Initial D (Japanese: 頭文字 D, Hepburn: Inisharu Dī) is a Japanese street racingmanga series written and illustrated by Shuichi Shigeno. It was serialized in Kodansha's seinen manga magazine Weekly Young Magazine from 1995 to 2013, with the chapters collected into 48 tankōbon volumes. The story focuses on the world of illegal Japanese street racing, where all the action is concentrated in the mountain passes and rarely in cities or urban areas, and with the drifting racing style emphasized in particular. Professional race car driver and pioneer of drifting Keiichi Tsuchiya helped with editorial supervision. The story is centered on the prefecture of Gunma, more specifically on several mountains in the Kantō region and in their surrounding cities and towns. Although some of the names of the locations the characters race in have been fictionalized, all of the locations in the series are based on actual locations in Japan.
The first battle of the series, Keisuke Takahashi (FD3S) vs. Takumi Fujiwara (AE86), as seen in the anime
Takumi Fujiwara is a student working as a gas station attendant with his best friend Itsuki. Itsuki is enthusiastically interested in being a street racer. The team he feels closest to and hopes to join is the Akina Speed Stars, whose team leader Koichiro Iketani is also working at the same pump station. Unbeknownst to his colleagues, Takumi helps out his father Bunta as a tofu delivery driver for his father's store before sunrise each morning, passively building an impressive amount of skill of over five years behind the wheel of the family car, an aging Toyota Sprinter Trueno (AE86).
Shortly after the story begins, the Red Suns, a highly experienced racing team from Mount Akagi led by Ryosuke Takahashi, challenge the local Speed Stars team to a set of races on Mount Akina. Dispirited after watching the Red Suns' superior performance during a practice run, the Speed Stars expect to lose. Later that night, the Red Suns' #2 driver, Keisuke Takahashi, heading home after the last practice run, is defeated soundly by a mysterious Sprinter Trueno, despite driving a much more powerful Mazda RX-7 (FD3S). An investigation into the identity of the driver leads to Bunta Fujiwara, Takumi's father. While trying to do his best for the team on Mount Akina, Iketani suffers a crash and damages his car and injures himself. He is unable to take part in the race to represent his team. Iketani begs Bunta to help the Speed Stars defeat the Red Suns, and he initially refuses, later relenting to "maybe" show up at the race. At the same time, Takumi asks Bunta if he can borrow the car for a day to take a trip to the beach with a potential girlfriend who is also one of his classmates (Natsuki Mogi), and Bunta seizes the moment by granting permission (plus a full tank of fuel) on the condition that Takumi defeats Keisuke. On the night of the race, the Trueno does not show up, and the Speed Stars enlist a backup driver (Kenji) for the first run. At the last moment before the race starts, the AE86 arrives. Takumi steps out of the car to the bewilderment of the Speed Stars, who were expecting Bunta. He easily defeats Keisuke by utilizing a dangerous "gutter run" technique (putting both the left/right tires into the gutters to prevent centrifugal force from pushing the car outward) on the mountain road's hairpin corners.
The Red Suns' embarrassing defeat sets up the plot for the rest of the series: drivers from neighboring prefectures come to challenge Takumi and the "Legendary Eight-Six of Akina" and thus prove themselves as racers. Meanwhile, Takumi, who was considered spacey and uninterested in the world around him, becomes more passionate about racing with every opponent he faces. However, soon Takumi faces a threat in the form of Emperors, a team that uses Mitsubishi Lancer Evolutions. Takumi's old AE86 is no match and he loses to the team's leader, Sudo Kyoichi (Evo III), blowing his engine. The Akagi RedSuns come to the rescue and defeat both Seiji and Kyoichi, thus securing the pride of Gunma's racers. Meanwhile, Bunta replaces the AE86's blown engine with a new one. Wataru Akiyama and Koichiro Iketani help Takumi to figure out why he is unable to control his car. Takumi soon faces graduation, but continues racing, even facing off and defeating Wataru Akiyama, whose car is the other version of the AE86, the 'Levin'. He eventually defeats Kyoichi in a rematch at his home course, the Nikko Irohazaka. He also defeats the son of Bunta's old rival, who drives a Toyota MR2 (SW20). At one point, Miki, one of Natsuki's old friends, tries to kidnap her only for Takumi to come to the rescue in Lake Akina during winter time. They eventually break up, but promise to meet again soon.
Eventually, the plot moves away from Mount Akina as Takumi becomes bored with racing and winning solely on that road. He joins an expedition racing team, Project D, formed by Ryosuke Takahashi (also including Keisuke Takahashi), former leader of the disbanded Red Suns, and challenges more difficult opponents on their home courses in the pursuit of his dream to be "the fastest driver out there". At one point, impostors in the form of Takumi and Keisuke try to defame Project D, Wataru comes to help and they dispatch the impostors, revealing them in front of the public. Also, while making tofu deliveries, Takumi is defeated by a mysterious Subaru Impreza WRX STI, but after finding out the driver is his father, he must learn the characteristics of 4WD in order to better himself. Project D races against teams like Team Seven Star Leaf, students and a graduated pro racer from Todo Racing School, Northern Saitama Alliance, a second Lancer Evolution team at Tsuchisaka who resort to cheating to win, Team Purple Shadow, Team 246, the Kanagawa Racing Alliance, Team Spiral, and Team Sidewinder. During this, Takumi falls in love with another girl named Mika Uehara, and Ryosuke deals with an old rival that he previously had a falling out with the latter's girlfriend who eventually committed suicide. The expedition of Project D ends spectacularly with a race between Takumi Fujiwara and Shinji Inui of Team Sidewinder, two evenly matched drivers, where Takumi blows his engine again, but steps on the clutch and wins the race by rolling backwards over the finish line. He then decides to put his AE86 on a complete rest from operating for the best (but in the anime he decommissioned the AE86 from racing but decides to keep it and slowly repair it with his own money). Ryosuke disbands Project D and later reveals the meaning of the Initial "D" and starts training other potential drivers under him to pursue his dream. Keisuke becomes a professional race car driver whereas Takumi continues delivering tofu in his father's Subaru Impreza. Eventually Takumi pursues rally racing as career and becomes a world champion legendary rally race car driver.
The story of Initial D continued in another manga by Shuichi Shigeno, MF Ghost.
Written and illustrated by Shuichi Shigeno, Initial D was serialized for eighteen years by Kodansha in the seinen manga magazine Weekly Young Magazine from July 17, 1995,[4][5] to July 29, 2013.[6][7] Kodansha collected its 719 individual chapters in forty-eight tankōbon volumes, released from November 6, 1995,[8] to November 6, 2013.[9]
In North America, the manga was licensed for English release by Tokyopop (along with the anime series) in 2001.[10][11] The company changed the names of the characters in the anime edition, and subsequently changed them in the manga to match.[12][13] These name changes matched the name changes that Sega implemented into the Western releases of the Initial D Arcade Stage video games.[12] Tokyopop also censored the brief scenes of nudity from the original manga.[1] In addition, "street slang" was interlaced in translations.[13] The company released thirty-three volumes from May 21, 2002,[14] to January 13, 2009,[15] before they announced in August 2009 that their manga licensing contracts with Kodansha had expired.[16] In April 2019, ComiXology and Kodansha USA announced that they had released volumes 1 to 38 digitally, while volumes 39 to 48 were released in July of the same year.[17][18] In August 2023, Kodansha USA announced that they would be re-releasing the manga in an omnibus format with new translation and lettering beginning in 2024.[19] The first volume was released on March 19, 2024; it has three cover variants: a new cover made by Kodansha USA, a Crunchyroll and direct market exclusive variant, and a Kinokuniya variant.[20] The second volume is set to be released on June 4, 2024.[21]
Avex has released the anime in several parts called Stages. A recurrent feature of the anime is its extensive usage of Eurobeat as background music in race scenes, especially by Italian singers.
Initial D (referred to retroactively as "First Stage"): 26 episodes (1998)
Initial D Second Stage: 13 episodes (1999)
Initial D Extra Stage: 2-episode OVA side-story focusing on Impact Blue (2000)
Initial D Third Stage: a 104-minute movie (2001)
Initial D Fourth Stage: 24 episodes (2004–2006)
Initial D Extra Stage 2: a 50-minute OVA side-story focusing on Mako and Iketani (2008)
Initial D Fifth Stage: 14 episodes (2012–2013)[22]
Initial D Final Stage: 4 episodes (TV), compilation movie (DVD/Blu-ray) (2014)
The Battle Stages are musical films serving as a compilation of the racing action scenes in the preceding series, stripped of all but minimal character dialog and featuring new music.
Initial D Battle Stage: a 50-minute movie (2002)
Battle Stage is a compilation of races from the first three series, except for Extra Stage. The battles from First Stage have been reanimated and remastered with the more advanced CGI used in Third Stage, however the character art remains the same. A battle not featured in either the manga or the anime is featured, using the new CGI and old character art.
Initial D Battle Stage 2: a 1-hour movie (2007)
Battle Stage 2 is a compilation of races from Fourth Stage with unchanged CGI, even for the hidden battles. It features Keisuke's first two races as part of Project D, as they were not featured in Fourth Stage.
Initial D Battle Stage 3: (2021)
Battle Stage 3 features every race from Fifth Stage and Final Stage. Unlike the previous two battle stages, it does not feature any new battles, and doesn't feature any character dialogue.
New Initial D the Movie Battle Digest: (2022)
A recap of the movie trilogy with additional scenes of the characters test driving their cars.
In 1998, Initial D was adapted into an animated television series produced by OB Planning and Prime Direction. The first episode premièred on Fuji TV on April 8, 1998. The initial series ran for 26 weekly episodes with the finale airing on December 5, 1998.
The second series, named "Second Stage", aired from October 14, 1999, to January 20, 2000, with a one-week break over the New Year period. This was followed by animated feature film in 2001 and an OVA documenting all battles from the previous three stages, with the battles from First Stage being re-animated.
Initial D Third Stage was a feature film covering the story arcs between the second and fourth stage, released in Japan on January 13, 2001. It earned a distribution income of ¥520 million ($6.52 million) at the Japanese box office.[23]
In 2004, Initial D Fourth Stage aired on SkyPerfecTV's pay-per-view service, airing two episodes back-to-back every two months. 24 episodes were made until the final episodes were aired in February 2006.
Following Second Stage in 2000, Initial D Extra Stage was aired as a spinoff to the original series. This story focused on the all-female Impact Blue team of Usui Pass and their point of view of the recent events of Second Stage and the upcoming Third Stage movie. This was followed by Extra Stage 2 in 2008, which look at the relationship between Impact Blue's Mako Sato and Iketani of the SpeedStars (following on from the original side-story in the manga).
Eight years after the release of "Fourth Stage" in 2004, Animax aired "Initial D Fifth Stage". Animax has aired the series on a pay-per-view basis on SKY PerfecTV!'s Perfect Choice Premier 1 channel.[24] The first two episodes aired on November 9, 2012. The rest of the episodes were broadcast two per month till May 10, 2013.[24]
In 2014, "Initial D Final Stage" became the latest installment in the anime series. Animax has aired its first two episodes on a pay-per-view basis on its own brand new ANIMAX PLUS channel, on May 16, 2014, on its new subscription VOD (Video On Demand) service, which allows subscribers to watch all the latest anime series. Initial D Final Stage will start right after where Fifth Stage left off. There are a total of four episodes that makes up this mini stage.[25] The final two episodes were broadcast on June 22, 2014.
Since the anime's original run, Japanese musical group m.o.v.e has performed all of the opening and some ending themes of the series. This followed on from the success of one of their first hits, "Around the World", which was used as the first opening of First Stage. Their latest single to be used in the series is called "Outsoar The Rainbow" and it is used as Final Stage's opening.[26] They had another recent unreleased song, "Days". It was played in the finale of "Final Stage".
Like in the manga, Tokyopop change elements of the anime to suit Western audiences. As well as changing the names and used western slang, the company also changed the anime's music from the series' staple eurobeat tracks to originally developed tracks of rap and hip-hop via Stu Levy (DJ Milky), the Tokyopop CEO and an in-house musician.[12]
In 2006, Funimation announced that it would be distributing the DVDs of the anime (since Tokyopop's original distributor went bankrupt). This new distribution was marked by slightly revised packaging and two box sets corresponding to the licensed seasons Tokyopop had dubbed, although the DVDs themselves were exactly the same as the original Tokyopop release.
Tokyopop had completed an English subtitled version of Third Stage, and screened it at the Big Apple Anime Fest on August 29, 2003.[27] This version of Third Stage reportedly retained the original Japanese soundtrack, in contrast to their treatment of the rest of the anime series. This version of the film was never released on DVD, nor was it ever mentioned by Tokyopop past the original announcement.
At the New York Anime Festival 2009, Funimation announced that it would be re-releasing and re-dubbing Initial D: First Stage, Second Stage, Extra Stage, Third Stage, and Fourth Stage. Their release included a brand new English dub and retained the original music from the Japanese in an uncut format. Funimation released the series out of order, with the Third and Fourth Stages releasing before the First and Second Stages.[28] The first Extra Stage was included in the Second Stage box set.
In July 2013 it was announced that another feature film titled New Initial D the Movie and a last anime series, Initial D Final Stage, will be produced.[29] The movie is a retelling of the early Stages with a wholly new voice cast and is split into three parts, with the first part released on August 23, 2014, titled Legend 1: Awakening, the second part was released May 23, 2015, titled Legend 2: Racer, the third part released on February 6, 2016, titled Legend 3: Dream.[30]
Marvel Comics began publishing The Further Adventures of Indiana Jones in 1983, and Dark Horse Comics gained the comic book rights to the character in 1991. Novelizations of the films have been published, as well as many novels with original adventures, including a series of German novels by Wolfgang Hohlbein, twelve novels set before the films published by Bantam Books, and a series set during the character's childhood inspired by the television show. Numerous Indiana Jones video games have been released since 1982.
Spielberg and Lucas aimed to make Indiana Jones and the Temple of Doom much darker, because of their personal moods following their respective breakups and divorces. Lucas made the film a prequel because he did not want the Nazis to be the villains again. He had ideas regarding the Monkey King and a haunted castle, but eventually created the Sankara Stones, that would be used in the film.[8] He hired Willard Huyck and Gloria Katz to write the script; he knew of their interest in Indian culture.[9] The major scenes that were dropped from Raiders of the Lost Ark were included in this film: an escape using a giant rolling gong as a shield, a fall out of a plane in a raft, and a mine cart chase.[5] For the third film, Spielberg revisited the Monkey King and haunted castle concepts, before Lucas suggested the Holy Grail. Spielberg had previously rejected this as too ethereal, but then devised a father-son story and decided that "The Grail that everybody seeks could be a metaphor for a son seeking reconciliation with a father and a father seeking reconciliation with a son."[10]
Following the 1989 release of Indiana Jones and the Last Crusade, Lucas let the series end as he felt he could not think of a good plot device to drive the next installment and chose instead to produce The Young Indiana Jones Chronicles, which explored the character in his early years. Ford played Indiana in one episode, narrating his adventures in 1920 Chicago. When Lucas shot Ford's role in December 1992, he realized that the scene opened up the possibility of a film with an older Indiana set in the 1950s. The film could reflect a science fiction 1950s B-movie, with aliens as the plot device.[11] Ford disliked the new angle, telling Lucas: "No way am I being in a Steven Spielberg movie like that."[12] Spielberg himself, who depicted aliens in Close Encounters of the Third Kind and E.T. the Extra-Terrestrial, resisted it. Lucas devised a story, which Jeb Stuart turned into a script from October 1993 to May 1994.[11] Lucas wanted Indiana to get married, which would allow Henry Jones Sr. to return, expressing concern over whether his son is happy with what he has accomplished. After learning that Joseph Stalin was interested in psychic warfare, Lucas decided to have Russians as the villains and the aliens to have psychic powers.[13] Following Stuart's next draft, Lucas hired Last Crusade writer Jeffrey Boam to write the next three versions, the last of which was completed in March 1996. Three months later, Independence Day was released, and Spielberg told Lucas he would not make another alien invasion film (or at least not until War of the Worlds in 2005). Lucas decided to focus on the Star Wars prequels instead.[11]
The iconic bullwhip and hat used by Indiana Jones are important parts of the character development throughout the series.
In 2000, Spielberg's son asked when the next Indiana Jones film would be released, which made him interested in reviving the project.[14] The same year, Ford, Lucas, Spielberg, Frank Marshall, and Kathleen Kennedy met during the American Film Institute's tribute to Ford, and decided they wanted to enjoy the experience of making an Indiana Jones film again. Spielberg also found returning to the series a respite from his many dark films during this period.[15] Spielberg and Lucas discussed the central idea of a B-movie involving aliens, and Lucas suggested using crystal skulls to ground the idea. Lucas found these artifacts as fascinating as the Ark,[16] and had intended to feature them for a Young Indiana Jones episode before the show's cancellation.[11]M. Night Shyamalan was hired to write for an intended 2002 shoot,[14] but he was overwhelmed by the task, and claimed it was difficult to get Ford, Spielberg, and Lucas to focus.[17]Stephen Gaghan and Tom Stoppard were also approached.[14]
Frank Darabont, who wrote various Young Indiana Jones episodes, was hired to write in May 2002.[18] His script, titled Indiana Jones and the City of Gods,[11] was set in the 1950s, with ex-Nazis pursuing Jones.[19] Spielberg conceived the idea because of real-life figures such as Juan Perón in Argentina, who allegedly protected Nazi war criminals.[11] Darabont claimed Spielberg loved the script, but Lucas had issues with it, and decided to take over writing himself.[11] Lucas and Spielberg acknowledged that the 1950s setting could not ignore the Cold War, and the Russians were more plausible villains. Spielberg decided he could not satirize the Nazis after directing Schindler's List,[20] while Ford felt "We plum[b] wore the Nazis out."[12] Darabont's main contribution was reintroducing Marion Ravenwood as Indiana's love interest, but he gave them a 13-year-old daughter, which Spielberg decided was too similar to The Lost World: Jurassic Park.[11]
Jeff Nathanson met with Spielberg and Lucas in August 2004, and turned in the next drafts in October and November 2005, titled The Atomic Ants. David Koepp continued on from there, giving his script the subtitle Destroyer of Worlds,[11] based on the J. Robert Oppenheimer quote. It was changed to Kingdom of the Crystal Skull, as Spielberg found this a more inviting title which actually named the plot device.[21] Koepp wanted to depict the character of Mutt as a nerd, but Lucas refused, explaining he had to resemble Marlon Brando in The Wild One; "he needs to be what Indiana Jones's father thought of [him] – the curse returns in the form of his own son – he's everything a father can't stand".[11] Koepp collaborated with Lawrence Kasdan on the film's "love dialogue".[22]
Development of the fifth film began in 2008, but the project stalled for years.[23][24] In 2012, The Walt Disney Company acquired Lucasfilm, the series' production company, thereby becoming the owner of the Indiana Jones intellectual property.[25] The following year, Walt Disney Studios acquired the distribution and marketing rights to future Indiana Jones films, with Paramount retaining the distribution rights to the first four films and receiving "financial participation" from any additional films.[26][27][28][29] Development on the film continued, eventually forming into Indiana Jones and the Dial of Destiny. The film was directed by James Mangold, who co-wrote the script with Jez and John-Henry Butterworth.[30][31] Spielberg was initially set to direct the film, before passing it to Mangold. Spielberg instead served as an executive producer with Lucas, along with producers Kennedy and Marshall.[32] Ford reprised the title role, along with Karen Allen and John Rhys-Davies and new cast members included Phoebe Waller-Bridge, Mads Mikkelsen, Thomas Kretschmann, Boyd Holbrook, Shaunette Renée Wilson, Toby Jones and Antonio Banderas.[33][34] The film was co-produced by Lucasfilm and Walt Disney Pictures, marking the first film in the series with Disney's involvement.[35] Filming eventually began in the United Kingdom in June 2021[36][37] and wrapped in February 2022.[38] It was Ford's last time playing the title character and is the last film in the franchise overall.[39]Indiana Jones and the Dial of Destiny was released by Disney on June 30, 2023.[40]
The first film is set in 1936. Indiana Jones (Harrison Ford) is hired by government agents to locate the Ark of the Covenant, the gold plated chest containing the stone tablets Moses used to inscribe the Ten Commandments before the Nazi Germans steal it for themselves. The Nazis have teams searching for religious artifacts, including the Ark, which is rumored to make an army that carries the Ark before it invincible.[41] The Nazis are being helped by Indiana's arch-rival and French archaeologist René Belloq (Paul Freeman). With the help of his former lover and tough bar owner Marion Ravenwood (Karen Allen) and his excavator friend Sallah (John Rhys-Davies), Indiana manages to recover the Ark in Egypt. The Nazis steal the Ark and capture Indiana and Marion. Belloq and the Nazis perform a ceremony to open the Ark, but when they do so, all they find inside is sand. Suddenly, spirits come out of the Ark and the Nazis are all killed by the Ark's wrath. Indiana and Marion, who survived by closing their eyes, manage to get the Ark to the United States, where it is stored in a secret government warehouse.
The second film is a prequel set in 1935, a year before Raiders of the Lost Ark. Indiana escapes Chinese gangsters led by Lao Che with the help of singer/actress Willie Scott (Kate Capshaw) and his twelve-year-old sidekick Short Round (Ke Huy Quan). The trio crash-land in India, where they come across a Punjabi village whose children have been kidnapped. The Thuggee cult led by Mola Ram (Amrish Puri) has also taken the holy Sankara Stones, which they will use to take over the world. Indiana manages to overcome Mola Ram's evil power, rescues the children and returns the stones to their rightful place, overcoming his own mercenary nature. The film has been noted as an outlier in the franchise, as it does not feature Indy's university or any antagonistic political entity, and is less focused on archaeology, being presented as a dark movie with gross-out elements, human sacrifice and torture.
The third film is set in 1938. Indiana and his friend Marcus Brody (Denholm Elliott) are assigned by American businessman Walter Donovan (Julian Glover) to find the Holy Grail. They are teamed up with Dr. Elsa Schneider (Alison Doody), following on from where Indiana's estranged father Henry (Sean Connery) left off before he disappeared. It transpires that Donovan and Elsa are in league with the Nazis, who captured Henry Jones to get Indiana to help them find the Grail. However, Indiana recovers his father's diary filled with his research, and manages to rescue him before finding the location of the Grail. Both Donovan and Elsa fall to the temptation of the Grail, while Indiana and Henry realize that their relationship with each other is more important than finding the relic.
Indiana Jones and the Kingdom of the Crystal Skull (2008)[edit]
The fourth film is set in 1957, nineteen years after The Last Crusade. Indiana is having a quiet life teaching before being thrust into a new adventure. He races against agents of the Soviet Union, led by Irina Spalko (Cate Blanchett) for a crystal skull. His journey takes him across Nevada, Connecticut, Peru, and the Amazon rainforest in Brazil. Faced with betrayal by one of his best friends, Mac (Ray Winstone), Indiana is introduced to a greaser named Mutt Williams (Shia LaBeouf), who turns out to be his son (his real name revealed to be Henry Jones III), and is reunited with, and eventually marries, Marion Ravenwood, who was the lead female character introduced in the first movie.
Indiana Jones and the Dial of Destiny (2023)[edit]
The fifth and concluding film is set in 1969, twelve years after The Kingdom of the Crystal Skull. Indiana has moved to New York City, teaching at Hunter College with plans to retire, after his marriage with Marion collapsed following Mutt's death in the Vietnam War. Once his estranged goddaughter Helena Shaw (Phoebe Waller-Bridge) arrives asking for Archimedes' Dial, a relic Jones and her father Basil (Toby Jones) retrieved from the Nazis in 1944 during the Allied liberation of Europe in World War II. A Nazi-turned-NASA scientist Jürgen Voller (Mads Mikkelsen) starts pursuing Jones, wanting to exploit the Dial's unusual properties to change the outcome of World War II. Indiana's journey takes him to Morocco, Greece, and Italy, where he inadvertently ends up traveling back in time to the 212 BC Siege of Syracuse after Voller uses the Dial to locate a time fissure in hopes of assassinating Adolf Hitler prior to the Invasion of Poland to usurp him and lead the Nazis to victory. Upon returning to New York in the present time, Indiana reconciles with Marion.
Countries visited on-screen throughout the events of the films Visited in Raiders of the Lost Ark Visited in Temple of Doom Visited in Last Crusade Visited in Kingdom of the Crystal Skull Visited in Dial of Destiny
The first supernatural Ghost Rider is stuntmotorcyclistJohnny Blaze, who sold his soul, to save the life of his foster father, agrees to give his soul to "Satan" (later revealed to be an arch-demon named Mephisto). At night and when around evil, Blaze finds his flesh consumed by hellfire, causing his head to become a flaming skull. He rides a fiery motorcycle and wields blasts of hellfire from his body, usually from his skeletal hands. He eventually learns he has been bonded with the demon Zarathos. Blaze is featured in the series Ghost Rider (vol. 2) from 1972 to 1983.
The subsequent Ghost Rider series (1990–1998) features Danny Ketch as a new Ghost Rider. After his sister was injured by ninjagangsters, Ketch comes in contact with a motorcycle that contains the essence of a Spirit of Vengeance. Blaze reappears in this 1990s series as a supporting character, and it is later revealed that Danny and his sister were Johnny Blaze's long-lost siblings. In 2000s comics, Blaze succeeds Ketch, becoming Ghost Rider again. In 2014, Robbie Reyes becomes Ghost Rider as part of the Marvel NOW! initiative.
Following the Western comics character who originally used the name, the first superhero Ghost Rider, Johnny Blaze, debuted in Marvel Spotlight issue #5 (Aug. 1972), created by Marvel editor-in-chief Roy Thomas,[2] writer Gary Friedrich and artist Mike Ploog. He received his own series in 1973, with pencillerJim Mooney handling most of the first nine issues. Several different creative teams mixed-and-matched until penciller Don Perlin began a considerably long stint with issue #26, eventually joined by writer Michael Fleisher through issue #58. The series ran through issue #81 (June 1983). Blaze returned as Ghost Rider in a 2001 six-issue miniseries written by Devin Grayson; a second miniseries written by Garth Ennis in 2005, and an ongoing monthly series that began publication in July 2006. Johnny Blaze was the son of Naomi Blaze and Barton Blaze. Naomi was the previous Ghost Rider.
The next Ghost Rider, a young man named Daniel "Danny" Ketch (Johnny Blaze's long-lost younger brother), debuted in Ghost Rider (vol. 3) #1 (May 1990). This Ghost Rider was nearly identical to the previous, although his costume was now a black leather biker jacket with spiked shoulder-pads, grey leather pants, and a mystic chain he wore across his chest, which responded to his mental commands and served as his primary melee weapon. His new motorcycle resembled a futuristic machine and the front of it could lower to serve as a battering ram. Like the original Ghost Rider's bike, the wheels were composed of mystic hellfire. Unlike the relationship between the previous Ghost Rider and the demon with which he was bonded, Ketch and his demon — who in (vol. 3) #91 (Dec. 1997) is revealed to be Marvel's incarnation of the Angel of Death/Judgment — are cooperative with each other. At the close of the series with (vol. 3) #93 (Feb. 1998), Ketch apparently died. The following year, however, Peter Parker: Spider-Man #93 (July 1999) revealed Ketch was still alive. Nearly a decade later, Marvel published the long-completed final issue as Ghost Rider Finale (Jan. 2007), which reprints the last issue and the previously unpublished Ghost Rider (vol. 3) #94.[3]
During the 2011 storyline "Fear Itself", a Nicaraguan woman named Alejandra Jones becomes Ghost Rider through a ritual performed by a man named Adam. Though she demonstrates many previously unknown powers of the Ghost Rider entity, she is deprived of its full power when Johnny Blaze takes back most of this power in (Vol. 7) #9.
She was killed by Carnage during the Absolute Carnage event.
In 2014, a new character took on the Ghost Rider mantle: a Mexican-American resident of East Los Angeles named Roberto "Robbie" Reyes, who drives a black classic muscle car reminiscent of a modified 1969 Dodge Charger rather than a motorcycle.[4][5] Robbie Reyes was created by writer/artist Felipe Smith and designed by Smith and artist Tradd Moore.[6]
Michael Badilino, an ex-member of the New York City Police Department, is one-third of an "Organic Medallion of Power"; the other two are Ketch and Blaze (the Medallion itself was never explained in any true detail). He possesses powers more in line with those of the Zarathos version of Ghost Rider, although he also possesses the Penance Stare and his motorcycle seemed to share characteristics with the Noble Kale version. His appearance is distinguished by a deep purple skull, large fangs protruding from his upper jaw, and backswept curved horns on the top of his skull.
In his superhuman form, Badilino was called Vengeance, and originally attempted to kill the Ghost Rider, believing him to be Zarathos. Vengeance later became the ally of Ghost Rider and Johnny Blaze. Vengeance also took on the role of the Ghost Rider and even semi-seriously referred to himself by that name when confronted by Spider-Man shortly after the apparent death of Ghost Rider in battle with Zarathos and acolytes The Fallen. Vengeance killed himself, along with the villain Hellgate, by triggering a massive explosion through his Hellfire, the source of the mystical flames that encompass the bones of both Vengeance and Ghost Rider.
Vengeance reappears in the last four issues of Ghost Rider (vol. 3), involved in Blackheart's plans to kill Noble Kale. Vengeance aids the Ghost Rider in the ensuing battle, destroying Blackheart and ruling Hell during Ketch's absences.
An Ultimate Marvel incarnation of Vengeance exists as former biker turned Vice President of the United States Robert Blackthorne and was featured as a villain in Ultimate Avengers.
In the 19th century, while her tribe was being attacked by the U.S. Army, Kushala's parents were killed and, in an act of rage, she prayed to her creator, but instead was possessed by a Spirit of Vengeance. Then she burnt everyone until all that remained were their spirits. After becoming possessed by the Spirit of Vengeance, Kushala traveled the world seeking out and studying different forms of magic in an attempt to cure herself. Her skills in the mystic arts eventually led to her becoming the Sorcerer Supreme of her era.
The Ghost Rider is a human who can transform into a skeletal superhuman wreathed in ethereal flame and given supernatural powers. The abnormal motorcycle he rides can travel faster than any conventional vehicle and perform impossible feats such as riding up a vertical surface, across water, and leaping across great distances that normal motorcycles cannot. The Ghost Riders are virtually indestructible and notoriously hard to injure by any conventional means, as bullets and knives usually pass through them without causing pain (knives are shown to melt while in their body).[7] It is possible that they are genuinely immortal, as it is said that God created them and only God can destroy them.[8] Despite being composed of bone and hellfire, the Ghost Riders possess formidable superhuman strength, enough to easily pick up a truck and hurl it across a road. It has been stated that Johnny Blaze as Ghost Rider can bench press around 25 tons (50,000 lbs) (or more as seen in World War Hulk).[9] Each Ghost Rider entity also had abilities specific to him or her.
Originally when Blaze transformed into Ghost Rider, his body changed but not the clothes he was wearing. In his new incarnation, this is different and his clothes take on a different appearance with a spiked leather jacket and chains. As Ghost Rider, he can cause his motorcycle to transform and surround itself with hellfire or he can create a new cycle from pure hellfire. He is also capable of projecting hellfire as a weapon. His hellfire "burns the soul" without leaving physical injuries on the victim and its effects have been seen as similar to the "Penance Stare." In his new incarnation, Blaze is now possibly the most powerful hero on Earth. During "World War Hulk", Doctor Strange said Ghost Rider might be as powerful as the "Green Scar" persona of Hulk and could possibly defeat him. During this series, Doctor Strange also states that Ghost Rider protects only the innocent, which none of the Illuminati are. In recent comics, Blaze's Ghost Rider has been given the "Penance Stare" and mystical chain, both of which were specific to the Danny Ketch Ghost Rider. Blaze also uses a shotgun and discovered that he can discharge hellfire from the weapon when he first encountered Ketch. Now, he also has new abilities including hellfire breath, the ability to produce chains from either his throat or chest, and the ability to travel between incorporeal realms.
When Ketch transformed into Ghost Rider, his clothes changed with him, taking on the appearance of a spiked leather jacket with chains with a dollar, gray leather pants, and spiked gloves and boots. Likewise, his motorcycle underwent a radical transformation, changing from a conventional one into a high-tech motorcycle (this transformation was not strictly limited to the motorcycle he was found in the cemetery with as he was once seen able to transform another cycle in "Ghost Rider/Wolverine/Punisher: Hearts of Darkness"). Along with flaming wheels that allow the bike to nearly fly across surfaces, the bike included a shield-like battering ram on the front. As the Ghost Rider, Ketch used a mystical chain which responded to his mental commands. It could grow in length, alter direction while in the air, stiffen into a staff or spear, and separate into several links which can strike like shrapnel and then return to their original form. Daniel's most famous power was the Penance Stare. By locking eyes with a target and mentally focusing, the Danny Ketch Ghost Rider was able to make the target experience all the pain they had ever inflicted on anyone else. However, some beings have shown resistance to this ability, such as Venom and Carnage as their alien symbiote "costumes" do not technically have eyes; and Madcap, who is so masochistic, he claims to enjoy the experience. In the 1994 Fantastic Four animated series, this ability was shown to be powerful enough to bring down the mighty Galactus, as Ghost Rider forced Galactus to feel the pain of all those who had died as a result of his feeding on their planets; as Ghost Rider put it, "A billion souls". This display of power, though, appeared to simply be a rewrite for the animated series, as the original storyline in Fantastic Four issue 243 has Doctor Strange casting a spell that causes all of the souls of those Galactus had killed by his feedings to be visited upon him at once. Originally, this incarnation of the Ghost Rider could only be summoned if Danny was present when "innocent blood was spilled" (an innocent simply being threatened was not enough), at which time Danny had to touch the gas cap of his motorcycle for the transformation process to occur. Later, he was able to summon the Ghost Rider without touching the gas cap but still needed to wait for innocent blood to be spilled. Later still, he was able to summon the Ghost Rider by willpower alone.
The ghost of Eli Morrow that inhabits Robbie's body is not, according to Johnny Blaze, a true Spirit of Vengeance. Regardless, he gives Robbie several abilities similar to that of other Ghost Riders, including the power to manifest and control chains ending in thin knives or sickles.[10] The black muscle car that Morrow's ghost initially inhabits is linked to Robbie's Ghost Rider form, allowing him to instantly teleport to and/or merge with the car. The car can also be driven remotely, and Robbie's Ghost Rider form can pass harmlessly through it, allowing it to drive into foes. The car's trunk, when opened, acts as a portal, allowing the Ghost Rider to transport anything, including people, to any location. Though it is initially unknown if Robbie's Ghost Rider form possesses the divine powers of his predecessors, he eventually displays the ability to use the Penance Stare during a battle with Star Brand.[11] Eli is able to take full control of Robbie's body when the teen gives in to his negative emotions, signified by a pallid skin tone and both of his eyes turning orange. His Ghost Rider form also displays the ability to change into a more powerful and demonic form when Robbie is sufficiently angered.[12] At the end of the fourth season of Agents of S.H.I.E.L.D., to prevent the Darkhold from being used again, he slung his flaming chains in the same manner as a Sling Ring, allowing him to travel and take the book with him for safekeeping.
Noble lived in the 18th century and grew up with his abusive father Pastor Kale and his younger brother Dante.
Noble fell in love with a black girl named Magdelena. But, because of the color of her skin and his father's strong religious views, the couple kept their love a secret from the world. They were forced to tell Pastor Kale when Magdelena bore Noble's child. Noble and Magdelena were then married.
Shortly after the marriage, Magdelena discovered Pastor Kale's dark secret; he was a servant of the dark lord Mephisto. To cover up Magdelena's findings, Pastor Kale accused her of witchcraft and had her burned at the stake. Knowing that his son, Noble, would object, he had him drugged, tortured and beaten in the church cellar.
Just before Magdelena died, she used a curse to summon demons that avenge wronged women. The demons were called "Furies" and they started killing the townspeople. Fearing death, Pastor Kale struck a deal with Mephisto. In return for his safety, Mephisto got Noble's soul. Mephisto realized that Noble was attached to a piece of the Medallion of Power and he activated the piece to transform Noble into the original "Spirit of Vengeance". When Ghost Rider had destroyed the Furies, Pastor offered him human flesh - Noble's son. Noble, in the guise of Ghost Rider, was unwilling to eat his own child and he killed himself.
When Mephisto later appeared to claim Noble's soul, Mephisto's brother, the archangel Uriel, appeared and demanded that the soul of Noble Kale be spared. No agreement could be reached, and therefore a compromise was made whereby Noble's soul could not be claimed by either realm; but instead, his soul would remain in the void until re-bonded with certain members of his family.[13]
Noble Kale was also established as an ancestor of Jennifer Kale.[14]
Due to the Celestial Progenitor presence influencing human evolution, in 1,000,000 B.C., certain humans became much more intelligent than others as well as able to speak a new language. However, they had to hide that gift from their brethren for fear of being ostracized. One day, a boy that was gifted with the ability to speak is approached by a mysterious stranger that also possessed that gift, only to witness the stranger transform into a beast and devour his entire tribe. The stranger allowed the boy to live and names him "Ghost" before telling him to challenge him when he is worthy. The boy was forced to survive on his own, though he does befriend a woolly mammoth. After almost dying in the harsh environment, he is approached by Mephisto in the form of a snake, who tells him to say its name. Ghost does that and is bonded with a Spirit of Vengeance; after which he imbued his newly acquired hellfire into the mammoth. Other humans had never seen someone ride an animal before and began referring to Ghost as "the Rider". The Rider continued his search and five years later, eventually caught up with the man who devoured his tribe. The man transformed once more, revealing himself to be the first Wendigo. During the fight, the Rider took the bones of the dead that the Wendigo had killed and used them to form a weapon; the earliest version of the Ghost Rider's signature chain. The Rider fought the Wendigo until finally it and the Rider's woolly mammoth tumbled over a cliff. Afterwards, Ghost was approached by Odin and Lady Phoenix to join the prehistoric version of the Avengers.[15]
Upon imbuing his hellfire into another woolly mammoth, the Ghost Rider assisted the prehistoric Avengers (consisting of Agamotto, Odin, Lady Phoenix, and prehistoric versions of the Black Panther, Iron Fist, and Star Brand) in fighting an out of control Celestial called the Fallen; which resulted in his woolly mammoth getting killed in action. The Ghost Rider swore revenge and assisted his teammates in defeating the Fallen and sealing it away underground in what would become South Africa.[11] The Ghost Rider later assisted the prehistoric Avengers in fighting the First Host.[16]
During the 11th century, a Native American chieftain from the Sioux nation named Hellhawk sported the powers of the Ghost Rider. He was part of Thor's Avengers of 1,000 A.D.[17][18]
During the 17th century, Hellhawk developed a rivalry with Noble Kane.[19] He was later killed by Narcosis to serve as a warning to Mephisto by Belasco to keep his Spirits of Vengeance out of Limbo.[20]
Seven riders show their flaming heads for the first time in this story arc by writer Jason Aaron and artist Tan Eng Huat. Daniel Ketch returns with a new mission: to collect the powers of all the Ghost Riders for the angel Zadkiel to prevent the corruption of the powers with their human hosts. Zadkiel has other motives he keeps to himself, for which he needs the powers of the riders to tear down the walls of New Jerusalem and wage war on the heavens.
A version of Ghost Rider appeared in the miniseriesGhost Rider: Trail of Tears #1–6 (April–Sept. 2007) by writer Garth Ennis and artist Clayton Crain. Set during the American Civil War, it finds Confederate officer Travis Parham avenging the murders of his friend, an ex-slave named Caleb and Caleb's family. Parham meets a horse-riding Ghost Rider who seeks the same men. Eventually, Parham learns about the deaths instrumental in helping set forth the Spirit of Vengeance.
During the 19th century, an unnamed Ghost Rider was active during the American frontier. He targeted anyone who killed Native American women and children or who cut off their scalps.[19]
Deputy Kowalski was a normal cop in a small town until Ghost Rider rode in one day. It was then that Kowalski was kidnapped by a local cannibal who cut off his hand. Events transpired that led to Kowalski escaping and developing a wrath against the Ghost Rider. His attention was brought to the hellfire shotgun in possession of Badilino. After purchasing the gun—and discovering to Badilino's surprise that it will work for Kowalski—Kowalski was recruited by agents of Zadkiel and told to wait in the middle of the desert for the Ghost Rider. Johnny Blaze (as Ghost Rider) did arrive in hot pursuit of Danny Ketch (as a new incarnation of Ghost Rider). Kowalski did manage to get a shot in on Blaze. Although it was a minor setback Blaze resumed his pursuit of Ketch. Left in the desert Kowalski soon found himself transformed into the new Vengeance, sporting green flames and a hook for his right hand, after Ketch returned the powers of the Spirits of Vengeance to Earth.[volume & issue needed]
With a thirst for revenge, Kowalski, as Vengeance, was recruited by Blackout as a member of Zadkiel's Ghost Rider Assassination League.[21] Kowalski was partnered with The Orb and was to stop Blaze and Ketch from reaching a monastery which contained a gateway to Heaven. Kowalski was easily defeated by both Ghost Riders and was left as a pet with the monastery's Mother Superior.[22]
An immortal man and ally to Ketch, member of the Blood.
Craig "Crash" Simpson
Roxanne's father and owner of one of the country's most popular motorcycle expedition shows, "Crash Simpson's Daredevil Cycle Show". One of his star performers and friends was cyclist Barton Blaze.[24]
Daniel
The youngest brother of Kazaan and Malachi, loyal to God.[25]
Ruth
A murderous angel from Heaven tasked to hunt and captures the rogue fallen angel Kazann.
Witch Woman
An Arizonan Apache Indian woman named Linda Littletrees who made a deal with Mephisto.[26]
Malachi
A brother of Kazann and angelic commander. He returned the Ghost Rider to the mortal plane after being trapped in Hell to hunt down Kazaan with his brother Daniel's help and to win favor with God.[27]
Shriker
Jack D'Auria, an old friend of Danny Ketch and student of Yuri Watanabe who became an unrequited ally for Ketch against his foes.[28]
Sister Sara
The granddaughter of the Caretaker.
Mary Le Bow
A Brooklyn paranormal investigator who has unrequited love for Danny.[29]
Uri-El
An angel of Heaven who is called the "bane of all demons".[30]
Gabriel Reyes
The handicapped brother of Robbie who helped raise him after their mother Juliana's death.[31]
Barbara Ketch
Sister of Danny and Johnny, daughter of Barton Blaze. Her death inspired Danny to become Ghost Rider.[32]
Barton Blaze
The late father of Johnny Blaze, friend of Crash.
Stacy Dolan
Childhood friend and love interest of Danny and Jack D'Auria, daughter of NYPD Captain Arthur.[32]
Talia Warroad
A young goth agent who appeared as a new ally of Johnny and eventually became his lover.
Mephisto's son, Blackheart, created a group of Spirits of Vengeance to battle Ghost Rider in the hopes of conquering Hell. Instead, Ghost Rider Noble Kale defeats him and takes over his portion of Hell. He is the main antagonist in the 2007 film Ghost Rider.
A Lilin who worked under Deathwatch that frequently crossed swords with Ghost Rider. After the hero burned him to disfigurement, Blackout learned his secret identity and began killing his loved ones and acquaintances. Blackout appears as a henchman of Mephisto in the 2012 film Ghost Rider: Spirit of Vengeance.
Daniel Ketch's archenemy. A Translord from an unknown demonic dimension posing as a crime boss in New York in an attempt to murder its residents. He later died at the hands of Ghost Rider, then was resurrected as a servant for Centurious.
Doghead
Francisco Fuentes was an acquaintance of Danny Ketch who was murdered while walking his dog, Chupi. He was resurrected by Blackheart, merged with Chupi, and became his servant.
Death Ninja
An agent of Centurious who infiltrated Deathwatch's ranks and frequently battled Ghost Rider.
An ancient immortal sorceress from Atlantis, Lilith gave birth to the Lilin over the centuries and was imprisoned until recently. Upon her freedom, she discovered many of her kind had been murdered by the Spirits of Vengeance and sought their demise. Her four most loyal children are Pilgrim, Nakota, Meatmarket, and Blackout.
Lucifer, like the other Hell-lords, sought to remove the human component from the Ghost Rider in the hope it would become a mindless killing machine that would eliminate humanity. However, Ghost Rider proved too strong and Lucifer was exiled to Perdition. Later, Lucifer would be the demon-lord charged with torturing Zadkiel for all eternity.
A lunatic cursed with immortality and enhanced healing capabilities, Madcap has fought several of New York's heroes, with Ghost Rider one of his more frequent opponents.
Johnny Blaze's archenemy. A demon who posed as the devil to claim Johnny Blaze's soul. Mephisto is the one responsible for bringing Ghost Rider into Johnny's life. Ghost Rider, however, is able to resist the evil that overcame him long ago, and is now able to use his powers for good no matter what. Angered, Mephisto sought revenge against Ghost Rider, and now constantly tries to win his creation back. Mephisto appears under the name Mephistopheles in the 2007 film Ghost Rider.
Crash Simpson's (mentor to Johnny Blaze) partner in his traveling motorcycle stunt show, Drake Shannon lost most of his face in a challenge against Crash for the business. Given an eyeball-like helmet by They Who Wield Power that was able to hypnotize others, he returned to try and reclaim the stunt show, but was foiled by Ghost Rider. He would return as one of Ghost Rider's most frequent enemies.
A contortionist, Ebenezer Laughton decided to use his gifts as a thief. In time, he would turn to murder, eventually being brought into conflict with Ghost Rider and nearly killed from the encounter. The Firm turned him into an undead creature, bearing superhuman abilities and able to induce fear in others (whose fear could heal his wounds), setting him upon the Spirit of Vengeance again (and becoming a frequent foe).
Steel Vengeance
Steel Wind's sister, Sadae Tsumura gave her soul to Centurious to save her sister after an encounter with Ghost Rider left her comatose. Sadae was turned into Steel Vengeance, a cyborg bent on killing Ghost Rider.
Steel Wind
Following a freak explosion, Ruriko Tsumura was remade as a cyborg by Freakmaster and challenged Johnny Blaze at the Quentin Carnival in cycling, defeating him and earning a place amongst them. However, she ran the business into the ground and battled Ghost Rider, leaving her comatose. She was rehabilitated by Centurious and used as his agent. In time, she would, instead, become Ghost Rider's ally.
A Spirit of Vengeance, Lt. Michael Badilino sold his soul to Mephisto to gain the power to destroy Ghost Rider (who he blamed for the death of his family). When he learned it was instead Zarathos, he became Ghost Rider's ally.
A renegade archangel who sought to usurp Heaven due to his hatred for God's admiration of humanity. Using Ghost Rider to kill other Spirits of Vengeance to empower himself, Zadkiel took the throne and cast out Ghost Rider. The hero would return with the dead Spirits of Vengeance to defeat Zadkiel and imprison him in Hell for all eternity.
A demon bound to Johnny Blaze by Mephisto to become the Ghost Rider. He would, however, come to exert control over the entity, but ultimately would be separated from Blaze in the conflict against Centurious. He later renewed his alliance with Lilith.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Rocky entered development in March 1975, after Stallone wrote the screenplay in three days. It entered a complicated production process after Stallone refused to allow the film to be made without him in the lead role; United Artists eventually agreed to cast Stallone after he rejected a six figure deal for the film rights. Principal photography began in January 1976, with filming primarily held in Philadelphia; several locations featured in the film, such as the Rocky Steps, are now considered cultural landmarks.[3] With an estimated production budget of under $1 million, Rocky popularized the rags to riches and American Dream themes of sports dramas which preceded the film.
Rocky had its premiere in New York City on November 20, 1976, and was released in the United States on December 3, 1976. Rocky became the highest-grossing film of 1976, earning approximately $225 million worldwide. The film received critical acclaim for Stallone's writing, as well as the film's performances, direction, musical score, cinematography and editing; among other accolades, it received ten Academy Award nominations and won three, including Best Picture. It has been ranked by numerous publications as one of the greatest films of all time, as well as one of the most iconic sports films ever.
In 1975, heavyweightboxing world champion Apollo Creed plans to hold a title bout in Philadelphia during the upcoming United States Bicentennial. However, he is informed five weeks from the fight date that his scheduled opponent is unable to compete due to an injured hand, and that all other potential replacements are either booked up or unable to get into shape in time. Having already invested heavily into the fight, Creed decides to give a local contender a chance to challenge him.
Creed selects Rocky Balboa, an Italian-Americanjourneymansouthpaw boxer who fights primarily in small gyms and works as a collector for a Mafialoan shark, on the basis of his nickname, "The Italian Stallion". Rocky fights in a local Philadelphia fight club, and he won his last fight with Spider Rico. He meets with promoter George Jergens, who tells him Creed has selected Rocky to fight him for the World Heavyweight Championship. Reluctant at first, Rocky eventually agrees to the fight, which will pay him $150,000. Rocky undergoes several weeks of unorthodox training, such as using sides of beef as punching bags.
Rocky is later approached by Mickey Goldmill, a former bantamweight fighter-turned-trainer whose gym Rocky frequents, about further training. Rocky is not willing initially, as Mickey has not shown much interest in helping him before and saw him as a wasted talent, but eventually Rocky accepts the offer.
Rocky begins to build a romantic relationship with Adrian Pennino, a shy woman who is working part-time at the J&M Tropical Fish pet store. Adrian's brother and Rocky's best friend, Paulie, helps Rocky get a date with his sister and offers to work as a cornerman with him for the fight, an offer Rocky turns down. Paulie becomes jealous of Rocky's success, but Rocky placates him by agreeing to advertise the meat packing business where Paulie works for sponsorship as part of the upcoming fight, and both of them reconcile. Rocky trains extensively for the championship fight, while Apollo is unconcerned about the match and puts more effort into promotion than training. The night before the match, Rocky visits the Spectrum and begins to lose confidence. He confesses to Adrian that he does not believe he can win, but strives to go the distance against Creed, which no other fighter has done, to prove himself to everyone.
On New Year's Day, the fight is held with Creed making a dramatic entrance dressed as George Washington and then Uncle Sam. Taking advantage of his overconfidence, Rocky knocks him down in the first round—the first time that Creed has ever been knocked down. Humbled and worried, Creed takes Rocky more seriously for the rest of the fight, though his ego never fully fades. The fight goes on for the full fifteen rounds, with both combatants sustaining various injuries: Rocky, with hits to the head and swollen eyes, requires his right eyelid to be cut to restore his vision, while Apollo, with internal bleeding and a broken rib, struggles to breathe. As the fight concludes, Creed's superior skill is countered by Rocky's apparently unlimited ability to absorb punches and his dogged refusal to go down. As the final bell sounds, with both fighters embracing each other, they promise each other there will be no rematch.
The fight is extremely well received by the sportscasters and the audience. Rocky calls out repeatedly for Adrian, who runs down as Paulie distracts security to help her get into the ring. As Jergens declares Creed the winner by virtue of a split decision, Rocky and Adrian embrace and profess their love for each other, not caring about the outcome of the fight.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days, shortly after watching the championship match between Muhammad Ali and Chuck Wepner that took place at Richfield Coliseum in Richfield, Ohio, on March 24, 1975. Wepner was TKO'd in the 15th round of the match by Ali, with few expecting him to last as long as he did. Despite the match motivating Stallone to begin work on Rocky,[6] he has denied Wepner provided any inspiration for the script.[7][8][9] Other inspiration for the film may have included characteristics of real-life boxers Rocky Marciano and Joe Frazier,[10][11] as well as Rocky Graziano's autobiography Somebody Up There Likes Me and the movie of the same name. Wepner sued Stallone, and eventually settled for an undisclosed amount.[8]
Henry Winkler, Stallone's co-star in The Lords of Flatbush who then broke out as Arthur Fonzarelli on ABC's Happy Days, said he had taken the script to executives at the network. They expressed interest in turning it into a made-for-television movie and actually bought the script but insisted that someone else re-write it. Upon hearing the news, Stallone begged Winkler not to let ABC change writers, so Winkler went back to the executives and offered to return the money in exchange for the rights. While ABC refused at first, Winkler said he was able to use his status as one of its biggest stars at the time to convince them to sell the rights back.[12]
At the time, Film Artists Management Enterprises (FAME), a joint venture between Hollywood talent agents Craig T. Rumar and Larry Kubik, represented Stallone. He submitted his script to Rumar and Kubik, who immediately saw the potential for it to be made into a motion picture. They shopped the script to various producers and studios in Hollywood but were repeatedly rejected because Stallone insisted that he be cast in the lead role. Eventually, they secured a meeting with Winkler-Chartoff productions (no relation to Henry Winkler). After repeated negotiations with Rumar and Kubik, Winkler-Chartoff agreed to a contract for Stallone to be the writer and also star in the lead role for Rocky.[13]
United Artists liked Stallone's script and viewed it as a vehicle for a well-established star like Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.[14] Stallone's agents insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself had the film become a success with somebody else in the lead.[15][16] He also knew that producers Irwin Winkler and Robert Chartoff's contract with the studio enabled them to "greenlight" a project if the budget was kept low enough. The producers also collateralized any possible losses with their big-budget entry, New York, New York (whose eventual losses were covered by Rocky's success).[17][18] The film's production budget ended up being $1,075,000, with a further $100,000 spent on producers' fees and $4.2 million on advertising costs.[19]
Although Chartoff and Irwin Winkler were enthusiastic about the script and the idea of Stallone playing the lead character, they were hesitant about having an unknown headline the film. The producers also had trouble casting other major characters in the story, with Apollo Creed and Adrian cast unusually late by the production standards.[citation needed] Real-life boxer Ken Norton was initially sought for the role of Apollo Creed, but he pulled out and the role was ultimately given to Carl Weathers.[20] Norton, upon whom Creed was loosely based, fought Muhammad Ali three times. According to The Rocky Scrapbook, Carrie Snodgress was originally chosen to play Adrian, but a money dispute forced the producers to look elsewhere. Susan Sarandon and Cher auditioned for the role but Sarandon was deemed too pretty for the character and Cher too expensive. After Talia Shire's ensuing audition, Chartoff and Winkler, and director John Avildsen,[3] insisted that she play the part.[citation needed]
Philadelphia based boxer Joe Frazier has a cameo appearance in the film. Outspoken boxer Muhammad Ali, who fought Frazier three times, influenced the character of Apollo Creed. During the 49th Academy Awards ceremony in 1977, Ali and Stallone staged a brief comic confrontation to show the film did not offend Ali. Frazier has claimed that some of the plot's most memorable moments—Rocky's carcass-punching scenes and Rocky running up the steps of the Philadelphia Museum of Art as part of his training regimen—are taken without credit from his own real-life exploits.[21]
Because of the film's comparatively low budget, members of Stallone's family played minor roles. His father rings the bell to signal the start and end of a round; his brother Frank plays a street corner singer, and his first wife, Sasha, was stills photographer.[22] Other cameos include former Philadelphia and then Los Angeles television sportscasterStu Nahan playing himself, alongside radio and TV broadcaster Bill Baldwin; and Lloyd Kaufman, founder of the independent film company Troma, appearing as a drunk. Diana Lewis, then a news anchor in Los Angeles and later in Detroit, has a minor scene as a TV news reporter. Tony Burton appears as Apollo Creed's trainer, Tony "Duke" Evers, a role he would reprise throughout the entire Rocky series, though the character is not named until Rocky II. Michael Dorn, who would later gain fame as the KlingonWorf in Star Trek: The Next Generation and Star Trek: Deep Space Nine, made his acting debut, albeit uncredited, as Creed's bodyguard.[23]
Principal photography for Rocky began on January 9, 1976.[24] Filming took place primarily throughout Philadelphia, with a few scenes being shot in Los Angeles. Rocky's house was in E Tusculum St 1818 in Philadelphia.[25] Inventor Garrett Brown's new Steadicam was used to accomplish smooth photography while running alongside Rocky during the film's Philadelphia street training sequences and the run up the Art Museum's flight of stairs, now colloquially known as the Rocky Steps.[26] It was also used for some shots in the fight scenes and can be seen at the ringside during some wide shots of the final fight. Rocky is often erroneously cited as the first film to use the Steadicam, although it was actually the third, after Bound for Glory and Marathon Man.[27]
Certain elements of the story were altered during filming. The original script had a darker tone: Mickey was portrayed as racist, and the script ended with Rocky throwing the fight after realizing he did not want to be part of the professional boxing world after all.[17]
Both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.[28]
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours on a deserted ice skating rink, was shot that way due to budgetary concerns— the scene was originally scheduled to be shot in a public skating rink during regular business hours, but the producers decided they could not afford the hundreds of extras that would have been required.[29]
The poster seen above the ring before Rocky fights Apollo Creed shows Rocky wearing red shorts with a white stripe when he actually wears white shorts with a red stripe. When Rocky points this out, he is told that "it doesn't really matter, does it?" According to director Avildsen's DVD commentary, this was an actual mistake made by the props department that they could not afford to rectify, so Stallone wrote the brief scene to ensure the audience did not see it as a goof.[30] Conversely, Stallone has said he was indeed supposed to wear red shorts with a white stripe as Rocky, but changed to the opposite colors "at the last moment".[31] Similarly, when Rocky's robe arrived far too baggy on the day it was needed for filming, Stallone wrote in dialogue where Rocky points this out.[32]
Bill Conti composed the musical score for Rocky. He had composed a score for director John G. Avildsen's W.W. and the Dixie Dancekings (1975) that the studio ultimately rejected.[33]David Shire (then-husband of Talia Shire) was the first to be offered the chance to compose the music for Rocky but had to turn it down because of prior commitments.[34] Avildsen reached out to Conti without any studio help because of the film's relatively low budget. Avildsen said, "The budget for the music was 25 grand. And that was for everything: The composer's fee, that was to pay the musicians, that was to rent the studio, that was to buy the tape that it was going to be recorded on."[35]
The movie began with two premieres in New York, starting with the world premiere for Rocky, which would take place at Paramount Theatre in New York City on Saturday, November 20, 1976, by United Artists and the other on the day after Sunday, November 21, 1976, by United Artists at Cinema II in New York City. The Los Angeles premiere took place at the Plaza in Westwood Village on December 1, 1976. This was then followed by a full official release on December 3, 1976, all throughout North America in the United States and Canada.[40]
April 24, 2001 (DVD, also packed with the Five-Disc Boxed Set)
2001 (VHS, 25th anniversary edition)
December 14, 2004 (DVD, also packed with the Rocky Anthology box set)
February 8, 2005 (DVD, also packed with the Rocky Anthology box set)
December 5, 2006 (DVD and Blu-ray Disc – 2-Disc Collector's Edition, the DVD was the first version released by Fox and was also packed with the Rocky Anthology box set and the Blu-ray was the first version released by 20th Century Fox Home Entertainment)
December 4, 2007 (DVD box set – Rocky The Complete Saga. This new set contains the new Rocky Balboa, but does not include the recent 2 disc Rocky. There are still no special features for Rocky II through Rocky V, although Rocky Balboa's DVD special features are all intact.)
November 3, 2009 (Blu-ray box set – Rocky The Undisputed Collection. This release included six films in a box set. Previously, only the first film and Rocky Balboa were available on the format. Those two discs are identical to their individual releases, and the set also contains a disc of bonus material, new and old alike.[41])
May 6, 2014 - Blu-ray re-release with an all new 4K remaster and the previous special features of the old release.[42]
October 13, 2015 – Blu-ray box set, Rocky Heavyweight Collection 40th Anniversary Edition. All six films plus over three hours of bonus material, including the 4K remaster of the first film.[43]
Rocky grossed $5,488 on its opening day at Cinema II, a house record.[40] When it was released nationally, it grossed $5 million during its first wide weekend and consistently performed well for eight months[44] and eventually reached $117 million at the North American box office.[45] Adjusted for inflation in 2018, the film earned over $500 million in North America alone.[46] Overseas, Rocky grossed $107 million, for a worldwide box office total of $225 million.[47] With its production budget of just under $1 million, Rocky is notable for its worldwide percentage return of over 11,000 percent.[48] It was the highest-grossing film released in 1976 in the United States and Canada[49] and the second highest-grossing film of 1977, behind Star Wars.[50]
Rocky received positive reviews at the time of its release. Roger Ebert of the Chicago Sun-Times gave it 4 out of 4 stars and said that Stallone reminded him of "the young Marlon Brando."[51]Box Office Magazine claimed audiences would be "touting Sylvester 'Sly' Stallone as a new star".[52][53]Frank Rich liked the film, calling it "almost 100 per cent schmaltz", but favoring it over the cynicism that was prevalent in movies at that time, although he referred to the plot as "gimmicky" and the script "heavy-handed".[54] Several reviews, including Richard Eder's (as well as Canby's negative review), compared the work to that of Frank Capra.
The film, however, did not escape criticism. Vincent Canby, of The New York Times, called it "pure '30s make believe" and dismissed both Stallone's acting and Avildsen's directing, calling the latter "none too decisive".[55]Andrew Sarris found the Capra comparisons disingenuous: "Capra's movies projected more despair deep down than a movie like Rocky could envisage, and most previous ring movies have been much more cynical about the fight scene"; commenting on Rocky's work for a loan shark, Sarris says the film "teeters on the edge of sentimentalizing gangsters". He found Meredith "oddly cast in the kind of part the late James Gleason used to pick his teeth".[56]
In modern times, the film enjoys a reputation as a classic and still receives nearly universal praise. On the review aggregate website Rotten Tomatoes, the film holds a 92% approval rating based on 75 reviews, with an average rating of 8.4/10. The site's critics consensus states: "This story of a down-on-his-luck boxer is thoroughly predictable, but Sylvester Stallone's script and stunning performance in the title role brush aside complaints."[57]Metacritic, which uses a weighted average, assigned the film a score of 70 out of 100, based on 14 critics, indicating "generally favorable" reviews.[58]
One of the positive online reviews came from the BBC Films website, with both reviewer Almar Haflidason and BBC online users giving it 5/5 stars.[59] In Steven J. Schneider's 1001 Movies You Must See Before You Die, Schneider sa
All nine films, collectively referred to as the "Skywalker Saga", were nominated for Academy Awards, with wins going to the first two releases. Together with the theatrical live action "anthology" films Rogue One (2016) and Solo (2018), the combined box office revenue of the films equated to over US$10 billion, making Star Wars the third-highest-grossing film franchise of all time.
The Star Wars franchise depicts the adventures of characters "A long time ago in a galaxy far, far away"[2] across multiple fictional eras, in which humans and many species of aliens (often humanoid) co-exist with robots (typically referred to in the films as 'droids'), which may be programmed for personal assistance or battle.[3]Space travel between planets is common due to lightspeedhyperspace technology.[4][5][6] The planets range from wealthy, planet-wide cities to deserts scarcely populated by primitive tribes. Virtually any Earth biome, along with many fictional ones, has its counterpart as a Star Wars planet which, in most cases, teem with sentient and non-sentient alien life.[7] The franchise also makes use of other astronomical objects such as asteroid fields and nebulae.[8][9] Spacecraft range from small starfighters to large capital ships, such as the Star Destroyers, as well as space stations such as the moon-sized Death Stars.[10][11][12] Telecommunication includes two-way audio and audiovisual screens, holographic projections and hyperspace transmission.[13]
The universe of Star Wars is generally similar to the real universe but its laws of physics are less strict allowing for more imaginative stories.[14] One result of that is a mystical power known as the Force which is described in the original film as "an energy field created by all living things ... [that] binds the galaxy together".[15] The field is depicted as a kind of pantheistic god.[16] Through training and meditation, those whom "the Force is strong with" exhibit various superpowers (such as telekinesis, precognition, telepathy, and manipulation of physical energy).[17] It is believed nothing is impossible for the Force.[18] The mentioned powers are wielded by two major knightly orders at conflict with each other: the Jedi, peacekeepers of the Galactic Republic who act on the light side of the Force through non-attachment and arbitration, and the Sith, who use the dark side by manipulating fear and aggression.[19][20] While Jedi Knights can be numerous, the Dark Lords of the Sith (or 'Darths') are intended to be limited to two: a master and their apprentice.[21]
The franchise is set against a backdrop of galactic conflict involving republics and empires, such as the evil Galactic Empire.[22] The Jedi and Sith prefer the use of a weapon called the lightsaber, a blade of plasma that can cut through virtually any surface and deflect energy bolts.[23] The rest of the population, as well as renegades and soldiers, use plasma-powered blasterfirearms.[24] In the outer reaches of the galaxy, crime syndicates such as the Hutt cartel are dominant.[25]Bounty hunters are often employed by both gangsters and governments, while illicit activities include smuggling and slavery.[25]
The Star Wars film series centers around three sets of trilogies, the nine films of which are collectively referred to as the "Skywalker Saga".[43] The saga was produced non-chronologically, beginning in media res with the release of the original trilogy between 1977 and 1983. This was followed by the prequel trilogy, released between 1999 and 2005, and the sequel trilogy, released between 2015 and 2019.[44]
Each trilogy focuses on a generation of the Force-sensitive Skywalker family and their struggle against the evil Sith lord Palpatine (Darth Sidious).[45] The original trilogy depicts the heroic development of Luke Skywalker as a Jedi and his fight against Palpatine's Galactic Empire alongside his sister, Leia.[46] The prequels tell the tragic backstory of their father, Anakin, who is corrupted by Palpatine and becomes Darth Vader.[47] The sequels follow the conflict between Leia's son, Ben Solo, and Luke and Leia's protegé, Rey, and their eventual alliance against Palpatine after the fall of the Empire.[48]
In 1971, George Lucas wanted to film an adaptation of the Flash Gordon serial, but could not obtain the rights, so he began developing his own space opera.[49][c] After directing American Graffiti (1973), he wrote a two-page synopsis, which 20th Century Fox decided to invest in.[50][51] By 1974, he had expanded the story into the first draft of a screenplay.[52] Fox expected the film would be of limited financial success, and so it was given a relatively low budget, with production being moved to Elstree Studios in England to help save on cost.[53]
Star Wars was released on May 25, 1977, and first subtitled Episode IV: A New Hope in the 1979 book The Art of Star Wars.[54] The film's success led Lucas to make it the basis of an elaborate film serial.[55] With the backstory he created for the sequel, Lucas decided that the series would be a trilogy of trilogies.[56]Episode V: The Empire Strikes Back was released on May 21, 1980, also achieving wide financial and critical success. The final film in the trilogy, Episode VI: Return of the Jedi, was released on May 25, 1983.
According to producer Gary Kurtz, loose plans for a prequel trilogy were developed during the outlining of the original two films.[57] In 1980, Lucas confirmed that he had the nine-film series plotted,[58] but due to the stress of producing the original trilogy, he had decided to cancel further sequels by 1981.[59] In 1983, Lucas explained that "There was never a script completed that had the entire story as it exists now ... As the stories unfolded, I would take certain ideas and save them ... I kept taking out all the good parts, and I just kept telling myself I would make other movies someday."[60]
Technical advances in the late 1980s and early 1990s, including the ability to create computer-generated imagery (CGI), inspired Lucas to consider that it might be possible to revisit his saga. In 1989, Lucas stated that the prequels would be "unbelievably expensive".[61] In 1992, he acknowledged that he had plans to create the prequel trilogy.[62] A theatrical rerelease of the original trilogy in 1997 "updated" the 20-year-old films with the style of CGI envisioned for the new trilogy.[63]
Episode I: The Phantom Menace was released on May 19, 1999, Episode II: Attack of the Clones on May 16, 2002, and Episode III: Revenge of the Sith on May 19, 2005.[64] The first two films were met with mixed reviews, with the third being received somewhat more positively. Together with the original trilogy, Lucas has referred to the first six episodic films of the franchise as "the tragedy of Darth Vader".[65]
Prior to releasing the original 1977 film, and made possible by its success, Lucas planned "three trilogies of nine films".[56][66] However, he announced to Time in 1978 that he planned "10 sequels".[67] He confirmed that he had outlined the prequels and sequels in 1981.[68] At various stages of development, the sequel trilogy was to focus on the rebuilding of the Republic,[69] the return of Luke as a Jedi Master (a role similar to that of Obi-Wan Kenobi in the original trilogy),[66] Luke's sister (not yet determined to be Leia),[57] Han, Leia,[70]R2-D2 and C-3PO.[56][71] However, after beginning work on the prequel trilogy, Lucas insisted that Star Wars was meant to be a six-part series and that there would be no sequel trilogy.[72][73]
Lucas decided to leave the franchise in the hands of other filmmakers, announcing in January 2012 that he would make no more Star Wars films.[74] That October, the Walt Disney Company agreed to buy Lucasfilm and announced that Episode VII would be released in 2015.[75] The co-chairman of Lucasfilm, Kathleen Kennedy, became president and served as executive producer of new Star Wars feature films.[76] Lucas provided Kennedy his story treatments for the sequels during the 2012 sale,[77] but in 2015 it was revealed Lucas's sequel outline had been discarded.[78][79] The sequel trilogy also meant the end of the Star Wars Expanded Universe stories, which were discarded from canon to give "maximum creative freedom to the filmmakers and also preserve an element of surprise and discovery for the audience."[1]
Episode VII: The Force Awakens was released on December 16, 2015, Episode VIII: The Last Jedi on December 13, 2017, and Episode IX: The Rise of Skywalker on December 18, 2019, in many countries.[e]The Force Awakens and T
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Official franchise logo
Ghost Rider on the cover of Marvel Spotlight #5 (Aug. 1972).
Theatrical release poster
