruto's master Jiraiya. It follows the adventures of a fictional shinobi named Naruto Musasabi, who served as Naruto's namesake.[82] The other independent novel, Naruto Jinraiden: The Day the Wolf Howled (2012), is set shortly after Sasuke's fight with Itachi.[83]
Itachi Shinden, which consists of two novels, and Sasuke Shinden, a single novel, both appeared in 2015, and both were adapted into anime arcs in Naruto: Shippuden in 2016, titled Naruto Shippūden: Itachi Shinden-hen: Hikari to Yami and Book of Sunrise respectively.[84][85]Hiden is a series of six light novels published in 2015 that explores the stories of various characters after the ending of the manga.[86]
Naruto video games have been released on various consoles by Nintendo, Sony, and Microsoft. The majority of them are fighting games in which the player directly controls one of the characters from Naruto. The player pits their character against another character controlled by the game's
Nickelodeon contacted Jhonen Vasquez about pitching ideas for an animated series for their older demographic[12][13][14] and Invader Zim was the first thing he pitched. In Vasquez's words "it went from pitch to series without hardly any waiting".[15] As the series went on, ratings declined and budgetary issues became more frequent.[16] Before the second season was completed, Nickelodeon cancelled the series, leaving several episodes unfinished.[17] The show originally aired on Nickelodeon from 2001 to 2002,[16][11] with six of the completed second-season episodes initially going unreleased. These episodes were first made available on DVD in 2004 and later made their television debut on the Nicktoons Network in 2006.[16][18]
Invader Zim received positive reviews from critics and audiences,[16] with praise primarily directed at its humor, writing, animation, art-style, and the way it pushed the boundaries of what was considered acceptable on children's television. In the years following its cancellation, Invader Zim has often been listed as one of Nickelodeon's best shows.[19][20][21][22][23] The series won an Annie Award, an Emmy Award and a World Animation Celebration Award, and received nominations for seven additional Annie Awards and two Golden Reel Awards. Invader Zim has spawned its own fan convention called InvaderCON and a plethora of official merchandise,[16] including video games, toys, clothing and accessories, among many other products. Despite its early cancellation and short run, due to increasing popularity and above-average merchandise sales[9][24][25] it has been widely regarded as a cult classic.[9][25][26][27][28][29]
A monthly comic book series of the same name was released on July 8, 2015, as a continuation of the television series and published by Oni Press until August 4, 2021.[30][31] A film based on the television and comic series[32][33] titled Invader Zim: Enter the Florpus, premiered on Netflix on August 16, 2019, marking Invader Zim's first new animated production since its Nickelodeon airing.[34]
From left to right. Top: Zim, Zim in his human disguise, GIR, GIR in his dog disguise, Dib, and Gaz. Bottom: Professor Membrane, Ms. Bitters, Almighty Tallest Red, and Almighty Tallest Purple.
The series centers on Zim (voiced by Richard Steven Horvitz),[35] a member of the extraterrestrial Irken species and the Irken Empire from the planet Irk. The empire's goal is universal conquest and has a social hierarchy based solely on physical height. The empire's leader is called The Almighty Tallest; at the beginning of the series the position is jointly held by two equally tall individuals (Wally Wingert and Kevin McDonald). Zim is an outcast; he is delusional, very short, overzealous, narcissistic, and megalomaniacal.
An absentminded Zim nearly destroyed Irk and the Irkens during the empire's first invasion, Operation Impending Doom I. He was punished by exile to the Irken food court planet Foodcourtia, although he failed to recognize the reason for his banishment. After learning that Operation Impending Doom II was being planned, Zim unilaterally "quits being banished" to attend the Great Assigning on the convention center planet Conventia. At the Great Assigning, The Tallest appoints Irkens as Invaders, advance scouts tasked with infiltrating and preparing target planets for conquest by the Irken Armada. Zim successfully pleads to be made an Invader, and receives a "secret mission" intended to prevent interference with the invasion; the target "mystery planet" is on the outskirts of the known universe and is not confirmed to exist. He is issued GIR (Rosearik Rikki Simons), an ineffective and erratic Standard Issue Information Retrieval (SIR) unit hastily made from spare parts found in a trash can.
After a six-month journey across the universe, Zim arrives at the "mystery planet" which turns out to be a dark, dystopian, and satirical version of Earth centuries into the future, with rampant mindlessconsumerism, although it appears that humans have abolished all wars. A delighted Zim quickly goes to work and sets up his base in a random suburb; The Tallest are dismayed by his success. A short-statured Zim disguises himself as a human child with a green complexion (which he claims is caused by a "skin condition"). The show follows his attempts to conduct espionage by attending a local school (spelled "Skool") and planning to conquer and enslave the world at his base. Opposing Zim is his classmate Dib (Andy Berman), a paranoid young boy who is obsessed with the paranormal and supernatural and the only human (besides his sister) who sees through Zim's disguise. Dib is determined to expose and thwart Zim, despite the hostility and mockery he receives from his oblivious peers for doing so.
Supporting characters include Dib's cynical and apathetic sister Gaz (Melissa Fahn); Zim and Dib's demonic teacher Ms. Bitters (Lucille Bliss); and Dib and Gaz's famous, but neglectful father Professor Membrane (Rodger Bumpass). Later in the series, other alien characters begin to appear, including Tak (Olivia d'Abo), a fellow Irken seeking revenge against Zim; Lard Nar (Fred Tatasciore), the leader of a resistance group called The Resisty who wants to overthrow the Irken Empire; and Sizz-Lorr (Jim Wise), Zim's former employer from Foodcourtia who attempts to recapture him.
There was no way I was gonna say 'no'. The fact that they took a chance on someone a lot of people wouldn't have given a kids show to is one of the coolest things that ever happened to me in my life. — Jhonen Vasquez[15]
Prior to the creation of Invader Zim, Nickelodeon desired a series to suit its 11–15 year old demographic.[36][37] Nickelodeon producer Mary Harrington was searching for something that had a similar "edge" to The Ren & Stimpy Show, when she came across a comic book called Johnny the Homicidal Maniac and was impressed with the art-style and character designs in the series. Harrington contacted the creator of JtHM, then-22-year-old Jhonen Vasquez, who had zero experience in animation at the time, and asked him if he would like to pitch an animated series to Nickelodeon. Vasquez accepted the offer.[38][39][40]
Vasquez knew from the start that his previous works were definitely not suitable for Nickelodeon, so instead of adapting something he had already done, he decided to make something new. Since he was creating a show for a children's network, Vasquez compiled together many things he loved during his own childhood, including robots, monsters, horror films, science fiction films, paranormal investigators, Monty Python, the works of Douglas Adams, and aliens.[39] Before settling on the darker concept of an alien invader, Vasquez briefly considered doing a more light-hearted show along the lines of Mork & Mindy, with a zany alien misunderstanding Earth customs and ultimately, learning a lesson at the end. Vasquez said that while this idea probably would have found more success on Nickelodeon, he quickly dropped the idea, believing it would not fit his style of writing.[40] Vasquez came up with the entire premise for Invader Zim in about an hour, while sitting in bed when he could not sleep. He was inspired by the idea of an alien who came from an incredibly advanced race and has access to such powerful and advanced technology that he could easily take over or destroy the Earth single-handedly, but instead he decides to stay in school all day, never even thinking to sneak out.[41]
A pilot for Invader Zim was pitched to Nickelodeon in 1999,[40][42] which led to the series being green-lit. Vasquez indicated that very little of his writing style was changed over the course of Invader Zim, other than restricting certain language and visuals that may not be suitable for children. Vasquez cited that the biggest change for himself was going from working alone on a comic to working with thousands of people at Nickelodeon, saying "it's an absolute misery".[4] However, he said the experience of working on Invader Zim was "incredibly gratifying", but also "fiendishly frustrating".[4][43]
Invader Zim was produced by Nickelodeon Animation Studios in Burbank, California with Nick Digital providing the CGI animation services and Sunwoo Entertainment in South Korea providing the 2D animation services. Salami Studios provided the post-production and sound services for most episodes of the series, and Encore and Hollywood Digital provided the post-production services for a few episodes in season one. In season two, the animation style became slightly more stylized and pronounced in motion than in season one.[44]Invader Zim's art style is stylized with sharp edges, thick black outlines, big heads, small or elongated bodies, and big eyes for the characters. Invader Zim's art-style was initially difficult for the animators to learn. Director Steve Ressel even admitted that it was the hardest style he had ever worked on, citing the characters' heads as the most complicated aspect of their designs.[43]
Invader Zim was one of the first animated television shows to merge 2D animation with CGI animation.[43] When the development on Invader Zim was first getting started, Steve Ressel consulted with the crew of Futurama to figure out how to integrate 2D animation with CGI animation, since they were one of the first animated television shows that merged the two mediums. When the Futurama crew saw the show they were very impressed by how seamlessly the Invader Zim crew integrated both mediums, specifically in the episode "The Wettening".[43]
While the average episode of an eleven-minute animated television show usually has around 80–120 pages of storyboards per episode, Invader Zim's storyboards were around 250–350 pages per episode. This is because Invader Zim has a very dedicated attention to detail outlining every ounce of a character's movements and method of acting, which is something Nickelodeon was very impressed by.[43]
The episode "Zim Eats Waffles" was originally supposed to be one long shot, panning between Dib's reaction and his computer screen. This was because the animators wanted to try to have the longest single shot in animation history.
However, this idea was scrapped, due to it limiting the episode's storytelling capabilities and it being too difficult to animate. Despite this decision, the majority of "Zim Eats Waffles" still ended up being one continual scene.[43]
When casting voice actors for Invader Zim, Vasquez did not want actors who were just capable of doing zany voices because it sounded less natural to him. He made a point to cast people with speaking voices that were naturally distinct and out of the ordinary so that the cast did not have to do unnatural voices, but could instead just speak naturally.[43][45]
Mark Hamill was originally hired to do the voice of Zim for the pilot episode, but was replaced before the pilot was shown to Nickelodeon executives because Vasquez felt his voice did not feel right for the character.[43] Hamill was replaced by voice acting professional Billy West, who remained the voice of Zim for the pilot. After the show was picked up for a full series, Vasquez decided to replace West with Richard Steven Horvitz (who was already voicing the character of Daggett on fellow Nickelodeon series, The Angry Beavers), saying that West was "too well known" and that he wanted all of the voices for the main characters to be unique and not voices people had heard before. Also, due to Futurama still being on the air at the time, Vasquez did not want the same voice actor to be the lead in two contemporaneous sci-fi comedies.[46]
Vasquez wanted someone with no experience in voice acting to play the part of GIR, as a reflection of how broken and messed up GIR really is.[43] Vasquez wanted someone who sounded unprofessional, but all of the actors who auditioned for GIR were "good actors" who just did a "stock crazy robot voice", which he found dissatisfying. Vasquez then asked his friend, Rosearik Rikki Simons, who was working with him on his comic called I Feel Sick at the time, to try to audition for GIR, saying he "couldn't screw it up anymore than anyone else".[47] Simons did a few different voices for his audition for GIR, including one where he was trying to imitate his mother-in-law, but decided it was too "shrieky". He then remembered when he used to play with hand puppets with his father as a kid and tried to do one of those voices. Simons was also a colorist on Invader Zim and in November 1998, the same month he auditioned for GIR, he also helped color the pilot episode.[43] Vasquez said he gave Simons the part of GIR because he was "bad at it", and that fit the character.[48] When voicing GIR, Simons' voice was edited to make it sound higher-pitched and metallic. While Simons eventually learned to perform the voice without the high-pitch editing, the metallic quality still had to be added. Unedited versions of Simons' voice-overs can be heard in voice recordings for the unfinished episodes.[46]
Kevin's music wasn't just an addition to the show, it was crucial for the show to be what it was. Without his intense sounds lending a sense of urgency and seriousness to the ridiculous proceedings within Zim, I could never have given the good little children of the Earth as many nightmares as I did. — Jhonen Vasquez[49]
Vasquez asked his friend Mark Tortorici to come up with the theme music for Invader Zim. Vasquez said all he really wanted for the theme music was military music to represent Zim mixed with futuristic electric orchestral music. Once the direction for the music was settled on, Tortorici produced the theme music on an Alesis QS8 very quickly and it did not go through many changes, but they did reorchestrate it for the TV series and stuck with it from that point on.[50][51]
Vasquez's team selected Michael Tavera, who is known for composing the music for The Land Before Time, An American Tail, and Stitch! The Movie, to compose the music for the pilot episode of Invader Zim. Vasquez said that he asked for several of the tracks that Tavera produced to be discarded and that ultimately the team had less than half of the number of tracks that they planned to submit.[51] According to Vasquez, he and Tavera were not "a great fit" for one another creatively. Vasquez described the pilot music as having a "more 'children's television' sound," with a "much more traditional and not as surprising" theme as he wanted, but added that the music "worked for the pilot."[51] Tavera's cover version of Tortorici's theme music did not appear in the pilot as there was no opening credits sequence.[51] Vasquez said that members of the Invader Zim crew laughed at Tavera's version of the theme because it was "cheesy," adding that the reaction was not mean-spirited and that Tavera had received little information about the series before submitting the music.[46][51]
Tavera did not become a part of the regular Invader Zim crew, and was replaced with Kevin Manthei, who is also known for composing the music for Generator Rex, The Sims 2 (PSP), and Robot Chicken, to compose the series' music.[51] Manthei's music for the series is industrial and techno in nature.
The anime internet radio station "Anime Stuff R" produced a radio broadcast special titled "The Kevin Manthei Invader Zim-phony Special" which featured a majority of the music Kevin Manthei composed for Invader Zim. The broadcast special was hosted by Kevin Manthei, DJ Richard Rae and Tom Mitchell (DJ Tomzer1) and was broadcast from September 13, 2002, to October 15, 2002. The entire broadcast is 5 hours, 26 minutes, and 28 seconds long and includes music from every episode of Invader Zim, except for "The Most Horrible X-mas Ever". The broadcast was extremely popular, so Anime Stuff R (temporarily renamed "Anime Stuff Z" for the special) decided to release a CD of the broadcast. However, due to financial reasons, they only made 100 copies of this CD. There are 325 tracks on the CD and the interior of the CD cover features messages from both Kevin Manthei and Richard Rae.[52][46]
Kevin Manthei's message says:
When I was approached by Richard E. Rae about the possibility of an internet radio show featuring hours and hours of my "Invader Zim" music, I was thrilled. What a great opportunity to let the fans of "Invader Zim" hear the music!
Richard went way beyond what I thought the show was going to be, and he poured his heart and soul into producing the "Zim-phony".
Richard is not just a fan, he's a professional who uses his passion for music and his willingness to work hard at it to produce great shows. I am honored that he and Tom took the time to put the "Zim-phony" and this "Special Edition" together.
Happy listening!
Richard Rae's message says:
We took chances with the "Zim-phony Special".
I took a chance by approaching Kevin Manthei with the idea. Kevin took a chance in trusting his music to someone he only knew from e-mail. My friend Tom took a chance too, okaying a show with music from an American cartoon series instead of a Japanese Anime.
These chances definitely paid off! The "Zim-phony Special" broke every Anime Stuff R ratings record, thanks to the overwhelming response to this show from you, the "Invader Zim" fans.
Of course, the "Zim-phony" is all about the excellent music of the remarkable Kevin Manthei. I certainly owe Kevin more thanks than I can ever hope to articulate for his terrific support during this once-in-a-lifetime experience.
This Mini CD you're holding is proof that some chances are definitely worth taking. Thank you for listening!
Invader Zim would frequently find itself at odds with network censorship. In The Medium-Sized Book of Zim Scrips Vol. 1, series writer Eric Trueheart would characterize the relationship between the Zim staff and the executives at Nickelodeon as "a little dysfunctional", and that "the executive assigned by Nickelodeon to oversee our show - who was, and still is, a decent guy, by the way - probably felt like he had to keep a lid on an inexperienced show creator, and as a result clamped down harder than he should have."[53]: 70 Trueheart also speculated that the channel's other programming also had an effect on how the executives treated the show, stating that "Nickelodeon probably looked to Rugrats as the model of what a cartoon should be ... Invader Zim was none of these things."[53]: 77 Ultimately, "There was a just a conflict in personalities, intentions, and modus operandi ... The reality was just not a great fit, and yes, it was a problem."[53]: 71
In some episodes, it was originally intended for certain characters (such as Keef and Iggins) to be killed off at the end of an episode, but Nickelodeon would not allow any characters to be killed off and demanded the crew add certain details suggesting that they survived or in some cases, rewrite the episodes to where they would not die. They complied but did so in an intentionally forced and sarcastic way to purposely convey their disagreement and reluctance toward the decision, such as the sarcastic "No animated characters were harmed in the filming of
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
