This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
A grindhouse or action house[1] is an American term for a theatre that mainly shows low-budget horror, splatter, and exploitation films for adults. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theatres, which were typically studio-owned.
Due to these theaters' proximity to controversially sexualized forms of entertainment like burlesque, the term "grindhouse" has often been erroneously associated with burlesque theaters in urban entertainment areas such as 42nd Street in New York City,[2][3] where bump and grind dancing and striptease were featured.[4] In the film Lady of Burlesque (1943) one of the characters refers to one such burlesque theatre on 42nd Street as a "grindhouse," but Church points out the primary definition in the Oxford English Dictionary is for a movie theater distinguished by three criteria:[2]
Shows a variety of films, in continuous succession
Low admission fees
Films screened are frequently of poor quality or low (artistic) merit
Church states the first use of the term "grind house" was in a 1923 Variety article,[5] which may have adopted the contemporary slang usage of "grind" to refer to the actions of barkers exhorting potential patrons to enter the venue.[2]
Double, triple, and "all night" bills on a single admission charge often encouraged patrons to spend long periods of time in the theaters.[6] The milieu was largely and faithfully captured at the time by the magazine Sleazoid Express.
Because grindhouse theaters were associated with a lower class audience, grindhouse theaters gradually became perceived as disreputable places that showed disreputable films, regardless of the variety of films – including subsequent-run Hollywood films – that were actually screened.[7] Similar second-run screenings are held at discount theaters and neighborhood theatres; the distinguishing characteristics of the "grindhouse" are its typical urban setting and the programming of first-run films of low merit, not predominantly second-run films which had received wide releases.
The introduction of television greatly eroded the audience for local and single-screen movie theaters, many of which were built during the cinema boom of the 1930s. In combination with urban decay after white flight out of older city areas in the mid to late 1960s, changing economics forced these theaters to either close or offer something that television could not. In the 1970s, many of these theaters became venues for exploitation films,[4] such as adult pornography and sleaze, or slasher horror, and dubbed martial artsfilms from Hong Kong.[8]
Films shot for and screened at grindhouses characteristically contain large amounts of sex, violence, or bizarre subject matter. One featured genre were "roughies" or sexploitation films, a mix of sex, violence and sadism. Quality varied, but low budget production values and poor print quality were common. Critical opinions varied regarding typical grindhouse fare, but many films acquired cult following and critical praise.
By the mid 1980s, home video and cable movie channels threatened to render the grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. Another example was the Jolar Theater in Nashville, Tennessee, on lower Broadway, which was active until it burned down on April 14, 1978.[9]
By the mid-1990s, these particular theaters had all but disappeared from the United States. Excerpts from Sleazoid Express, an exploitation aficionado newsletter that ran in the 1980s, were compiled into a book of the same title by authors Bill Landis and Michelle Clifford; the book discusses various exploitation subgenres as well as New York City's 42nd Street grindhouses themselves.
^ ab"Grindhouse". Archived from the original on August 5, 2010. Retrieved September 10, 2014.
^"Two-a-Day Policy Failure in Canadian Grind Houses". Variety. December 6, 1923. p. 19.
^Sanford, Jay Allen (February 17, 2010). "Last of the all-nighters – My life on downtown's Grindhouse Theater Row in the 70s and 80s". San Diego Reader. Archived from the original on March 25, 2017. Retrieved March 24, 2017. I spent my first night in San Diego sleeping in the back row of the Cabrillo Theater. In that pre-Gaslamp, pre-multiplexdowntown of 1978 or so, half a dozen wonderfully eclectic – if mildly disreputable – late night movie houses operated within a few blocks of each other. Each grindhouses was a colorful oasis, plopped down in the middle of a seedy urban sprawl perfectly suited to the sailors on shore leave and porn aficionados that comprised much of its foot traffic. A couple of bucks got you a double or triple bill, screened 'round the clock in cavernous single-screen movie theaters harkening back to Hollywood's golden age, rich in cinematic history and replete with big wide aisles and accommodating balconies. Horton Plaza had the Carbillo[sic] and the Plaza Theater, both operated by Walnut Properties, whose owner Vince Miranda maintained a suite at the Hotel San Diego (which he also owned).
^Hendrix, Grady (April 6, 2007). "This Old Grindhouse". Slate. Archived from the original on March 25, 2017. Retrieved March 24, 2017. Because grindhouse theaters were nasty places, full of nasty people, and most of us wouldn't be caught dead in one. The few folks who were there for the actual movies were either poverty tourists or cinephiles who didn't notice anything except the flickering screen, and, in many cases, their cinephilia had burned out their sense of discrimination, because a lot of the movies that showed in grindhouses were bad.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
All nine films, collectively referred to as the "Skywalker Saga", were nominated for Academy Awards, with wins going to the first two releases. Together with the theatrical live action "anthology" films Rogue One (2016) and Solo (2018), the combined box office revenue of the films equated to over US$10 billion, making Star Wars the third-highest-grossing film franchise of all time.
The Star Wars franchise depicts the adventures of characters "A long time ago in a galaxy far, far away"[2] across multiple fictional eras, in which humans and many species of aliens (often humanoid) co-exist with robots (typically referred to in the films as 'droids'), which may be programmed for personal assistance or battle.[3]Space travel between planets is common due to lightspeedhyperspace technology.[4][5][6] The planets range from wealthy, planet-wide cities to deserts scarcely populated by primitive tribes. Virtually any Earth biome, along with many fictional ones, has its counterpart as a Star Wars planet which, in most cases, teem with sentient and non-sentient alien life.[7] The franchise also makes use of other astronomical objects such as asteroid fields and nebulae.[8][9] Spacecraft range from small starfighters to large capital ships, such as the Star Destroyers, as well as space stations such as the moon-sized Death Stars.[10][11][12] Telecommunication includes two-way audio and audiovisual screens, holographic projections and hyperspace transmission.[13]
The universe of Star Wars is generally similar to the real universe but its laws of physics are less strict allowing for more imaginative stories.[14] One result of that is a mystical power known as the Force which is described in the original film as "an energy field created by all living things ... [that] binds the galaxy together".[15] The field is depicted as a kind of pantheistic god.[16] Through training and meditation, those whom "the Force is strong with" exhibit various superpowers (such as telekinesis, precognition, telepathy, and manipulation of physical energy).[17] It is believed nothing is impossible for the Force.[18] The mentioned powers are wielded by two major knightly orders at conflict with each other: the Jedi, peacekeepers of the Galactic Republic who act on the light side of the Force through non-attachment and arbitration, and the Sith, who use the dark side by manipulating fear and aggression.[19][20] While Jedi Knights can be numerous, the Dark Lords of the Sith (or 'Darths') are intended to be limited to two: a master and their apprentice.[21]
The franchise is set against a backdrop of galactic conflict involving republics and empires, such as the evil Galactic Empire.[22] The Jedi and Sith prefer the use of a weapon called the lightsaber, a blade of plasma that can cut through virtually any surface and deflect energy bolts.[23] The rest of the population, as well as renegades and soldiers, use plasma-powered blasterfirearms.[24] In the outer reaches of the galaxy, crime syndicates such as the Hutt cartel are dominant.[25]Bounty hunters are often employed by both gangsters and governments, while illicit activities include smuggling and slavery.[25]
The Star Wars film series centers around three sets of trilogies, the nine films of which are collectively referred to as the "Skywalker Saga".[43] The saga was produced non-chronologically, beginning in media res with the release of the original trilogy between 1977 and 1983. This was followed by the prequel trilogy, released between 1999 and 2005, and the sequel trilogy, released between 2015 and 2019.[44]
Each trilogy focuses on a generation of the Force-sensitive Skywalker family and their struggle against the evil Sith lord Palpatine (Darth Sidious).[45] The original trilogy depicts the heroic development of Luke Skywalker as a Jedi and his fight against Palpatine's Galactic Empire alongside his sister, Leia.[46] The prequels tell the tragic backstory of their father, Anakin, who is corrupted by Palpatine and becomes Darth Vader.[47] The sequels follow the conflict between Leia's son, Ben Solo, and Luke and Leia's protegé, Rey, and their eventual alliance against Palpatine after the fall of the Empire.[48]
In 1971, George Lucas wanted to film an adaptation of the Flash Gordon serial, but could not obtain the rights, so he began developing his own space opera.[49][c] After directing American Graffiti (1973), he wrote a two-page synopsis, which 20th Century Fox decided to invest in.[50][51] By 1974, he had expanded the story into the first draft of a screenplay.[52] Fox expected the film would be of limited financial success, and so it was given a relatively low budget, with production being moved to Elstree Studios in England to help save on cost.[53]
Star Wars was released on May 25, 1977, and first subtitled Episode IV: A New Hope in the 1979 book The Art of Star Wars.[54] The film's success led Lucas to make it the basis of an elaborate film serial.[55] With the backstory he created for the sequel, Lucas decided that the series would be a trilogy of trilogies.[56]Episode V: The Empire Strikes Back was released on May 21, 1980, also achieving wide financial and critical success. The final film in the trilogy, Episode VI: Return of the Jedi, was released on May 25, 1983.
According to producer Gary Kurtz, loose plans for a prequel trilogy were developed during the outlining of the original two films.[57] In 1980, Lucas confirmed that he had the nine-film series plotted,[58] but due to the stress of producing the original trilogy, he had decided to cancel further sequels by 1981.[59] In 1983, Lucas explained that "There was never a script completed that had the entire story as it exists now ... As the stories unfolded, I would take certain ideas and save them ... I kept taking out all the good parts, and I just kept telling myself I would make other movies someday."[60]
Technical advances in the late 1980s and early 1990s, including the ability to create computer-generated imagery (CGI), inspired Lucas to consider that it might be possible to revisit his saga. In 1989, Lucas stated that the prequels would be "unbelievably expensive".[61] In 1992, he acknowledged that he had plans to create the prequel trilogy.[62] A theatrical rerelease of the original trilogy in 1997 "updated" the 20-year-old films with the style of CGI envisioned for the new trilogy.[63]
Episode I: The Phantom Menace was released on May 19, 1999, Episode II: Attack of the Clones on May 16, 2002, and Episode III: Revenge of the Sith on May 19, 2005.[64] The first two films were met with mixed reviews, with the third being received somewhat more positively. Together with the original trilogy, Lucas has referred to the first six episodic films of the franchise as "the tragedy of Darth Vader".[65]
Prior to releasing the original 1977 film, and made possible by its success, Lucas planned "three trilogies of nine films".[56][66] However, he announced to Time in 1978 that he planned "10 sequels".[67] He confirmed that he had outlined the prequels and sequels in 1981.[68] At various stages of development, the sequel trilogy was to focus on the rebuilding of the Republic,[69] the return of Luke as a Jedi Master (a role similar to that of Obi-Wan Kenobi in the original trilogy),[66] Luke's sister (not yet determined to be Leia),[57] Han, Leia,[70]R2-D2 and C-3PO.[56][71] However, after beginning work on the prequel trilogy, Lucas insisted that Star Wars was meant to be a six-part series and that there would be no sequel trilogy.[72][73]
Lucas decided to leave the franchise in the hands of other filmmakers, announcing in January 2012 that he would make no more Star Wars films.[74] That October, the Walt Disney Company agreed to buy Lucasfilm and announced that Episode VII would be released in 2015.[75] The co-chairman of Lucasfilm, Kathleen Kennedy, became president and served as executive producer of new Star Wars feature films.[76] Lucas provided Kennedy his story treatments for the sequels during the 2012 sale,[77] but in 2015 it was revealed Lucas's sequel outline had been discarded.[78][79] The sequel trilogy also meant the end of the Star Wars Expanded Universe stories, which were discarded from canon to give "maximum creative freedom to the filmmakers and also preserve an element of surprise and discovery for the audience."[1]
Episode VII: The Force Awakens was released on December 16, 2015, Episode VIII: The Last Jedi on December 13, 2017, and Episode IX: The Rise of Skywalker on December 18, 2019, in many countries.[e]The Force Awakens and T
Brothers: Spike, Andy, Olaf, Marbles, Rover Sisters: Belle, Molly Owner:Charlie Brown Sally Brown Lila (previously) Clara ("the annoying girl")
Snoopy is an anthropomorphicbeagle[5] in the comic strip Peanuts by Charles M. Schulz. He can also be found in all of the Peanuts films and television specials. Since his debut on October 4, 1950, Snoopy has become one of the most recognizable and iconic characters in the comic strip and is considered more famous than Charlie Brown in some countries. The original drawings of Snoopy were inspired by Spike, one of Schulz's childhood dogs.[6][7]
Snoopy is a loyal, imaginative, and good-natured beagle who is prone to imagining fantasy lives, including being an author, a college student known as "Joe Cool", an attorney, and a World War I flying ace. He is perhaps best known in this last persona, wearing an aviator's helmet and goggles and a scarf while carrying a swagger stick (like a stereotypical British Army officer of World War I and II).
Snoopy can be selfish, gluttonous, and lazy at times, and occasionally mocks his owner, Charlie Brown. But on the whole, he shows great love, care, and loyalty for his owner (even though he cannot even remember his name and always refers to him as "the round-headed kid"). In the 1990s comic strips, he is obsessed with cookies, particularly the chocolate-chip variety. This, and other instances in which he indulges in large chocolate-based meals and snacks, indicate that chocolate is not poisonous to Snoopy, the way it is for real dogs.
All of his fantasies have a similar formula. Snoopy pretends to be something, usually "world famous", and fails. His short "novels" are never published. His Sopwith Camel is consistently shot down by his imaginary rival enemy, the Germanflying ace the "Red Baron". Schulz said of Snoopy's character in a 1997 interview: "He has to retreat into his fanciful world in order to survive. Otherwise, he leads kind of a dull, miserable life. I don't envy dogs the lives they have to live."[8]
Snoopy imagines himself to speak, but never actually does, other than nonverbal sounds and occasionally uttering "Woof". His very articulate thoughts are shown in thought balloons. In the animated Peanuts films and television specials, Snoopy's thoughts are not verbalized. His moods are instead conveyed through moans, yelps, growls, sobs, laughter, and monosyllabic utterances such as "bleah" or "hey" as well as through pantomime. His vocal effects were usually provided by Bill Melendez, who first played the role during Snoopy's appearances on The Tennessee Ernie Ford Show.[9] The only exceptions are in the animated adaptions of the musicalsYou're a Good Man, Charlie Brown and Snoopy!!! The Musical, in which Snoopy's thoughts are verbalized by Robert Towers and Cameron Clarke, respectively. (His dialogue, however, is not "heard" by the other characters except Woodstock the bird and other non-human characters; however, he does remember Charlie Brown's name.)
Snoopy's doghouse defies physics and is shown to be bigger on the inside than the outside.
Snoopy appeared on October 4, 1950, two days after the first Peanuts strip. He was one of the four original characters, along with Charlie Brown, Patty, and Shermy. He was named Snoopy for the first time in the November 10 strip.
On March 16, 1952,[10] his thoughts were first shown in a thought balloon. Snoopy first appeared upright on his hind legs on January 9, 1956, when he was shown sliding across a sheet of ice after Shermy and Lucy had first done so.[11] He is first shown sleeping on top of his doghouse rather than inside it on December 12, 1958,[12] and first adopts his World War I Flying Ace persona on October 10, 1965.[13] Snoopy's final appearance in the comic was on February 13, 2000, when he was shown sitting on top of his doghouse typing Schulz's farewell message to his readers.[14]
Snoopy appeared as a character balloon in the Macy's Thanksgiving Day Parade in 1968; the balloon depicted Snoopy in his World War I Flying Ace costume.[15] The beagle has been in almost every parade ever since in different costumes, as an ice skater, a jester (to celebrate the new millennium and the parade's 75th anniversary), and an astronaut.
The Dogs Trust and Wild in Arts created a trail called A Dog's Trail which spanned across Cardiff, Caerphilly, and Porthcawl in spring of 2022. The trail raised money for Dogs Trust to use for dog welfare.[16][17]
Despite his history of conflicted loyalties, his constant disrespect for Charlie Brown, and his inability to remember his name (he refers to him as "that round-headed kid"), Snoopy has shown both love and loyalty to his owner. Charlie Brown would often get irritated at Snoopy's flights of fancy with the comment, "Why can't I have a normal dog like everyone else?" He joins Charlie Brown in walking out of a game of Ha-Ha Herman when Peppermint Patty insults Charlie Brown, unaware that Charlie Brown is within earshot.[18] He also helps Charlie Brown recover his autographed baseball when a bully takes it and challenges Charlie Brown to fight him for it. When Charlie Brown has to stop dedicating himself to making Snoopy happy, Snoopy replies, "Don't worry about it. I was already happy." In The Peanuts Movie, Snoopy remains loyal to Charlie Brown, supporting and caring for him throughout the movie.
In early Peanuts strips, Charlie Brown was not Snoopy's owner (as seen in the February 2, 1951, strip), and it was not made clear who, if anyone, his actual owner was. At various times, it was suggested that he was Patty's[19] or Shermy's[20] dog. Charlie Brown was first portrayed as being responsible for Snoopy in the strips of November 1 and 3, 1955; it was not until September 1, 1958, that Snoopy was specifically said to be Charlie Brown's dog. (In the September 20, 1980, strip, Charlie Brown comments that he once told Snoopy to "stay" and "he never went home.")
In both the early strips and the movie Snoopy, Come Home, Charlie Brown says that he got Snoopy after being bullied by another kid. His parents took him to the Daisy Hill Puppy Farm to cheer him up, where he met and bought Snoopy. The special Snoopy's Reunion depicts their first meeting.
Snoopy frequently tries to kiss Lucy on the cheek or nose, which Lucy, who is afraid of dog germs, thoroughly hates. Despite her distaste of doggy kisses, Lucy seems to care for Snoopy: in Snoopy, Come Home, Lucy is sad to see him go and is (momentarily) glad when he comes back home. In some strips, Lucy goes to Snoopy for help, such as in the April 16, 1961[21] strip, wherein a jealous Lucy and Frieda are beating each other up at Schroeder's piano, Lucy ends up winning, and shakes hands with Snoopy in the end, looking slightly injured. Snoopy also commandeers Lucy's psychiatric booth either in her absence or when she ends up being the one needing help. In Snoopy!, Lucy and Snoopy hug each other during the song "If Just One Person".
Snoopy often tries to steal Linus's blanket, leading to slapstick fights and wild chases, the latter of which usually involve Snoopy running up, grabbing the blanket in his mouth, then running off with Linus holding on for dear life, and finally swinging Linus and the blanket around and around in a circular motion through the air before letting go and they both fly off to who-knows-where.
Lila was Snoopy's owner before Charlie Brown. Snoopy visits her in the cartoon Snoopy, Come Home and struggles to decide whether to stay with Charlie Brown or go back to Lila. Lila quickly persuades him to leave Charlie Brown so Snoopy can live with her again. However, upon arriving at her apartment complex, Snoopy is very relieved to see a "NO DOGS ALLOWED" sign and returns to live with Charlie Brown.
Peppermint Patty often refers to Snoopy as a "funny-looking kid with a big nose", unaware that he is a beagle. In one instance, she has him serve as her attorney in a case involving the school dress code. In the March 21, 1974, strip, Marcie tells Peppermint Patty that Snoopy is a beagle, finally resulting in her realizing his true identity. Snoopy serves as Peppermint Patty's watchdog several times. She is one of the few girls who does not get disgusted after being kissed by him.
Like Lucy, Sally does not care that much for Snoopy and often calls him a stupid beagle. Sally usually complains when her big brother asks her to feed Snoopy whenever he is away from home. While she is still an infant, Sally has a friendly and playful relationship with Snoopy. In later years, Sally occasionally enlists Snoopy's help in school assignments. She even treats him to an ice cream cone (a very tall ice cream cone, with scoops of about a dozen flavors) when Snoopy helps her get an "A" on a report about "Our Animal Friends". In one storyline, Sally uses Snoopy as a "weapon" to help protect her from bullies on the playground (Snoopy barks loudly at anyone who threatens Sally, leading Snoopy to comment, "I feel like a can of mace!"), but this ends in disaster when Snoopy sees an old girlfriend of his and runs off to meet her, abandoning Sally and leaving her to get "slaughtered" by the playground bullies.
Schroeder does not mind much when Snoopy sits against his toy piano, except when Snoopy dances on top of the piano, much to Schroeder's annoyance. He also sometimes plays with the notes coming from the piano.
Rerun, the youngest child character in the strip, plays with Snoopy sometimes. In some strips, Rerun and Snoopy are playing cards with each other, both of them clueless about the rules.
Woodstock is Snoopy's best friend and sidekick. He is a small, yellow bird of indeterminate species. He speaks in a chirping language that only Snoopy and his other bird friends can understand. In return, the birds somehow understand Snoopy's thoughts. In some strips, Snoopy can be seen telling a joke to Woodstock and both laugh so hard they end up falling off the doghouse. Woodstock sometimes sleeps on top of Snoopy's nose, such as in one strip where Snoopy says "Never share your pad with a restless bird".
Fifi is a major love interest of Snoopy and she appears in Life Is a Circus, Charlie Brown and The Peanuts Movie. In Life Is a Circus, Charlie Brown, Snoopy sees Fifi, a white poodle, at a circus and starts to get attracted to her. He and Fifi do a trapeze act and afterward, he runs away, taking Fifi with him. Fifi decides to go back to the circus, however, leaving Snoopy heartbroken and forced to return to Charlie Brown. In The Peanuts Movie, Fifi (voiced by Kristin Chenoweth) is a pilot just like Snoopy (being redesigned to be bipedal while still retaining her poodle traits), and together they have interaction via Snoopy's typewriter against the Red Baron. He shows how much he cares for her when he cries at Schroeder's house after she is captured by the Red Baron. Snoopy, Woodstock, and the Beagle Scouts set out on a mission to save her. Eventually, they save her, and she shows her affection to Snoopy.
Clockwise from top-left: Andy, Spike, Olaf, Rover, Belle, Molly, Snoopy, and Marbles
In the comic strip, Snoopy has seven siblings. Five appeared at various times in the strip: four brothers, Spike, Andy, Marbles, and Olaf; and one sister, Belle. The two others were never mentioned by name in the comic strip, but the whole family appeared in 1991 television specialSnoopy's Reunion, introducing the two unknown siblings, identified in the special as Molly and Rover.
Snoopy having seven siblings was an element of the strip that developed as the strip evolved. Originally described in a June 1959 strip as an "only dog",[22] Snoopy went to a family reunion with several unnamed siblings in a May 1965 sequence, stating that they all spoke different languages and couldn't understand each other.[23] In March 1970, Snoopy wrote in his autobiography that he was one of seven puppies,[24] and the number reached its final count of eight beagles in December 1972.
In a 1987 interview, Schulz said that he felt introducing Snoopy's siblings was a mistake, similar to the introduction of Eugene the Jeep in Thimble Theatre: "I think Eugene the Jeep took the life out of Popeye himself, and I'm sure Segar didn't realize that. I realized it myself a couple of years ago when I began to introduce Snoopy's brothers and sisters. I realized that when I put Belle and Marbles in there it destroyed the relationship that Snoopy has with the kids, which is a very strange relationship. And these things are so subtle when you're doing them, you can make mistakes and not realize them."[25] Schulz elaborated further in another 1987 interview: "Snoopy had a sister, Belle, whom I discovered I really didn't like. I brought in Spike and I like Spike a lot. But when I brought another brother in — I thought Marbles would make a great name for a dog — I discovered almost immediately that bringing in other animals took the uniqueness away from Snoopy. So the only other animal character who works now is Spike, as long as Spike stays out in the desert."[26]
Spike, Snoopy's older brother who lived in the desert, was the most frequently seen sibling in the strip.[27] He was introduced in the August 13, 1975, strip.[28] He was a recurring character between 1984 and 1988, and was also used in one-off appearances sporadically through the rest of Peanuts history. Spike is named after Charles Schulz's childhood dog.[29]
Spike's appearance is similar to Snoopy's, but he is substantially thinner, has a perpetually sleepy-eyed look, sports long, droopy whiskers that look like a mustache, and wears a fedora. He is called Snoopy's older brother during the first story in which he appears. Spike lives in the middle of a desert near Needles, California, mostly interacting with inanimate saguaro cacti and rocks.
Belle is Snoopy's sister, who first appeared in the strip on June 28, 1976.[32] She lives in Kansas City, Missouri with her teenage son, whom Snoopy noted as resembling the Pink Panther.[33] Belle herself bears a strong resemblance to Snoopy, but with longer eyelashes. In addition, she wears a lace collar and sometimes wears a pearl necklace.
Belle only made a few appearances in the strip but is remembered because of the Belle stuffed animal toys sold in the late 1970s and early 1980s.[34]San Francisco toy merchandiser Determined Productions had the license to make Snoopy plush toys, and they introduced Belle plush after receiving many requests from children who wanted a female "sister" doll.[35]
In 1984, Snoopy and Belle inspired fashion designers around the world, including Lagerfeld, Armani, and de la Renta, to create one-of-a-kind outfits in their honor. Both beagles modeled for the "Snoopy in Fashion" exhibition held that year in Japan. "Snoopy & Belle in Fashion" continues to be exhibited as of 2020[update].[36] Photographs of the exhibition were collected in a 1988 book, Snoopy in Fashion.[37]
There was another traveling exhibition of Snoopy and Belle plush in outfits made by fashion designers in 1990, as a celebration of the comic strip's fortieth anniversary. This exhibition began in Paris at the Louvre Museum, and then to the Mitsukoshi department store in Tokyo, followed by showings in Los Angeles, New York City, London, Milan, and Madrid.[38] Photographs from this collection were published as Snoopy Around the World.[39]
Snoopy and Charlie Brown were ranked by TV Guide as the 8th greatest cartoon characters of all time.[40]
Some critics feel that the strip suffered a decline in quality after the 1960s. Writing in 2000, Christopher Caldwell argued that the character of Snoopy, and the strip's increased focus on him in the 1970s, "went from being the strip's besetting artistic weakness to ruining it altogether". Caldwell felt that Snoopy "was never a full participant in the tangle of relationships that drove Peanuts in its Golden Age", as he could not talk. He went on to say that Snoopy "was way too shallow for the strip as it developed in the 1960s, and the strips he featured in were anomalies."[41]
Jim Davis noted that Snoopy was a boon from a marketing standpoint, which inspired him to center his comic strip Garfield around a cat: "Snoopy is very popular in licensing. Charlie Brown is not."[42]
A toy titled The Snoopy Snowcone Machine was popular in the '80s and was later recreated in the 2010s by Cra-z-art.
On November 2, 2015, Snoopy was honored with a star on the Hollywood Walk of Fame, becoming the second Peanuts-related figure to be inducted with a star, after Schulz.[45]
Apollo 10 astronaut Gene Cernan with a Snoopy puppet at a news conference, 1969
Following the Apollo 1 fire, Snoopy became the official mascot of aerospace safety, testing and the rebuilding of the Apollo Program.
The Apollo 10lunar module was named Snoopy and the command moduleCharlie Brown. While not included in the official mission logo, Charlie Brown and Snoopy became semi-official mascots for the mission, as seen here and here. Schulz also drew some special mission-related artwork for NASA, and several regular strips related to the mission, one showing Snoopy en route to the Moon atop his doghouse with a fishbowl on his head for a helmet. "We have mentioned," wrote television producer Lee Mendelson, "that Charles Schulz is a gambler, a man who doesn't sit pat on success. The New York Times headlined: 'Creator of Peanuts Tempts Fate on Apollo Mission.' Certainly, if a tragedy had occurred, as well it might have, the symbols would forever remain in man's mind as symbols of disaster. But Sparky has always had faith in the Apollo program, from the very start, and he felt if those men could risk their lives, the least he could do would be to risk the popularity of the characters."[46][47] The strip that ran on July 21, 1969 – one day after Neil Armstrong and Buzz Aldrin landed the Apollo 11Lunar Module Eagle on the Moon – included a full Moon in the background, with a black mark on it representing the module.[48]
The fabric cap worn by NASA astronauts as part of the Extravehicular Mobility Unit is known as a "Snoopy cap", a reference to how the white crown and black earflaps of the cap resemble Snoopy's fur and ears.
The Silver Snoopy award is a special NASA honor, in the form of a sterling silver pin with an engraving of Snoopy in a spacesuit helmet. It is given by an astronaut to someone who works in the space program that has gone above and beyond in pursuit of quality and safety.[49]
Snoopy and NASA announced, in April 2019, that Snoopy will return to the Moon aboard NASA Orion in 2024.[50]
He was a gravity indicator aboard Artemis 1 mission that orbited the moon.[51]
Snoopy is the name of a United States Air Force B-58 Hustler bomber, serial number 55-0665, which was modified to test a radar system.[52]
American insurance company MetLife used Snoopy as their corporate mascot between 1985 and 2016. Snoopy One, Snoopy Two, and Snoopy J are three airships owned and operated by MetLife that provide aerial coverage of sporting events, and feature Snoopy as the World War I flying ace on their fuselage. As of October 20, 2016, MetLife no longer features Snoopy in its commercials, due to a global rebranding.[53][54]
This page is a redirect. The following categories are used to track and monitor this redirect:
Semi-protected: This is a redirect from a title that is semi-protected from editing for any of several possible reasons.
Please do not replace these redirected links with links directly to the target page unless expressly advised to do so below or elsewhere on this page, or if the change is supported by a policy or guideline.
From a short name: This is a redirect from a title that is a shortened form of a more complete page title, such as a person's full name or the unbroken title of a written work.
Mentioned in a hatnote: This is a redirect from a title that is mentioned in a hatnote at the redirect target. The mention is usually atop the target article. It may, however, be directly under a section header, or in another article's hatnote (whenever the hatnote is under a section, {{R to section}} should also be used).
The titles of redirects mentioned in hatnotes may refer to a subject other than that of the target page. It is possible that this redirect may need to be retargeted, or become an article under its own title (see {{R with possibilities}}). If the title is a good candidate for a Wiktionary link, it may also be added.
When appropriate, protection levels are automatically sensed, described and categorized.
Parker and Stone developed South Park from two animated short films, both titled The Spirit of Christmas, released in 1992 and 1995. The second short became one of the first Internet viral videos, leading to the series' production. The pilot episode was produced using cutout animation; the remainder of the series uses computer animation recalling the prior technique. Since the fourth season, episodes are generally written and produced during the week preceding its broadcast, with Parker serving as the lead writer and director.
Since its debut on August 13, 1997, 328 episodes of South Park have been broadcast. It debuted with great success, consistently earning the highest ratings of any basic cable program. Subsequent ratings have varied, but it remains one of Comedy Central's longest-running programs. In August 2021, South Park was renewed through 2027, and a series of television specials was announced for Paramount+, the first two of which were released later that year.[2][3] In October 2019, it was announced that WarnerMedia acquired exclusive streaming rights to South Park starting in June 2020 for HBO Max.[4] The series' twenty-sixth season premiered on February 8, 2023.[5]
South Park has received critical acclaim, and is included in various publications' lists of the greatest television shows. It has received numerous accolades, including five Primetime Emmy Awards and a Peabody Award. A theatrical film, South Park: Bigger, Longer & Uncut, was released in June 1999 to commercial and critical success, garnering an Academy Award nomination. In 2013, TV Guide ranked South Park the tenth Greatest TV Cartoon of All Time.[6]
South Park centers around four boys: Stan Marsh, Kyle Broflovski, Eric Cartman and Kenny McCormick. The boys live in the fictional small town of South Park, located within the real-life South Park basin in the Rocky Mountains of central Colorado,[7] approximately a one-hour drive from Denver.[8] The town is also home to an assortment of other characters, including students, families, elementary school staff, and other various residents.[9] Prominent settings include South Park Elementary, various neighborhoods and the surrounding mountain range, actual Colorado landmarks, and the businesses along the town's main street, all of which are based on the appearance of similar locations in Fairplay, Colorado.[7][9] As one of the few television programs set in the Mountain West region that takes place outside the urban core of Denver, South Park frequently features the unique culture of the region, including cattle ranchers, Old West theme parks, snowy climates, mountaineering, Mormons, real-life Colorado locations such as Casa Bonita and Cave of the Winds, and many other regionally specific characteristics.
Stan is portrayed as an average American boy; however, he has many mishaps throughout the series. In the first 22 seasons, Stan lived in South Park, but in the episodes during and after season 22, Stan resided in Tegridy Farms. Kyle is Jewish, and his portrayal as one of the few such people in South Park is often dealt with satirically.[10] Stan is modeled after Parker, while Kyle is modeled after Stone. They are best friends, and their friendship, symbolically intended to reflect Parker and Stone's friendship,[11] is a common topic throughout the series. Cartman (as he is commonly referred to) is amoral and increasingly psychopathic, and is commonly portrayed as an antagonist. His staunch antisemitism has resulted in a progressive rivalry with Kyle.[10][12] Kenny, who comes from a poor family, tightly wears his parka hood to the point where it obscures most of his face and muffles his speech. During the first five seasons, Kenny died in almost every episode before reappearing in the next with no definite explanation. He was killed off in the fifth season episode "Kenny Dies", before being reintroduced in the sixth season finale, "Red Sleigh Down". Since then, Kenny is depicted as dying sporadically. During the first 58 episodes, the children were in the third grade. During the fourth season, they entered the fourth grade, where they have remained ever since.[13][14]
Plots are often set in motion by events, ranging from the fairly typical to the supernatural and extraordinary, which frequently happen in the town.[15] The boys often act as the voice of reason when these events cause panic or incongruous behavior among the adult populace, who are customarily depicted as irrational, gullible, and prone to overreaction.[7][16] They are frequently confused by the contradictory and hypocritical behavior of their parents and other adults, and often perceive them as having distorted views on morality and society.[9][17]
Each episode opens with a tongue-in-cheekall persons fictitious disclaimer: "All characters and events in this show—even those based on real people—are entirely fictional. All celebrity voices are impersonated.....poorly. The following program contains coarse language and due to its content it should not be viewed by anyone."[18][19]
South Park was the first weekly program to be rated TV-MA,[20] and is generally intended for adult audiences.[21][22][23] The boys and most other child characters use strong profanity, with only the most taboo words being bleeped during a typical broadcast.[9] Parker and Stone perceive this as the manner in which real-life small boys speak when they are alone.[24][25]
Early episodes tended to be shock value-oriented and featured more slapstick-style humor.[33] While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old".[10] Parker and Stone also began further developing other characters by giving them larger roles in certain storylines,[10] and began writing plots as parables based on religion, politics, and numerous other topics.[9] This provided the opportunity for the show to spoof both extreme sides of contentious issues,[34] while lampooning both liberal and conservative points of view.[9][16][35] Rebecca Raphael described the show as "an equal opportunity offender",[15] while Parker and Stone describe their main purpose as to "be funny" and "make people laugh",[36][37] while stating that no particular topic or group of people be exempt from mockery and satire.[16][32][38][39][40]
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America",[41] stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience.[36][37] While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters,[34] and Time described the boys as "sometimes cruel but with a core of innocence".[11] Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".[42]
South Park creators Trey Parker (left) and Matt Stone continue to do most of the writing, directing and voice acting on the show.
Parker and Stone met in film class at the University of Colorado in 1992 and discovered a shared love of Monty Python, which they often cite as one of their primary inspirations.[43] They created an animated short entitled The Spirit of Christmas.[27] The film was created by animating construction paper cutouts with stop motion, and features prototypes of the main characters of South Park, including a character resembling Cartman but named "Kenny", an unnamed character resembling what is today Kenny, and two near-identical unnamed characters who resemble Stan and Kyle. Fox Broadcasting Company executive and mutual friend Brian Graden commissioned Parker and Stone to create a second short film as a video Christmas card. Created in 1995, the second The Spirit of Christmas short resembled the style of the later series more closely.[44] To differentiate between the two homonymous shorts, the first short is often referred to as Jesus vs. Frosty, and the second short as Jesus vs. Santa. Graden sent copies of the video to several of his friends, and from there it was copied and distributed, including on the internet, where it became one of the first viral videos.[27][11]
As Jesus vs. Santa became more popular, Parker and Stone began talks of developing the short into a television series about four children residing in the fictional Colorado town of South Park. Fox eagerly agreed to meet with the duo about the show's premise, having prided itself on edgier products such as Cops, The Simpsons, and The X-Files. However, during the meeting at the Fox office in Century City, disagreements between the two creators and the network began to arise, mainly over the latter's refusal to air a show that included a supporting talking stool character named Mr. Hankey. Some executives at 20th Century Fox Television (which was to produce the series) agreed with its then-sister network's stance on Mr. Hankey and repeatedly requested Parker and Stone to remove the character in order for the show to proceed. Refusing to meet their demands, the duo cut ties with Fox and its sister companies all together and began shopping the series somewhere else.[45][46][47]
The two then entered negotiations with both MTV and Comedy Central. Parker preferred the show be produced by Comedy Central, fearing that MTV would turn it into a kids show.[48] When Comedy Central executive Doug Herzog watched the short, he commissioned for it to be developed into a series.[27][49] Parker and Stone assembled a small staff and spent three months creating the pilot episode "Cartman Gets an Anal Probe".[50]South Park was in danger of being canceled before it even aired when the show fared poorly with test audiences, particularly with women. However, the shorts were still gaining more popularity over the Internet, and Comedy Central ordered a run of six episodes.[36][48]South Park debuted with "Cartman Gets an Anal Probe" on August 13, 1997.[51]
Except for the pilot episode, which was produced using cutout animation, all episodes of South Park are created with the use of software, primarily Autodesk Maya.[52] As opposed to the pilot, which took three months to complete,[53] and other animated sitcoms, which are traditionally hand-drawn by companies in South Korea in a process that takes roughly eight to nine months,[27][35] individual episodes of South Park take significantly less time to produce. Using computers as an animation method, the show's production staff were able to generate an episode in about three weeks during the first seasons.[54] Now, with a staff of about 70 people, episodes are typically completed in one week,[27][34][35] with some in as little as three to four days.[55][56][57] Nearly the entire production of an episode is accomplished within one set of offices, which were originally at a complex in Westwood, Los Angeles, California and are now part of South Park Studios in Culver City, California.[49][53] Parker and Stone have been the show's executive producers throughout its entire history.[58]Debbie Liebling, who was Senior Vice President of original programming and development for Comedy Central, also served as an executive producer during the show's first five seasons, coordinating the show's production efforts between South Park Studios and Comedy Central's headquarters in New York City.[59][60] During its early stages, finished episodes of South Park were hastily recorded to D-2 to be sent to Comedy Central for airing in just a few days' time.[61] Each episode used to cost $250,000.[62]
After exchanging ideas, Parker will write a script, and from there the entire team of animators, editors, technicians, and sound engineers will each typically work 100–120 hours in the ensuing week.[50] Since the show's fourth season (2000), Parker has assumed most of the show's directorial duties, while Stone relinquished his share of the directing to focus on handling the coordination and business aspects of the production.[27][71] On Wednesday, a completed episode is sent to Comedy Central's headquarters via satellite uplink, sometimes just a few hours before its air time of 10 PM Eastern Time.[27][72]
Parker and Stone state that subjecting themselves to a one-week deadline creates more spontaneity amongst themselves in the creative process, which they feel results in a funnier show.[27] The schedule also allows South Park to both stay more topical and respond more quickly to specific current events than other satiric animated shows.[10][73] One of the earliest examples of this was in the season four (2000) episode "Quintuplets 2000", which references the United States Border Patrol's raid of a house during the Elián González affair, an event which occurred only four days before the episode originally aired.[74] The season nine (2005) episode "Best Friends Forever" references the Terri Schiavo case,[25][34] and originally aired in the midst of the controversy and less than 12 hours before she died.[35][75] A scene in the season seven (2003) finale "It's Christmas in Canada" references the discovery of dictator Saddam Hussein in a "spider hole" and his subsequent capture, which happened a mere three days prior to the episode airing.[76] The season 12 (2008) episode "About Last Night..." revolves around Barack Obama's victory in the 2008 presidential election, and aired less than 24 hours after Obama was declared the winner, using segments of dialogue from Obama's real victory speech.[77]
On October 16, 2013, the show failed to meet their production deadline for the first time ever, after a power outage on October 15 at the production studio prevented the episode, season 17's "Goth Kids 3: Dawn of the Posers", from being finished in time. The episode was rescheduled to air a week later on October 23, 2013.[78]
The various stages of production (from top to bottom): the storyboard sketch, the CorelDRAW props with stock character models, and a frame from the fully rendered episode, "Super Fun Time"
The show's style of animation is inspired by the paper cut-out cartoons made by Terry Gilliam for Monty Python's Flying Circus, of which Parker and Stone have been lifelong fans.[48][11][79]Construction paper and traditional stop motioncutout animation techniques were used in the original animated shorts and in the pilot episode. Subsequent episodes have been produced by computer animation, providing a similar look to the originals while requiring a fraction of the time to produce. Before computer artists begin animating an episode, a series of animatics drawn in Toon Boom are provided by the show's storyboard artists.[50][80]
The characters and objects are composed of simple geometrical shapes and primary and secondary colors. Most child characters are the same size and shape, and are distinguished by their clothing, hair and skin colors, and headwear.[17] Characters are mostly presented two-dimensionally and from only one angle. Their movements are animated in an intentionally jerky fashion, as they are purposely not offered the same free range of motion associated with hand-drawn characters.[10][53][81] Occasionally, some non-fictional characters are depicted with photographic cutouts of their actual head and face in lieu of a face reminiscent of the show's traditional style. Canadians on the show are often portrayed in an even more minimalist fashion; they have simple beady eyes, and the top halves of their heads simply flap up and down when the characters speak.[38]
When the show began using computers, the cardboard cutouts were scanned and re-drawn with CorelDRAW, then imported into PowerAnimator, which was used with SGI workstations to animate the characters.[50][53] The workstations were linked to a 54-processor render farm that could render 10 to 15 shots an hour.[50] Beginning with
This page is a redirect. The following categories are used to track and monitor this redirect:
From other capitalisation: This is a redirect from a title with another method of capitalisation. It leads to the title in accordance with the Wikipedia naming conventions for capitalisation, or it leads to a title that is associated in some way with the conventional capitalisation of this redirect title. This may help writing, searching and international language issues.
If this redirect is an incorrect capitalisation, then {{R from miscapitalisation}} should be used instead, and pages that use this link should be updated to link directly to the target. Miscapitalisations can be tagged in any namespace.
Use this rcat to tag onlymainspace redirects; when other capitalisations are in other namespaces, use {{R from modification}}instead.
When appropriate, protection levels are automatically sensed, described and categorized.
Frisky Dingo is an American adult animated television series created by Adam Reed and Matt Thompson for Adult Swim. The series revolves around the conflict between a supervillain named Killface and a superhero named Awesome X, alias billionaire Xander Crews, and much of the show's humor focuses on parodying superhero and action-movie clichés.[1]
It debuted on October 16, 2006, and its first season ended on January 22, 2007. The second season premiered on August 26, 2007, and ended on March 23, 2008. A third season was considered, but both the creators and Adult Swim mutually decided against it.[2] The production company, 70/30 Productions, subsequently went out of business in January 2009; Reed and Thompson would later found Floyd County Productions.
A spin-off show, The Xtacles, premiered on November 9, 2008, but only the two-episode premiere aired prior to the production company's closure, with no further episodes produced.
Frisky Dingo was created by 70/30 Productions, the same group of animators who worked on Sealab 2021. The show's name during development was Whiskey Tango. Because a band was already using the name, it was changed to Whiskey Tango Six. This name was determined not to be sufficiently distinct to avoid infringement suits, so the creators jokingly said they would call the show Frisky Dingo, and the name remained. In episode 113, Killface can be seen entering "Frisky Dingo" into the Annihilatrix launch terminal; this is mentioned in the second episode of the second season, where Sinn/Hooper remarks that "Frisky Dingo" is the launch code for the Annihilatrix.
According to an article in Atlanta Magazine, Whiskey Tango Six was going to be the name of the six-member superhero group on which the show focused, headed by husband and wife Jack and Grace Taggart.[3] The team flew around in a spaceship called the Glennis. Killface was going to be the main villain, but not a major character.[3] During revisions of the show's scripts, Killface became the focus of the show. When Whiskey Tango Six was replaced with Xander Crews/Awesome X and the Xtacles is not known.
The two main characters of the show are Killface, who is a naked, bone-white, red-eyed, earless, talon-toed, spur-heeled, 7-foot-tall (2.1 m), 440 lb., hairless, muscular humanoid supervillain focused on destroying Earth with his invention, the Annihilatrix;[4] and billionaire tycoon Xander Crews, who fights crime under the superhero alias Awesome X.[5] Both Killface and Xander are voiced by co-creator Adam Reed. The two have an ever-shifting relationship, changing from enemies to unwilling allies on many occasions.
Other major characters include Killface's son Simon – voiced by Christian Danley – an overweight, blond-haired, pale-skinned, sexually confused, teenaged Hannah Montana fan, who wears sweater vests and exhibits adolescent rebellion by muttering and breaking cereal bowls;[6] reporter Grace Ryan, former girlfriend of Xander Crews turned into Antagone, a toxic, radioactive ant-powered villainess; Sinn – voiced by Kelly Jenrette – later known as Hooper, originally Killface's sidekick and later his enemy;[7] and the Xtacles, Awesome X's team of easily distracted and remarkably inept, rocket-booted troops.[8]
Frisky Dingo takes place primarily in and around a large city simply called "Town" or "the Town". Its actual name never being mentioned becomes a running joke throughout the series. Despite its lack of a specific name, maps of "Town" are featured throughout the series, which closely resemble interstate roadmaps of the city of Atlanta, Georgia, where 70/30 Studios, producers of Frisky Dingo, were based. Additional evidence for "Town" being Atlanta is the presence of buildings suspiciously resembling the Cotton Mill Lofts (a location that at one time housed production operations for 70/30) burning in the second episode, "Meet Awesome-X". Also, in the episode where Killface is pandering to the African American church congregation, he is wearing what looks like Michael Vick's Atlanta Falcons football jersey.
The first season of Frisky Dingo follows the adversarial relationship between the villainous Killface, who aspires to strike fear into humankind before he drives the Earth into the Sun with his Annihilatrix, and Awesome X, the secret superhero identity of multibillionaire Xander Crews, who dreads retiring after having defeated the last known supervillain.
Having dispatched the last supervillain, superhero Awesome X (Xander Crews) searches for ways to avoid retiring his hero persona and having to actually work at running his company.
Thrilled at the prospect of a new supervillain to exploit and market, Xander sets his plans for Killface in motion. Killface, whose direct marketing of his plan to destroy the world has been unexpectedly successful (although for the reason being a snafu involving a typo), finds himself with the opportunity to appear on a morning talk show, which doesn't go the way he planned.
Killface is in desperate need of some cash, so when a mysterious fax arrives announcing an inventor's expo with a $12 billion prize, he decides to enter the Annihilatrix. However, the expo is staged by Xander Crews, who hopes to trick Killface into signing over his action figure rights.
Killface, desperate for cash and revenge, enacts a plan to find and kidnap billionaire Xander Crews. Meanwhile, Crews, still after action figure rights, enacts a plan to find and bribe Killface. Meanwhile, Grace Ryan's life hangs by her microphone's cord.
The entire Dingo gang, grievously injured in the collapse of the Annihilatrix's catwalk, have all ended up in the same emergency room, and Killface has to deal with a lapsed health insurance plan and a very rude customer service telephone rep.
As Killface searches for Xander Crews, radioactive ants begin to take over Grace Ryan's mind and she transforms into voluptuous, ant-controlling supervillain Antagone, who has a hatred for Xander Crews. Antagone fights Killface during a bank robbery, blinding him with formic acid. Meanwhile, Crews is kidnapped by the Xtacles.
Xander Crews, using the name Barnaby Jones, moves in with Killface; Simon runs away with all the knives; and Stan, posing as Awesome X, orders the Xtacles to find and kill Xander Crews.
The Xtacles find a replacement hostage for Xander Crews – his mentally retarded twin brother, Nearl. However, made intelligent through an experimental brain chemical, Nearl decides to reveal a little family history about the Crews brothers that would've made things complicated.
At the beginning of the second season, Killface is taking credit for "curing" global warming due to the Annihilatrix having moved the Earth a total of three feet further from the Sun before it malfunctioned, and has decided to run for President of the United States. Xander Crews follows suit, reforming his company and launching his own presidential campaign.
The Annihilatrix malfunctions moments after being initiated, moving the Earth three feet away from the Sun and ending global warming. Instead of destroying the world, Killface decides to play the global warming card and run for the office of President of the United States.
Following the incident on the Annihilatrix, Xander Crews is found to be living in financial ruin behind an RV dealership. Running an 'outreach center' made from cardboard boxes, Xander offers services such as boiling used hypodermic needles and selling them back to the homeless. Upon hearing of Killface's candidacy for President, Xander decides to run against him after revealing that he had the check for his vast fortune in his possession the entire time.
Xander proposes Fred Dryer as his running mate after gaining the Republican nomination for President. Aboard his new campaign jet (as opposed to Killface's campaign bus), Crews outlines his proposals to improve education and alleviate illegal immigration.
Xander and Killface both try to improve their images by going duck hunting, which Xander cannot distinguish from his annual panda hunt, but the two manage to reconnect when they get lost after an assassination ploy by Valerie.
After Valerie miraculously fails at another assassination attempt, Killface finds God and quickly ruins his campaign. Upon hearing that Simon is a homosexual, Killface renounces Christianity as a missile strikes him in the chest.
Killface begins to recuperate after the rocket incident while Xander again attempts to recruit Fred Dryer as his running mate, only to find that Sinn has taken over the Xtacles.
October 7, 2007 (2007-10-07)October 14, 2007 (2007-10-14)
207 208
Killface plans for the upcoming debate with Dottie, while Wendell looks into alternative campaign funds. Awesome X finds himself a prisoner along with Ronnie on board Xcalibur. While Killface prepares for the presidential debate, Xander makes a few stops with Ronnie before he arrives. Both Xander and Killface come to realize that neither of them is qualified or allowed to run for the presidency due to constitutional provisions they have both overlooked. Killface decides to follow up on his original plan to destroy the world.
Sinn and her 'Sisterhood of Chaos' (consisting of Valerie, Antagone, Watley, and the Decepticles, formerly the Xtacles) claim the Annihilatrix as their own, holding the world hostage. President Taqu'il, Xander, and Killface separately plan their own offensives to stop them.
Killface and Simon attempt to repair the burnt couplings on the Annihilatrix, while Stan and Taquil attempt an escape from their shot-down plane. Sinn and Valerie ask Watley to kill Antagone, while Wendell is sent by Xander to kill the giant ant baby. Both Wendell and Watley inadvertently fall in love with Antagone.
Valerie shoots Sinn and frames Wendell and Arthur. Xander learns he has an illegitimate daughter; when she comes to visit after her mother dies from cancer, Xander bribes her never to contact him again. Wendell decapitates Arthur when he tries to propose to Antagone. Antagone finally gives birth to her monster ant baby, which commits matricide by eating her head.
Wendell names the monster ant baby 'Cody 2' and rides it around town achieving orgasms on its back along the way. Everybody else races to the Annihilatrix, while the Deceptacles make a stew out of Arthur's decapitated body in the motel swimming pool. After killing Cody 2, Killface's alien brethren (including his mother) arrive to inquire about why the Earth has not yet been annihilated and why he is not wearing any clothes, to which Killface replies, "Funny story."
Comes with a replica of Killface's 'Welcome to you're [sic] "doom!"' postcard
Season Two
January 6, 2009
12
Features a brand-new short made to tie in with the spin-off series The Xtacles (as a result, the DVD box says 13 episodes), also comes with a Frisky Dingo sticker
The Xtacles is a spin-off from Frisky Dingo in which the Xtacles, Xander Crews' private army, take a lead role. The series revolves around the Xtacles' lack of direction following the abduction of their leader by aliens at the end of Frisky Dingo. They take on random missions from President Stan, who returns from the previous series. The series premiered its only two episodes on November 9, 2008.
Paralyzed by a lack of leadership, The Xtacles struggle with the decision to decide about future decisions. Meanwhile, terrorists are systematically destroying the Rocky Mountains. Evil President Stan has no choice but to call on the Xtacles to stop the destruction of America's Favorite Mountain Range.
2
"Operation: Murderous Conclusions"
Mack Williams & Matt Thompson
Christian Danley & Casey Willis
November 9, 2008 (2008-11-09)
102
The Xtacles are called upon once again by Evil President Stan to solve the mystery of who "desecrated" the President's extravagant new statue. Using their typical mix of rash judgment, and murderous conclusions, the Xtacles pin the crime on an innocent man. Case Closed.
.jpg)
_(cropped).jpg)
_(cropped).jpg)
.jpg)
