Cartoons theme by hamsandwich666
Download: Cartoons.p3t
(7 backgrounds)
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The #1 spot for Playstation themes!
Cartoons theme by hamsandwich666
Download: Cartoons.p3t
(7 backgrounds)
Redirect to:
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Iron Man Alternative theme by jpang
Download: IronManAlt.p3t
(6 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Iron Man Alternative (Standard Icons) theme by jpang
Download: IronManAltStandard.p3t
(6 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Iron Man theme by jpang
Download: IronMan_3.p3t
(6 backgrounds)
Tony Stark Iron Man | |
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Publication information | |
Publisher | Marvel Comics |
First appearance | Tales of Suspense #39 (December 1962) |
Created by | |
In-story information | |
Full name | Anthony Edward Stark |
Place of origin | Long Island, New York |
Team affiliations | |
Partnerships | |
Abilities |
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Iron Man is a superhero appearing in American comic books published by Marvel Comics. Co-created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby, the character first appeared in Tales of Suspense #39 in 1962, and received his own title with Iron Man #1 in 1968. Shortly after his creation, Iron Man became a founding member of the superhero team, the Avengers, with Thor, Ant-Man, the Wasp, and the Hulk. Iron Man stories, individually and with the Avengers, have been published consistently since the character's creation.
Iron Man is the superhero persona of Anthony Edward "Tony" Stark, a businessman and engineer who runs the weapons manufacturing company Stark Industries. When Stark was captured in a war zone and sustained a serious heart wound, he built his Iron Man armor and escaped his captors. Iron Man's suits of armor grant him superhuman strength, flight, energy projection, and other abilities. The character was created in response to the Vietnam War as Lee's attempt to create a likeable pro-war character. Since his creation, Iron Man has been used to explore political themes, with early Iron Man stories being set in the Cold War. The character's role as a weapons manufacturer proved controversial, and Marvel moved away from geopolitics by the 1970s. Instead, the stories began exploring themes such as civil unrest, technological advancement, corporate espionage, alcoholism, and governmental authority.
Major Iron Man stories include "Demon in a Bottle" (1979), "Armor Wars" (1987–1988), "Extremis" (2005), and "Iron Man 2020" (2020). He is also a leading character in the company-wide stories Civil War (2006–2007), Dark Reign (2008–2009), and Civil War II (2016). Additional superhero characters have emerged from Iron Man's supporting cast, including James Rhodes as War Machine and Riri Williams as Ironheart, as well as reformed villains, Natasha Romanova as Black Widow and Clint Barton as Hawkeye. Iron Man's list of enemies includes his archenemy the Mandarin, many supervillains of communist origin, and many of Stark's business rivals.
Robert Downey Jr. portrayed Tony Stark in Iron Man (2008), the first film of the Marvel Cinematic Universe, and continued to portray the character until his final appearance in Avengers: Endgame (2019). Downey's portrayal popularized the character, elevating Iron Man into one of Marvel's most recognizable superheroes. Other adaptations of the character appear in animated direct-to-video films, television series, and video games.
Following the success of the Fantastic Four in 1961 and the subsequent revival of American comic books featuring superheroes, Marvel Comics set about creating new superhero characters. Stan Lee developed the initial concept for Iron Man.[1] He wanted to design a character who should be unpalatable to his generally anti-war readers, but to make them like the character anyway.[2] Iron Man was created in the years after a permanent arms industry developed in the United States, and this was incorporated into the character's backstory.[3] The character was introduced as an active player in the Vietnam War. Lee described the national mood toward Vietnam during Iron Man's creation as "a time when most of us genuinely felt that the conflict in that tortured land really was a simple matter of good versus evil".[4]
Larry Lieber developed Iron Man's origin and wrote the first Iron Man story, while Jack Kirby and Don Heck were responsible for the initial design.[1][5] Lee modeled Iron Man after businessman Howard Hughes, invoking his physical appearance, his image as a businessman, and his reputation as an arrogant playboy.[6] Kirby and Heck then incorporated elements of the actor Errol Flynn's physical appearance in the design.[7] When first designing the character, Lee wanted to create a modernized Arthurian knight.[8] Kirby initially drew the Iron Man armor as a "round and clunky gray heap", and Heck modified the design to incorporate gadgets such as jets, drills, and suction cups.[9][10] The Iron Man character was created at a time when comic book characters were first depicted struggling with real life problems, and his heart injury was an early example of a superhero with a physical disability.[11]
Iron Man's earliest stories were published in the monster-themed anthology series Tales of Suspense. Marvel premiered several superheroes this way in the 1960s as superhero comics became more popular than traditional science-fiction and horror comics.[9][12] Iron Man's first appearance, "Iron Man is Born!", appeared in Tales of Suspense #39, released in December 1962 with a March 1963 cover date.[12] Though the Iron Man armor was gray in its first appearance, Marvel changed it to gold because of issues with printing.[5] Lee initially delegated the writing duties to other creators at Marvel, but he felt their work was substandard; as with his other characters, Lee reclaimed control of Iron Man so he could write the stories himself.[13]
Heck continued as the primary Iron Man artist until 1965, as Kirby had obligations to other Marvel properties.[9][10] As part of a shuffling to match artists with the characters they were most suited for, Steve Ditko became the artist for Iron Man.[14] Ditko was responsible for only three issues in late 1963, but in this time he redesigned Iron Man's suit from fully gold to the red and gold color scheme that became the character's primary image.[15] Iron Man's recurring nemesis, the Mandarin, first appeared shortly after in Tales of Suspense #50 (1964).[16] By this time, the science-fiction and horror stories were phased out, and Tales of Suspense ran only Iron Man and Captain America stories.[12]
Once Marvel's distributor allowed the company more monthly releases, The Avengers (1963) was developed as a new comic book series.[17] Iron Man was one of the five characters who formed the titular superhero team.[18] By 1965, the difficulty of maintaining continuity between The Avengers and the members' solo titles prompted Lee to temporarily write the original cast out of The Avengers, including Iron Man.[19]
For the first five years of publication, Iron Man represented the United States in Cold War allegories.[4][20] Growing opposition to the American involvement in Vietnam prompted a shift in Iron Man's characterization, which was part of a larger push by Marvel in the late 1960s to be more apolitical.[4][21] Over the years, the letters to the editor column in several issues saw extensive political debate.[22] Lee shifted the stories' focus to espionage and domestic crime, incorporating Marvel's fictional intelligence agency S.H.I.E.L.D. He also incorporated the villains of other Marvel heroes, avoiding Iron Man's primarily communist rogues' gallery and rewriting some of Iron Man's communist villains to have personal motivations independent of their communist allegiances.[23]
Iron Man was one of several characters whom Marvel gave a full-length dedicated series in 1968.[24] Marvel combined the final issues of Tales of Suspense and the Sub-Mariner's Tales to Astonish into a one-shot special, Iron Man and Sub-Mariner.[25] Iron Man then began its run under writer Archie Goodwin.[26] Goodwin reintroduced political themes slowly over the following years, with a focus on domestic issues like racial conflict and environmentalism rather than geopolitics.[27]
I don't feel Tony Stark is a dinosaur, a creature unable to change before the weight of time crushes him aside. Yeah, it is hard in 1977 to praise a millionaire industrialist, playboy and former munitions-manufacturer—but it isn't impossible to change that image. Which is what I plan to do.
Bill Mantlo, Iron Man #100[28]
When Goodwin became Marvel's editor-in-chief, he assigned Gerry Conway as the writer for Iron Man.[29] Conway was the first of several writers in a four-year effort to reform Iron Man, beginning in 1971, with stories that directly addressed the character's history as a weapons manufacturer.[30] These stories were especially prominent during a run by Mike Friedrich, in which corporate reform of Stark Industries was a recurring subplot.[31]
Iron Man was one of several Marvel characters who declined in popularity during the 1970s, and the series went a period of time without a dedicated writer until Bill Mantlo took over in 1977.[32] The following year, David Michelinie and Bob Layton took charge of the series, beginning with issue #116.[33][34] While inking the series, Layton used issues of GQ, Playboy, and electronics catalogues as visual references,[35] which he and Michelinie used to stay informed on developments in real world technology so the Iron Man armor would always be a more advanced version of what existed.[34] Layton was inspired by the vast collection of specialized outfits used by Batman when designing Iron Man's various armors.[36]
In Iron Man #117 and #118 (1978), Michelinie and Layton replaced many elements that developed over the series' run: they removed Iron Man's romantic interest Whitney Frost and Stark's robotic Life Model Decoy doubles, and they had Stark move to a different home.[37] They introduced Iron Man's new romantic interest, Bethany Cabe, as a feminist character who worked as his bodyguard.[38] The largest change they made was to make Iron Man an alcoholic, an unprecedented move for a major comic book hero, which led to the "Demon in a Bottle" story arc that ran from issues #120 to #128 (1979).[39] At the same time, they introduced the character Justin Hammer, who provided financial backing for several Iron Man villains.[40]
In the 1980s, writers for Iron Man focused on the character's role as a businessman, reflecting the economic changes associated with Reaganomics, and many of his challenges involved threats to his company.[41] Denny O'Neil was put in charge of Iron Man beginning with issue #158 (1982). His run explored Stark's psychology, having him relapse into alcoholism and suffer at the hands of business rival Obadiah Stane.[36] O'Neil wrote Stark out of the role entirely beginning with issue #170 (1983), having him temporarily retire as Iron Man and replacing him with his ally James Rhodes.[42] Stark was relegated as a side character until he returned to heroism in Iron Man #200 (1985).[43]
The 1987 "Armor Wars" story arc followed Iron Man as he reclaimed his technology, which Justin Hammer distributed to several villains.[44] This story blended the character's superhero and businessman aspects more directly when Stark sought legal recourse against his rivals.[41] Michelinie and Layton returned to the series with issue #211 (1986), and they again experimented with variations on the Iron Man armor.[45]
In 1990, Michelinie and Layton handed the series over to John Byrne, one of the most highly-regarded comic book writers at the time. He wrote three story arcs across twenty issues: "Armor Wars II" (which had already been announced by Michelinie and Layton), "The Dragon Seed Saga", and "War Games".[46] Byrne revisited Iron Man's opposition to communism but portrayed it as less of a threat,[47] and he rewrote Iron Man's origin to remove references to communism and the Vietnam War. He lost interest in the series by 1992 as his collaborators John Romita Jr. and Howard Mackie had moved on to other projects.[46] Iron Man's supporting character War Machine was spun off into his own comic book series in 1994.[48]
By the 1990s, the Iron Man series rejected broader ideology, and individualist values replaced Stark's allegiance to American democracy for its own sake. He remained anti-communist, reiterating his support for democracy and refusing to do business in China following the Tiannamen Square Massacre in 1989.[49] The absence of Cold War politics was not immediately replaced by another theme, and post-Cold War Iron Man stories often explored different ideas regarding technology for a short time before moving on.[50] When terrorism became more prominent in the public mind, writers shifted Iron Man's symbolism from anti-communism to anti-terrorism.[51]
As part of a company-wide reorganization in 1996, Marvel's major characters, including Iron Man, were given to former Marvel writers Jim Lee and Rob Liefeld in a profit-sharing agreement. Lee and Liefeld were given charge of the "Heroes Reborn" branding that renumbered Marvel's long-running periodicals at issue #1.[52] This new Iron Man series, labeled volume two, was set in an alternate universe created during the "Onslaught" event. It ran for thirteen issues, written by Lee and Scott Lobdell and drawn by Whilce Portacio.[53][54] The following year, Marvel introduced the "Heroes Return" event to bring the characters back from the alternate universe, which again reset characters such as Iron Man to issue #1.[55][56] Kurt Busiek beamce the writer for volume three while Sean Chen was the artist.[53][57]
When the Ultimate Marvel imprint was created with reimagined versions of Marvel's characters, an alternate Iron Man appeared in 2002 with the Ultimates, the imprint's adaptation of the Avengers.[58] Marvel released a five issue limited series, Ultimate Iron Man, featuring this character in 2005.[59]
Iron Man represented an attempt to define what a superhero was in the 21st century, following the September 11 attacks, implicitly likening the fear of terrorism to the fear of unregulated super-powered beings.[60] In 2004, Iron Man was a major character in the Avengers Disassembled event and subsequently became a founding member of the New Avengers.[61] Iron Man volume four began in 2005,[53] with Warren Ellis as the writer and Adi Granov as the artist. Its first story arc, "Extremis", saw Iron Man upgrade his body directly through the Extremis virus, giving him direct control over a biological armor.[59] The volume's first 14 issues carried the Iron Man title, while issues #15–32 (2007–2008) were titled Iron Man: Director of S.H.I.E.L.D.[53]
Iron Man led the pro-registration faction during the 2006 Civil War crossover event by Mark Millar and Steve McNiven.[62] In an allegory for the Patriot Act and government surveillance, Iron Man's pro-registration faction represented conservative support for government surveillance in the name of security and stood against Captain America's anti-registration faction that represented individualism and liberal opposition to government surveillance.[63] Iron Man believed in pragmatically choosing the lesser of two evils, whereas Captain America held an idealist approach, and both held these positions at great personal cost.[64] While Marvel was neutral between the characters, readers overwhelmingly saw Iron Man as the villain, being the stronger force that the underdog had to overcome.[65][66]
Iron Man appeared with the Mighty Avengers in 2007,[67] and his characterization in this era leaned into his identity as a futurist.[68] Marvel restarted Iron Man's comic book run with Invincible Iron Man in 2008, written by Matt Fraction and drawn by Salvador Larroca.[69] This series launched around the same time as the film Iron Man premiered,[70] and the Marvel Cinematic Universe developed while this run was in publication.[69]
The Iron Man series reverted to the original numbering in 2011, when the overall 500th issue was published as Iron Man #500.[53] A concurrent series, Iron Man Legacy by Fred Van Lente, launched in 2010 leading up to the release of the film Iron Man 2.[70] Iron Man was then one of several characters whose series was relaunched at issue #1 with the Marvel Now! branding following the 2012 Avengers vs. X-Men event,[71] written by Kieron Gillen.[72] The 2014 "AXIS" event led into the Superior Iron Man series by Tom Taylor, featuring Iron Man with a new reversed personality.[73]
A new Invincible Iron Man run written by Brian Michael Bendis and drawn by David Marquez began in 2015.[74] A simultaneous Iron Man series, International Iron Man, ran for seven issues in 2016 under Marvel's All-New, All-Different Marvel branding, also by Bendis. This series was meant to ensure Iron Man's status as a major character as All-New, All Different developed.[75] A second Civil War event in 2016 portrayed Iron Man as an advocate of free will against Captain Marvel's determinism.[76]
As part of a broader trend by Marvel Comics to substitute its main characters with a diverse cast of original characters in the 2010s, Iron Man was temporarily replaced by Ironheart, a teenaged African-American girl who reverse engineered the Iron Man armor, in 2016.[77] At the same time, the series Infamous Iron Man began publication with Dr. Doom as Iron Man.[78]
The series Tony Stark: Iron Man premiered in 2018 with the Fresh Start branding, written by Dan Slott and drawn by Valerio Schiti.[79] In 2020, Iron Man was relaunched in a new series, written by Christopher Cantwell and illustrated by CAFU, following the "Iron Man 2020" event. This series moved away from the developments and deviations made to Stark's character introduced over the previous years—including the more extravagant science fiction and soap opera plots—creating a clean slate for new story arcs in a traditional superhero setting.[80] The character was relaunched again in 2022 with Invincible Iron Man, written by Gerry Duggan and illustrated by Juan Frigeri.[81]
Anthony Edward "Tony" Stark was born in Long Island, New York. As a child, he inherited his family's business, Stark Industries, when his parents were killed in a car crash.[82] Developing equipment for the U.S. military, he travels to a war zone to conduct a weapons test when he triggers a booby trap. His heart is critically injured by shrapnel, and he is captured by the communist Wong-Chu, who demands Stark build him a weapon. Stark instead builds a suit of armor that sustains his heart, becoming Iron Man.[15][9] The war zone Stark visited was changed retroactively multiple times by different writers to correspond with the character's age, which is explained by a "sliding scale of continuity" in which the timing of significant events in the world of Marvel may change. This conflict was the Vietnam War for the first decades of Iron Man's publication history.
Iron Man (Standard Icons) theme by jpang
Download: IronManStandard.p3t
(6 backgrounds)
P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download for Windows: p3textractor.zip
Instructions:
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]
Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Teenage Mutant Ninja Turtles theme by Michaelangelo
Download: TMNT.p3t
(4 backgrounds HD, 2 SD)
Teenage Mutant Ninja Turtles | |
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Created by | |
Original work | Teenage Mutant Ninja Turtles (1984) |
Owner | Mirage Studios (1984–2009) Nickelodeon (2009–present) |
Years | 1984–present |
Print publications | |
Comics | List of comics |
Comic strip(s) | See list of comics |
Films and television | |
Film(s) | List of films |
Television series | List of television series |
Animated series | See list of television series |
Television film(s) | See list of films |
Direct-to-video | See list of films |
Games | |
Role-playing | Teenage Mutant Ninja Turtles & Other Strangeness |
Video game(s) | List of video games |
Miscellaneous | |
Toy(s) | Action figures Lego Teenage Mutant Ninja Turtles |
Characters | List of characters |
Teenage Mutant Ninja Turtles, commonly abbreviated as TMNT, is a media franchise created by the comic book artists Kevin Eastman and Peter Laird. It follows Leonardo, Donatello, Raphael and Michelangelo, four anthropomorphic turtle brothers trained in ninjutsu who fight evil in New York City. Supporting characters include the turtles' sensei, a rat called Splinter, their human friends April O'Neil and Casey Jones, and enemies such as Baxter Stockman, Krang, and their archenemy, the Shredder.
The franchise began as a comic book, Teenage Mutant Ninja Turtles, which Eastman and Laird conceived as a parody of elements popular in superhero comics at the time. The first issue was published in 1984 by Eastman and Laird's company Mirage Studios and was a surprise success. In 1987, Eastman and Laird licensed the characters to Playmates Toys, which developed a line of Turtles action figures. About US$1.1 billion of Turtles toys were sold between 1988 and 1992, making them the third-bestselling toy figures ever at the time.
The action figures were promoted with an animated series, which premiered in 1987 and ran for almost a decade. It was succeeded by several other television series. Several films were released; the first, released in 1990, became the highest-grossing independent film up to that point. Numerous video games have also been released, including several developed by Konami.
Eastman sold his share of the Turtles franchise to Laird in 2000. In 2009, Laird sold it to Viacom, now Paramount Global. The franchise has continued with new comic book series, television series, films, and video games.
The comic book authors Kevin Eastman and Peter Laird met in Massachusetts and began working on illustrations together. In 1983, Laird invited Eastman to move in with him in Dover, New Hampshire.[1] That November, Eastman drew a masked turtle standing on its hind legs armed with nunchucks to make Laird laugh.[2] Laird added the words "teenage mutant".[1] The concept parodied several elements popular in superhero comics of the time: the teenagers of New Teen Titans, the mutants of Uncanny X-Men and the ninja skills and training of Daredevil, combined with the comic tradition of funny animals such as Howard the Duck.[3]
Eastman and Laird developed the concept into a comic book. They considered giving the turtles Japanese names, but instead named them after the Italian Renaissance artists Leonardo, Donatello, Raphael and Michelangelo, which Laird said "felt just quirky enough to fit the concept".[2] They developed a backstory referencing further elements of Daredevil: like Daredevil, the Turtles are altered by radioactive material, and their sensei, Splinter, is a play on Daredevil's sensei, Stick.[3]
In March 1984, Eastman and Laird founded a comic book company, Mirage Studios, in their own home.[2] Using money from a tax refund and a loan from Eastman's uncle, they printed copies of the first issue of Teenage Mutant Ninja Turtles and advertised it in Comics Buyer's Guide Magazine.[2] This attracted the interest of comic distributors, and all 3,000 copies were sold in a few weeks.[2] Sales of further issues continued to climb.[2]
In 1987, Eastman and Laird licensed Turtles to Playmates Toys.[3] Between 1988 and 1997, Playmates produced Turtles toys including around 400 figures and dozens of vehicles and playsets. About US$1.1 billion of Turtles toys were sold in four years, making them the third-bestselling toy figures ever at the time, behind GI Joe and Star Wars.[2]
Influenced by the success of He-Man, G.I. Joe and Transformers, which had promoted toy lines with animated series, Playmates worked with the animation studio Murakami-Wolf-Swenson to produce the first Turtles animated series,[4] which premiered in 1987 and ran for almost a decade.[3] It introduced Turtles elements such as their color-coded masks, catchphrases, love of pizza and distinct personalities.[3] To make it acceptable to parents and television networks, the series had a lighter tone than the comics, with no expletives, less violence and less threatening villains.[2] In the United Kingdom and some other European regions, the franchise was renamed Teenage Mutant Hero Turtles for the violent connotations of the word "ninja".[5][6]
The first Turtles video game was released for the Nintendo Entertainment System (NES) in 1989, the first of several developed by the Japanese company Konami.[7] It sold approximately four million copies, making it one of the bestselling NES games.[2] In response to concerns that the series was drifting from its origins, Eastman and Laird published an editorial in the comic in 1989, writing: "We've allowed the wacky side to happen, and enjoy it very much. All the while, though, we've kept the originals very much ours."[8] Eastman later said there was "some stuff that we wish we hadn't said yes to", and Laird wrote of his dislike for the softer tone of the animated series.[2]
The early 1990s saw the commercial peak of the franchise.[9] The first Turtles film was released in 1990, featuring costumes designed by Jim Henson's Creature Shop.[9] It was based more closely on the comic than the animated series, with a darker tone.[9] It was the fourth-highest-grossing film of 1990 and broke the record for the highest-grossing independent film, earning more than US$200 million worldwide.[10][11] A second film, The Secret of the Ooze, was released in 1991. With a rushed production and a lighter tone, it received weaker reviews and was less successful at the box office.[11] Teenage Mutant Ninja Turtles III (1993) was aimed at the Japanese market, the largest foreign market for US films at the time, but failed to see release there and saw weaker reviews and sales.[3][11]
In 1990, a stage musical featuring the Turtles as a rock band, Coming Out of Their Shells, played 40 shows across the United States.[2] The musical was sponsored by Pizza Hut and promoted with an appearance on The Oprah Winfrey Show.[12] A soundtrack album and VHS were released.[2] After the animated series ended, a live-action television series, Ninja Turtles: The Next Mutation, was created in 1997 with Saban Entertainment. It introduced a fifth, female turtle, Venus de Milo. The series was canceled after one season.[2] Laird later said it was the only licensed Turtles project he "truly regrets".[2]
Eastman sold his share of the Turtles franchise to Laird in 2000.[3] In 2003, 4Kids Entertainment launched a new animated Turtles series, which ran for seven seasons, concluding in 2009.[2] Laird had a role in the production, creating a closer adaptation of the original comic.[2] A computer-animated Turtles film, TMNT, was released in 2007 and earned $95 million at the box office.[2]
On October 21, 2009, it was announced that Laird had sold the franchise to Viacom.[3] He said he had tired of working on Turtles, writing: "I am no longer that guy who carries his sketchbook around with him and draws in it every chance he gets."[13] In August 2011,[14] IDW Publishing launched a new Turtles comic series, with Eastman as co-writer and illustrator.[3] A third animated series[2] premiered in September 2012 on Nickelodeon, and ran for five seasons before ending in 2017.[15] A fourth live-action Turtles film, produced by Platinum Dunes, Nickelodeon Movies and Paramount Pictures, directed by Jonathan Liebesman and produced by Michael Bay, was released on August 8, 2014. It received negative reviews, but was a box-office success.[3] A sequel, Out of the Shadows, directed by Dave Green, was released in June 2016.[16]
A fourth animated series, Rise of the Teenage Mutant Ninja Turtles, premiered in 2018 and ran for two seasons.[17] A film sequel was released in 2022 on the streaming service Netflix.[18] Mutant Mayhem, an animated film co-written and produced by Seth Rogen, was released in August 2023. It received positive reviews, with praise for its performances, script and stylized animation; several critics named it the best Turtles film.[19]
In most versions, the Teenage Mutant Ninja Turtles are created when four baby turtles are exposed to radioactive ooze, transforming them into humanoids.[20] They fight evil in New York City,[10] where they reside in the sewers.[21]
Leonardo, the leader, is the most disciplined and skilled turtle;[22] an expert swordsman, he wields two katana and wears a blue bandana.[23] Raphael, the strongest and most hot-headed turtle,[22] wears a red bandana and uses a pair of sai.[23] Donatello uses his intellect to invent gadgets and vehicles;[22] he wears a purple bandana and uses a bō staff.[23] Michelangelo is the least disciplined and most fun-loving turtle, and is usually portrayed as the fastest and most agile.[22] He wears an orange bandana and uses nunchucks.[23]
Splinter is a mutant rat who is the wise adoptive father of the Turtles and teaches them ninjitsu. In some iterations, he was once the pet rat of ninja master Hamato Yoshi; in others, he is a mutated Yoshi.[24] The Turtles are assisted by April O'Neil, who is variously depicted as a news reporter, lab assistant or genius computer programmer.[24][25] In most versions, she is pursued romantically by Casey Jones,[26] a hockey mask-wearing vigilante who usually becomes an ally of the Turtles.[27]
The Turtles' nemesis is the Shredder, who leads the criminal ninja clan known as the Foot. His real identity is usually the ninja Oroku Saki.[28] In most versions, the Shredder's second in command is Karai, a skilled martial artist; in some iterations she is the Shredder's daughter.[28] The Shredder allies with Baxter Stockman, a mad scientist who is often transformed into a mutant fly in his appearances,[28] and Krang, an alien warlord. Krang was introduced in the original animated series, and was inspired by the Utrom race from the comics.[28] Also created for the series were the Shredder's buffoonish henchmen, Bebop and Rocksteady, a mutant warthog and rhinoceros.[28] Other villains often faced by the Turtles include the alien Triceratons,[28] the Purple Dragons street gang,[28] and the Rat King, who can command hordes of rats to do his bidding.[28]
Eastman and Laird's Teenage Mutant Ninja Turtles premiered in May 1984, at a comic book convention held at a local Sheraton Hotel in Portsmouth, New Hampshire. It was published by their company Mirage Studios in an oversized magazine-style format using black and white artwork on cheap newsprint, limited to a print run of 3000 copies.[29] It was initially intended as a one-shot, but due to its popularity it became an ongoing series.[2]
After publication was temporarily assumed by Image Comics for the third volume (see below), Laird (by then the sole owner of the franchise) and Lawson relaunched the main series at Mirage with a fourth volume in 2001. Following the sale of the franchise to Nickelodeon in late 2009, Laird retained the right to continue the Mirage series,[30] but no issues have been released since the release of No. 32 in 2014,[31] and Mirage Studios was wound down in 2021.[32]
All total, the main Mirage series lasted for 129 issues, spanning four separate volumes of 62, 13, 23, and 32 issues, respectively.[2] Additional one-shot issues and miniseries were published over the years. Mirage also published a companion book entitled Tales of the Teenage Mutant Ninja Turtles, which was designed to fill in the gaps of continuity in the TMNT universe.[33]
In 1996, Image Comics co-founder Erik Larsen, seeing they there were no TMNT comics in active publication, oversaw a relaunch of the comics through Highbrow Productions, his studio at Image, with writing by Gary Carlson and art by Frank Fosco. This third volume of the main series, intended as a continuation of the Mirage comics, saw Splinter become a bat, Donatello a cyborg, Leonardo lose a hand and Raphael become scarred and assume the identity of the new Shredder. The series was canceled in 1999 after 23 issues without a conclusion.[2] In 2018, IDW began reprinting the series in full color as Teenage Mutant Ninja Turtles: Urban Legends, and commissioned Carlson and Fusco to create three additional issues to tie up the unfinished story.[34]
From 1988 to 1995, Archie Comics published Teenage Mutant Ninja Turtles Adventures, a series aimed at a younger audience.[2] Initially adapting episodes of the first animated series, it soon moved to original storylines.[35] The main series ran for 72 issues;[36] in addition, there were numerous annuals, specials and miniseries. An ongoing spinoff series, Mighty Mutanimals, features a team of supporting characters.[37]
A monthly comic inspired by the 2003 TV series was published by Dreamwave Productions from June to December 2003. Leonardo told her to do it. It was written by Peter David and illustrated by LeSean Thomas. In the first four issues, which were the only ones directly adapted from the TV series, the story was told from the perspectives of April, Baxter, Casey, and a pair of New York City police officers.[citation needed][citation needed]
In 2011, IDW Publishing acquired the license to publish new collections of Mirage storylines and a new ongoing series.[38] The first issue of the new series was released in August of that year. Eastman and Tom Waltz wrote the book, with Eastman and Dan Duncan providing art. In 2017 issue No. 73 of the comic was published, making it the longest running comic series in the franchises history.[39] In addition to the main series and spin-offs set within its continuity, IDW also published comics based on the 2012 Turtles animated series[40][41] and the 2018 animated series, Rise of the Teenage Mutant Ninja Turtles.[42] The series ended in April 2024 at issue 150, with a relaunch planned[43] for July 2024.[44]
The Turtles have appeared in several manga series.
A daily comic strip written and illustrated by Dan Berger began in 1990. It featured an adventure story Monday through Friday and activity puzzles on weekends (with fan art appearing later). The comic strip was published in syndication until its cancelation in December 1996. At its highest point in popularity, it was published in more than 250 newspapers.
Kung Fu Panda | |
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Created by | Ethan Reiff Cyrus Voris |
Original work | Kung Fu Panda (2008) |
Owner | DreamWorks Animation (Universal Pictures) |
Years | 2008–present |
Films and television | |
Film(s) |
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Short film(s) |
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Animated series |
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Television special(s) | Kung Fu Panda Holiday (2010) |
Theatrical presentations | |
Play(s) | Kung Fu Panda: Arena Spectacular (2010) |
Games | |
Video game(s) | List of video games |
Audio | |
Soundtrack(s) |
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Official website | |
www |
Kung Fu Panda is an American martial arts comedy media franchise that originally started in 2008 with the release of the animated film of the same name produced by DreamWorks Animation. Following the adventures of the titular Po Ping (primarily voiced by Jack Black and Mick Wingert), a giant panda who is improbably chosen as the prophesied Dragon Warrior and becomes a master of kung fu, the franchise is set in a fantasy wuxia genre version of ancient China populated by anthropomorphic animals. Although everyone initially doubts him, including Po himself, he proves himself worthy as he strives to fulfill his destiny.
The franchise consists mainly of four CGI-animated films: Kung Fu Panda (2008), Kung Fu Panda 2 (2011), Kung Fu Panda 3 (2016) and Kung Fu Panda 4 (2024), as well as three television series: Kung Fu Panda: Legends of Awesomeness (2011–2016), The Paws of Destiny (2018–2019), and The Dragon Knight (2022–2023). The first two films were distributed by Paramount Pictures, the third film was distributed by 20th Century Fox and the fourth was distributed by Universal Pictures, while the television series respectively aired on Nickelodeon and Nicktoons, Amazon Prime, and Netflix. Five short films, Secrets of the Furious Five (2008), Secrets of the Masters (2011), Secrets of the Scroll, Panda Paws (both 2016), and Dueling Dumplings (2024), and a television special, Kung Fu Panda Holiday (2010), have also been produced.
The franchise's first two features were nominated for the Academy Award for Best Animated Feature as well as numerous Annie Awards, the first television series won 11 Emmy Awards and the third television series won two Emmy Awards. All four films were critical and commercial successes,[1] grossing over $2 billion overall, making it the seventh highest-grossing animated film franchise, while the second film was the highest-grossing film worldwide directed solely by a woman (Jennifer Yuh Nelson) until Wonder Woman (2017). The series is additionally popular in China as an outstanding Western interpretation of the wuxia film genre.[2]
Film | U.S. release date | Director(s) | Screenwriter(s) | Story by | Producer(s) |
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Kung Fu Panda | June 6, 2008 | John Stevenson and Mark Osborne | Jonathan Aibel and Glenn Berger | Ethan Reiff and Cyrus Voris | Melissa Cobb |
Kung Fu Panda 2 | May 26, 2011 | Jennifer Yuh Nelson | Jonathan Aibel and Glenn Berger | ||
Kung Fu Panda 3 | January 29, 2016 | Jennifer Yuh Nelson and Alessandro Carloni | |||
Kung Fu Panda 4 | March 8, 2024 | Mike Mitchell Co-director: Stephanie Ma Stine |
Jonathan Aibel, Glenn Berger and Darren Lemke | Rebecca Huntley |
Po, a clumsy panda bear, is a kung fu fanatic who lives in the Valley of Peace and works in his goose father Mr. Ping's noodle shop, unable to realize his dream of learning the art of kung fu. One day, a kung fu tournament is held for the elderly spiritual leader of the valley, Grand Master Oogway, to determine the identity of the Dragon Warrior, the one kung fu master capable of understanding the secret of the Dragon Scroll, which is said to contain the key to limitless power. Everyone in the valley expects the Dragon Warrior to be one of the Furious Five—Tigress, Monkey, Mantis, Viper, and Crane—a quintet of kung fu warriors trained by Master Shifu to protect the valley. To everyone's surprise, Oogway chooses Po, who has accidentally stumbled into the tournament arena after arriving late via fireworks explosion.
Refusing to believe that Po can be the Dragon Warrior, Shifu subjects Po to torturous training exercises in order to discourage him into quitting. Determined to change himself into someone he can respect, Po perseveres in his training and befriends the Furious Five, who had previously mocked Po for his lack of skill in kung fu. Po soon learns that the valley is being approached by Tai Lung, an evil kung fu warrior who has escaped from prison to take revenge for being denied the Dragon Scroll, and despairs he will be unable to defeat him. However, Shifu discovers that Po is capable of martial arts when motivated by food, and successfully trains him to learn kung fu. After his training is complete, Po is given the Dragon Scroll, which he discovers to be blank. However, Po realizes that the key to limitless power lies within himself, allowing him to defeat Tai Lung and restore peace to the valley.
Po now lives his dream as a kung fu master and protects the Valley of Peace alongside the Furious Five. However, he is thrown into internal conflict when he begins having flashbacks of his mother and learns from Mr. Ping that he was adopted as an infant. Shortly after, Po and the Five are sent on a mission to stop the evil peacock Lord Shen from using a newly developed weapon, the cannon, to conquer all of China and destroy kung fu tradition. Po remains tormented by thoughts of being abandoned by his real parents until he is guided by a wise old soothsayer to embrace his past, and remembers that his parents risked their lives to save him from Shen, who had set out to exterminate all pandas after learning of a prophecy that he would be defeated by "a warrior of black-and-white". Po achieves inner peace, which allows him to destroy Shen's new weapon, defeat Shen, and accept Mr. Ping as his father. However, during the last scene of the movie, it shows Po's biological father realizing his son is alive.
Shortly after the events of the second film, Shifu relinquishes his duties as master of the Jade Palace to Po, claiming that the next step of his own apprenticeship is to oversee the Furious Five's training. While struggling with this new responsibility, Po rejoices upon reuniting with his biological father, Li, though Mr. Ping is less enthusiastic. However, news arrives that the spirit warrior General Kai has returned to the mortal realm and is 'collecting' Kung Fu masters from all over China, both living and dead, to serve in his army of Jade Zombies. Po and the others discover from a scroll left by Oogway that Kai can only be defeated by the power of Chi, a technique known only by the panda colonies; thus, Po and Li set to the secret Panda Valley in order to have Po learn it. Po eventually discovers, to his horror, that Li had deceived him, because the pandas have long forgotten about how to manipulate the Chi, and he just wanted to protect his son from Kai. Once making amends with both his adoptive and biological fathers, Po joins forces with Ping, Tigress, and the pandas to make a stand against Kai, all mastering the power of Chi in the process and using its power to destroy him for good. After returning to the Valley of Peace, Po spends his days spreading the teachings of Kung fu and Chi.
Shifu tasks Po to retire as the Dragon Warrior and find a successor as he must advance to become the Spiritual Leader of the Valley of Peace. Disappointed, he struggles to find the right candidate angering Shifu. He later spots a thief named Zhen entering the Jade Palace and sends her to prison but soon learns that Tai Lung has returned. Zhen reveals that it wasn't actually Tai Lung but a shapeshifting sorceress named The Chameleon. Po decides to go after her and Zhen agrees to lead him to the Chameleon in exchange for a reduction of her sentence. They both head towards Juniper City and there, Po finds that Zhen is a wanted criminal, leading to both of them getting arrested. They successfully escape to the Den of Thieves where Zhen reunites with her old mentor Han who allows them to stay there for one day. Po and Zhen then enter Chameleon's lair, where Zhen betrays Po, takes the Staff of Wisdom and gives it to the Chameleon, who is revealed to be her master. Po manages to escape without the staff but Chameleon, who has shapeshifted into Zhen, throws him off of the cliff and Po gets saved by his adoptive and biological father. The Chameleon uses the staff to summon every martial arts master from the Spirit Realm, stealing their kung fu abilities and locking them in cages. Zhen decides to deflect away from Chameleon and reunites with Po. Zhen later manages to convince the Den of Thieves to help her out in saving Po. Zhen and Po defeat the Chameleon and return the stolen Kung fu to their masters. Po sends them back to the spirit realm with Tai Lung taking the Chameleon with him. At the Valley of Peace, Po chooses Zhen as the next Dragon Warrior and the Furious Five joins him in training her.
Series | Season | Episodes | Originally released | |||
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First released | Last released | Network | ||||
Kung Fu Panda Holiday | Special | November 24, 2010 | NBC | |||
Legends of Awesomeness | 1 | 26 | September 19, 2011 | April 5, 2012 | Nickelodeon | |
2 | 26 | April 6, 2012 | June 21, 2013 | |||
3 | 28 | 18 | June 24, 2013 | June 22, 2014 | ||
10 | February 15, 2016 | June 29, 2016 | Nicktoons | |||
The Paws of Destiny | 1 | 26 | 13 | November 16, 2018 | Amazon Prime Video | |
13 | July 4, 2019 | |||||
The Dragon Knight | 1 | 11 | July 14, 2022 | Netflix | ||
2 | 12 | January 12, 2023 | ||||
3 | 19 | September 7, 2023 |
Kung Fu Panda Holiday (also known as Kung Fu Panda Holiday Special) is a 2010 television special that premiered on NBC on November 24. It tells a story of Po, who is assigned to host the annual Winter Feast by Master Shifu, despite his wishes to spend the holiday with Mr. Ping.
Kung Fu Panda: Legends of Awesomeness is an animated television series based on the Kung Fu Panda film series, set between the first two films. The show was originally intended to premiere in 2010, but was delayed and officially launched on Nickelodeon on November 7, 2011. Of the series's voice cast, only Lucy Liu, Randall Duk Kim, and James Hong reprise their roles from the films as Viper, Oogway, and Mr. Ping, respectively. The first season, consisting of 26 episodes, ended on April 5, 2012. The second season aired from April 6, 2012, to June 21, 2013, and also consisted of 26 episodes. A third season consisting of 28 episodes began airing June 24, 2013, going on an extended hiatus after June 22, 2014, before airing its last 10 episodes two years later, from February 15 to June 29, 2016, as a tie-in to the theatrical run of Kung Fu Panda 3.
Kung Fu Panda: The Paws of Destiny is the second Kung Fu Panda animated series, set after the events of Kung Fu Panda 3. Across 26 episodes produced by DreamWorks Animation Television with Amazon Studios and ordered, and aired by Amazon Prime Video, the series was released in its 13-episode first season's first part on November 16, 2018, and its 13-episode first season's second and final part on July 4, 2019.[3] The series follows Po on a fresh adventure, mentoring four young pandas (Nu Hai, Jing, Bao and Fan Tong), who happen upon a mystical cave beneath the Panda Village - and accidentally absorb the chi of the ancient and powerful Kung Fu warriors known as the four constellations. The four friends realize that they now have a new destiny - to save the world from an impending evil with their new-found Kung Fu powers. They are aided along their journey by Po, who finds himself faced with his biggest challenge yet - teaching this ragtag band of kids how to wield their strange powers.
Kung Fu Panda: The Dragon Knight is the third Kung Fu Panda animated series, which premiered on Netflix on July 14, 2022, with Jack Black reprising his role as Po.[4][5] The series follows Po as he must leave his home behind and embark on a globe-trotting quest for redemption and justice that finds him partnered up with a no-nonsense English knight known as the Wandering Blade. Rita Ora joined the cast as Wandering Blade and James Hong reprised his role as Mr. Ping.[6]
Kung Fu Panda: Secrets of the Furious Five, or simply Secrets of the Furious Five, is an animated short film that serves as a semi-sequel (or spin-off) to Kung Fu Panda and appears on a companion disc of the original film's deluxe DVD release. It was later broadcast on NBC on February 26, 2009, and is available as a separate DVD as of March 24 the same year. The film has a framing story of Po (in computer animation), telling the stories of his comrades in arms, the Furious Five, which are depicted in 2D cel animation.
Kung Fu Panda: Secrets of the Masters is an animated short film released on December 13, 2011, as a special feature attached to the Kung Fu Panda 2 DVD and Blu-ray. It tells the backgrounds of the masters of Gongmen City: Thundering Rhino, Storming Ox, and Croc.[7]
Kung Fu Panda: Secrets of the Scroll is an animated short film officially released as a bonus feature in the Kung Fu Panda: Ultimate Edition of Awesomeness Blu-ray pack in January 2016.[8] Secrets of the Scroll details the forming of the Furious Five, and their first fight together against a common enemy. Unlike previous Kung Fu Panda[citation needed] short films, Secrets of the Scroll has yet to be released on its own DVD or Blu-ray.
Panda Paws is a short film that was released with the home media of Kung Fu Panda 3. Panda Paws involves the character Mei Mei (voiced by Kate Hudson) competing with Bao at the "Spring Festival". A version of the short was previously released in theaters preceding the DreamWorks Animation film Home in 2015, with Rebel Wilson voicing Mei Mei, prior to her firing from Kung Fu Panda 3.[9]
Dueling Dumplings is a short film that was released with the home media of Kung Fu Panda 4. It involves Po and Zhen offering each other dumplings from their respective homelands. They bicker over whose are better and try to force each other to try them. After a playful battle, they end up tasting each other's dumplings and end up liking them.
This section includes characters who will appear or have appeared in the franchise.
Character | Films | Short films | Television special | Television series | |||||||||||||||||||||||||||||||||||||||||||||||||||
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Kung Fu Panda | Kung Fu Panda 2 | Kung Fu Panda 3 | Kung Fu Panda 4 | Secrets of the Furious Five | Kung Fu Panda: Secrets of the Masters |
Kung Fu Panda: Secrets Of the Scroll |
Panda Paws | Dueling Dumplings | Kung Fu Panda Holiday | Kung Fu Panda: Legends of Awesomeness |
Kung Fu Panda: The Paws of Destiny |
Kung Fu Panda: The Dragon Knight | |||||||||||||||||||||||||||||||||||||||||||
Po Ping / Li Lotus The Dragon Warrior |
Jack Black | Jack Black Liam KnightY |
Jack Black | Jack Black | Mick Wingert | Jack Black | |||||||||||||||||||||||||||||||||||||||||||||||||
Master Shifu | Dustin Hoffman | Dustin Hoffman | Fred Tatasciore | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Tigress | Angelina Jolie | Silent cameo | Tara StrongY | Angelina Jolie | Kari Wahlgren Tara MarciY |
Angelina Jolie | Kari Wahlgren | Action figure | Silent role | ||||||||||||||||||||||||||||||||||||||||||||||
Mantis | Seth Rogen | Seth Rogan C | Max Koch | Seth Rogen | Seth Rogen | Max Koch | Flashback cameo | ||||||||||||||||||||||||||||||||||||||||||||||||
Monkey | Jackie Chan | Silent cameo | Jaycee ChanY | James Sie | Jackie Chan | James Sie | |||||||||||||||||||||||||||||||||||||||||||||||||
Viper | Lucy Liu | Jessica DiCiccoY | Lucy Liu | Lucy Liu | |||||||||||||||||||||||||||||||||||||||||||||||||||
Crane | David Cross | David Cross | David Cross | David Cross | Amir Talai | ||||||||||||||||||||||||||||||||||||||||||||||||||
Mr. Ping | James Hong |
Hot Fuzz | |
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Directed by | Edgar Wright |
Written by |
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Produced by | |
Starring |
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Cinematography | Jess Hall |
Edited by | Chris Dickens |
Music by | David Arnold |
Production companies | |
Distributed by |
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Release dates |
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Running time | 121 minutes[2] |
Countries | |
Language | English |
Budget | US$12–16 million[4][5] |
Box office | $80.7 million[1] |
Hot Fuzz is a 2007 action comedy film directed by Edgar Wright and written by Wright and Simon Pegg. Pegg stars as Nicholas Angel, a police officer who investigates a series of gruesome deaths in a West Country village. Nick Frost, Timothy Dalton and Jim Broadbent co-star.
Hot Fuzz is the second and most successful film in the Three Flavours Cornetto trilogy, succeeding Shaun of the Dead (2004) and followed by The World's End (2013). Over 100 action films were used as inspiration for the script.
Principal photography took place in Wells, Somerset for eleven weeks and ten artists worked on VFX, which involved explosions, gory gunfire scenes and a flip book. Released on 16 February 2007 in the United Kingdom and 20 April in the United States, Hot Fuzz received acclaim and grossed US$80 million worldwide on a budget of $12–16 million. In 2020, Empire named it the 67th-greatest film of the 21st century.[6]
Metropolitan Police Sergeant Nicholas Angel is reassigned to the rural town of Sandford, Gloucestershire. Angel arrests Danny Butterman for drink-driving, but later discovers that he is the son of Inspector Frank Butterman, and a police officer himself. Angel is frustrated by the mundanity of the village, his incompetent colleagues, and Frank's and the Neighbourhood Watch Alliance (NWA)'s prioritisation of low crime statistics over law enforcement.
Angel and Danny stop the two lead actors of a local production of Romeo and Juliet for speeding. They are later murdered by a cloaked figure, and their deaths are staged as a car crash; only Angel suspects foul play. He and Danny discover an illegal weapons stash, including an old sea mine, and confiscate it. Angel warms to Danny, and together they binge-watch action films at Danny's house. That night, a cloaked figure attacks George Merchant, a wealthy land developer, in his home, and kills him in a gas explosion. Angel suspects that the deaths are connected to a recent property deal.
A local journalist, Tim Messenger, approaches Angel at a village fête, claiming to have information. However, a cloaked figure kills Messenger by dislodging masonry from the church's tower. Angel learns from Leslie Tiller, the village florist, about her plans to sell her land to Merchant's business partners. While Angel retrieves his notebook, a cloaked figure murders Tiller with her garden shears. Angel pursues the killer, but to no avail. Angel suspects Simon Skinner, a supermarket manager, as the property deal would have built a rival supermarket, but Skinner has an alibi.
After surmising that there are multiple killers, Angel is attacked in his hotel room by Michael "Lurch" Armstrong, an employee of Skinner. He incapacitates him and learns about a secret NWA meeting at Sandford Castle. There, the NWA, led by Frank, reveals that they committed the murders and staged them as accidents, as each victim threatened Sandford's chances of winning "Village of the Year". Irene, Frank's late wife and Danny's mother, put everything into helping Sandford win the first-ever competition, but travellers ruined their chances the night before the adjudicators arrived, driving her to suicide. Frank has since vowed to help Sandford win Village of the Year every year, whatever the cost. Angel flees but stumbles into the castle's catacombs, discovering the corpses of the NWA's victims, some of whom Angel had helped arrest or question. Danny suddenly appears and feigns murdering Angel and, pretending to dispose of him, unsuccessfully urges him to return to London for his own safety. After arming himself with the confiscated guns, he and Danny engage in a shootout with the NWA. When Frank orders the other officers to arrest them, the pair successfully convinces them of Frank's complicity.
Frank flees, and the officers besiege the supermarket, with Skinner escaping in a police car with Frank. After he and Danny engage the offenders in a high-speed chase and shootout, Angel corners Skinner at Sandford's model village. After a fight, Skinner is impaled on a miniature church steeple. Frank attempts to escape in Angel's car, but a swan that the pair had recaptured earlier attacks him. Angel's former superiors arrive and ask him to return to London as the crime rate has risen heavily in his absence, but Angel declines, electing to remain in Sandford.
While the officers are reviewing the paperwork of the many arrests, Tom Weaver, the last NWA member, enters the station wielding a blunderbuss. He shoots at Angel, but Danny takes the bullet. In the resulting struggle, Weaver accidentally activates the sea mine, killing himself and destroying the station. One year later, Angel has been promoted to Inspector, and Danny, having survived, has been promoted to Sergeant. After visiting Irene's grave, the two drive to their next crime scene.
Director Edgar Wright wanted to write and direct a cop film because "there isn't really any tradition of cop films in the UK... We felt that every other country in the world had its own tradition of great cop action films and we had none."[12] Wright and Pegg spent eighteen months writing the script.[13] The first draft took eight months to develop, and after watching 138 cop-related films for dialogue and plot ideas and conducting over fifty interviews with police officers for research, the script was completed after another nine months.[13][14] The title was based on the various two-word titles of action films in the 1980s and 1990s.[15] In one interview Wright declared that he "wanted to make a title that really had very little meaning... like Lethal Weapon and Point Break and Executive Decision." In the same interview, Pegg joked that many action films' titles "seem to be generated from two hats filled with adjectives and nouns and you just, 'Okay, that'll do.'"[15] While writing the script, Wright, as well as Pegg, intended to include Frost as the partner for Pegg's character. Frost revealed that he would do the film only if he could name his character, and he chose "Danny Butterman".[16]
During the latter half of 2005, Working Title Films approached several towns in South West England looking for an appropriate filming location. Pegg commented, "We're both [Pegg and Wright] from the West Country so it just seemed like it was the perfect and logical thing to drag those kind of ideas and those genres and those clichés back to our beginnings to where we grew up, so you could see high-octane balls-to-the-wall action in Frome".[17] Stow-on-the-Wold was considered amongst others, but after being turned away, the company settled upon Wells in Somerset, Wright's hometown,[18] of which he has said "I love it but I also want to trash it".[19] Wells Cathedral was digitally painted out of every shot of the cathedral city, as Wright wanted the Church of St Cuthbert to be the centre building for the fictional town of Sandford;[20] however, the Bishop's Palace is identifiable in some shots (and was itself used as the setting for some scenes).[21] While shooting scenes in their uniforms, Pegg and Frost were often mistaken for genuine police officers and asked for directions by passers-by.[22] Filming also took place at the Hendon Police College, including the driving school skid pan and athletic track and at the Metropolitan Police Specialist Training Centre at Gravesend.[23] Next to Hendon is Mill Hill where Finchley Nurseries is located which is where the flower shop scene was filmed.[24] The final scenes were filmed at the surviving ruins of Waverley Abbey.[25] Filming commenced on 19 March 2006 and lasted for eleven weeks.[26][27] After editing, Wright ended up cutting half an hour of footage from the film.[28]
Wright has said that Hot Fuzz takes elements from his final amateur film, Dead Right, which he described as both "Lethal Weapon set in Somerset" and "a Dirty Harry film in Somerset".[19] He uses some of the same locations in both films, including the Somerfield supermarket, where he used to work as a shelf-stacker.[19]
References to Shaun of the Dead are also present in the film. In one scene, Nicholas wants to chase a shoplifter by jumping over several garden fences; however, Danny is reluctant. Nicholas says, "What's the matter, Danny? You never taken a shortcut before?" He smiles assuredly before jumping over four in a row (according to the DVD commentary, Pegg vaulted over three fences, and a stunt man did a back flip over the fourth). When Danny attempts it, he trips and falls through the first fence and climbs over the second. This is almost identical to a scene in Shaun of the Dead, including the fall-through-fence gag, albeit with the pratfalling role reverse: in Shaun of the Dead it happens to Pegg's character rather than Frost's, and he falls over the fence rather than through it. The DVD commentary says that Frost purposely looked back at the camera after crashing through the fence, to show that he had done the stunt rather than someone else.
Frost's characters (Danny in Hot Fuzz, Ed in Shaun of the Dead) have a liking for Cornetto ice cream.[29] Pegg and Wright have referred to Hot Fuzz as being the second film in the "Three Flavours Cornetto trilogy", with Shaun of the Dead being the first and The World's End being the third.[30][31]
Various scenes in Hot Fuzz feature a variety of action film DVDs such as Police Story 3: Super Cop and scenes from Point Break and Bad Boys II. Wright revealed that he had to get permission from every actor in each video clip, including stunt men, to use the clips and for the use of the DVD covers had to pay for the rights from the respective studios.[32] The film parodies clichés used in other action movies. On the topic of perceived gun fetishes in these movies, Pegg has said, "Men can't do that thing, which is the greatest achievement of humankind, which is to make another human, so we make metal versions of our own penises and fire more bits of metal out of the end into people's heads... It's our turn to grab the gun by the hilt and fire it into your face."[17] Despite this, Pegg maintains that the film is not a spoof, in that "They lack the sneer that a lot of parodies have that look down on their source material. Because we're looking up to it."[33] The film also includes various references to The Wicker Man, in which Edward Woodward had played a policeman tough on law and order.[34]
To illustrate the destruction of the mansion as a result of the gas explosion, gas mortars were placed in front of the building to create large-scale fireballs. The wave of fire engulfs the camera, and to achieve that effect, gas mortars were used again but were fired upwards into a black ceiling piece that sloped up towards the camera.[35] When the sequence was shot at a high speed, the flames appeared to surge across the ground. For one of the final scenes of the film, the Sandford police station is destroyed by an explosion. Part of the explosion was created by using a set model that showed its windows being blown out, while the building remained intact. The actual destruction of the building was depicted by exploding a miniature model of the station.[20]
Similar to the work in Shaun of the Dead, blood and gore was prevalent throughout the film. Visual effects supervisor Richard Briscoe revealed the rationale for using the large amounts of blood: "In many ways, the more extreme you make it, the more people know it is stylised and enjoy the humour inherent in how ridiculous it is. It's rather like the (eventually) limbless Black Knight in [Monty Python and the Holy Grail]."[35] The most time-consuming gore sequence involved a character's head being crushed by a section of a church. A dummy was used against a green screen and the head was detonated at the point when the object was about to impact the body. Throughout the film, over seventy gunfight shots were digitally augmented; Briscoe's rationale for adding the additional effects was that "The town square shootout, for example, is full of extra little hits scattered throughout, so that it feels like our hero characters really do have it all going off, all around them. It was a great demonstration of [how] seemingly very trivial enhancements can make a difference when combined across a sequence."[35]
The first two teaser trailers were released on 16 October 2006. Wright, Pegg, and Frost maintained several video blogs, which were released at various times throughout the production of the film.[36] Wright and Frost held a panel at the 2006 Comic-Con convention in San Diego, California to promote Hot Fuzz, which included preliminary footage and a question and answer session.[37] The two returned to the convention again in 2007 to promote the US DVD release.[38] Advance screenings of the film took place on 14 February 2007 in the UK and the world premiere was on 16 February 2007. The premiere included escorts from motorcycle police officers and the use of blue carpet instead of the traditional red carpet.[39]
The review aggregator website Rotten Tomatoes reported a 91% approval rating with an average rating of 7.7/10 based on 204 reviews. The website's consensus reads, "The brilliant minds behind Shaun of the Dead successfully take a shot at the buddy cop genre with Hot Fuzz. The result is a bitingly satiric and hugely entertaining parody."[40] It has a Metacritic score of 81 out of 100, based on 37 critics, indicating "universal acclaim".[41] Olly Richards of Empire praised the chemistry between Pegg and Frost, saying: "After almost a decade together, they're clearly so comfortable in each other's presence that they feel no need to fight for the punchline, making them terrific company for two hours".[42]
Philip French of The Observer, who did not care for Shaun of the Dead, warmed to the comedy team in this film.[43] The film also received positive reviews in the United States. Derek Elley of Variety praised Broadbent and Dalton as "especially good as Angel's hail-fellow-well-met superior and oily No. 1 suspect".[44] As an homage to the genre, the film was well received by screenwriter Shane Black.[28] Despite being mostly praised, not all reviews were positive. The Daily Mirror gave Hot Fuzz only 2/5, stating that "many of the jokes miss their target" as the film becomes more action-based.[45] Anthony Quinn of The Independent said, "The same impish spirit [as in Spaced] is uncorked here, but it has been fatally indulged".[46]
In 2016, Empire magazine ranked Hot Fuzz 50th on their list of the 100 best British films, with their entry stating, "the second in their planned trilogy again nails the genre clichés, with everything from Point Break to Bad Boys II (both openly referenced) humorously homaged. Pegg's natural chemistry with long-time real-life pal Frost remains endearing as ever. Elsewhere, the Scooby-Doo-meets-Scream mystery is peppered with Britain's finest talent, playing up the English small-town clichés to great effect in a brilliantly incongruous meeting of sleepy rural life and stabby violent action."[47]
Award | Category | Recipient | Result |
---|---|---|---|
Empire Awards[48] | Best Comedy | Hot Fuzz | Won |
Best British Film | Hot Fuzz | Nominated | |
Best Actor | Simon Pegg | Nominated | |
Best Director | Edgar Wright | Nominated |
The film generated £7.1 million in its first weekend of release in the United Kingdom on 14 February 2007.[49] In 20 April US opening weekend, the film grossed $5.8 million from only 825 cinemas, making it the highest per-cinema average of any film in the top ten that week.[1] Its opening weekend take beat the $3.3 million opening weekend gross of Pegg and Wright's previous film, Shaun of the Dead. In its second weekend of release, Rogue Pictures expanded the film's cinema count from 825 to 1,272 and it grossed $4.9 million, representing a 17% dip in the gross.[50] Altogether, Hot Fuzz grossed $80,573,774 worldwide.[1] In nine weeks, the film earned nearly twice what Shaun of the Dead made in the US, and more than three times its gross in other countries.[51]
The DVD was released on 11 June 2007 in the UK. Over one million DVDs were sold in the UK in the first four weeks of its release.[52] The two-disc set contains the feature film with commentaries, outtakes, storyboards, deleted scenes, a making-of documentary, video blogs, featurettes, galleries, and some hidden easter eggs. The DVD also features Wright's last amateur film, Dead Right, which he described as "Hot Fuzz without the budget". Due to the above release date, the film arrived on region 2 DVD earlier than the theatrical release date in Germany on 14 June 2007.[53] In the commentary with director Wright and fellow filmmaker Quentin Tarantino, they discuss nearly 200 films.[54]
The US DVD and HD DVD release was on 31 July 2007. It opened at #2 at the American DVD sales chart, selling 853,000 units for over $14m in revenue. 1,923,000 units have been sold, acquiring revenue of $33.3 million.[55] The HD DVD edition has more special features than the standard DVD release. A three-disc collector's edition was released on 27 November 2007 and a Blu-ray edition on 22 September 2009.[56]
The soundtrack album, Hot Fuzz: Music from the Motion Picture, was released on 19 February 2007 in the United Kingdom, and on 17 April 2007 in the United States and Canada. The UK release contains 22 tracks, and the North American release has 14. The film's score is by British composer David Arnold, who scored the James Bond film series from 1997 to 2008. The soundtrack album's "Hot Fuzz Suite" is a compilation of excerpts from Arnold's score.[57] According to the DVD commentary, the scenes where Nicholas Angel is at a convenience store, while leaving Sandford, and his return to the police station while arming for the final shootout (found in the track "Avenging Angel"), were scored by Robert Rodríguez, who did not see the rest of the film while writing the music.
Other music from the film is a mix of 1960s and 1970s British rock (The Kinks, T. Rex, The Move, Sweet, The Troggs, Arthur Brown, Cozy Powell, Dire Straits), new wave (Adam Ant, XTC) and a Glaswegian indie band (The Fratellis).[57][58] The soundtrack album features dialogue extracts by Pegg, Frost, and other cast members, mostly embedded in the music tracks.[59] The song selection also includes some police-themed titles, including Supergrass' "Caught by the Fuzz" as well as "Here Come the Fuzz", which was specially composed for the fi
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