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| Bruce Banner Hulk | |
|---|---|
.png) Cover art for the comic book issue The Immortal Hulk #20 (July 2019) Art by Dale Keown and Peter Steigerwald | |
| Publication information | |
| Publisher | Marvel Comics |
| First appearance | The Incredible Hulk #1 (May 1962) |
| Created by | Stan Lee Jack Kirby |
| In-story information | |
| Full name |
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| Species | Human mutate[a] |
| Team affiliations | Avengers Defenders Horsemen of Apocalypse Fantastic Four[2] Pantheon Warbound S.M.A.S.H. Secret Avengers |
| Partnerships | She-Hulk |
| Notable aliases | Joe Fixit, World-Breaker, Immortal Hulk/Devil Hulk, Jade Giant, Jade Jaws,[3] Doc Green, Guilt Hulk/Guilt, War |
| Abilities | As Bruce Banner/Doc Green:
As Hulk/Joe Fixit:
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The Hulk is a superhero appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist Jack Kirby, the character first appeared in the debut issue of The Incredible Hulk (May 1962). In his comic book appearances, the character, who has dissociative identity disorder (DID), is primarily represented by the alter ego Hulk, a green-skinned, hulking and muscular humanoid possessing a limitless degree of physical strength, and the alter ego Dr. Robert Bruce Banner, a physically weak, socially withdrawn, and emotionally reserved physicist, both of whom typically resent each other.
Following his accidental exposure to gamma rays while saving the life of Rick Jones during the detonation of an experimental bomb, Banner is physically transformed into the Hulk when subjected to emotional stress, at or against his will. This transformation often leads to destructive rampages and to conflicts that complicate Banner's civilian life. The Hulk's level of strength is normally conveyed as proportionate to his level of anger. Commonly portrayed as a raging savage, the Hulk has been represented with other alter egos, from a mindless, destructive force (War), to a brilliant warrior (World-Breaker), a self-hating protector (the Devil/Immortal), a genius scientist in his own right (Doc Green), and a gangster (Joe Fixit).
Despite both Hulk and Banner's desire for solitude, the character has a large supporting cast. This includes Banner's love interest Betty Ross, his best friend Rick Jones, his cousin She-Hulk, and therapist and ally Doc Samson. In addition, the Hulk alter ego has many key supporting characters, like his co-founders of the superhero team the Avengers, his queen Caiera, fellow warriors Korg and Miek, and sons Skaar and Hiro-Kala. However, his uncontrollable power has brought him into conflict with his fellow heroes and others. Despite this, he tries his best to do what's right while battling villains such as the Leader, the Abomination, the Absorbing Man, and more.
Lee stated that the Hulk's creation was inspired by a combination of Frankenstein and Dr. Jekyll and Mr. Hyde.[4] Although the Hulk's coloration has varied throughout the character's publication history, the most usual color is green.
One of the most iconic characters in popular culture,[5][6] the character has appeared on a variety of merchandise, such as clothing and collectable items, inspired real-world structures (such as theme park attractions), and been referenced in a number of media. Banner and the Hulk have been adapted in live-action, animated, and video game incarnations. The character was first played in live-action by Bill Bixby and Lou Ferrigno in the 1978 television series The Incredible Hulk and its subsequent television films The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989), and The Death of the Incredible Hulk (1990). In film, the character was played by Eric Bana in Hulk (2003). In the Marvel Cinematic Universe (MCU), the character was first portrayed by Edward Norton in the film The Incredible Hulk (2008) and then by Mark Ruffalo in later appearances in the franchise.
Publication history[edit]
Concept and creation[edit]
The Hulk first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby,[7][8] and inked by Paul Reinman. Lee cites influence from Frankenstein[9] and Dr. Jekyll and Mr. Hyde in the Hulk's creation:
It was patently apparent that [the monstrous character the] Thing was the most popular character in [Marvel's recently created superhero team the] Fantastic Four. ... For a long time, I'd been aware of the fact that people were more likely to favor someone who was less than perfect. ... It's a safe bet that you remember Quasimodo, but how easily can you name any of the heroic, handsomer, more glamorous characters in The Hunchback of Notre Dame? And then there's Frankenstein ... I've always had a soft spot in my heart for the Frankenstein monster. No one could ever convince me that he was the bad guy. ... He never wanted to hurt anyone; he merely groped his torturous way through a second life trying to defend himself, trying to come to terms with those who sought to destroy him. ... I decided I might as well borrow from Dr. Jekyll and Mr. Hyde as well—our protagonist would constantly change from his normal identity to his superhuman alter ego and back again.[10]
Kirby also stated the Frankenstein inspiration stating, "I did a story called "The Hulk"– a small feature, and it was quite different from the Hulk that we know. But I felt that the Hulk had possibilities, and I took this little character from the small feature and I transformed it into the Hulk that we know today. Of course, I was experimenting with it. I thought the Hulk might be a good-looking Frankenstein. I felt there's a Frankenstein in all of us; I’ve seen it demonstrated. And I felt that the Hulk had the element of truth in it, and anything to me with the element of truth is valid and the reader relates to that. And if you dramatize it, the reader will enjoy it."[11] Kirby also commented upon his influences in drawing the character, and recalled the inspiration of witnessing the hysterical strength of a mother lifting a car off her trapped child.[12][13][14]
Lee has also compared Hulk to the Golem of Jewish mythology.[9] In The Science of Superheroes, Gresh and Weinberg see the Hulk as a reaction to the Cold War[15] and the threat of nuclear attack, an interpretation shared by Weinstein in Up, Up and Oy Vey.[9] This interpretation corresponds with other popularized fictional media created during this time period, which took advantage of the prevailing sense among Americans that nuclear power could produce monsters and mutants.[16]
In the debut, Lee chose grey for the Hulk because he wanted a color that did not suggest any particular ethnic group.[17] Colorist Stan Goldberg, however, had problems with the grey coloring, resulting in different shades of grey, and even green, in the issue. After seeing the first published issue, Lee chose to change the skin color to green.[18] Green was used in retellings of the origin, with even reprints of the original story being recolored for the next two decades, until The Incredible Hulk vol. 2, #302 (December 1984) reintroduced the grey Hulk in flashbacks set close to the origin story. An exception is the early trade paperback, Origins of Marvel Comics, from 1974, which explains the difficulties in keeping the grey color consistent in a Stan Lee-written prologue, and reprints the origin story keeping the grey coloration. Since December 1984, reprints of the first issue have displayed the original grey coloring, with the fictional canon specifying that the Hulk's skin had initially been grey.
Lee gave the Hulk's alter ego the alliterative name "Bruce Banner" because he found he had less difficulty remembering alliterative names. Despite this, in later stories he misremembered the character's name and referred to him as "Bob Banner", an error which readers quickly picked up on.[19] The discrepancy was resolved by giving the character the official full name "Robert Bruce Banner."[1]
The Hulk got his name from a comic book character named The Heap who was a large green swamp monster.[20]
Series history[edit]
The Hulk's original series was canceled with issue #6 (March 1963). Lee had written each story, with Kirby penciling the first five issues and Steve Ditko penciling and inking the sixth. The character immediately guest-starred in The Fantastic Four #12 (March 1963), and months later became a founding member of the superhero team the Avengers, appearing in the first two issues of the team's eponymous series (Sept. and Nov. 1963), and returning as an antagonist in issue #3 and as an ally in #5 (Jan.–May 1964). He then guest-starred in Fantastic Four #25–26 (April–May 1964), which revealed Banner's full name as Robert Bruce Banner, and The Amazing Spider-Man #14 (July 1964).[21]
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Around this time, co-creator Kirby received a letter from a college dormitory stating the Hulk had been chosen as its official mascot.[9] Kirby and Lee realized their character had found an audience in college-age readers.
A year and a half after The Incredible Hulk was canceled, the Hulk became one of two features in Tales to Astonish, beginning in issue #60 (Oct. 1964).[22]
This new Hulk feature was initially scripted by Lee, with pencils by Steve Ditko and inks by George Roussos. Other artists later in this run included Jack Kirby (#68–87, June 1965 – Oct. 1966); Gil Kane (credited as "Scott Edwards", #76, (Feb. 1966)); Bill Everett (#78–84, April–Oct. 1966); John Buscema (#85–87); and Marie Severin. The Tales to Astonish run introduced the super-villains the Leader,[4] who would become the Hulk's nemesis, and the Abomination, another gamma-irradiated being.[4] Marie Severin finished out the Hulk's run in Tales to Astonish. Beginning with issue #102 (April 1968) the book was retitled The Incredible Hulk vol. 2,[23] and ran until 1999, when Marvel canceled the series and launched Hulk #1. Marvel filed for a trademark for "The Incredible Hulk" in 1967, and the United States Patent and Trademark Office issued the registration in 1970.[24]
Len Wein wrote the series from 1974 through 1978, working first with Herb Trimpe, then, as of issue #194 (December 1975), with Sal Buscema, who was the regular artist for ten years.[25] Issues #180–181 (Oct.–Nov. 1974) introduced Wolverine as an antagonist,[26] who would go on to become one of Marvel Comics' most popular characters. In 1977, Marvel launched a second title, The Rampaging Hulk, a black-and-white comics magazine.[4] This was originally conceived as a flashback series, set between the end of his original, short-lived solo title and the beginning of his feature in Tales to Astonish.[27] After nine issues, the magazine was retitled The Hulk! and printed in color.[28]
In 1977, two Hulk television films were aired to strong ratings, leading to an Incredible Hulk TV series that aired from 1978 to 1982. A huge ratings success, the series introduced the popular Hulk catchphrase "Don't make me angry. You wouldn't like me when I'm angry", and broadened the character's popularity from a niche comic book readership into the mainstream consciousness.[29]
Bill Mantlo became the series' writer for five years beginning with issue #245 (March 1980). Mantlo's "Crossroads of Eternity" stories (#300–313 (Oct. 1984 – Nov. 1985)) explored the idea that Banner had suffered child abuse. Later Hulk writers Peter David and Greg Pak have called these stories an influence on their approaches to the character.[30][31] Mantlo left the series for Alpha Flight and that series' writer John Byrne took over The Incredible Hulk.[32] The final issue of Byrne's six issue run featured the wedding of Bruce Banner and Betty Ross.[33] Writer Peter David began a 12-year run with issue #331 (May 1987). He returned to the Roger Stern and Mantlo abuse storylines, expanding the damage caused, and depicting Banner as suffering dissociative identity disorder (DID).[4]
In 1998, David killed off Banner's long-time love Betty Ross. Marvel executives used Ross' death as an opportunity to pursue the return of the Savage Hulk. David disagreed, leading to his parting ways with Marvel.[34] Also in 1998, Marvel relaunched The Rampaging Hulk as a standard comic book rather than as a comics magazine.[4] The Incredible Hulk was again cancelled with issue #474 of its second volume in March 1999 and was replaced with a new series, Hulk the following month, with returning writer Byrne and art by Ron Garney.[35][36] New series writer Paul Jenkins developed the Hulk's multiple dissociative identities,[37] and his run was followed by Bruce Jones[38] with his run featuring Banner being pursued by a secret conspiracy and aided by the mysterious Mr. Blue. Jones appended his 43-issue Incredible Hulk run with the limited series Hulk/Thing: Hard Knocks #1–4 (Nov. 2004 – Feb. 2005), which Marvel published after putting the ongoing series on hiatus. Peter David, who had initially signed a contract for the six-issue Tempest Fugit limited series, returned as writer when it was decided to make that story the first five parts of the revived (vol. 3).[39] After a four-part tie-in to the "House of M" storyline and a one-issue epilogue, David left the series once more, citing the need to do non-Hulk work for the sake of his career.[40]
Writer Greg Pak took over the series in 2006, leading the Hulk through several crossover storylines including "Planet Hulk" and "World War Hulk", which left the Hulk temporarily incapacitated and replaced as the series' title character by the demigod Hercules in the retitled The Incredible Hercules (Feb. 2008). The Hulk returned periodically in Hulk, which then starred the new Red Hulk.[41] In September 2009, The Incredible Hulk was relaunched as The Incredible Hulk (vol. 2) #600.[41] The series was retitled The Incredible Hulks with issue #612 (Nov. 2010) to encompass the Hulk's expanded family, and ran until issue #635 (Oct. 2011) when it was replaced with The Incredible Hulk (vol. 3) (15 issues, Dec. 2011 – Dec. 2012) written by Jason Aaron with art by Marc Silvestri.[42] As part of Marvel's 2012 Marvel NOW! relaunch, a series called Indestructible Hulk (Nov. 2012) debuted under the creative team of Mark Waid and Leinil Yu.[43] This series was replaced in 2014 with The Hulk by Waid and artist Mark Bagley.[44]
A new series titled The Immortal Hulk, written by Al Ewing and drawn by Joe Bennett, was launched in 2018 and ran for 50 issues. The series had a spin-off one-shot Immortal She-Hulk[45] and a spin-off series about Gamma Flight in June 2021.[46]
In November 2021, Donny Cates became the new writer of Hulk, with Ryan Ottley joining as artist. In May 2022, the series did a crossover with the Thor series, also written by Cates, entitled Hulk vs Thor: Banner of War. The series ran for 14 issues, with Ottley taking over as writer for the last 4 issues afters Cates left the book.[47][48]
In March 2023, it was announced that a new volume of The Incredible Hulk would launch in June 2023, written by Philip Kennedy Johnson and drawn by Nic Klein.[49]
Characterization[edit]
Fictional character biography[edit]
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Robert Bruce Banner's psyche was profoundly affected by his troubled childhood, in which his father, Brian Banner, regarded him as a monster due to his seemingly unnatural intellect from a young age.[50] These experiences caused Bruce to develop a dissociative identity disorder and repress his negative emotions as a coping mechanism. After Brian killed Bruce's mother in a fit of rage,[51] Bruce lived with several relatives up until his high school years, when his intelligence caught the attention of the United States Army.[52] Banner was recruited to develop nuclear weapons under the authority of General Thaddeus "Thunderbolt" Ross, and soon developed a relationship with the General's daughter Betty Ross.[53]
During the experimental detonation of a gamma bomb, Banner saves teenager Rick Jones, who was dared onto the testing field; Banner pushes Jones into a trench to save him, but is hit with the blast, absorbing massive amounts of gamma radiation. He awakens later seemingly unscathed, but he begins transforming into a powerful and destructive creature upon nightfall, which a pursuing soldier describes as a "hulk".[53] Banner's attempts to cure himself of these transformations alter their conditions, causing Banner to transform as a response to rage or fear.[54] The Hulk is a founding member of the Avengers,[55] but quickly leaves the group due to their distrust of him.[56] Banner maintains the secret of his dual identity with Rick's aid, but Rick reveals his secret following his assumed death, forcing Banner to become a fugitive.[57]
Psychiatrist Doc Samson captures the Hulk and manages to physically separate Banner and the Hulk,[58] allowing Banner to marry Betty.[59] However, Banner and the Hulk's molecular structure destabilized and threatened to kill them, requiring Samson to reunite them with the aid of Vision.[60] Samson is later able to merge elements of Banner's fractured psyche to create Professor Hulk, an intelligent but egocentric variation of the Hulk.[51] Professor Hulk soon becomes a key member of the Pantheon, a secretive organization of superpowered individuals.[61][62] His tenure with the organization brings him into conflict with a tyrannical alternate future version of himself called the Maestro, who rules over a world where many heroes are dead.[63] The Professor Hulk construct ultimately proves unstable, and Banner's psyche eventually splinters once more.
In "Planet Hulk", the Illuminati decide the Hulk is too dangerous to remain on Earth and send him away by rocket ship which crashes on Planet Sakaar. The Hulk finds allies in the Warbound and marries alien queen Caiera, a relationship that bears him two sons: Skaar and Hiro-Kala.[64] After the Illuminati's ship explodes and kills Caiera, the Hulk returns to Earth with his superhero group Warbound and declares war on the planet in "World War Hulk".[65] However, after learning that Miek, one of the Warbound, had actually been responsible for the destruction, the Hulk allows himself to be defeated, with Banner subsequently redeeming himself as a hero as he works with and against the new Red Hulk to defeat the new supervillain team the Intelligencia.[66]
Later, the Hulk turns to Doctor Doom to physically separate himself and Banner, with Doom surgically extracting the elements of the Hulk's brain uniquely belonging to Banner and inserting them into a clone body.[67] Banner eventually re-combines with the Hulk when his cloned body is destroyed in an attempt to recreate his original transformation.[68] Following this, Bruce willingly joins the spy organization S.H.I.E.L.D., allowing them to use the Hulk as a weapon in exchange for providing him with the means and funding to create a lasting legacy for himself.[69] When Banner is shot in the head by an assassin, Tony Stark saves him with a variant of the Extremis virus.[70] This procedure creates a new intelligent persona named Doc Green, who concludes that the world is in danger by Gamma Mutates[a] and thus need to be depowered. He creates a cure and depowers A-Bomb, Skaar and Red Hulk. Eventually, Doc Green's intellect fades and his normal Hulk form is restored.[71]
When the vision of the Inhuman Ulysses shows a rampaging Hulk standing over the corpses of many superheroes,[72] Banner gives Hawkeye special arrows capable of killing him during a transformation, which Hawkeye accomplishes.[73] The Hulk was first revived by the Hand,[74] then by Hydra,[75] and finally by the Challenger for a contest against the Grandmaster.[76]
Personality[edit]
Like other long-lived characters, the Hulk's character and cultural interpretations have changed with time, adding or modifying character traits. The Hulk is typically seen as a hulking man with green skin, hair, and eyes, wearing only a pair of torn purple pants that survive his physical transformation as the character progressed. As Bruce Banner, the character is about 5 ft 9 in (1.75 m) tall and weighs 128 lbs (58.05 kg), but when transformed into the Hulk, the character stands between 7 and 8 ft (2.13 - 2.43 m) tall and weighs between 1,040 and 1,400 lbs (471.73 - 635.02 kg). The Gray Hulk stands 6 ft 6 in (1.98 m) tall and weighs 900 lbs (408.23 kg); the Merged Hulk stands 7 ft 6 in (2.28 m) tall and weighs 1,150 lbs (521.63 kg); the Green Scar stands 8 ft 8 in (2.64 m) tall and weighs 2,400 lbs (1.08 ton).[77] The Immortal Hulk is roughly the same size as Sasquatch, standing around 9 or 10 ft (2.74 / 3.04 m) tall and weighing roughly 2,000 lbs (907.18 kg). Following his debut, Banner's transformations were triggered at nightfall, turning him into a grey-skinned Hulk. In Incredible Hulk #2, the Hulk started to appear with green skin,[78] and in Avengers #3 (1963) Banner realized that his transformations were now triggered by surges of adrenaline in response to feelings of fear, pain or anger.[79] Incredible Hulk #227 (1978) established that the Hulk's separate identity was not due to the mutation affecting his brain, but because Banner was suffering from dissociative identity disorder, with the savage Green Hulk representing Banner's repressed childhood rage and aggression,[80] and the Grey Hulk representing Banner's repressed selfish desires and urges.[81]
Identities[edit]
Bruce Banner[edit]
During his decades of publication, Banner has been portrayed differently, but common themes persist. Banner, a physicist who earned his Ph.D. in nuclear physics from the California Institute of Technology (Caltech), is sarcastic and seemingly very self-assured when he first appears in Incredible Hulk #1, but is also emotionally withdrawn.[4] Banner designed the gamma bomb that caused his affliction, and the ironic twist of his self-inflicted fate has been one of the most persistent common themes.[9] Arie Kaplan describes the character thus: "Robert Bruce Banner lives in a constant state of panic, always wary that the monster inside him will erupt, and therefore he cannot form meaningful bonds with anyone."[82] As a child, Banner's father Brian often got mad and physically abused both Banner and his mother, creating the psychological complex of fear, anger, and the fear of anger and the destruction it can cause that underlies the character. Banner has been shown to be emotionally repressed, but capable of deep love for Betty Ross, and for solving problems posed to him. Under the writing of Paul Jenkins, Banner was shown to be a capable fugitive, applying deductive reasoning and observation to figure out the events transpiring around him. On the occasions that Banner controlled the Hulk's body, he applied principles of physics to problems and challenges and used deductive reasoning. It was shown after his ability to turn into the Hulk was taken away by the red Hulk that Banner has been extremely versatile as well as cunning when dealing with the many situations that followed. When he was briefly separated from the Hulk by Doom, Banner became criminally insane, driven by his desire to regain the power of the Hulk, but once the two recombined he came to accept that he was a better person with the Hulk to provide something for him to focus on controlling rather than allowing his intellect to run without restraint against the world.[83]
Hulk[edit]
The traditional Hulk, often called "Savage Hulk", was originally shown as grey and average in intelligence. He roamed aimlessly and became annoyed at "puny" humans who took him for a dangerous monster. Shortly after becoming the Hulk, his transformation continued turning him green, coinciding with him beginning to display primitive speech.[78] By Incredible Hulk #4, radiation treatments gave Banner's mind complete control of the Hulk's body. While Banner relished his indestructibility and power, he was quick to anger and more aggressive in his Hulk form. He became known as a hero alongside the Avengers, but his increasing paranoia caused him to leave the group. He was convinced that he would never be trusted.[79]
Originally, the Hulk was shown as simple-minded and quick to anger.[84] The Hulk generally divorces his identity from Banner's, decrying Banner as "puny Banner."[85] From his earliest stories, the Hulk has been concerned with finding sanctuary and quiet.[9] He is often shown to quickly react emotionally to situations. Grest and Weinberg call Hulk the "dark, primordial side of Banner's psyche."[15] Even in the earliest appearances, Hulk spoke in the third person. Hulk retains a modest intelligence, thinking and talking in full sentences. Lee even gives the Hulk expository dialogue in issue #6, allowing readers to learn just what capabilities Hulk has, when the Hulk says, "But these muscles ain't just for show! All I gotta do is spring up and just keep goin'!" In the 1970s, Hulk was shown as more prone to anger and rage, and less talkative. Writers played with the nature of his transformations,[86] briefly giving Banner control over the change, and the ability to maintain control of his Hulk form. Artistically and conceptually, the character has become progressively more muscular and powerful in the years since his debut.[87]
Joe Fixit[edit]
Originally, Stan Lee wanted the Hulk to be grey. Due to ink problems, Hulk's color was changed to green. This was later changed in the story to indicate that
Iron Man #2
Iron Man theme by Milky_08
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| Tony Stark Iron Man | |
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| Publication information | |
| Publisher | Marvel Comics |
| First appearance | Tales of Suspense #39 (December 1962) |
| Created by | |
| In-story information | |
| Full name | Anthony Edward Stark |
| Place of origin | Long Island, New York |
| Team affiliations | |
| Partnerships | |
| Abilities |
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Iron Man is a superhero appearing in American comic books published by Marvel Comics. Co-created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby, the character first appeared in Tales of Suspense #39 in 1962, and received his own title with Iron Man #1 in 1968. Shortly after his creation, Iron Man became a founding member of the superhero team, the Avengers, with Thor, Ant-Man, the Wasp, and the Hulk. Iron Man stories, individually and with the Avengers, have been published consistently since the character's creation.
Iron Man is the superhero persona of Anthony Edward "Tony" Stark, a businessman and engineer who runs the weapons manufacturing company Stark Industries. When Stark was captured in a war zone and sustained a serious heart wound, he built his Iron Man armor and escaped his captors. Iron Man's suits of armor grant him superhuman strength, flight, energy projection, and other abilities. The character was created in response to the Vietnam War as Lee's attempt to create a likeable pro-war character. Since his creation, Iron Man has been used to explore political themes, with early Iron Man stories being set in the Cold War. The character's role as a weapons manufacturer proved controversial, and Marvel moved away from geopolitics by the 1970s. Instead, the stories began exploring themes such as civil unrest, technological advancement, corporate espionage, alcoholism, and governmental authority.
Major Iron Man stories include "Demon in a Bottle" (1979), "Armor Wars" (1987–1988), "Extremis" (2005), and "Iron Man 2020" (2020). He is also a leading character in the company-wide stories Civil War (2006–2007), Dark Reign (2008–2009), and Civil War II (2016). Additional superhero characters have emerged from Iron Man's supporting cast, including James Rhodes as War Machine and Riri Williams as Ironheart, as well as reformed villains, Natasha Romanova as Black Widow and Clint Barton as Hawkeye. Iron Man's list of enemies includes his archenemy the Mandarin, many supervillains of communist origin, and many of Stark's business rivals.
Robert Downey Jr. portrayed Tony Stark in Iron Man (2008), the first film of the Marvel Cinematic Universe, and continued to portray the character until his final appearance in Avengers: Endgame (2019). Downey's portrayal popularized the character, elevating Iron Man into one of Marvel's most recognizable superheroes. Other adaptations of the character appear in animated direct-to-video films, television series, and video games.
Publication history[edit]
Creation[edit]
Following the success of the Fantastic Four in 1961 and the subsequent revival of American comic books featuring superheroes, Marvel Comics set about creating new superhero characters. Stan Lee developed the initial concept for Iron Man.[1] He wanted to design a character who should be unpalatable to his generally anti-war readers, but to make them like the character anyway.[2] Iron Man was created in the years after a permanent arms industry developed in the United States, and this was incorporated into the character's backstory.[3] The character was introduced as an active player in the Vietnam War. Lee described the national mood toward Vietnam during Iron Man's creation as "a time when most of us genuinely felt that the conflict in that tortured land really was a simple matter of good versus evil".[4]
Larry Lieber developed Iron Man's origin and wrote the first Iron Man story, while Jack Kirby and Don Heck were responsible for the initial design.[1][5] Lee modeled Iron Man after businessman Howard Hughes, invoking his physical appearance, his image as a businessman, and his reputation as an arrogant playboy.[6] Kirby and Heck then incorporated elements of the actor Errol Flynn's physical appearance in the design.[7] When first designing the character, Lee wanted to create a modernized Arthurian knight.[8] Kirby initially drew the Iron Man armor as a "round and clunky gray heap", and Heck modified the design to incorporate gadgets such as jets, drills, and suction cups.[9][10] The Iron Man character was created at a time when comic book characters were first depicted struggling with real life problems, and his heart injury was an early example of a superhero with a physical disability.[11]
Early years[edit]
Iron Man's earliest stories were published in the monster-themed anthology series Tales of Suspense. Marvel premiered several superheroes this way in the 1960s as superhero comics became more popular than traditional science-fiction and horror comics.[9][12] Iron Man's first appearance, "Iron Man is Born!", appeared in Tales of Suspense #39, released in December 1962 with a March 1963 cover date.[12] Though the Iron Man armor was gray in its first appearance, Marvel changed it to gold because of issues with printing.[5] Lee initially delegated the writing duties to other creators at Marvel, but he felt their work was substandard; as with his other characters, Lee reclaimed control of Iron Man so he could write the stories himself.[13]
Heck continued as the primary Iron Man artist until 1965, as Kirby had obligations to other Marvel properties.[9][10] As part of a shuffling to match artists with the characters they were most suited for, Steve Ditko became the artist for Iron Man.[14] Ditko was responsible for only three issues in late 1963, but in this time he redesigned Iron Man's suit from fully gold to the red and gold color scheme that became the character's primary image.[15] Iron Man's recurring nemesis, the Mandarin, first appeared shortly after in Tales of Suspense #50 (1964).[16] By this time, the science-fiction and horror stories were phased out, and Tales of Suspense ran only Iron Man and Captain America stories.[12]
Once Marvel's distributor allowed the company more monthly releases, The Avengers (1963) was developed as a new comic book series.[17] Iron Man was one of the five characters who formed the titular superhero team.[18] By 1965, the difficulty of maintaining continuity between The Avengers and the members' solo titles prompted Lee to temporarily write the original cast out of The Avengers, including Iron Man.[19]
For the first five years of publication, Iron Man represented the United States in Cold War allegories.[4][20] Growing opposition to the American involvement in Vietnam prompted a shift in Iron Man's characterization, which was part of a larger push by Marvel in the late 1960s to be more apolitical.[4][21] Over the years, the letters to the editor column in several issues saw extensive political debate.[22] Lee shifted the stories' focus to espionage and domestic crime, incorporating Marvel's fictional intelligence agency S.H.I.E.L.D. He also incorporated the villains of other Marvel heroes, avoiding Iron Man's primarily communist rogues' gallery and rewriting some of Iron Man's communist villains to have personal motivations independent of their communist allegiances.[23]
Iron Man was one of several characters whom Marvel gave a full-length dedicated series in 1968.[24] Marvel combined the final issues of Tales of Suspense and the Sub-Mariner's Tales to Astonish into a one-shot special, Iron Man and Sub-Mariner.[25] Iron Man then began its run under writer Archie Goodwin.[26] Goodwin reintroduced political themes slowly over the following years, with a focus on domestic issues like racial conflict and environmentalism rather than geopolitics.[27]
1970s[edit]
I don't feel Tony Stark is a dinosaur, a creature unable to change before the weight of time crushes him aside. Yeah, it is hard in 1977 to praise a millionaire industrialist, playboy and former munitions-manufacturer—but it isn't impossible to change that image. Which is what I plan to do.
Bill Mantlo, Iron Man #100[28]
When Goodwin became Marvel's editor-in-chief, he assigned Gerry Conway as the writer for Iron Man.[29] Conway was the first of several writers in a four-year effort to reform Iron Man, beginning in 1971, with stories that directly addressed the character's history as a weapons manufacturer.[30] These stories were especially prominent during a run by Mike Friedrich, in which corporate reform of Stark Industries was a recurring subplot.[31]
Iron Man was one of several Marvel characters who declined in popularity during the 1970s, and the series went a period of time without a dedicated writer until Bill Mantlo took over in 1977.[32] The following year, David Michelinie and Bob Layton took charge of the series, beginning with issue #116.[33][34] While inking the series, Layton used issues of GQ, Playboy, and electronics catalogues as visual references,[35] which he and Michelinie used to stay informed on developments in real world technology so the Iron Man armor would always be a more advanced version of what existed.[34] Layton was inspired by the vast collection of specialized outfits used by Batman when designing Iron Man's various armors.[36]
In Iron Man #117 and #118 (1978), Michelinie and Layton replaced many elements that developed over the series' run: they removed Iron Man's romantic interest Whitney Frost and Stark's robotic Life Model Decoy doubles, and they had Stark move to a different home.[37] They introduced Iron Man's new romantic interest, Bethany Cabe, as a feminist character who worked as his bodyguard.[38] The largest change they made was to make Iron Man an alcoholic, an unprecedented move for a major comic book hero, which led to the "Demon in a Bottle" story arc that ran from issues #120 to #128 (1979).[39] At the same time, they introduced the character Justin Hammer, who provided financial backing for several Iron Man villains.[40]
1980s and 1990s[edit]
In the 1980s, writers for Iron Man focused on the character's role as a businessman, reflecting the economic changes associated with Reaganomics, and many of his challenges involved threats to his company.[41] Denny O'Neil was put in charge of Iron Man beginning with issue #158 (1982). His run explored Stark's psychology, having him relapse into alcoholism and suffer at the hands of business rival Obadiah Stane.[36] O'Neil wrote Stark out of the role entirely beginning with issue #170 (1983), having him temporarily retire as Iron Man and replacing him with his ally James Rhodes.[42] Stark was relegated as a side character until he returned to heroism in Iron Man #200 (1985).[43]
The 1987 "Armor Wars" story arc followed Iron Man as he reclaimed his technology, which Justin Hammer distributed to several villains.[44] This story blended the character's superhero and businessman aspects more directly when Stark sought legal recourse against his rivals.[41] Michelinie and Layton returned to the series with issue #211 (1986), and they again experimented with variations on the Iron Man armor.[45]
In 1990, Michelinie and Layton handed the series over to John Byrne, one of the most highly-regarded comic book writers at the time. He wrote three story arcs across twenty issues: "Armor Wars II" (which had already been announced by Michelinie and Layton), "The Dragon Seed Saga", and "War Games".[46] Byrne revisited Iron Man's opposition to communism but portrayed it as less of a threat,[47] and he rewrote Iron Man's origin to remove references to communism and the Vietnam War. He lost interest in the series by 1992 as his collaborators John Romita Jr. and Howard Mackie had moved on to other projects.[46] Iron Man's supporting character War Machine was spun off into his own comic book series in 1994.[48]
By the 1990s, the Iron Man series rejected broader ideology, and individualist values replaced Stark's allegiance to American democracy for its own sake. He remained anti-communist, reiterating his support for democracy and refusing to do business in China following the Tiannamen Square Massacre in 1989.[49] The absence of Cold War politics was not immediately replaced by another theme, and post-Cold War Iron Man stories often explored different ideas regarding technology for a short time before moving on.[50] When terrorism became more prominent in the public mind, writers shifted Iron Man's symbolism from anti-communism to anti-terrorism.[51]
As part of a company-wide reorganization in 1996, Marvel's major characters, including Iron Man, were given to former Marvel writers Jim Lee and Rob Liefeld in a profit-sharing agreement. Lee and Liefeld were given charge of the "Heroes Reborn" branding that renumbered Marvel's long-running periodicals at issue #1.[52] This new Iron Man series, labeled volume two, was set in an alternate universe created during the "Onslaught" event. It ran for thirteen issues, written by Lee and Scott Lobdell and drawn by Whilce Portacio.[53][54] The following year, Marvel introduced the "Heroes Return" event to bring the characters back from the alternate universe, which again reset characters such as Iron Man to issue #1.[55][56] Kurt Busiek beamce the writer for volume three while Sean Chen was the artist.[53][57]
2000s[edit]
When the Ultimate Marvel imprint was created with reimagined versions of Marvel's characters, an alternate Iron Man appeared in 2002 with the Ultimates, the imprint's adaptation of the Avengers.[58] Marvel released a five issue limited series, Ultimate Iron Man, featuring this character in 2005.[59]
Iron Man represented an attempt to define what a superhero was in the 21st century, following the September 11 attacks, implicitly likening the fear of terrorism to the fear of unregulated super-powered beings.[60] In 2004, Iron Man was a major character in the Avengers Disassembled event and subsequently became a founding member of the New Avengers.[61] Iron Man volume four began in 2005,[53] with Warren Ellis as the writer and Adi Granov as the artist. Its first story arc, "Extremis", saw Iron Man upgrade his body directly through the Extremis virus, giving him direct control over a biological armor.[59] The volume's first 14 issues carried the Iron Man title, while issues #15–32 (2007–2008) were titled Iron Man: Director of S.H.I.E.L.D.[53]
Iron Man led the pro-registration faction during the 2006 Civil War crossover event by Mark Millar and Steve McNiven.[62] In an allegory for the Patriot Act and government surveillance, Iron Man's pro-registration faction represented conservative support for government surveillance in the name of security and stood against Captain America's anti-registration faction that represented individualism and liberal opposition to government surveillance.[63] Iron Man believed in pragmatically choosing the lesser of two evils, whereas Captain America held an idealist approach, and both held these positions at great personal cost.[64] While Marvel was neutral between the characters, readers overwhelmingly saw Iron Man as the villain, being the stronger force that the underdog had to overcome.[65][66]
Iron Man appeared with the Mighty Avengers in 2007,[67] and his characterization in this era leaned into his identity as a futurist.[68] Marvel restarted Iron Man's comic book run with Invincible Iron Man in 2008, written by Matt Fraction and drawn by Salvador Larroca.[69] This series launched around the same time as the film Iron Man premiered,[70] and the Marvel Cinematic Universe developed while this run was in publication.[69]
2010s and 2020s[edit]
The Iron Man series reverted to the original numbering in 2011, when the overall 500th issue was published as Iron Man #500.[53] A concurrent series, Iron Man Legacy by Fred Van Lente, launched in 2010 leading up to the release of the film Iron Man 2.[70] Iron Man was then one of several characters whose series was relaunched at issue #1 with the Marvel Now! branding following the 2012 Avengers vs. X-Men event,[71] written by Kieron Gillen.[72] The 2014 "AXIS" event led into the Superior Iron Man series by Tom Taylor, featuring Iron Man with a new reversed personality.[73]
A new Invincible Iron Man run written by Brian Michael Bendis and drawn by David Marquez began in 2015.[74] A simultaneous Iron Man series, International Iron Man, ran for seven issues in 2016 under Marvel's All-New, All-Different Marvel branding, also by Bendis. This series was meant to ensure Iron Man's status as a major character as All-New, All Different developed.[75] A second Civil War event in 2016 portrayed Iron Man as an advocate of free will against Captain Marvel's determinism.[76]
As part of a broader trend by Marvel Comics to substitute its main characters with a diverse cast of original characters in the 2010s, Iron Man was temporarily replaced by Ironheart, a teenaged African-American girl who reverse engineered the Iron Man armor, in 2016.[77] At the same time, the series Infamous Iron Man began publication with Dr. Doom as Iron Man.[78]
The series Tony Stark: Iron Man premiered in 2018 with the Fresh Start branding, written by Dan Slott and drawn by Valerio Schiti.[79] In 2020, Iron Man was relaunched in a new series, written by Christopher Cantwell and illustrated by CAFU, following the "Iron Man 2020" event. This series moved away from the developments and deviations made to Stark's character introduced over the previous years—including the more extravagant science fiction and soap opera plots—creating a clean slate for new story arcs in a traditional superhero setting.[80] The character was relaunched again in 2022 with Invincible Iron Man, written by Gerry Duggan and illustrated by Juan Frigeri.[81]
Characterization[edit]
Fictional character biography[edit]
Anthony Edward "Tony" Stark was born in Long Island, New York. As a child, he inherited his family's business, Stark Industries, when his parents were killed in a car crash.[82] Developing equipment for the U.S. military, he travels to a war zone to conduct a weapons test when he triggers a booby trap. His heart is critically injured by shrapnel, and he is captured by the communist Wong-Chu, who demands Stark build him a weapon. Stark instead builds a suit of armor that sustains his heart, becoming Iron Man.[15][9] The war zone Stark visited was changed retroactively multiple times by different writers to correspond with the character's age, which is explained by a "sliding scale of continuity" in which the timing of significant events in the world of Marvel may change. This conflict was the Vietnam War for the first decades of Iron Man's publication history.
Transformers #8
Transformers theme by Milky_08
Download: Transformers_8.p3t
(3 backgrounds)
| Transformers | |
|---|---|
 Franchise logo, 2014–present | |
| Created by | |
| Original work | Transformers (based on Diaclone and Micro Change) |
| Years | 1984–present |
| Print publications | |
| Book(s) | Complete list |
| Comics | Complete list |
| Films and television | |
| Film(s) | Animated |
| Animated series | Complete list |
| Games | |
| Video game(s) | Complete list |
| Audio | |
| Soundtrack(s) | Transformers audio releases |
| Miscellaneous | |
| Related franchises | |
Transformers is a media franchise produced by American toy company Hasbro and Japanese toy company Takara Tomy. It primarily follows the heroic Autobots and the villainous Decepticons, two alien robot factions at war that can transform into other forms, such as vehicles and animals. The franchise encompasses toys, animation, comic books, video games and films. As of 2011, it generated more than ¥2 trillion ($25 billion) in revenue,[1] making it one of the highest-grossing media franchises of all time.
The franchise began in 1984 with the Transformers toy line, comprising transforming mecha toys from Takara's Diaclone and Micro Change toylines rebranded for Western markets.[2] The term "Generation 1" covers both the animated television series The Transformers and the comic book series of the same name, which are further divided into Japanese, British and Canadian spin-offs, respectively. Sequels followed, such as the Generation 2 comic book and Beast Wars TV series, which became its own mini-universe. Generation 1 characters have been rebooted multiple times in the 21st century in comics from Dreamwave Productions (starting 2001), IDW Publishing (starting in 2005 and again in 2019), and Skybound Entertainment (beginning in 2023). There have been other incarnations of the story based on different toy lines during and after the 20th century. The first was the Robots in Disguise series, followed by three shows (Armada, Energon, and Cybertron) that constitute a single universe called the "Unicron Trilogy".
A live-action film series started in 2007, again distinct from previous incarnations, while the Transformers: Animated series merged concepts from the G1 continuity, the 2007 live-action film and the "Unicron Trilogy". For most of the 2010s, in an attempt to mitigate the wave of reboots, the "Aligned Continuity" was established. In 2018, Transformers: Cyberverse debuted, once again, distinct from the previous incarnations.
Although initially a separate and competing franchise started in 1983, Tonka's GoBots became the intellectual property of Hasbro after their buyout of Tonka in 1991. Subsequently, the universe depicted in the animated series Challenge of the GoBots and follow-up film GoBots: Battle of the Rock Lords was retroactively established as an alternate universe within the Transformers multiverse.[3]
Fiction[edit]
Transformers: Generation 1 (1984–1993)[edit]
Generation One is a retroactive term for the Transformers characters that appeared between 1984 and 1993. The Transformers began with the 1980s Japanese toy lines Micro Change and Diaclone. They presented robots able to transform into everyday vehicles, electronic items or weapons. Hasbro bought the Micro Change and Diaclone toys, and partnered with Takara.[4] Marvel Comics was hired by Hasbro to create the backstory; editor-in-chief Jim Shooter wrote an overall story, and gave the task of creating the characters to writer Dennis O'Neil.[5] Unhappy with O'Neil's work (although O'Neil created the name "Optimus Prime"), Shooter chose Bob Budiansky to create the characters.[6]
The Transformers mecha were largely designed by Shōji Kawamori, the creator of the Japanese mecha anime franchise Macross (which was adapted into the Robotech franchise in North America).[7] Kawamori came up with the idea of transforming mechs while working on the Diaclone and Macross franchises in the early 1980s (such as the VF-1 Valkyrie in Macross and Robotech), with his Diaclone mechs later providing the basis for Transformers.[8]
The primary concept of Generation One is that the heroic Optimus Prime, the villainous Megatron, and their finest soldiers crash-land on prehistoric Earth in the Ark and the Nemesis before awakening in 1985, Cybertron hurtling through the Neutral zone as an effect of the war. The Marvel comic was originally part of the main Marvel Universe, with appearances from Spider-Man and Nick Fury, plus some cameos,[9] as well as a visit to the Savage Land.[10]
The Transformers TV series began around the same time. Produced by Sunbow Productions and Marvel Productions, later Hasbro Productions, from the start it contradicted Budiansky's backstories. The TV series shows the Autobots looking for new energy sources, and crash landing as the Decepticons attack.[11] Marvel interpreted the Autobots as destroying a rogue asteroid approaching Cybertron.[12] Shockwave is loyal to Megatron on the TV series, keeping Cybertron in a stalemate during his absence,[13] but in the comic book, he attempts to take command of the Decepticons.[14] The TV series would also differ wildly from the origins Budiansky had created for the Dinobots,[15][16] the Decepticon turned Autobot Jetfire[17] (known as Skyfire on TV[18]), the Constructicons (who combine to form Devastator),[19][20] and Omega Supreme.[19][21] The Marvel comic establishes early on that Prime wields the Creation Matrix, which gives life to machines. In the second season, the two-part episode The Key to Vector Sigma introduced the ancient Vector Sigma computer, which served the same original purpose as the Creation Matrix (giving life to Transformers), and its guardian Alpha Trion.
In 1986, the cartoon became the film The Transformers: The Movie, which is set in the year 2005. It introduced the Matrix as the "Autobot Matrix of Leadership", as a fatally wounded Prime gives it to Ultra Magnus; however, as Prime dies he drops the matrix, which is then caught by Hot Rod who subsequently becomes Rodimus Prime later on in the film. Unicron, a Transformer who devours planets, fears its power and re-creates a heavily damaged Megatron as Galvatron, as well as Bombshell or Skywarp becoming Cyclonus, Thundercracker becoming Scourge and two other Insecticons becoming Scourge's huntsmen, the Sweeps. Eventually, Rodimus Prime takes out the Matrix and destroys Unicron.[22] In the United Kingdom, the weekly comic book interspliced original material to keep up with U.S. reprints,[23] and The Movie provided much new material. Writer Simon Furman proceeded to expand the continuity with movie spin-offs involving the time travelling Galvatron.[24][25] The Movie also featured guest voices from Leonard Nimoy as Galvatron, Scatman Crothers as Jazz, Casey Kasem as Cliffjumper, Orson Welles as Unicron and Eric Idle as the leader of the Junkions (Wreck-Gar, though unnamed in the movie). The Transformers theme tune for the film was performed by Lion with "Weird Al" Yankovic adding a song to the soundtrack.
The third season followed up The Movie, with the revelation of the Quintessons having used Cybertron as a factory. Their robots rebel, and in time the workers become the Autobots and the soldiers become the Decepticons. (Note: This appears to contradict background presented in the first two seasons of the series.) It is the Autobots who develop transformation.[26] Due to popular demand,[27] Optimus Prime is resurrected at the conclusion of the third season,[28] and the series ended with a three-episode story arc. However, the Japanese broadcast of the series was supplemented with a newly produced OVA, Scramble City, before creating entirely new series to continue the storyline, ignoring the 1987 end of the American series. The extended Japanese run consisted of The Headmasters, Super-God Masterforce, Victory and Zone, then in illustrated magazine form as Battlestars: Return of Convoy and Operation: Combination. Just as the TV series was wrapping up, Marvel continued to expand its continuity. It follows The Movie's example by killing Prime[29] and Megatron,[30] albeit in the present day. Dinobot leader Grimlock takes over as Autobot leader.[31] There was a G.I. Joe crossover[32] and the limited series The Transformers: Headmasters, which further expanded the scope to the planet Nebulon.[33] It led on to the main title resurrecting Prime as a Powermaster.[34]
In the United Kingdom, the mythology continued to grow. Primus is introduced as the creator of the Transformers, to serve his material body that is planet Cybertron and fight his nemesis Unicron.[35] Female Autobot Arcee also appeared, despite the comic book stating the Transformers had no concept of gender, with her backstory of being built by the Autobots to quell human accusations of sexism.[36] Soundwave, Megatron's second-in-command, also breaks the fourth wall in the letters page, criticising the cartoon continuity as an inaccurate representation of history.[37] The UK also had a crossover in Action Force, the UK counterpart to G.I. Joe.[38] The comic book features a resurrected Megatron,[39] whom Furman retconned to be a clone[40] when he took over the U.S. comic book, which depicted Megatron as still dead.[41] The U.S. comic would last for 80 issues until 1991,[42] and the UK comic lasted 332 issues and several annuals, until it was replaced as Dreamwave Productions, later in the 20th-Century.
In 2009, Shout! Factory released the entire G1 series in a 16-DVD box set called the Matrix of Leadership Edition.[43] They also released the same content as individual seasons.[44]
Transformers: Generation 2 (1993–1995)[edit]
It was five issues[45] of the G.I. Joe comic in 1993 that would springboard a return for Marvel's Transformers, with the new twelve-issue series Transformers: Generation 2, to market a new toy line.
This story reveals that the Transformers originally breed asexually, though it is stopped by Primus because it produced the evil Swarm.[46] A new empire, neither Autobot nor Decepticon, is bringing it back, however. Though the year-long arc wrapped itself up with an alliance between Optimus Prime and Megatron, the final panel introduces the Liege Maximo, ancestor of the Decepticons.[47] This minor cliffhanger was not resolved until 2001 and 2002's Transforce convention when writer Simon Furman concluded his story in the exclusive novella Alignment.[48]
Beast Wars and Beast Machines (1996–2000)[edit]
The story focuses on a small group of Maximals (the new Autobots), led by Optimus Primal, and Predacons, led by Megatron, 300 years after the "Great War". After a dangerous pursuit through transwarp space, both the Maximal and Predacon factions end up crash landing on a primitive, uncivilized planet similar to Earth, but with two moons and a dangerous level of Energon (which is later revealed to be prehistoric Earth with an artificial second moon, taking place sometime during the 4 million year period in which the Autobots and Decepticons were in suspended animation from the first episode of the original Transformers cartoon), which forces them to take organic beast forms in order to function without going into stasis lock.[49] After writing this first episode, Bob Forward and Larry DiTillio learned of the G1 Transformers and began to use elements of it as a historical backstory to their scripts,[50] establishing Beast Wars as a part of the Generation 1 universe through numerous callbacks to both the cartoon and the Marvel comic. By the end of the first season, the second moon and the Energon are revealed to have been constructed by a mysterious alien race known as the Vok.
The destruction of the second moon releases mysterious energies that make some of the characters "transmetal" and the planet is revealed to be prehistoric Earth, leading to the discovery of the Ark. Megatron attempts to kill the original Optimus Prime,[51] but at the beginning of the third season, Primal manages to preserve his spark. In the two-season follow-up series, Beast Machines, Cybertron is revealed to have organic origins, which Megatron attempts to stamp out.
After the first season of Beast Wars (comprising 26 episodes) aired in Japan, the Japanese were faced with a problem. The second Canadian season was only 13 episodes long, not enough to warrant airing on Japanese TV. While they waited for the third Canadian season to be completed (thereby making 26 episodes in total when added to season 2), they produced two exclusive cel-animated series of their own, Beast Wars II (also called Beast Wars Second) and Beast Wars Neo, to fill in the gap. Dreamwave retroactively revealed Beast Wars to be the future of their G1 universe,[52] and the 2006 IDW comic book Beast Wars: The Gathering eventually confirmed the Japanese series to be canon[53] within a story set during Season 3.[54]
Beast Wars contained elements from both the G1 cartoon series and comics. Attributes taken from the cartoon include Transformers that were female, the appearance of Starscream (who mentions being killed off by Galvatron in The Transformers: The Movie), and appearances of the Plasma Energy Chamber and Key to Vector Sigma. The naming of the Transformer ship, the Ark (and reference to 1984, the year the Transformers on board are revived), the character Ravage being shown as intelligent, and Cybertron having an organic core are elements taken from the comics.
In 2011, Shout! Factory released the complete series of Beast Wars on DVD.[55]
Dreamwave Productions (2001–2005)[edit]
In 2001, Dreamwave Productions began a new universe of annual comics adapted from Marvel, but also included elements of the animated. The Dreamwave stories followe the concept of the Autobots defeating the Decepticons on Earth, but their 1997 return journey to Cybertron on the Ark II[56] is destroyed by Shockwave, now ruler of the planet.[57] The story follows on from there and was told in two six-issue limited series, then a ten-issue ongoing series. The series also adds extra complexities such as not all Transformers believing in the existence of Primus,[58] corruption in the Cybertronian government that first led Megatron to begin his war,[59] and Earth having an unknown relevance to Cybertron.[57][60]
Three Transformers: The War Within limited series were also published. These are set at the beginning of the Great War, and identify Prime as once being a clerk named Optronix.[61] Beast Wars was also retroactively stated as the future of this continuity, with the profile series More than Meets the Eye showing the Predacon Megatron looking at historical files detailing Dreamwave's characters and taking his name from the original Megatron.[52] In 2004, this real life universe also inspired three novels[62] and a Dorling Kindersley guide, which focused on Dreamwave as the "true" continuity when discussing in-universe elements of the characters. In a new twist, Primus and Unicron are siblings, formerly a being known as the One. Transformers: Micromasters, set after the Ark's disappearance, was also published. The real life universe was disrupted when Dreamwave went bankrupt in 2005.[63] This left the Generation One story hanging and the third volume of The War Within half finished. Plans for a comic book set between Beast Wars and Beast Machines were also left unrealized.[64]
G.I. Joe crossovers (2003–present)[edit]
Throughout the years, the G1 characters have also starred in crossovers with fellow Hasbro property G.I. Joe, but whereas those crossovers published by Marvel were in continuity with their larger storyline, those released by Dreamwave and G.I. Joe publisher Devil's Due Publishing occupy their own separate real life universes. In Devil's Due, the terrorist organization Cobra is responsible for finding and reactivating the Transformers. Dreamwave's version reimagines the familiar G1 and G.I. Joe characters in a World War II setting, and a second limited series was released set in the present day, though Dreamwave's bankruptcy meant it was cancelled after a single issue. Devil's Due had Cobra re-engineer the Transformers to turn into familiar Cobra vehicles, and released further mini-series that sent the characters travelling through time, battling Serpentor and being faced with the combined menace of Cobra-La and Unicron. During this time, Cobra teams up with the Decepticons. IDW Publishing has expressed interest in their own crossover.[65]
IDW publishing (2005–2022)[edit]
The following year, IDW Publishing rebooted the G1 series from scratch within various limited series and one shots. This allowed long-time writer of Marvel and Dreamwave comics, Simon Furman to create his own universe without continuity hindrance, similar to Ultimate Marvel. This new continuity originally consisted of a comic book series titled The Transformers with a companion series known as The Transformers: Spotlight. The main series was broken up into several story arcs. Eventually, with IDW Publishing losing sales, the series was given a soft reboot. Beginning with All Hail Megatron, the series was set in a new direction, discarding the miniseries and Spotlight format with ongoing comics. By 2012 the series had split into three ongoing series; The Transformers: More Than Meets The Eye, The Transformers: Robots in Disguise (which later changed in 2015 to "The Transformers") and The Transformers: Till All Are One. In 2022, it was announced that IDW lost the publishing rights to Transformers.[66]
Alternative stories[edit]
In January 2006, the Hasbro Transformers Collectors' Club comic wrote a story based on the Transformers Classics toy line, set in the Marvel Comics universe, but excluding the Generation 2 comic. Fifteen years after Megatron crash-lands in the Ark with Ratchet, the war continues with the characters in their Classics bodies.[67]
IDW Publishing introduced The Transformers: Evolutions in 2006, a collection of mini-series that re-imagine and reinterpret the G1 characters in various ways. To date, only one miniseries has been published, Hearts of Steel, placing the characters in an Industrial Revolution-era setting. The series was delayed as Hasbro did not want to confuse newcomers with too many fictional universes before the release of the live-action film.[68]
However, IDW and the original publisher Marvel Comics announced a crossover storyline with the Avengers to coincide with the film New Avengers/Transformers.[69] The story is set on the borders of Symkaria and Latveria, and its fictional universe is set between the first two New Avengers storylines, as well in between the Infiltration and Escalation phase of IDW's The Transformers.[70] IDW editor-in-chief, Chris Ryall hinted at elements of it being carried over into the main continuities,[71] and that a sequel is possible.[72] In June 2018 it was announced there would be Star Trek and Transformers Crossover being released in September 2018.[73]
Transformers: Kiss Players (2006–2007)[edit]
Transformers: Kiss Players (トランスフォーマー キスぷれ, Toransufōmā Kisu Pure), shortened to Kiss Players (キスぷれ, Kisu Pure), is a Japanese Transformers franchise which began in 2006 to 2007 as was helmed by artist and writer Yuki Ohshima. By virtue of being the only Transformers toyline and fiction released in Japan by Takara between the conclusion of Cybertron and the live-acti
Torchwood #2
Torchwood theme by Clare616
Download: Torchwood_2.p3t
(1 background)
| Torchwood | |
|---|---|
 | |
| Genre | |
| Created by | Russell T Davies |
| Showrunners |
|
| Starring | |
| Theme music composer | Murray Gold |
| Composers | |
| Country of origin |
|
| Original language | English |
| No. of series | 4 |
| No. of episodes | 41 (list of episodes) |
| Production | |
| Executive producers | |
| Running time | 45–60 minutes |
| Production companies | |
| Original release | |
| Network | BBC Three |
| Release | 22 October 2006 – 1 January 2007 |
| Network | BBC Two |
| Release | 16 January – 4 April 2008 |
| Network | BBC One |
| Release | 6 July 2009 – 15 September 2011 |
| Network | Starz |
| Release | 8 July – 9 September 2011 |
| Related | |
| Torchwood Declassified Doctor Who The Sarah Jane Adventures Class | |
Torchwood is a British science fiction television programme created by Russell T Davies. A spin-off of the 2005 revival of Doctor Who, it aired from 2006 to 2011. The show shifted its broadcast channel each series to reflect its growing audience, moving from BBC Three to BBC Two to BBC One, and acquiring American financing in its fourth series when it became a co-production of BBC One and Starz. Torchwood is aimed at adults and older teenagers, in contrast to Doctor Who's target audience of both adults and children. As well as science fiction, the show explores a number of themes, including existentialism, LGBTQ+ sexuality, and human corruptibility.
Torchwood follows the exploits of a small team of alien-hunters who make up the Cardiff-based, fictional Torchwood Institute, which deals mainly with incidents involving extraterrestrials. Its central character is Captain Jack Harkness (John Barrowman), an immortal con-man from the distant future; Jack originally appeared in the 2005 series of Doctor Who. The initial main cast of the series consisted of Gareth David-Lloyd, Burn Gorman, Naoko Mori, and Eve Myles. Their characters are specialists for the Torchwood team, often tracking down aliens and defending the planet from alien and human threats. In its first two series, the show uses a time rift in Cardiff as its primary plot generator, accounting for the unusual preponderance of alien beings in Cardiff. In the third and fourth series, Torchwood operate as fugitives. Gorman and Mori's characters were written out of the story at the end of the second series. Recurring actor Kai Owen was promoted to the main cast in series three, in which David-Lloyd was written out. Subsequently, American actors Mekhi Phifer, Alexa Havins and Bill Pullman joined the cast of the show for its fourth series.
The first series premiered on BBC Three and on BBC HD in 2006 to mixed reviews, but viewing figures broke records for the digital channel. It returned in 2008 where it aired first on BBC Two, receiving a higher budget; its uneven tone, a criticism of the first series, was largely smoothed out, and the show attracted higher ratings and better reviews. The third series' episodes worked with a higher budget, and it was transferred to the network's flagship channel, BBC One, as a five-episode serial titled Torchwood: Children of Earth. Although Children of Earth was broadcast over a period of five consecutive summer weeknights, the show received high ratings in the United Kingdom and overseas. A fourth series, co-produced by BBC Wales, BBC Worldwide and US premium entertainment network Starz aired in 2011 under the title Torchwood: Miracle Day. Set both in Wales and the United States, Miracle Day fared less well with critics than Children of Earth, although it was applauded by some for its ambition. The series entered an indefinite hiatus after Miracle Day due to Davies' personal circumstances.
All four televised series have been broadcast in Asia, Australia, New Zealand, Europe and North America. Owing to the early popularity of Torchwood, various tie-in media were produced,[7] including audio dramas, novels and comic strips. From its inception, the BBC invested in a heavy online presence for the series, with an alternate reality game running alongside the show's first two series, and an animated Web series running alongside its fourth. The BBC continued to approve and commission licensed spin-offs after the show's conclusion, including an audio series continuation from Big Finish Productions (2015–present).
On 21 February 2020, all 41 televised episodes returned to the BBC's online streaming service, BBC iPlayer. In the United States, the entire series was made available on HBO's new streaming service, HBO Max, upon its launch in May 2020.
Production[edit]
Development[edit]
Before the revival of Doctor Who, Russell T Davies began to develop an idea for a science-fiction/crime drama in the style of American dramas, in particular those created by Joss Whedon like Buffy the Vampire Slayer and Angel.[8][9] This idea, originally titled Excalibur, was abandoned until 2005, when BBC Three Controller Stuart Murphy invited Davies to develop an after-watershed science fiction series for the channel.[9] During the production of the 2005 series of Doctor Who, the word "Torchwood", an anagram of "Doctor Who", had been used as a title ruse for the series while filming its first few episodes to ensure they were not intercepted.[10] Davies connected the word "Torchwood" to his earlier Excalibur idea and decided to make the series a Doctor Who spin-off.[9] Subsequently, the word "Torchwood" was seeded in Doctor Who episodes and other media that aired in 2005 and 2006.
Because Torchwood is shown after the watershed – that is, after 9 pm – it has more mature content than Doctor Who. Davies told SFX:
We can be a bit more visceral, more violent, and more sexual, if we want to. Though bear in mind that it's very teenage to indulge yourself in blood and gore, and Torchwood is going to be smarter than that. But it's the essential difference between BBC One at 7 pm, and BBC Three at, say, 9 pm. That says it all – instinctively, every viewer can see the huge difference there.[11][12]
According to Barrowman: "I don't do any nude scenes in series one; they're saving that for the next series! I don't have a problem with getting my kit off, as long as they pay me the right money."[13] Davies also joked to a BBC Radio Wales interviewer that he was "not allowed" to refer to the programme as "Doctor Who for grown-ups".[14] The first series includes content rarely seen or heard in the Doctor Who franchise, including sex scenes and use of profanity in several episodes.[15][16]
BBC Three described Torchwood as the centrepiece of its autumn 2006 schedule,[17] and the successful first series led to a second series on BBC Two and a third on BBC One in 2009.[18]
Although Torchwood was originally intended to be sci-fi aimed at adults, the character Captain Jack Harkness, who had previously been introduced in Doctor Who, proved popular with young audiences. Davies decided to create alternative edits of the second series to be "child-friendly", removing overt sexuality and swearing. These edits to the shows enabled it to be broadcast at 7 pm (pre-watershed).[19][20]
The first three series of Torchwood were produced in-house by BBC Wales. The Head of Drama at the time of the first series, Julie Gardner, served as executive producer alongside Davies. The first two episodes of series 1 of Torchwood premiered on 22 October 2006 on BBC Three and BBC HD. Series 2 premiered on BBC Two and BBC HD on 16 January 2008.[21] The third series, Torchwood: Children of Earth, began shooting on 18 August 2008 and comprised a five-episode mini-series that aired over five consecutive days at 9 pm on BBC One from 6 July 2009,[22][23][24][25] and 9 pm on BBC America HD and BBC America from 20 July 2009.[26] Davies and Gardner stayed on as executive producers and Peter Bennett produced the series.[27][28]
Davies expressed concern that the third series was aired in a summer evening graveyard slot.[29] Lead actor John Barrowman felt that the show had been mistreated by BBC executives, despite what he felt was the programme's proven popularity and success.[18]
In August 2009, Davies stated that the fourth series was "ready to go",[30] and that he had the next series planned out, stating, "I know exactly how to pick it up. I've got a shape in mind, and I've got stories. I know where you'd find Gwen and Rhys, and their baby, and Jack, and I know how you'd go forward with a new form of Torchwood." At the time, he stated he would prefer for series four to be another mini-series, though he had no qualms about doing another thirteen-episode run.[31] A November 2009 article posted on Eve Myles's website stated that shooting for the fourth series was to begin in January 2011.[32]
Subsequently, Davies looked to US networks to finance future series of the programme. He was turned down by one of the United States' major television networks, Fox;[33] some had speculated the Fox project could have been a spin-off or a reboot.[34] Later, Davies succeeded in striking a deal with US premium cable network Starz.[35] The production of the fourth series was not officially announced until June 2010:[36][37] a ten-episode mini-series co-produced between BBC Wales, Starz and BBC Worldwide,[36] airing summer 2011.[38]
As with the third, the fourth series was given its own title: Torchwood: Miracle Day.[39] Shortly after the broadcast of Miracle Day in March 2012, the chief executive officer of Starz, Chris Albrecht, announced that he was remaining in touch with the BBC regarding a further series of Torchwood, though it would depend on Davies being free from his other commitments.[40] However, by 2012 the show had entered an indefinite hiatus due to Davies' return to the UK after his partner became ill.[41][42][43]
Writing[edit]
In the first series, the main writer alongside Russell T Davies was Chris Chibnall, creator of the BBC light drama show Born and Bred and future Doctor Who showrunner. Other writers include P.J. Hammond, Toby Whithouse, Doctor Who script editor Helen Raynor, Catherine Tregenna and Doctor Who cast member Noel Clarke. Of the first two series, Russell T Davies wrote only the première episode.[12][44] Helen Raynor and Brian Minchin were the programme's script editors.[45]
Series one of Torchwood was filmed from May 2006 until November 2006. For the second series,[21] lead writer Chris Chibnall wrote the opening episode and the three final episodes.[46][citation needed] Both Catherine Tregenna and Helen Raynor wrote two episodes for the second series.[47] The other episodes were written by James Moran, Matt Jones, J. C. Wilsher, Joseph Lidster, P.J. Hammond and Phil Ford. Russell T Davies was initially announced as writing two episodes, but due to commitments to Doctor Who, he no longer anticipated writing any Torchwood episodes.[48] For series three, Davies returned and wrote the first and last episodes, co-wrote episode three with James Moran and plotted the overall story arc himself.[28] John Fay wrote episodes two and four.[49]
For the fourth series, Miracle Day, Davies secured several popular US television writers, including Buffy the Vampire Slayer writer Jane Espenson; The X-Files, Star Trek: Enterprise and Supernatural writer John Shiban; and House writer Doris Egan. Additionally, both Davies and John Fay returned to write episodes.[39] In continuing the series Davies chose to keep Torchwood more focused on the human condition than its science fiction backdrop. He drew inspiration from Buffy the Vampire Slayer, noting that "the best metaphors in Buffy came down to, 'What's it like to be in high school, as a kid?'" He felt the fourth series of Torchwood to be "about us and our decisions and our lives, and how we live with each other and how we die with each other".[50] The depiction of human nature in the fourth series led to a sequence which many felt to be evocative of the Holocaust. Jane Espenson noted that as a series Torchwood "is willing to go to horrible places". She stated that in storylining Miracle Day, the writers "didn't want to flinch away from what mankind can do."[51]
Directing[edit]
The first block of series two, consisting of episodes by Raynor and Tregenna, was directed by Andy Goddard. Colin Teague directed the second block, which consists of episode two by Moran and episode four by Tregenna, with Ashley Way directing the third block, consisting of the series two premiere by Chibnall and the sixth episode of the series, by JC Wilsher.[46] Euros Lyn directed all five episodes of the third series, Children of Earth.[28]
In June 2010, a BBC News report confirmed that the fourth series would have 10 episodes.[52] Filming began in January 2011. Unlike the previous series, this series' directors did not direct in blocks but in specific episodes.[53] The series four directors included Bharat Nalluri,[54] Billy Gierhart,[54] Guy Ferland[54] and Gwyneth Horder-Payton.[54]
Crew[edit]
Richard Stokes produced series 1 and 2 of Torchwood; Originally, James Hawes (a Doctor Who director) was lined up as the producer, but he later withdrew from this project.[45][55] Series 3 was produced by Peter Bennett.[56] Series 4 was produced by Kelly A Manners,[57] with UK filming produced by Brian Minchin, producer of Series 4 and 5 of The Sarah Jane Adventures.[58][59] The series also shares Doctor Who's production designer, Edward Thomas.[60][61] Music for the series was composed by Ben Foster[62] and Doctor Who's composer Murray Gold,[63] with composer Stu Kennedy assisting on Series 4.[64]
Opening sequence[edit]
Episodes of the show's first two series are preceded by a voice-over monologue by Barrowman as Harkness, establishing the show's premise.[65] The show's theme tune plays over this monologue and the title sequence.[66] The theme was written by Doctor Who composer Murray Gold.[63]
The opening sequence was re-done specifically for series 2, episode 5 "Adam", adding the titular character to the existing scenes. This reflected the in-universe story of Adam psychically inserting himself into the team members' memories as a long-standing member of the team.[67]
For Children of Earth, a recap of the last episode was played at the beginning of each episode, followed by a title card. The theme was not featured in this, instead only featuring over the end credits.
A new theme arrangement and opening credit sequence was introduced with Series 4 (though a musical motif, or "sting", from the original theme is still audible in numerous scenes). Although each episode of Miracle Day has a published individual title, Torchwood: Miracle Day is the only on-screen title used.
Overview[edit]
The series is set in Cardiff, Wales, and follows a rogue covert agency called Torchwood which investigates extraterrestrial incidents on Earth and scavenges alien technology for its own use. This Torchwood, led by Captain Jack Harkness, is a small, independent organisation, but began as the Cardiff branch of the larger Torchwood Institute, then-defunct, which began in the Victorian era. (Its origins were outlined in the Doctor Who episode "Tooth and Claw", and Harkness's long connection to it is covered in flashback scenes in a Torchwood series 2 episode.) As the opening monologue explains, the organisation is separate from the government, outside the police, and beyond the United Nations. Their public perception is as merely a 'special ops' group. The events of the first series take place sometime after the Doctor Who series two finale, in which the Torchwood Institute's London headquarters was destroyed. This format was maintained for the first two series.
Series three, a miniseries, saw the Cardiff headquarters destroyed and the team temporarily operating as fugitives in England's capital city of London, its membership declining and the organisation thoroughly broken over the course of the serial. Series four starts with Torchwood fully disbanded. Jack has left Earth after the events of series three, and a pregnant Gwen has retired to be with her family. The group is then unofficially reformed, this time operating primarily in the United States, joined by two fugitive CIA agents who have been framed for treason, during Miracle Day.
Cast[edit]
| Actor | Character | Series | |||||
|---|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | ||||
| John Barrowman | Jack Harkness | Main | |||||
| Eve Myles | Gwen Cooper | Main | |||||
| Burn Gorman | Owen Harper | Main | |||||
| Naoko Mori | Toshiko Sato | Main | |||||
| Indira Varma | Suzie Costello | Featured[b] | |||||
| Gareth David-Lloyd | Ianto Jones | Main | |||||
| Freema Agyeman | Martha Jones | Main[c] | |||||
| Kai Owen | Rhys Williams | Recurring | Main | ||||
| Mekhi Phifer | Rex Matheson | Main | |||||
| Alexa Havins | Esther Drummond | Main | |||||
| Bill Pullman | Oswald Danes | Main | |||||
Unlike its parent programme, Torchwood centres on a team instead of a single character with companions. The show initially depicts a small team of alien-hunters known as Torchwood Three, based in Cardiff. The team is made up of five operatives led by Captain Jack Harkness (John Barrowman), formerly a time-traveling "Time Agent" and con man from the distant future who has lived on Earth as an immortal since the 19th century. Gwen Cooper (Eve Myles), the female lead, joins the team in the first episode; she is originally an audience surrogate, but later grows into a more morally complicated character. The original cast is filled out by Torchwood medical officer Owen Harper (Burn Gorman), computer specialist Toshiko Sato (Naoko Mori), and general factotum-cum-administrator Ianto Jones (Gareth David-Lloyd). Toshiko and Owen are killed off in the second series finale, as is Ianto in the show's third series. Recurring characters are Rhys Williams (Kai Owen), Gwen's live-in boyfriend and later husband; and Andy Davidson (Tom Price), Gwen's former police partner. Kai Owen becomes a main cast member in the programme beginning with the third series; his character is initially unaware of Gwen's activities with Torchwood, but later becomes her close confidant and the team's ally. Price appears in all four series.
Prior to the programme's debut, publicity materials featured Indira Varma as Suzie Costello among the regular cast members, giving the impression that she would appear throughout the series. However, Suzie was killed off at the end of the first episode with Gwen taking her place on the team,[68] Suzie reappearing only once more as an antagonist. In the first two series, Paul Kasey regularly appears under heavy prosthetics, portraying, as in
Kung Fu Panda theme by Bird Download: KungFuPanda.p3t
Kung Fu Panda is an American martial arts comedy media franchise that originally started in 2008 with the release of the animated film of the same name produced by DreamWorks Animation. Following the adventures of the titular Po Ping (primarily voiced by Jack Black and Mick Wingert), a giant panda who is improbably chosen as the prophesied Dragon Warrior and becomes a master of kung fu, the franchise is set in a fantasy wuxia genre version of ancient China populated by anthropomorphic animals. Although everyone initially doubts him, including Po himself, he proves himself worthy as he strives to fulfill his destiny.
The franchise consists mainly of four CGI-animated films: Kung Fu Panda (2008), Kung Fu Panda 2 (2011), Kung Fu Panda 3 (2016) and Kung Fu Panda 4 (2024), as well as three television series: Kung Fu Panda: Legends of Awesomeness (2011–2016), The Paws of Destiny (2018–2019), and The Dragon Knight (2022–2023). The first two films were distributed by Paramount Pictures, the third film was distributed by 20th Century Fox and the fourth was distributed by Universal Pictures, while the television series respectively aired on Nickelodeon and Nicktoons, Amazon Prime, and Netflix. Five short films, Secrets of the Furious Five (2008), Secrets of the Masters (2011), Secrets of the Scroll, Panda Paws (both 2016), and Dueling Dumplings (2024), and a television special, Kung Fu Panda Holiday (2010), have also been produced.
The franchise's first two features were nominated for the Academy Award for Best Animated Feature as well as numerous Annie Awards, the first television series won 11 Emmy Awards and the third television series won two Emmy Awards. All four films were critical and commercial successes,[1] grossing over $2 billion overall, making it the seventh highest-grossing animated film franchise, while the second film was the highest-grossing film worldwide directed solely by a woman (Jennifer Yuh Nelson) until Wonder Woman (2017). The series is additionally popular in China as an outstanding Western interpretation of the wuxia film genre.[2]
Po, a clumsy panda bear, is a kung fu fanatic who lives in the Valley of Peace and works in his goose father Mr. Ping's noodle shop, unable to realize his dream of learning the art of kung fu. One day, a kung fu tournament is held for the elderly spiritual leader of the valley, Grand Master Oogway, to determine the identity of the Dragon Warrior, the one kung fu master capable of understanding the secret of the Dragon Scroll, which is said to contain the key to limitless power. Everyone in the valley expects the Dragon Warrior to be one of the Furious Five—Tigress, Monkey, Mantis, Viper, and Crane—a quintet of kung fu warriors trained by Master Shifu to protect the valley. To everyone's surprise, Oogway chooses Po, who has accidentally stumbled into the tournament arena after arriving late via fireworks explosion.
Refusing to believe that Po can be the Dragon Warrior, Shifu subjects Po to torturous training exercises in order to discourage him into quitting. Determined to change himself into someone he can respect, Po perseveres in his training and befriends the Furious Five, who had previously mocked Po for his lack of skill in kung fu. Po soon learns that the valley is being approached by Tai Lung, an evil kung fu warrior who has escaped from prison to take revenge for being denied the Dragon Scroll, and despairs he will be unable to defeat him. However, Shifu discovers that Po is capable of martial arts when motivated by food, and successfully trains him to learn kung fu. After his training is complete, Po is given the Dragon Scroll, which he discovers to be blank. However, Po realizes that the key to limitless power lies within himself, allowing him to defeat Tai Lung and restore peace to the valley.
Po now lives his dream as a kung fu master and protects the Valley of Peace alongside the Furious Five. However, he is thrown into internal conflict when he begins having flashbacks of his mother and learns from Mr. Ping that he was adopted as an infant. Shortly after, Po and the Five are sent on a mission to stop the evil peacock Lord Shen from using a newly developed weapon, the cannon, to conquer all of China and destroy kung fu tradition. Po remains tormented by thoughts of being abandoned by his real parents until he is guided by a wise old soothsayer to embrace his past, and remembers that his parents risked their lives to save him from Shen, who had set out to exterminate all pandas after learning of a prophecy that he would be defeated by "a warrior of black-and-white". Po achieves inner peace, which allows him to destroy Shen's new weapon, defeat Shen, and accept Mr. Ping as his father. However, during the last scene of the movie, it shows Po's biological father realizing his son is alive.
Shortly after the events of the second film, Shifu relinquishes his duties as master of the Jade Palace to Po, claiming that the next step of his own apprenticeship is to oversee the Furious Five's training. While struggling with this new responsibility, Po rejoices upon reuniting with his biological father, Li, though Mr. Ping is less enthusiastic. However, news arrives that the spirit warrior General Kai has returned to the mortal realm and is 'collecting' Kung Fu masters from all over China, both living and dead, to serve in his army of Jade Zombies. Po and the others discover from a scroll left by Oogway that Kai can only be defeated by the power of Chi, a technique known only by the panda colonies; thus, Po and Li set to the secret Panda Valley in order to have Po learn it. Po eventually discovers, to his horror, that Li had deceived him, because the pandas have long forgotten about how to manipulate the Chi, and he just wanted to protect his son from Kai. Once making amends with both his adoptive and biological fathers, Po joins forces with Ping, Tigress, and the pandas to make a stand against Kai, all mastering the power of Chi in the process and using its power to destroy him for good. After returning to the Valley of Peace, Po spends his days spreading the teachings of Kung fu and Chi.
Shifu tasks Po to retire as the Dragon Warrior and find a successor as he must advance to become the Spiritual Leader of the Valley of Peace. Disappointed, he struggles to find the right candidate angering Shifu. He later spots a thief named Zhen entering the Jade Palace and sends her to prison but soon learns that Tai Lung has returned. Zhen reveals that it wasn't actually Tai Lung but a shapeshifting sorceress named The Chameleon. Po decides to go after her and Zhen agrees to lead him to the Chameleon in exchange for a reduction of her sentence. They both head towards Juniper City and there, Po finds that Zhen is a wanted criminal, leading to both of them getting arrested. They successfully escape to the Den of Thieves where Zhen reunites with her old mentor Han who allows them to stay there for one day. Po and Zhen then enter Chameleon's lair, where Zhen betrays Po, takes the Staff of Wisdom and gives it to the Chameleon, who is revealed to be her master. Po manages to escape without the staff but Chameleon, who has shapeshifted into Zhen, throws him off of the cliff and Po gets saved by his adoptive and biological father. The Chameleon uses the staff to summon every martial arts master from the Spirit Realm, stealing their kung fu abilities and locking them in cages. Zhen decides to deflect away from Chameleon and reunites with Po. Zhen later manages to convince the Den of Thieves to help her out in saving Po. Zhen and Po defeat the Chameleon and return the stolen Kung fu to their masters. Po sends them back to the spirit realm with Tai Lung taking the Chameleon with him. At the Valley of Peace, Po chooses Zhen as the next Dragon Warrior and the Furious Five joins him in training her.
Kung Fu Panda Holiday (also known as Kung Fu Panda Holiday Special) is a 2010 television special that premiered on NBC on November 24. It tells a story of Po, who is assigned to host the annual Winter Feast by Master Shifu, despite his wishes to spend the holiday with Mr. Ping.
Kung Fu Panda: Legends of Awesomeness is an animated television series based on the Kung Fu Panda film series, set between the first two films. The show was originally intended to premiere in 2010, but was delayed and officially launched on Nickelodeon on November 7, 2011. Of the series's voice cast, only Lucy Liu, Randall Duk Kim, and James Hong reprise their roles from the films as Viper, Oogway, and Mr. Ping, respectively. The first season, consisting of 26 episodes, ended on April 5, 2012. The second season aired from April 6, 2012, to June 21, 2013, and also consisted of 26 episodes. A third season consisting of 28 episodes began airing June 24, 2013, going on an extended hiatus after June 22, 2014, before airing its last 10 episodes two years later, from February 15 to June 29, 2016, as a tie-in to the theatrical run of Kung Fu Panda 3.
Kung Fu Panda: The Paws of Destiny is the second Kung Fu Panda animated series, set after the events of Kung Fu Panda 3. Across 26 episodes produced by DreamWorks Animation Television with Amazon Studios and ordered, and aired by Amazon Prime Video, the series was released in its 13-episode first season's first part on November 16, 2018, and its 13-episode first season's second and final part on July 4, 2019.[3] The series follows Po on a fresh adventure, mentoring four young pandas (Nu Hai, Jing, Bao and Fan Tong), who happen upon a mystical cave beneath the Panda Village - and accidentally absorb the chi of the ancient and powerful Kung Fu warriors known as the four constellations. The four friends realize that they now have a new destiny - to save the world from an impending evil with their new-found Kung Fu powers. They are aided along their journey by Po, who finds himself faced with his biggest challenge yet - teaching this ragtag band of kids how to wield their strange powers.
Kung Fu Panda: The Dragon Knight is the third Kung Fu Panda animated series, which premiered on Netflix on July 14, 2022, with Jack Black reprising his role as Po.[4][5] The series follows Po as he must leave his home behind and embark on a globe-trotting quest for redemption and justice that finds him partnered up with a no-nonsense English knight known as the Wandering Blade. Rita Ora joined the cast as Wandering Blade and James Hong reprised his role as Mr. Ping.[6]
Kung Fu Panda: Secrets of the Furious Five, or simply Secrets of the Furious Five, is an animated short film that serves as a semi-sequel (or spin-off) to Kung Fu Panda and appears on a companion disc of the original film's deluxe DVD release. It was later broadcast on NBC on February 26, 2009, and is available as a separate DVD as of March 24 the same year. The film has a framing story of Po (in computer animation), telling the stories of his comrades in arms, the Furious Five, which are depicted in 2D cel animation.
Kung Fu Panda: Secrets of the Masters is an animated short film released on December 13, 2011, as a special feature attached to the Kung Fu Panda 2 DVD and Blu-ray. It tells the backgrounds of the masters of Gongmen City: Thundering Rhino, Storming Ox, and Croc.[7]
Kung Fu Panda: Secrets of the Scroll is an animated short film officially released as a bonus feature in the Kung Fu Panda: Ultimate Edition of Awesomeness Blu-ray pack in January 2016.[8] Secrets of the Scroll details the forming of the Furious Five, and their first fight together against a common enemy. Unlike previous Kung Fu Panda[citation needed] short films, Secrets of the Scroll has yet to be released on its own DVD or Blu-ray.
Panda Paws is a short film that was released with the home media of Kung Fu Panda 3. Panda Paws involves the character Mei Mei (voiced by Kate Hudson) competing with Bao at the "Spring Festival". A version of the short was previously released in theaters preceding the DreamWorks Animation film Home in 2015, with Rebel Wilson voicing Mei Mei, prior to her firing from Kung Fu Panda 3.[9]
Dueling Dumplings is a short film that was released with the home media of Kung Fu Panda 4. It involves Po and Zhen offering each other dumplings from their respective homelands. They bicker over whose are better and try to force each other to try them. After a playful battle, they end up tasting each other's dumplings and end up liking them.
This section includes characters who will appear or have appeared in the franchise.
Pulp Fiction theme by Kris De Sha Download: PulpFiction.p3t
Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary.[3] It tells four intertwining tales of crime and violence in Los Angeles, California. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.
Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed.
Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; Travolta, Jackson, and Thurman were nominated for Best Actor, Best Supporting Actor, and Best Supporting Actress respectively. As a result of the film's success, Travolta's career was reinvigorated, and the previously unknown Jackson and Thurman became household names. The film's development, marketing, distribution, and profitability had a sweeping effect on independent cinema.
Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting.[4] The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film. It is often considered a cultural watershed, influencing films and other media that adopted elements of its style. The cast was also widely praised, with Travolta, Thurman, and Jackson earning high acclaim. In 2008, Entertainment Weekly named it the best film since 1983[5] and it has appeared on many critics' lists of the greatest films ever made. In 2013, Pulp Fiction was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".[6][7][8]
Pulp Fiction's narrative is told out of chronological order and follows three main interrelated stories that each have a different protagonist: Vincent Vega, a hitman; Butch Coolidge, a prizefighter; and Jules Winnfield, Vincent's business partner.[9]
The film begins with a diner robbery staged by a couple, then begins to shift from one story line to another before returning to the diner for the conclusion. There are seven narrative sequences; the three primary story lines are preceded by intertitles:
If the seven sequences were ordered chronologically, they would run: 4a, 2, 6, 1, 7, 3, 4b, 5. Sequences 1 and 7 partially overlap and are presented from different points of view, as do sequences 2 and 6. According to Philip Parker, the structural form is "an episodic narrative with circular events adding a beginning and end and allowing references to elements of each separate episode to be made throughout the narrative".[10] Other analysts describe the structure as a "circular narrative".[11][12]
A pair of thieves, Pumpkin and Honey Bunny, reminisce on their past robbery attempts as they eat breakfast in a diner. Pumpkin proposes they rob the diner at that moment because he believes the patrons and employees will be unprepared to stop them. Honey Bunny agrees.
Two hitmen, Jules Winnfield and Vincent Vega, arrive at an apartment to retrieve a briefcase for their boss, influential gangster Marsellus Wallace, from a business partner, Brett. After Vincent checks the contents of the briefcase, Jules shoots one of Brett's friends. Jules recites a passage from the Bible, and he and Vincent kill Brett in retaliation for Brett's attempt to double-cross Marsellus.
Jules and Vincent give the briefcase to Marsellus, who bribes boxer Butch Coolidge to take a dive in his upcoming match. Vincent purchases heroin from his drug dealer, Lance. He shoots up and drives to meet Marsellus's wife, Mia, having agreed to escort her while Marsellus is out of town. They eat at a 1950s-themed restaurant and participate in a twist contest, then return home. While Vincent is in the bathroom, Mia finds his heroin, mistakes it for cocaine, and snorts it, resulting in an overdose. Vincent rushes her to Lance's house, where Lance revives her by injecting adrenaline into her heart. Vincent takes Mia home, and they agree never to tell Marsellus about the incident.
Butch double-crosses Marsellus by winning the bout, but he accidentally kills his opponent in the process. He plans to flee with his girlfriend, Fabienne, but discovers she has forgotten to pack an heirloom: a gold watch which belonged to Butch's father. Returning to his apartment to retrieve it, he notices a gun on the kitchen counter and hears the toilet flush. When Vincent exits the bathroom, Butch shoots him dead and departs.
When Marsellus spots Butch stopped at a traffic light, Butch rams his car into him. Marsellus chases him into a pawnshop. Maynard, the shop owner, captures them at gunpoint and binds and gags them in the basement. Maynard and his accomplice, Zed, take Marsellus into another room and begin to rape him. Butch breaks free and is about to escape, but decides to save Marsellus and arms himself with a katana from the pawnshop. He kills Maynard and frees Marsellus, who shoots Zed in the crotch with Maynard's shotgun. Marsellus tells Butch that they are even, and instructs him to tell no one about the incident and depart Los Angeles forever. Butch picks up Fabienne on Zed's chopper and they drive away.
In the apartment, after Jules and Vincent kill Brett, another man bursts out of the bathroom and fires at them. Every shot misses and they shoot him dead. Jules says that their survival was a miracle, which Vincent disputes. While driving away with Brett's friend, Marvin (who was actually a plant from Marsellus's organization), Vincent accidentally shoots him in the head after Jules drives over an unidentified inconsistency in the roadbed, covering Vincent, Jules, and the car interior in blood. They hide the car at the home of Jules's friend Jimmie, who demands they deal with the problem before his wife Bonnie comes home. Marsellus sends a cleaner, Winston Wolfe, who directs Jules and Vincent to hide the body in the trunk, clean the car, dispose of their bloody clothes and take the car to a junkyard.
At the diner from the film's prologue, Jules tells Vincent that he plans to retire from his life of crime, convinced that their survival at the apartment was divine intervention. While Vincent is in the bathroom, Pumpkin and Honey Bunny hold up the restaurant and demand Marsellus's briefcase. Pumpkin initially holds Jules at gunpoint, but Jules soon overpowers Pumpkin and holds him at gunpoint. Honey Bunny becomes hysterical and points her gun at Jules. Vincent returns with his gun aimed at her, but Jules defuses the situation. He recites the biblical passage, expresses ambivalence about his life of crime, and allows the robbers to take his cash and leave. Jules and Vincent leave the diner with the briefcase.
Bronagh Gallagher plays Jody's friend Trudi who does little but smoke a bong during the scene where Vincent revives Mia. According to author Jason Bailey, "Quentin thought it would be funny to have this casual observer who just happened to be there. All of this was born out of the experience of, when you go to someone's house to buy drugs, there are always people who are just there".[49] Phil LaMarr portrays Marvin, an associate of Jules and Vincent. LaMarr auditioned for Tarantino after both had done a show for an improv group a few months prior.[50] He read for the roles of Jules Winnfield and Brett before being cast as Marvin.[50] Tarantino appears as Jules' friend Jimmie, in whose house they clean up a murder. Tarantino was unsure whether to play Jimmie or Lance, choosing Jimmie as he wanted to be behind the camera during Mia's overdose scene.[38]
Frank Whaley portrays Brett, who has a briefcase requested by Marcellus. Whaley met Tarantino while he was filming Reservoir Dogs at a lab in Sundance Institute. He recalls, "we ended up meeting and spending time together, and I liked him, so I was really happy when he asked me to be in this movie."[51] Burr Steers appears as Roger, a friend of Brett's nicknamed "Flock of Seagulls" by Jules. The scene of the confrontation between Brett and Jules went through several takes due to Steers making mistakes. Steers recalled in an interview that he had found acting difficult due to the loudness of the gunshots.[52]
Angela Jones portrays Esmarelda Villalobos, a cab driver who aids Butch's escape. Her casting and character were inspired by her performance in the 1991 short film Curdled, later remade as a 1996 feature film with finance from Tarantino and again starring Jones.[53] Duane Whitaker, Peter Greene and Stephen Hibbert play Maynard, Zed and the gimp.[54] According to The Daily Beast, these "three psycho hillbillies" that rape Marsellus in Maynard's shop's basement allude to the film Deliverance.[53][54] Steve Buscemi makes a cameo appearance as a waiter at Jack Rabbit Slim's, dressed as Buddy Holly. Buscemi, who had appeared in Reservoir Dogs, was originally considered for the role of Jimmie but was unable to commit.[53] Kathy Griffin appears as herself.[42][55] Michael Gilden and Joseph Pilato also appear at Jack Rabbit Slim's as waiter Phillip Morris Page and a Dean Martin impersonator, respectively. Emil Sitka made a cameo via posthumous archive footage, Karen Maruyama appears as "Gawker #1" after Butch's car accident, and Julia Sweeney portrays Raquel, the daughter of the owner of the junkyard in which Marvin's body is disposed of. Producer Lawrence Bender makes a cameo as a victim of the diner robbery, credited as "Long Hair Yuppie-Scum". Jerome Patrick Hoban appears in the Jack Rabbit Slim's segment as an Ed Sullivan impersonator. Susan Griffiths appears alongside Hoban as a Marilyn Monroe impersonator.
Roger Avary wrote the first element of what would become the Pulp Fiction screenplay in the fall of 1990:
Tarantino and Avary decided to write a short, on the theory that it would be easier to get made than a feature. But they quickly realized that nobody produces shorts, so the film became a trilogy, with one section by Tarantino, one by Avary, and one by a third director who never materialized. Each eventually expanded his section into a feature-length script.[56] The initial inspiration was the three-part horror anthology film Black Sabbath (1963), by Italian filmmaker Mario Bava. The Tarantino–Avary project was provisionally titled "Black Mask", after the seminal hardboiled crime fiction magazine.[32] Tarantino's script was produced as Reservoir Dogs, his directorial debut; Avary created the basis for the "Gold Watch" storyline of Pulp Fiction.[57][58][59][60]
With work on Reservoir Dogs completed, Tarantino returned to the notion of a trilogy film: "I got the idea of doing something that novelists get a chance to do but filmmakers don't: telling three separate stories, having characters float in and out with different weights depending on the story."[61] Tarantino explains that the idea "was basically to take like the oldest chestnuts that you've ever seen when it comes to crime stories – the oldest stories in the book ... You know, 'Vincent Vega and Marsellus Wallace's Wife' – the oldest story about ... the guy's gotta go out with the big man's wife and don't touch her. You know, you've seen the story a zillion times."[9] "I'm using old forms of storytelling and then purposely having them run awry", he says. "Part of the trick is to take these movie characters, these genre characters and these genre situations and actually apply them to some of real life's rules and see how they unravel."[62] In at least one case, boxer Butch Coolidge, Tarantino had in mind a specific character from a classic Hollywood crime story: "I wanted him to be basically like Ralph Meeker as Mike Hammer in Aldrich's Kiss Me Deadly [1955]. I wanted him to be a bully and a jerk".[47]
Tarantino went to work on the script for Pulp Fiction in Amsterdam in March 1992,[63] possibly at the Winston Hotel in the Red Light District.[64] He was joined there by Avary, who contributed "Pandemonium Reigns" to the project and participated in its rewriting as well as the development of the new storylines that would link up with it.[57][58][59] Two scenes originally written by Avary for the True Romance screenplay, exclusively credited to Tarantino, were incorporated into the opening of "The Bonnie Situation": the "miraculous" missed shots by the hidden gunman and the rear seat automobile killing.[65] The notion of the crimeworld "cleaner" that became the heart of the episode was inspired by a short, Curdled, that Tarantino saw at a film festival. He cast the lead actress, Angela Jones, in Pulp Fiction and later backed the filmmakers' production of a feature-length version of Curdled.[66] The script included a couple of made-up commercial brands that often featured in later Tarantino films: Big Kahuna burgers (a Big Kahuna soda cup appears in Reservoir Dogs) and Red Apple cigarettes.[67] As he worked on the script, Tarantino also accompanied Reservoir Dogs around the European film festivals. Released in the United States in October 1992, the picture was a critical and commercial success. In January 1993, the Pulp Fiction script was complete.[68][69]
Tarantino and his producer, Lawrence Bender, brought the script to Jersey Films. Before even seeing Reservoir Dogs, Jersey had attempted to sign Tarantino for his next project.[70] Ultimately a development deal worth around $1 million had been struck: The deal gave A Band Apart, Bender and Tarantino's newly formed production company, initial financing and office facilities; Jersey got a share of the project and the right to shop the script to a studio.[71][72][73][74] Jersey had a distribution and "first look" deal with Columbia TriStar, which paid Tarantino for the right to consider exercising its option.[46] In February, Pulp Fiction appeared on a Variety list of films in pre-production at TriStar.[75] In June, however, the studio put the script into turnaround.[46] According to a studio executive, TriStar chief Mike Medavoy found it "too demented".[76] There were suggestions that TriStar was resistant to back a film featuring a heroin user; there were also indications that the studio simply saw the project as too low-budget for its desired star-driven image.[77][78] Avary – who was about to start shooting his own directorial debut, Killing Zoe – has said tha Bleach versionD 05 theme by Deemy Download: Bleach_versionD05.p3t P3T Unpacker v0.12 This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit! Download for Windows: p3textractor.zip Instructions: Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme. The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract. The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename]. For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: Bleach versionD 04 theme by Deemy Download: Bleach_versionD04.p3t P3T Unpacker v0.12 This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit! Download for Windows: p3textractor.zip Instructions: Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme. The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract. The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename]. For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: Bleach versionD 03 theme by Deemy Download: Bleach_versionD03.p3t P3T Unpacker v0.12 This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit! Download for Windows: p3textractor.zip Instructions: Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme. The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract. The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename]. For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: Naruto theme by Durence919 Download: Naruto_4.p3t
Naruto[a] is a Japanese manga series written and illustrated by Masashi Kishimoto. It tells the story of Naruto Uzumaki, a young ninja who seeks recognition from his peers and dreams of becoming the Hokage, the leader of his village. The story is told in two parts: the first is set in Naruto's pre-teen years (volumes 1–27), and the second in his teens (volumes 28–72). The series is based on two one-shot manga by Kishimoto: Karakuri (1995), which earned Kishimoto an honorable mention in Shueisha's monthly Hop Step Award the following year, and Naruto (1997).
Naruto was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from September 1999 to November 2014, with its chapters collected in 72 tankōbon volumes. Viz Media licensed the manga for North American production and serialized Naruto in their digital Weekly Shonen Jump magazine. Part I of the manga was adapted into an anime television series by Pierrot and Aniplex, which ran for 220 episodes from October 2002 to February 2007 on TV Tokyo. A second series, which adapts material from Part II of the manga, is titled Naruto: Shippuden and ran on TV Tokyo for 500 episodes from February 2007 to March 2017. Pierrot also developed 11 animated films and 12 original video animations (OVAs). The franchise includes light novels, video games, and trading cards developed by several companies. The story of Naruto continues in Boruto, where Naruto's son Boruto Uzumaki creates his own ninja way instead of following his father's.
Naruto is one of the best-selling manga series of all time, having 250 million copies in circulation worldwide in 47 countries and regions, with 153 million copies in Japan alone and remaining 97 million copies elsewhere. It has become one of Viz Media's best-selling manga series; their English translations of the volumes have appeared on USA Today and The New York Times bestseller list several times, and the seventh volume won a Quill Award in 2006. Reviewers praised the manga's character development, storylines, and action sequences, though some felt the latter slowed the story down. Critics noted that the manga, which has a coming-of-age theme, makes use of cultural references from Japanese mythology and Confucianism.
A powerful fox known as the Nine-Tails attacks Konoha, the hidden leaf village in the Land of Fire, one of the Five Great Shinobi Countries in the Ninja World. In response, the leader of Konoha and the Fourth Hokage, Minato Namikaze, at the cost of his life, seals the fox inside the body of his newborn son, Naruto Uzumaki, making him a host of the beast.[i] The Third Hokage returns from retirement to become the leader of Konoha again. Naruto is often scorned by Konoha's villagers for being the host of the Nine-Tails. Due to a decree by the Third Hokage forbidding any mention of these events, Naruto learns nothing about the Nine-Tails until 12 years later, when Mizuki, a renegade ninja, reveals the truth to him. Naruto defeats Mizuki in combat, earning the respect of his teacher, Iruka Umino.[ii]
Shortly afterward, Naruto becomes a ninja and joins with Sasuke Uchiha, against whom he often competes, and Sakura Haruno, on whom he has a crush, to form Team 7, under an experienced sensei, the elite ninja Kakashi Hatake. Like all the ninja teams from every village, Team 7 completes missions requested by the villagers, ranging from doing chores and being bodyguards to performing assassinations.
After several missions, including a major one in the Land of Waves, Kakashi allows Team 7 to take a ninja exam, enabling them to advance to a higher rank and take on more difficult missions, known as Chunin Exams. During the exams, Orochimaru, a wanted criminal, invades Konoha and kills the Third Hokage for revenge. Jiraiya, one of the three legendary ninjas, declines the title of Fifth Hokage and searches with Naruto for Tsunade whom he chooses to become Fifth Hokage instead.
During the search, it is revealed that Orochimaru wishes to train Sasuke because of his powerful genetic heritage, the Sharingan.[iii] After Sasuke attempts and fails to kill his older brother Itachi,[iv] who had showed up in Konoha to kidnap Naruto, he joins Orochimaru, hoping to gain from him the strength needed to kill Itachi. The story takes a turn when Sasuke leaves the village: Tsunade sends a group of ninja, including Naruto, to retrieve Sasuke, but Naruto is unable to persuade or force him to come back. Naruto and Sakura do not give up on Sasuke; Naruto leaves Konoha to receive training from Jiraiya to prepare himself for the next time he encounters Sasuke, while Sakura becomes Tsunade's apprentice.
Two and a half years later, Naruto returns from his training with Jiraiya. The Akatsuki starts kidnapping the hosts of the powerful Tailed Beasts. Team 7 and other Leaf ninja fight against them and search for their teammate Sasuke. The Akatsuki succeeds in capturing and extracting seven of the Tailed Beasts, killing all the hosts except Gaara, who is now the Kazekage. Meanwhile, Sasuke betrays Orochimaru and faces Itachi to take revenge. After Itachi dies in battle, Sasuke learns from the Akatsuki founder Tobi that Itachi had been ordered by Konoha's superiors to destroy his clan to prevent a coup; he accepted, on the condition that Sasuke would be spared. Devastated by this revelation, Sasuke joins the Akatsuki to destroy Konoha in revenge. As Konoha ninjas defeat several Akatsuki members, the Akatsuki figurehead leader, Nagato, kills Jiraiya and devastates Konoha, but Naruto defeats and redeems him, earning the village's respect and admiration.
With Nagato's death, Tobi, disguised as Madara Uchiha (one of Konoha's founding fathers), announces that he wants to capture all nine Tailed Beasts to cast an illusion powerful enough to control all humanity and achieve world peace. The leaders of the five ninja villages refuse to help him and instead join forces to confront his faction and allies. That decision results in a Fourth Shinobi World War between the combined armies of the Five Great Countries (known as the Allied Shinobi Forces) and Akatsuki's forces of zombie-like ninjas. The Five Kage try to keep Naruto, unaware of the war, in a secret island turtle near Kumogakure (Hidden Cloud Village), but Naruto finds out and escapes from the island with Killer Bee, the host of the Eight-Tails. At that time, Naruto—along with the help of Killer Bee—gains control of his Tailed Beast and the two of them head for the battlefield.
During the conflict, it is revealed that Tobi is Obito Uchiha, a former teammate of Kakashi's who was thought to be dead. The real Madara saved Obito's life, and they have since collaborated. As Sasuke learns the history of Konoha, including the circumstances that led to his clan's downfall, he decides to protect the village and rejoins Naruto and Sakura to thwart Madara and Obito's plans. However, Madara's body ends up possessed by Kaguya Otsutsuki, an ancient princess who intends to subdue all humanity. A reformed Obito sacrifices himself to help Team 7 stop her. Once Kaguya is sealed, Madara dies as well. Sasuke takes advantage of the situation and takes control of all the Tailed Beasts, as he reveals his goal of ending the current village system. Naruto confronts Sasuke to dissuade him from his plan, and after they almost kill each other in a final battle, Sasuke admits defeat and reforms. After the war, Kakashi becomes the Sixth Hokage and pardons Sasuke for his crimes. Years later, Kakashi steps down while Naruto marries Hinata Hyuga and becomes the Seventh Hokage, raising the next generation.
In 1995, Shueisha released Karakuri, a one-shot manga by Masashi Kishimoto that earned an honorable mention in the Hop Step Award in 1996. Kishimoto was unsatisfied with his subsequent drafts for a follow-up, and decided to work on another project.[2] The new project was originally going to feature Naruto as a chef, but this version never made it to print. Kishimoto originally wanted to make Naruto a child who could transform into a fox, so he created a one-shot of Naruto for the summer 1997 issue of Akamaru Jump based on the idea.[3][4] Despite the positive feedback it received in a readers' poll, Kishimoto was unhappy with the art and the story, so he rewrote it as a story about ninjas.[5]
The first eight chapters of Naruto were planned before it appeared in Weekly Shōnen Jump, and these chapters originally devoted many panels of intricate art to illustrating the Konoha village. By the time Naruto debuted, the background art was sparse, instead emphasizing the characters.[5] Though Kishimoto had concerns that chakra (the energy source used by the ninjas in Naruto) made the series too Japanese, he still believed it is an enjoyable read.[6] Kishimoto is a fan of Godzilla, and the tailed beasts mythology was introduced because Kishimoto wanted an excuse to draw monsters.[7] He has said that the central theme in Part I of Naruto is how people accept each other, citing Naruto's development across the series as an example.[8]
For Part II of the manga, Kishimoto tried to keep the panel layouts and the plot easy for the reader to follow, and avoid "overdo[ing] the typical manga-style".[9] He considers that his drawing style has changed from "the classic manga look to something a bit more realistic."[9] Because of wishing to end the arc involving Sasuke Uchiha's search for his brother, Itachi, in a single volume, Kishimoto decided that volume 43 should include more chapters than regular volumes. As a result, Kishimoto apologized to readers for this since volume 43 was more expensive than regular volumes.[10]
When he created Naruto, Kishimoto looked to other shōnen manga as influences for his work and tried to make his characters unique, while basing the story on Japanese culture.[11] The separation of the characters into different teams was intended to give each group a particular flavor. Kishimoto wanted each member to have a high level of aptitude in one skill and be talentless in another.[12] He found it difficult to write about romance, but emphasized it more in Part II of the manga, beginning with volume 28.[8] He introduced villains into the story to have them act as a counterpoint to his characters' moral values and clearly illustrate their differences.[13] As a result of how the younger characters were significantly weaker than the villains, Kishimoto made the ellipsis in order to have them age and become stronger during this time.[14]
Kishimoto made use of the Chinese zodiac tradition, which had a long-standing presence in Japan; the zodiac hand signs originate from this.[6] When Kishimoto was creating the primary setting of the Naruto manga, he concentrated initially on the designs for the village of Konoha. The idea of the setting came to him "pretty spontaneously without much thought", but admits that the scenery became based on his home in the Japanese prefecture of Okayama. Since the storyline does not specify when it is set, he was able to include modern elements in the series such as convenience stores.[15] He considered including automobiles, planes and simple computers, but excluded projectile weapons and vehicles from the plot.[15][16]
Masashi Kishimoto's home was close to Hiroshima where his grandfather lived. He would often tell his grandson stories of war and how it was related to grudges. In retrospect, Kishimoto commented he could not criticize anyone as a result of the war based on it was built.[clarification needed] Upon further researching, Kishimoto decided to create world war story arc for the manga's finale. However, unlike the stories he heard from his grandfather, Kishimoto wanted to give the war covered in Naruto a more hopeful feeling.[17] Nagato's arc paved the way for the ending of Naruto to occur. Nagato stood out as a villain due to suffering war and killing Naruto's mentor Jiraiya. Understanding the fears of war, Naruto's characterization was made more complex for him to experience the Fourth Great Shinobi War. These events end with Naruto forgiving Sasuke as he had forgiven Nagato in the final battle.[14]
Due to unknown issues, the series' finale was delayed. Once volume 66 was released, Kishimoto commented he reached a moment from the narrative involving something he always wanted to draw.[18] When serialization began, Kishimoto decided the ending would feature a fight between two characters: Naruto and Sasuke. However, the writer felt the two were not equals as the former was not a victim of war like the latter whose family was killed to stop a possible civil war.[19]
Kishimoto chose Hinata Hyuga as Naruto's romantic partner from the early stages of the manga, since Hinata had always respected and admired Naruto even before the series' beginning, and Kishimoto felt this meant the two of them could build a relationship.[20] When Hinata first appeared, Kishimoto thought of expanding romantic plotlines.[21][22] but decided to leave Naruto's maturation through romance as an idea for the film 2014 The Last: Naruto the Movie where he worked alongside screenwriter Maruo Kyozuka, a writer more skilled at the theme of romance.[23] Similarly, the title character's relationship with his first son, Boruto, was explored furthermore in the 2015 film Boruto: Naruto the Movie to end Naruto's growth as the character had become an adult, but it was briefly shown in the manga's finale.[24]
Written and illustrated by Masashi Kishimoto, Naruto was serialized for a 15-year run in Shueisha's magazine, Weekly Shōnen Jump from September 21, 1999,[25][26] to November 10, 2014.[27][28] Shueisha collected its chapters in 72 tankōbon volumes—27 for Part I, and the rest for Part II; they were released between March 3, 2000,[29] and February 4, 2015.[30] The first 238 chapters are Part I and constitute the first section of the Naruto storyline. Chapters 239 to 244 include a gaiden (side-story) focusing on Kakashi Hatake's background. The remaining chapters (245 to 700) belong to Part II, which continues the story after a 2+1⁄2-year gap in the internal timeline. Shueisha have also released several ani-manga tankōbon, each based on one of the Naruto movies,[31] and has released the series in Japanese for cell-phone download on their website Shueisha Manga Capsule.[32] A miniseries titled Naruto: The Seventh Hokage and the Scarlet Spring,[b] centered on the main characters' children, began serialization in the Japanese and English editions of Weekly Shōnen Jump on April 27, 2015, and ended after ten chapters on July 6 of the same year.[33][34]
Naruto was scanlated (translated by fans) and available online before a licensed version was released in North America;[35] the rights were acquired by Viz Media, who began serializing Naruto in their anthology comic magazine Shonen Jump, starting with the January 2003 issue.[36] The schedule was accelerated at the end of 2007 to catch up with the Japanese version,[37] and again in early 2009, with 11 volumes (from 34 to 44) appearing in three months, after which it returned to a quarterly schedule.[38] All 27 volumes of Part I were released in a boxed set on November 13, 2007.[39] On May 3, 2011, Viz started selling the manga in an omnibus format with each book containing three volumes.[40]
The franchise has been licensed in 90 countries, and the manga serialized in 35 countries.[41][42] Madman Entertainment began publishing Naruto volumes in Australia and New Zealand in March 2008 after reaching a distribution deal with Viz Media.[43] Carlsen Comics has licensed the series, through its regional divisions, and released the series in German and Danish.[44] The series is also licensed for regional language releases in French and Dutch by Kana,[45] in Polish by Japonica Polonica Fantastica,[46] in Russian by Comix-ART,[47] in Finnish by Sangatsu Manga,[48] in Swedish by Bonnier Carlsen,[49] and Italian by Panini Comics.[50]
A spin-off comedy manga by Kenji Taira, titled Naruto SD: Rock Lee no Seishun Full-Power Ninden,[c] focuses on the character Rock Lee, a character who aspires to be strong as a ninja but has no magical jutsu abilities. It ran in Shueisha's Saikyō Jump magazine from December 3, 2010, to July 4, 2014,[51][52] and was made into an anime series, produced by Studio Pierrot, and premiering on TV Tokyo on April 3, 2012.[53] Crunchyroll simulcasted the series' premiere on their website and streamed the following episodes.[54] Taira also wrote Uchiha Sasuke no Sharingan Den,[d] which released on October 3, 2014, which runs in the same magazine and features Sasuke.[55]
A monthly sequel series titled Boruto: Naruto Next Generations began in the Japanese and English editions of Weekly Shōnen Jump in early 2016, illustrated by Mikio Ikemoto and written by Ukyō Kodachi, with supervision by Kishimoto. Ikemoto was Kishimoto's chief assistant during the run of the original Naruto series, and Kodachi was his writing partner for the Boruto: Naruto the Movie film screenplay. The monthly series was preceded by a one-shot, titled Naruto: The Path Lit by the Full Moon (NARUTO-ナルト-外伝 ～満ちた月が照らす道～, Naruto Gaiden ~Michita Tsuki ga Terasu Michi~), written and illustrated by Kishimoto, and published on April 25 of that same year.[56][57][58] The staff from Shueisha asked Kishimoto if he would write a sequel to Naruto. However, Kishimoto refused the offer and offered his former assistant Mikio Ikemoto and writer Ukyō Kodachi write Boruto: Naruto Next Generations as the sequel to Naruto.[59]
Another one-shot chapter by Kishimoto, titled Naruto: The Whorl Within the Spiral (NARUTO-ナルト-外伝 ～渦の中のつむじ風～, Naruto Gaiden ~Uzu no Naka no Tsumujikaze~), centered on Naruto's father, Minato Namikaze, was published in Weekly Shōnen Jump on July 18, 2023.[60][61]
The first Naruto anime television series, directed by Hayato Date and produced by Pierrot and Aniplex, premiered on TV Tokyo in Japan on October 3, 2002, and concluded on February 8, 2007, after 220 episodes.[62][63] The first 135 episodes were adapted from Part I of the manga; the remaining 85 episodes are original and use plot elements that are not in the manga.[64] Tetsuya Nishio was the character designer for Naruto when the manga was adapted into an anime; Kishimoto had requested that Nishio be given this role.[65][66]
The second anime television series, titled Naruto: Shippuden[e], was also produced by Pierrot and directed by Hayato Date, and serves as a direct sequel to the first Naruto anime series; it corresponds to Part II of the manga.[67] It debuted on Japanese TV on February 15, 2007, on TV Tokyo, and concluded on March 23, 2017.[68][69]
A series of four "brand-new" episodes, to commemorate the original anime's 20th anniversary, were originally scheduled to premiere on September 3, 2023;[70] however, in August of that same year, it was announced that the episodes would be postponed to a later date.[71]
The series was adapted into 11 theatrical films and 12 original video animations (OVAs). The first three films correspond to the first series, and the remaining eight correspond to the second. In July 2015, Lionsgate announced the development of a live-action film with Avi Arad through his production company Arad Productions.[72] The film will be directed by Michael Gracey. On December 17, 2016, Kishimoto announced that he has been asked to co-develop.[73] On November 27, 2023, it was announced that Tasha Huo will work on the script for the film.[74]
On February 23, 2024, Gracey had exited the project, and Destin Daniel Cretton had been hired to direct and co-write the film. Cretton received his blessings from Kishimoto, after a visit in Tokyo, with Kishimoto stating that when he heard that Cretton would be directing, he thought that he was the perfect choice.[75]
Twenty-six Naruto light novels, the first nine written by Masatoshi Kusakabe, have been published in Japan.[76] Of these, the first two have been released in English in North America. The first adapted novel, Naruto: Innocent Heart, Demonic Blood (2002), retells a Team 7 mission in which they encounter the assassins Zabuza and Haku;[77][78] the second, Naruto: Mission: Protect the Waterfall Village! (2003) was based on the second OVA of the anime.[79][80] Viz has also published 16 chapter books written by Tracey West with illustrations from the manga. Unlike the series, these books were aimed at children ages seven to ten.[81] Thirteen original novels have appeared in Japan;[76] eleven of these are part of a series, and the other two are independent novels unconnected to the series. The first independent novel, titled Naruto: Tales of a Gutsy Ninja (2009), is presented as an in-universe novel written by Naruto's master Jiraiya. It follows the adventures of a fictional shinobi named Naruto Musasabi, who served as Naruto's namesake.[82] The other independent novel, Naruto Jinraiden: The Day the Wolf Howled (2012), is set shortly after Sasuke's fight with Itachi.[83]
Itachi Shinden, which consists of two novels, and Sasuke Shinden, a single novel, both appeared in 2015, and both were adapted into anime arcs in Naruto: Shippuden in 2016, titled Naruto Shippūden: Itachi Shinden-hen: Hikari to Yami and Book of Sunrise respectively.[84][85] Hiden is a series of six light novels published in 2015 that explores the stories of various characters after the ending of the manga.[86]
Naruto video games have been released on various consoles by Nintendo, Sony, and Microsoft. The majority of them are fighting games in which the player directly controls one of the characters from Naruto. The player pits their character against another character controlled by the game's
Kung Fu Panda
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Kung Fu Panda 
Created by Ethan Reiff
Cyrus VorisOriginal work Kung Fu Panda (2008) Owner DreamWorks Animation
(Universal Pictures)Years 2008–present Films and television Film(s) Short film(s) Animated series Television special(s) Kung Fu Panda Holiday (2010) Theatrical presentations Play(s) Kung Fu Panda: Arena Spectacular (2010) Games Video game(s) List of video games Audio Soundtrack(s) Official website www Films[edit]
Film
U.S. release date
Director(s)
Screenwriter(s)
Story by
Producer(s)
Kung Fu Panda
June 6, 2008
John Stevenson and Mark Osborne
Jonathan Aibel and Glenn Berger
Ethan Reiff and Cyrus Voris
Melissa Cobb
Kung Fu Panda 2
May 26, 2011
Jennifer Yuh Nelson
Jonathan Aibel and Glenn Berger
Kung Fu Panda 3
January 29, 2016
Jennifer Yuh Nelson and Alessandro Carloni
Kung Fu Panda 4
March 8, 2024
Mike Mitchell
Co-director:
Stephanie Ma Stine
Jonathan Aibel, Glenn Berger and Darren Lemke
Rebecca Huntley
Kung Fu Panda (2008)[edit]
Kung Fu Panda 2 (2011)[edit]
Kung Fu Panda 3 (2016)[edit]
Kung Fu Panda 4 (2024)[edit]
Television special and series[edit]
Series Season Episodes Originally released First released Last released Network Kung Fu Panda Holiday Special November 24, 2010 NBC Legends of Awesomeness 1 26 September 19, 2011 April 5, 2012 Nickelodeon 2 26 April 6, 2012 June 21, 2013 3 28 18 June 24, 2013 June 22, 2014 10 February 15, 2016 June 29, 2016 Nicktoons The Paws of Destiny 1 26 13 November 16, 2018 Amazon Prime Video 13 July 4, 2019 The Dragon Knight 1 11 July 14, 2022 Netflix 2 12 January 12, 2023 3 19 September 7, 2023 Kung Fu Panda Holiday (2010)[edit]
Kung Fu Panda: Legends of Awesomeness (2011–2014; 2016)[edit]
Kung Fu Panda: The Paws of Destiny (2018–2019)[edit]
Kung Fu Panda: The Dragon Knight (2022–2023)[edit]
Short films[edit]
Kung Fu Panda: Secrets of the Furious Five (2008)[edit]
Kung Fu Panda: Secrets of the Masters (2011)[edit]
Kung Fu Panda: Secrets of the Scroll (2016)[edit]
Panda Paws (2016)[edit]
Dueling Dumplings (2024)[edit]
Cast and characters[edit]
Character
Films
Short films
Television special
Television series
Kung Fu Panda
Kung Fu Panda 2
Kung Fu Panda 3
Kung Fu Panda 4
Secrets of the Furious Five
Kung Fu Panda:
Secrets of the Masters
Kung Fu Panda:
Secrets Of the Scroll
Panda Paws
Dueling Dumplings
Kung Fu Panda Holiday
Kung Fu Panda:
Legends of Awesomeness
Kung Fu Panda:
The Paws of Destiny
Kung Fu Panda:
The Dragon Knight
Po Ping / Li Lotus
The Dragon Warrior
Jack Black
Jack Black
Liam KnightY
Jack Black
Jack Black
Mick Wingert
Jack Black
Master Shifu
Dustin Hoffman
Dustin Hoffman
Fred Tatasciore
Tigress
Angelina Jolie
Silent cameo
Tara StrongY
Angelina Jolie
Kari Wahlgren
Tara MarciY
Angelina Jolie
Kari Wahlgren
Action figure
Silent role
Mantis
Seth Rogen
Seth Rogan C
Max Koch
Seth Rogen
Seth Rogen
Max Koch
Flashback cameo
Monkey
Jackie Chan
Silent cameo
Jaycee ChanY
James Sie
Jackie Chan
James Sie
Viper
Lucy Liu
Jessica DiCiccoY
Lucy Liu
Lucy Liu
Crane
David Cross
David Cross
David Cross
David Cross
Amir Talai
Mr. Ping
James Hong
Pulp Fiction
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Pulp Fiction 
Directed by Quentin Tarantino Written by Quentin Tarantino Story by Produced by Lawrence Bender Starring Cinematography Andrzej Sekuła Edited by Sally Menke
companiesDistributed by Miramax Films 154 minutes[1] Country United States Language English Budget $8–8.5 million[2][a] Box office $213.9 million[2] Plot[edit]
Narrative structure[edit]
Summary[edit]
"Vincent Vega and Marsellus Wallace's Wife"[edit]
"The Gold Watch"[edit]
"The Bonnie Situation"[edit]
Cast[edit]
Production[edit]
Writing[edit]
Financing[edit]
Bleach versionD 05
(16 backgrounds)
Copyright (c) 2007. Anoop Menon
p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.Bleach versionD 04
(16 backgrounds)
Copyright (c) 2007. Anoop Menon
p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.Bleach versionD 03
(16 backgrounds)
Copyright (c) 2007. Anoop Menon
p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.Naruto #4
(1 background)
Naruto 
NARUTO Genre Manga Written by Masashi Kishimoto Published by Shueisha English publisher Imprint Jump Comics Magazine Weekly Shōnen Jump English magazine Demographic Shōnen Original run September 21, 1999 – November 10, 2014 Volumes 72 Anime television series
Media franchise
Plot[edit]
Part I[edit]
Part II[edit]
Production[edit]
Development[edit]
Characters[edit]
Setting[edit]
Conclusion[edit]
Media[edit]
Manga[edit]
Spin-offs[edit]
Anime[edit]
Films[edit]
Novels[edit]
Merchandise[edit]
Video games[edit]
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