This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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From a page move: This is a redirect from a page that has been moved (renamed). This page was kept as a redirect to avoid breaking links, both internal and external, that may have been made to the old page name.
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This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
From other capitalisation: This is a redirect from a title with another method of capitalisation. It leads to the title in accordance with the Wikipedia naming conventions for capitalisation, or it leads to a title that is associated in some way with the conventional capitalisation of this redirect title. This may help writing, searching and international language issues.
If this redirect is an incorrect capitalisation, then {{R from miscapitalisation}} should be used instead, and pages that use this link should be updated to link directly to the target. Miscapitalisations can be tagged in any namespace.
Use this rcat to tag onlymainspace redirects; when other capitalisations are in other namespaces, use {{R from modification}}instead.
Christina María Aguilera was born on December 18, 1980, in New York City, to Shelly Loraine (née Fidler) and Fausto Wagner Xavier Aguilera.[3] Her father is an Ecuadorian emigrant from Guayaquil while her mother has German, Irish, Welsh, and Dutch ancestry.[4][5] Fausto Aguilera was a United States Army sergeant, and Shelly Loraine was a violinist in the American Youth Symphony before becoming a Spanish translator.[6][7]
In 1986, the family returned to the United States, and settled in Pennsylvania, where they welcomed her younger sister, Rachel, in 1986.[12] Aguilera has spoken out about her father's physically and emotionally abusive behavior.[13] She noted that this is what made her turn to music, noting that, "growing up in an unstable environment and whatnot, music was my only real escape".[14] In 1987, Shelly filed to divorce Fausto and moved with Aguilera and Rachel to her mother's home in Rochester, a suburb of Pittsburgh.[15] She later married James Kearns with whom she had a son named Michael.[16] In 2012, following decades of estrangement, Aguilera expressed interest in reconciling with her biological father.[17]
Aguilera moving to her grandmother's home allowed her to explore her grandmother's records, which featured mostly soul and blues singers and increased her interest in music.[18] She also began to practice singing in public and competing in talent contests.[19] Following numerous contests, she earned reputation in her neighborhood as the "little girl with a big voice" and received widespread attention from local television and radio programs.[20][21]
In 1991, Aguilera auditioned for a position on The All-New Mickey Mouse Club (MMC), aired on the Disney Channel. She ran against 400 candidates, and while she made the shortlist she was ultimately rejected for not meeting the minimum age requirement.[25] One year later, in 1992, Aguilera received a call from one of the show's producers asking if she was still interested in becoming a "Mouseketeer". She once again competed for a spot (this time, against 15,000 candidates) and was selected to join the variety program the following year.[26] Her fellow cast members included Ryan Gosling, Keri Russell, Britney Spears, and Justin Timberlake.[27] During the show recordings—which included Aguilera performing musical numbers and comedy sketches—she moved with her family to Orlando, Florida.[28] In 1994, it was reported the series would not return for a new season.[29]
Aiming to begin a music career, Aguilera moved to Japan in 1997. She was selected to record a duet with Japanese singer Keizo Nakanishi, with whom she performed in concert shows around the country.[30] Their song, "All I Wanna Do", was released as a single but failed to reach commercial success.[20] In June 1997, Aguilera went on to Romania to represent the United States in a singers contest during the Golden Stag Festival, but she failed to win over the audience.[31]
Seeking a recording contract, Aguilera recorded numerous demo tapes directed to record labels, including Walt Disney Records, for which she sent a cover of "Run to You" by Whitney Houston.[32] She eventually was chosen to record "Reflection", the theme song from the animated film Mulan (1998), which reached number 15 on the Billboard Adult Contemporary chart.[33] Following the attention she received with "Reflection", Aguilera caught the ear of Ron Fair, the A&R executive from RCA Records, who consequently signed Aguilera to the label.[8] In late 1998, she began to record her debut studio album into which producers reportedly invested over $1 million worth of writers, producers and vocal lessons.[8]
In May 1999, Aguilera released "Genie in a Bottle", the lead single off her long-awaited debut album, which topped the Billboard Hot 100 for five consecutive weeks and became the second best-selling single of 1999.[34] The song became an international success, increasing Aguilera's popularity worldwide, topping the charts in over 20 countries.[35] The single also attracted the attention of conservatives including celebrities such as Debbie Gibson that spoke out against its lyrical content, and was eventually considered "too provocative" to be sung by a teen idol.[36][37] Due to the criticism, Radio Disney replaced the song with a censored version.[38] The song was nominated for a Grammy Award for Best Female Pop Vocal Performance.[39]
Aguilera's self-titled debut album, Christina Aguilera, was released on August 24, 1999, to critical praise, debuting at number one on the Billboard 200.[40] It catapulted Aguilera into fame globally and sold over ten million copies in its first year.[41] It was later certified eight times platinum by the Recording Industry Association of America (RIAA),[42] and it has sold over 17 million copies worldwide.[43][44] Originally, Aguilera's desire was to create material directly inspired by R&B and soul, but the label opted for a more teen pop production due the genre's high financial return in the late 1990s.[45] At the 42nd Annual Grammy Awards, Aguilera won the Best New Artist category for which Time credited the award for "[helping] certify her credentials as a real singer".[46]
I was completely blown away, shocked, overwhelmed and thrilled. I didn't expect it. I've dreamed of that since I was eight years old. I was rambling off the top of my head, my knees were shaking and I'm still floating on air because of it!
In October 2000, Aguilera also released her third studio album, My Kind of Christmas, her first Christmas album, which reached number one on the US Top Holiday Albums chart.[60][61] The album received generally polarized reviews at the time but has since gone on to retrospectively receive praise.[62] Aguilera starred in a holiday special, My Reflection, which aired on December 3, 2000, on ABC.[63] Aguilera's commercial success saw her being named the 2000 Top Female Pop Act by Billboard.[64] The same year, she also filed a fiduciary duty against manager Steve Kurtz for "improper, undue, and inappropriate influence over her professional activities".[65] She eventually hired Irving Azoff to manage her career, aiming for control of her career and image.[65]
In August 2001, Warlock Records released Just Be Free, a demo album recorded by Aguilera between 1994 and 1995 while she was looking for a recording deal following the end of The All-New Mickey Mouse Club (MMC).[74] She filed a suit against the label and the album's producers aiming to stop the release of the album; however, both parties came to a confidential settlement to release the album, in which Aguilera lent out her name, likeness, and image for an unspecified amount of damages.[75]
With a new management, Aguilera started moving away from her teen pop niche and began working on a new project.[76] She cultivated a new image by adopting the alter ego Xtina, dyeing her hair black, and sporting several tattoos and body piercings.[77] Aguilera's new persona was widely criticized by media outlets.[78][79][80] In September 2002, she released the controversial song, "Dirrty", which garnered mixed reviews and peaked as number 48 on Billboard Hot 100.[45] The song's accompanying music video generated controversy for depicting overtly sexual fetishes,[81] and attracted the attention of conservative organizations and moralists who sought to have the video banned on MTV.[82] The video also sparked protests in Thailand and was eventually banned on the country's local television.[83][84] "Dirrty" topped the charts in the UK and Ireland,[85] and has gone on to become a cult classic.[86]
Nine Inch Nails, commonly abbreviated as NIN, stylized as NIИ, is an American industrial rock band formed in Cleveland in 1988. Singer, songwriter, multi-instrumentalist, and producer Trent Reznor was the only permanent member of the band until his frequent collaborator, Atticus Ross, joined in 2016. The band's debut album, Pretty Hate Machine (1989), was released via TVT Records. After disagreeing with TVT about how to promote the album, the band signed with Interscope Records and released the EP Broken (1992). The following albums, The Downward Spiral (1994) and The Fragile (1999), were released to critical acclaim and commercial success.
Following a hiatus, Nine Inch Nails resumed touring in 2005 and released their fourth album With Teeth (2005). Following the release of the next album Year Zero (2007), the band left Interscope after a feud. Nine Inch Nails continued touring and independently released Ghosts I–IV (2008) and The Slip (2008) before a second hiatus. Their eighth album, Hesitation Marks (2013), was followed by a trilogy which consisted of the EPs Not the Actual Events (2016) and Add Violence (2017) and their ninth album Bad Witch (2018). In 2020, Nine Inch Nails simultaneously released two further installments in the Ghosts series: Ghosts V: Together and Ghosts VI: Locusts.
When touring, Reznor typically assembles a live band to perform with him under the Nine Inch Nails name. This live band has varied over the decades, with various members leaving and returning; the most recent lineup consists of Robin Finck (who initially joined in 1994), Alessandro Cortini (who initially joined in 2005), and Ilan Rubin (who initially joined in 2008) alongside Reznor and Ross. The band's concerts are noted for their extensive use of thematic visual elements, complex special effects, and elaborate lighting. Songs are often rearranged to fit any given performance, and melodies or lyrics of songs that are not scheduled to be performed are sometimes assimilated into other songs.
Nine Inch Nails have sold over 20 million records and been nominated for 13 Grammy Awards, winning for the songs "Wish" in 1992 and "Happiness in Slavery" in 1996. Time magazine named Reznor one of its most influential people in 1997, while Spin magazine has described him as "the most vital artist in music". In 2004, Rolling Stone placed Nine Inch Nails at No. 94 on its list of the 100 greatest artists of all time. Nine Inch Nails were inducted into the Rock and Roll Hall of Fame in 2020, after being nominated in 2014 (their first year of eligibility) and again in 2015.
The band's logo, designed by Reznor and Gary Talpas
While living in Cleveland in 1987, Trent Reznor played keyboards in the Exotic Birds, a synthpop band managed by John Malm Jr.[1]: 38 Reznor became friends with Malm,[2] who informally became his manager when he left to work on his own music.[3] At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios.[4] Studio owner Bart Koster granted Reznor free access to the studio between bookings to record demos,[5][6] commenting that it cost him nothing more than "a little wear on [his] tape heads".[7] Unable to find a band that could articulate the material as he desired, Reznor was inspired by Prince to play all instruments himself except drums, which he programmed electronically.[8] He has continued to play most parts on Nine Inch Nails recordings ever since.[2]
The first Nine Inch Nails performance took place at the Phantasy Theater in Lakewood, Ohio, on October 21, 1988.[9] Soon after, following their live support of Skinny Puppy, Reznor aimed to release one 12-inch single on a small European label.[10] Several labels responded favorably to the demo material and Reznor signed with TVT Records.[4] Nine demos, recorded live in November 1988 and collectively known as Purest Feeling, were released in revised form on the first studio album, Pretty Hate Machine (1989).[1]: 41 The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar, as well as a heavier use of film samples.[11]
Reznor chose the name "Nine Inch Nails" because it "abbreviated easily" rather than for "any literal meaning".[12] Other rumored explanations have circulated, alleging that Reznor chose to refer to Jesus's crucifixion with nine-inch spikes,[13]: 57 or Freddy Krueger's nine-inch fingernails.[14] The Nine Inch Nails logo first appeared on the music video for their debut single, "Down in It". Reznor and Gary Talpas designed the logo, inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light.[15][16] The logo features the band's initials, with the second N mirrored. Talpas, a native of Cleveland, continued to design Nine Inch Nails packaging until 1997.[17]
Written, arranged, and performed by Reznor,[18] Nine Inch Nails' first album Pretty Hate Machine debuted in 1989.[19] It marked his first collaboration with Adrian Sherwood (who produced the lead single "Down in It" in London without meeting Reznor face-to-face)[10] and Mark "Flood" Ellis.[1]: 42 Reznor asked Sean Beavan to mix the demos of Pretty Hate Machine, which had received multiple offers for record deals.[20] He mixed sound during Nine Inch Nails' live concerts for several years,[21] eventually becoming an unofficial member of the live band and singing live backup vocals from his place at the mixing console.[22] Flood's production would appear on each major Nine Inch Nails release until 1994, and Sherwood has made remixes for the band as recently as 2000. Reznor and his co-producers expanded upon the Right Track Studio demos by adding singles "Head Like a Hole" and "Sin".[23]Rolling Stone's Michael Azerrad described the album as "industrial-strength noise over a pop framework" and "harrowing but catchy music";[24] Reznor proclaimed this combination "a sincere statement" of "what was in [his] head at the time".[25] In fact, the song "Down in It" spent over two months on Billboard's club-play dance chart.[26] After spending 113 weeks on the Billboard 200,[27]Pretty Hate Machine became one of the first independently released records to attain platinum certification.[4]
Three music videos were created in promotion of the album. MTV aired the videos for "Down in It" and "Head Like a Hole", but an explicit video for "Sin" was only released in partial form for Closure. The original version of the "Down in It" video ended with the implication that Reznor's character had fallen off a building and died in the street.[28] This footage attracted the attention of the FBI.[29]
In 1989, while doing promotion for the album, the band members were asked on what shows they would like to appear. They jokingly replied (possibly while intoxicated) that they would like to appear on Dance Party USA, since it was the most absurd option they could think of at the time. Much to their surprise, they were booked on the show, and made an appearance.[30]
In 1990, Nine Inch Nails began the Pretty Hate Machine Tour Series, in which it toured North America as an opening act for alternative rock artists such as Peter Murphy and the Jesus and Mary Chain.[1]: 41 [4][31] Reznor began smashing his equipment while on stage; Rockbeat interviewer Mike Gitter attributed the live band's early success in front of rock oriented audiences to this aggressive attitude.[32] Nine Inch Nails then embarked on a world tour that continued through the first Lollapalooza festival in 1991.[1]: 42
After a poor European reception opening for Guns N' Roses,[33] the band returned to the US amid pressure from TVT to produce a follow-up to Pretty Hate Machine.[34] After finding out they were hindering control of his project, Reznor criticized the labeling of Nine Inch Nails as a commercially oriented band and demanded his label terminate his contract, but they ignored his plea.[35] In response, Reznor secretly began recording under various pseudonyms to avoid record company interference.[36] Involved in a feud with TVT, he signed a record deal with Interscope Records and created Nothing Records:
We made it very clear we were not doing another record for TVT. But they made it pretty clear they weren't ready to sell. So I felt like, well, I've finally got this thing going but it's dead. Flood and I had to record Broken under a different band name, because if TVT found out we were recording, they could confiscate all our shit and release it. Jimmy Iovine got involved with Interscope, and we kind of got slave-traded. It wasn't my doing. I didn't know anything about Interscope. And I was real pissed off at him at first because it was going from one bad situation to potentially another one. But Interscope went into it like they really wanted to know what I wanted. It was good, after I put my raving lunatic act on.[1]: 42
In 1992, Nine Inch Nails relocated to 10050 Cielo Drive, Benedict Canyon, Los Angeles (renamed "Le Pig" by Reznor), the site of the Tate murders, when Charles Manson's "family" murdered Sharon Tate,[37] wife of noted film director Roman Polanski, and four of her friends.[1]: 42 [4] The band used it to record Broken, an extended play (EP) that was the first Nine Inch Nails release distributed by Interscope Records[38] and reached the top 10 on the Billboard 200.[39] In the liner notes, Reznor credited the 1991 Nine Inch Nails touring band as an influence on the EP's sound.[40] He characterized Broken as a guitar-based "blast of destruction", and as "a lot harder ... than Pretty Hate Machine".[13] The inspiration for the harder sound came from the way the live band played during concerts such as Lollapalooza.[41] Songs from Broken earned Nine Inch Nails two Grammy Awards: a performance of the EP's first single "Happiness in Slavery" from Woodstock '94,[42] and the second single "Wish".[42] In reference to receiving the Grammy Award for Best Metal Performance for "Wish", Reznor joked that "Wish" became "the only song to ever win a Grammy that says 'fist fuck' in the lyrics."[43] Against touring of the brand new material, Reznor began living and recording full-time at Le Pig, working on a follow-up free of restrictions from his record label.[1]: 42
Peter Christopherson of the bands Coil and Throbbing Gristle directed a performance video for "Wish",[44] but the EP's most controversial video accompanied "Happiness in Slavery".[45] The video was almost universally banned[45] for its graphic depiction of performance artistBob Flanagan disrobed and lying on a machine that pleases, tortures, then (apparently) kills him.[46] A third video for "Pinion", partially incorporated into MTV's Alternative Nation opening sequence, showed a toilet that apparently flushes into the mouth of a person in bondage.[47] Reznor and Christopherson compiled the three clips along with footage for "Help Me I Am in Hell" and "Gave Up" into a longform music video titled Broken.[48] It depicts the murder of a young man who is kidnapped and tortured while forced to watch the videos.[48] This footage was never officially released, but instead appeared covertly among tape trading circles.[46][48] A separate performance video for "Gave Up" featuring Richard Patrick and Marilyn Manson was filmed at Le Pig. A live recording of "Wish" was also filmed, and both videos appeared in Closure.[49]
Broken was followed by the companion remix EP Fixed in late 1992.[48] The only track that was left off the final version of the release is the remix of "Last", produced by Butch Vig (the outro of the "Last" remix is heard in "Throw This Away", which also includes Reznor's remix of "Suck").[50] The unedited version appeared on the internet as an 8-bit mono 11 kHz file, "NIN_LAST.AIFF", available by FTP from cyberden.com in 1993; it has been removed from the website, but can still be found on p2p networks (Reznor subsequently made it available in higher quality (256 kbit/s mp3) at remix.nin.com). Vig later spoke about his remix while answering questions on a music production forum, saying "I started recording a lot of new parts, and took it in a much different direction. When it was finished, Trent thought the front part of the mix didn't fit the EP, so he just used the ending. I'm glad it's on his website. Duke and Steve worked with me on the remix, in the very early days of Garbage."[51]
Reznor performing during the Self-Destruct tour, circa 1994–1995
Early ideas for The Downward Spiral arose after the Lollapalooza 1991 festival's concerts ended in September.[52] Reznor elaborated the album's themes into lyrics.[1]: 42 Despite initially choosing to record the album in New Orleans,[53] Reznor searched for and moved to 10050 Cielo Drive, in Los Angeles (known as the Manson Murder House)[54] renting it for $11,000 per month from July 4, 1992, the start of the making of both Broken and The Downward Spiral.[55][56]
Nine Inch Nails' second studio album, The Downward Spiral, entered the Billboard 200 at number two,[57] and is the band's highest seller in the US, over four million copies, among five million worldwide.[58] Influenced by Pink Floyd and by David Bowie of the 1970s,[4]The Downward Spiral's diverse textures and moods depict a protagonist's mental progress.[59] Flood co-produced several tracks, while Alan Moulder mixed most,[60] and later found more extensive production duties on future albums. Reznor invited Sean Beavan to work on The Downward Spiral.[1] After contributing to remixes of Nine Inch Nails songs, such as "Closer", Beavan mixed and co-produced Marilyn Manson's Antichrist Superstar in 1996.[61]The Downward Spiral, like Broken, was recorded at Le Pig Studios.[37] "March of the Pigs" and "Closer" were singles. Two other tracks, "Hurt" and "Piggy", though not singles, were issued to radio. Also in 1994, the band released the promotional single "Burn", which Reznor produced, on the soundtrack of Oliver Stone film Natural Born Killers.[62] as well as a cover of the Joy Division song "Dead Souls" on the soundtrack to the film The Crow, which went to number 1 on the Billboard 200 album chart.[63]
The music video for "Closer", directed by Mark Romanek, was in MTV's frequent rotation, although the network, deeming it too graphic, heavily censored the original.[64] The video shows events in a laboratory dealing with religion, sexuality, animal cruelty, politics, and terror; controversial imagery included a nude bald woman with a crucifix mask, a monkey tied to a cross, a pig's head spinning on some type of machine, a diagram of a vulva, Reznor wearing an S&M mask while swinging in shackles, and of him wearing a ball gag.[65] A radio edit that partially mutes the song's explicit lyrics also received extensive airtime.[1]: 96
Contemporary critics generally praised The Downward Spiral, now classed among the most important albums of the 1990s. In 2005, Spin ranked it 25th among the "100 Greatest Albums, 1985–2005".[66] In 2003, Rolling Stone ranked it 200 among "The 500 Greatest Albums of All Time".[67]Blender named it the 80th Greatest American Album. It was ranked No. 488 in the book The Top 500 Heavy Metal Albums of All Time by Martin Popoff. In 2001 Q named The Downward Spiral as one of the 50 Heaviest Albums of All Time;[68] in 2010 the album was ranked No. 102 on their 250 Best Albums of Q's Lifetime (1986–2011) list.[69] After The Downward Spiral's release, Reznor produced an accompanying remix album entitled Further Down the Spiral, the only non-major Nine Inch Nails release to be certified gold in the United States[58] and among the best-selling remix albums of all time. It contained contributions from Coil with Danny Hyde, electronic musician Aphex Twin, producer Rick Rubin, and Jane's Addiction guitarist Dave Navarro, among others.[70]
After The Downward Spiral's 1994 release, the live band supported it by embarking on the Self Destruct Tour. The stage set-up featured dirty curtains, rising and lowering for visuals shown during songs such as "Hurt". The tour debuted the band's grungy, messy image as the members appeared in ragged attire slathered in corn starch. Performances were violent and chaotic, band members often injuring themselves by attacking each other, diving into the crowd, and destroying their instruments to close.[71] The widest mainstream audience was a mud-soaked performance at Woodstock '94, and seen by Pay-Per-View in up to 24 million homes.[72][73] Enjoying mainstream success thereafter, Nine Inch Nails then performed amid greater production values, adding theatrical visual elements. Supporting acts on tour included the Jim Rose Circus and Marilyn Manson.[74] Released in 1997, the Closure video documented highlights from the tour, including full live videos of "Eraser", "Hurt" and a one-take "March of the Pigs" clip directed by Peter Christoperson.[75] In 1997 Reznor also produced the soundtrack to the David Lynch film Lost Highway, which featured one new Nine Inch Nails song, "The Perfect Drug".[76] Around this time, Reznor's studio perfectionism,[77] struggles with addiction, and bouts of writer's block prolonged the production of The Fragile.[78]
Five years elapsed between The Downward Spiral and Nine Inch Nails' next studio album, The Fragile, which arrived as a double album in September 1999.[79]The Fragile was conceived by making "songwriting and arranging and production and sound design ... the same thing. A song would start with a drum loop or a visual and eventually a song would emerge out of it and that was the song."[80] Canadian rock producer Bob Ezrin was consulted on the album's track listing; the liner notes state that he "provided final continuity and flow."[81]
On the heels of the band's previous successes, media anticipation surrounded The Fragile more than a year before its release,[82] when it was already described as "oft-delayed".[83] The album debuted at number one on the Billboard 200, selling 228,000 copies in its first week and receiving generally positive reviews.[79]Spin hailed The Fragile as the "album of the year", whereas Pitchfork Media panned its "melodramatic" lyrics.
Lavigne's third studio album, The Best Damn Thing (2007), reached number one in seven countries worldwide and saw the international success of its lead single "Girlfriend", which became her first single to reach the top of the Billboard Hot 100 in the United States. Her next two studio albums, Goodbye Lullaby (2011) and Avril Lavigne (2013), saw continued commercial success and were both certified gold in Canada, the United States, and other territories.[6][7][8] After releasing her sixth studio album, Head Above Water (2019), she returned to her punk roots with her seventh studio album, Love Sux (2022).[9]
Avril Ramona Lavigne was born on September 27, 1984, in Belleville, Ontario. She was named Avril (the French word for April) by her father.[10] He and Lavigne's mother recognized their child's vocal abilities when she was two years old and sang "Jesus Loves Me" on the way home from church.[11] Lavigne has an older brother named Matthew and a younger sister named Michelle,[12] both of whom teased her when she sang. "My brother used to knock on the wall because I used to sing myself to sleep and he thought it was really annoying."[11] She is the sister-in-law of Japanese band One OK Rock bassist Ryota Kohama.[13] Lavigne's paternal grandfather Maurice Yves Lavigne was born in Saint-Jérôme, Quebec.[14] A member of the Royal Canadian Air Force, he married Lucie Dzierzbicki, a French native of Morhange in 1953. Their son, Jean-Claude Lavigne, was born in 1954 at RCAF Station Grostenquin near Grostenquin, Lorraine.[15] When Jean-Claude was a child, the family moved to Ontario, and in 1975, he married Judith-Rosanne "Judy" Loshaw.[16][17]
When Lavigne was 5, the family moved to Napanee (now incorporated as Greater Napanee),[18] a town with a population of approximately 5,000 at the time.[19][20][21] Also when she was 5, she was diagnosed with ADHD, which caused her problems during her school years.[22]
To support her musical interests, her father bought her a microphone, a drum kit, a keyboard, and several guitars, and converted their basement into a studio. Her father often played bass at the church the family attended, the Third Day Worship Centre in Kingston. When Lavigne was 14 years old, her parents took her to karaoke sessions.[23]
Lavigne performed at country fairs, singing songs by Garth Brooks, the Chicks, and Shania Twain, and began writing her own songs. Her first song was called "Can't Stop Thinking About You", about a teenage crush, which she described as "cheesy cute".[24]
Lavigne also played hockey during high school and won MVP twice as a right winger in a boys league.[25]
In 1999, Lavigne won a radio contest to perform with Canadian singer Shania Twain at the Corel Centre in Ottawa, before an audience of 20,000 people.[26][18][19] Twain and Lavigne sang Twain's song, "What Made You Say That",[18] and Lavigne told Twain that she aspired to be "a famous singer".[19] During a performance with the Lennox Community Theatre, Lavigne was spotted by local folksinger Stephen Medd. He invited her to contribute vocals on his song, "Touch the Sky", for his 1999 album, Quinte Spirit. She later sang on "Temple of Life" and "Two Rivers" for his follow-up album, My Window to You, in 2000.
In December 1999, Lavigne was discovered by her first professional manager, Cliff Fabri, while singing country covers at a Chapters bookstore in Kingston.[18][19] Fabri sent out VHS tapes of Lavigne's home performances to several industry prospects, and Lavigne was visited by several executives.[27] Mark Jowett, co-founder of a Canadian management firm, Nettwerk, received a copy of Lavigne's karaoke performances recorded in her parents' basement.[28] Jowett arranged for Lavigne to work with producer Peter Zizzo during the summer of 2000 in New York, where she wrote the song "Why". Lavigne was noticed by Arista Records during a trip to New York.[27]
In November 2000,[20] Ken Krongard, an A&R representative, invited Antonio "L.A." Reid, then head of Arista Records, to Zizzo's Manhattan studio to hear Lavigne sing. Her 15-minute audition "so impressed" Reid that he immediately signed her to Arista with a deal worth $1.25 million for two albums and an extra $900,000 for a publishing advance.[21][18] By this time, Lavigne had found that she fit in naturally with her hometown high school's skater clique, an image that carried through to her first album, but although she enjoyed skateboarding, school left her feeling insecure. Having signed a record deal, and with support from her parents, she left school to focus on her music career.[20][29][24] Lavigne's band, which were mostly the members of Closet Monster, was chosen by Nettwerk, as they wanted young performers who were up and coming from the Canadian punk rock scene who would fit with Lavigne's personality.[30]
Reid gave A&R Joshua Sarubin the responsibility of overseeing Lavigne's development and the recording of her debut album. They spent several months in New York working with different co-writers, trying to forge an individual sound for her. Sarubin told HitQuarters that they initially struggled; although early collaborations with songwriter-producers including Sabelle Breer, Curt Frasca and Peter Zizzo resulted in some good songs, they did not match her or her voice. It was only when Lavigne went to Los Angeles in May 2001 and created two songs with the Matrix production team—including "Complicated", later released as her debut single—that the record company felt she had made a major breakthrough. Lavigne worked further with the Matrix and also with singer-songwriter Clif Magness. Recording of Lavigne's debut album, Let Go, finished in January 2002.[31]
Lavigne released Let Go in June 2002 in the US, where it reached number two on the Billboard 200 albums chart. It peaked at number one in Australia, Canada, and the UK—this made Lavigne, at 17 years old, the youngest female soloist to have a number-one album on the UK Albums Chart at that time.[32] By the end of 2002, the album was certified four-times Platinum by the RIAA, making her the bestselling female artist of 2002 and Let Go the top-selling debut of the year.[33] By May 2003, Let Go had accumulated over 1 million sales in Canada, receiving a diamond certification from the Canadian Recording Industry Association.[34] By 2009, the album had sold over 16 million units worldwide.[35] By March 2018, the RIAA certified the album seven-times Platinum, denoting shipments of over seven million units in the US.[36]
Lavigne's debut single, "Complicated", peaked at number one in Australia and number two in the US. "Complicated" was one of the bestselling Canadian singles of 2002, and one of the decade's biggest hits in the US,[37] where subsequent singles "Sk8er Boi" and "I'm with You" reached the top ten.[38] With these three singles, Lavigne became the second artist in history to have three top-ten songs from a debut album on Billboard's Mainstream Top 40 chart.[39] Lavigne was named Best New Artist (for "Complicated") at the 2002 MTV Video Music Awards,[40] won four Juno Awards in 2003 out of six nominations,[41] received a World Music Award for "World's Bestselling Canadian Singer", and was nominated for eight Grammy Awards, including Best New Artist and Song of the Year for "Complicated".[42]
In 2002, Lavigne made a cameo appearance in the music video for "Hundred Million" by the pop punk band Treble Charger.[43] In March 2003, Lavigne posed for the cover of Rolling Stone magazine,[16] and in May she performed "Fuel" during MTV's Icon tribute to Metallica.[44][45] During her first headlining tour, the Try to Shut Me Up Tour, Lavigne covered Green Day's "Basket Case".[46]
Lavigne's second studio album, Under My Skin, was released in May 2004 and debuted at number one in Australia, Canada, Japan, the UK, and the US.[47] The album was certified five-times Platinum in Canada[48] and has sold 10 million copies,[49] including 3.2 million in the US.[50] Lavigne wrote most of the album's tracks with Canadian singer-songwriter Chantal Kreviazuk, and Kreviazuk's husband, Our Lady Peace front man Raine Maida, co-produced the album with Butch Walker and Don Gilmore. Lavigne said that Under My Skin proved her credentials as a songwriter, saying that "each song comes from a personal experience of mine, and there are so much [sic] emotions in those songs".[51] "Don't Tell Me", the lead single off the album, reached the top five in the UK and Canada and the top ten in Australia. "My Happy Ending", the album's second single, was a top five hit in the UK and Australia. In the US, it was a top ten entry on the Billboard Hot 100 and became a number-one pop radio hit. The third single, "Nobody's Home", did not manage to make the top 40 in the US and performed moderately elsewhere.
During early 2004 Lavigne went on the 'Live and By Surprise' acoustic mall tour in the US and Canada to promote Under My Skin, accompanied by her guitarist Evan Taubenfeld. In September 2004, Lavigne embarked on her first world tour, the year-long Bonez Tour. Lavigne won two World Music Awards in 2004, for 'World's Best Pop/Rock Artist' and 'World's Bestselling Canadian Artist' and won three Juno Awards from five nominations in 2005, including 'Artist of the Year'.[52] She also won in the category of 'Favorite Female Singer' at the eighteenth annual Nickelodeon Kids' Choice Awards.[53]
Lavigne's third album, The Best Damn Thing, was released in April 2007 and debuted at number one on the U.S. Billboard 200,[62] and subsequently achieved Platinum status in Canada.[48] The album sold more than 2 million copies in the US.[36] Its lead single, "Girlfriend", became Lavigne's first number-one single on the U.S. Billboard Hot 100 and one of the decade's biggest singles.[62][63] The single also peaked at number one in Australia, Canada, and Japan, and reached number two in the UK and France. As well as English, "Girlfriend" was recorded in Spanish, French, Italian, Portuguese, German, Japanese, and Mandarin. The International Federation of the Phonographic Industry ranked "Girlfriend" as the most-downloaded track worldwide in 2007, selling 7.3 million copies, including the versions recorded in eight different languages.[64][65] "When You're Gone", the album's second single, reached the top five in Australia and the United Kingdom, the top ten in Canada, and the top forty in the US. "Hot" was the third single and charted only at number 95 in the US, although it reached the top 10 in Canada and the top 20 in Australia.
Lavigne won two World Music Awards in 2007, for 'World's Bestselling Canadian Artist' and 'World's Best Pop/Rock Female Artist'. She won her first two MTV Europe Music Awards, received a Teen Choice Award for 'Best Summer Single', and was nominated for five Juno Awards.[52] In December 2007, Lavigne was ranked number eight in Forbes magazine's list of 'Top 20 Earners Under 25', with annual earnings of $12 million.[66] In March 2008, Lavigne undertook a world tour, The Best Damn World Tour, and appeared on the cover of Maxim for the second time.[67] In mid-August, Malaysia's Islamic opposition party, the Pan-Malaysian Islamic Party, attempted to ban Lavigne's tour show in Kuala Lumpur, judging her stage moves "too sexy". It was thought that her concert on August 29 would promote wrong values ahead of Malaysia's Independence Day on August 31.[68] On August 21, 2008, MTV reported that the concert had been approved by the Malaysian government.[69]
In January 2010, Lavigne worked with Disney to create clothing designs inspired by Tim Burton's feature film Alice in Wonderland. She recorded a song for its soundtrack, "Alice", which was played over the end credits and included on the soundtrack album Almost Alice.[70][71][72] In February, Lavigne performed at the Vancouver 2010 Winter Olympics closing ceremony.[73] Lavigne's song "I'm with You" was sampled by Rihanna on the track "Cheers (Drink to That)", which is featured on Rihanna's fifth studio album, Loud (2010).[74][75] "Cheers (Drink to That)" was released as a single the following year, and Lavigne appeared in its music video.[76] In December 2010, American singer Miranda Cosgrove released "Dancing Crazy", a song written by Lavigne, Max Martin and Shellback. It was also produced by Martin.[77]
Lavigne began recording for her fourth studio album, Goodbye Lullaby, in her home studio in November 2008. Its opening track, "Black Star", was written to help promote her first fragrance of the same name.[78][79] Lavigne described the album as being about her life experiences rather than focusing on relationships, and its style as less pop rock than her previous material, reflecting her age.[79][80] The release date for Goodbye Lullaby was delayed several times, which Lavigne said was because of her label.[81][82]Goodbye Lullaby was released in March 2011,[83][80] and its lead single, "What the Hell", premiered in December 2010, ahead of the album's release.[83]Goodbye Lullaby received Juno Award nominations for Album of the Year and Pop Album of the Year.[52] By March 2018, Goodbye Lullaby sold more than 500,000 copies in the US, and it was certified Gold by the RIAA.[36]
Three months after the release of Goodbye Lullaby, Lavigne announced that work on her fifth studio album had already begun, describing it as the musical opposite of Goodbye Lullaby[84] and "pop and more fun again".
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