This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
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During Willis's senior season at Ole Miss, he received the Butkus Award and the Jack Lambert Award as the nation's top linebacker. A year later as a member of the 49ers, Willis led the NFL in tackles, earned first-team All-Pro and Pro Bowl honors while being named the 2007 NFL Defensive Rookie of the Year. Willis made the Pro Bowl in his first seven seasons in the NFL, and earned All-Pro honors in his first six years. He won the college Butkus Award in 2006 while at Ole Miss and in 2009, and won the professional Butkus Award while with the 49ers in 2009. He was inducted into the Pro Football Hall of Fame in 2024.
Born in Bruceton, Tennessee, Willis grew up in abject poverty and had to take care of his younger siblings. By the age of 10, he worked full-time in cotton fields.[1] At age 17, he left his home, a double-wide in a trailer park just outside Bruceton, with his brothers, Orey and Detris, and sister, Ernicka, when his alcoholic father turned increasingly violent.[2] The siblings moved in with Willis's high school basketball coach.
Willis attended Hollow Rock-Bruceton Central High School,[3] where he was a two-time All-State selection, Regional Most Valuable Player, and West Tennessee Player of the Year. He earned four letters in football and basketball, and three in baseball. He was also the first person in Tennessee state history to be nominated for both the Mr. Football Award for a Lineman (as a linebacker) and the Mr. Football Award for a Back (as a tailback) in the same season.
Regarded as a three-star recruit by Rivals.com, Willis was listed as the No. 60 linebacker prospect in the class of 2003.[4] He chose Ole Miss over Memphis.
As a sophomore in 2004, he appeared in 10 of 11 games and earned honorable mention All-Southeastern Conference (SEC) honors from the Associated Press. He recorded 70 tackles (54 solo), and led the team with 11.0 tackles for a loss and five sacks.
In Willis's 2005 junior campaign, he led the SEC in total tackles at 12.80 per game, which placed him sixth nationally. He finished season with 128 total tackles, 9.5 tackles for loss, three sacks, an interception, two forced fumbles and a fumble recovery. Willis was named SEC Defensive Player of the Year by CollegeFootballNews.com and Scout.com. He was also named as a first-team All-American by College Football News and the All-American Football Foundation. Willis earned first-team All-SEC honors from the Associated Press, SEC Coaches, CollegeFootballNews.com and Rivals.com.[6]
During Willis's last collegiate year in 2006, he led the SEC in tackles once again with 11.4 per game and collected 137 tackles, 11.5 TFLs, seven passes deflected, three sacks, two forced fumbles and one fumble recovery. He was awarded SEC Defensive Player of the Year, first-team All-SEC, and consensus first-team All-American. He was the winner of the Jack Lambert Award and the prestigious Dick Butkus Award, given to the most outstanding linebacker in college football. He also won the Conerly Trophy, voted upon by the media in Mississippi and awarded to the best college football player in Mississippi. In addition, he was a finalist for the Bronko Nagurski Award and semi-finalist for both the Rotary Lombardi Award and the Lott Trophy.[7]
Originally regarded as a late-first to early-second round draft pick,[8] Willis improved his draft stock with an impressive performance at the NFL Combine; his 4.56 40-yard dash[9][10][11] was one of the fastest among linebackers. He also posted a 39-inch vertical jump and recorded 22 repetitions of the 225-lb. bench press. Willis clocked in at 4.38 seconds for his 40-yard dash during his University of Mississippi pro-day workout.[12] Analysts of The Sporting News compared him to Jeremiah Trotter.[13] Willis also earned South Team Defensive MVP honors at the 2007 Senior Bowl.
Willis was selected by the San Francisco 49ers in the first round with the 11th overall pick in the 2007 NFL draft, re-uniting him with the staff that coached his South Squad at the 2007 Senior Bowl.[17] He signed a seven-year, $53.51 million contract with the 49ers in the 2010 season.[18]
Willis was coached directly by Hall of Fame middle-linebacker/coach Mike Singletary (who later became 49ers head coach), and eventually started at inside linebacker, specifically the "Mike" position, in the 49ers' 3-4 defense. In his first NFL game, Willis recorded 11 tackles, including 9 solo, and a forced fumble as the 49ers defeated the Arizona Cardinals in dramatic fashion by a score of 20–17. For his effort, he won the Diet Pepsi Rookie of the Week Award. One of Willis's strongest performances came against the Minnesota Vikings, as he led the 49ers defense in containing Offensive Rookie of the Year, Adrian Peterson, who managed just 3 yards on 14 carries. Willis's most impressive statistical performance came in week 16 at home against the Tampa Bay Buccaneers. In this game he recorded 20 total tackles, two sacks, one forced fumble and one pass deflected in a 21–19 victory, earning Rookie of the Week honors for the fourth time. In addition to receiving the award in weeks 1 and 16, Willis took home the award in weeks 2 and 12. He was also awarded the GMC Defensive Player of the Week twice.
In a game against the Arizona Cardinals on November 25, Willis ran down wide receiver Sean Morey after a 62-yard, catch-and-run for the game-saving tackle in overtime. The 49ers eventually won 37–31.[16]
Willis finished the 2007 campaign with an NFL-leading 174 total tackles, along with four sacks, two forced fumbles, and five passes deflected. According to the 49ers, however, he is unofficially credited with over 200 tackles during that season. As a result, Willis was one of two 49ers selected to the Pro Bowl along with punter Andy Lee. Other honors earned at the conclusion of his first professional season included being named AP NFL Defensive Rookie of the Year, first-team All-Pro, and NFL Alumni Linebacker of the Year. He was the only rookie in the NFL to make the AP All-Pro squad and the first defensive rookie from the 49ers to make the Pro Bowl since Ronnie Lott in 1981. His season was capped by being named one of ESPN The Magazine's "NEXT" athletes of 2008, alongside YankeeJoba Chamberlain and Trail BlazerBrandon Roy.
In his second NFL season, Willis scored his first career NFL touchdown against Seattle, returning an interception for 86 yards.[19]
On December 16, during another dominating season with the 49ers, Willis was named the starting inside linebacker for the NFC Pro Bowl team. In just two seasons, he established himself as one of the top linebackers in the NFL.[20]
At the end of the year, Willis finished second in tackles and was voted to his second consecutive Pro Bowl, this time as a starter. He was also voted second-team All-Pro, barely missing the first team as Jon Beason of Carolina Panthers collected one more vote than Willis.
Willis started the season strong in the opener against the Arizona Cardinals. He recorded 14 tackles and an interception in a 20–16 win in Arizona. He also had a huge game in week 4 against St. Louis finishing with 8 tackles, 2.5 sacks and an interception return for a 23-yard touchdown.
The biggest improvement in his game from the previous year was the increased sideline-to-sideline range. Willis made 54 tackles on plays labeled as "Wide left" or "Wide right" which accounted for 35.5% of his total tackles. In that area, he led all inside linebackers by a large margin. He was also the league leader in impact plays with a total of 27.[21]
At the end of the year, Willis accumulated an NFL-leading 152 tackles along with four sacks, three forced fumbles, eight pass deflections and three interceptions. He has now led the league in tackles in two of his first three seasons. Willis also earned first-team All-Pro receiving 49/50 votes from the AP and was voted to his third consecutive Pro Bowl. However, shortly before the Pro Bowl, which was set in South Florida, Willis decided to play it safe and opted not to play due to a leg injury he sustained. He stayed in South Florida for the game and stood on the sideline in support of the NFC team and 49er teammates Frank Gore, Vernon Davis, Justin Smith and Andy Lee.[22]
Willis was named the 2009 NFL Alumni Linebacker of the Year, an award voted on by past NFL linebackers.[23] Willis also became the second NFL player to win the Butkus Award since it was expanded in 2008 to include high school and professional winners in part to help end anabolic steroid abuse among young athletes.
On May 4, Willis signed a five-year contract extension worth $50 million, with $29 million in guaranteed money making him the highest paid inside linebacker in the NFL.[24]
In 2010, Willis strengthened a dimension of his game, totaling a career-high 6.0 sacks. He played through the season with several injuries, playing a game against the San Diego Chargers with a cast on his broken hand. Willis was ruled out for Week 17 after undergoing a second surgery on his broken right hand. It was the first time that Willis had ever missed a game in his career. Willis had also made a habit of making it to the Pro Bowl. He had gone all four seasons of his NFL career and even with his tackle numbers down (largely due to offenses scheming against him), Willis still finished with the second-most fan votes for inside linebackers in the entire NFL.[25] He now joins Hall of Fame safety Ronnie Lott as only 49ers to be selected to the Pro Bowl in each of their first four seasons.
Before the start of the 2011 season, Willis ran away from the field in the voting for the NFL's best linebacker on ESPN.com. "Nobody in the NFL plays their position better than Patrick Willis, and that is saying a lot," said Matt Williamson of Scouts Inc. "He is as good a linebacker as Peyton Manning is a quarterback, as Andre Johnson is a receiver, as Adrian Peterson is a running back. He has no weaknesses."[28] Even 12-time Pro Bowler Ray Lewis, the dominant linebacker of his era, pointed to Willis as a worthy successor to his undisputed reign. ESPN's Dana Jacobson asked Lewis which young linebacker reminded him of himself. "I just love the way he plays the game," Lewis said. "He plays the game with a fire. He reminds me of myself—a lot, a lot, a lot."[29] Willis also came in fourth in an ESPN expert vote for the NFL's 10 best defensive players, finishing only behind 2010 AP NFL Defensive Player of the YearTroy Polamalu, DeMarcus Ware, and Darrelle Revis. Also, when he was voted no. 10 players of 2012 (2011 season), Ray Rice and commentators noted the resemblance in playing style and techniques from Willis to Lewis from 10 years ago[30]
In 2011, Willis led a top ranked 49ers defense which set an NFL single season record of not allowing a rushing touchdown until week 16. The previous record was held by the 1920 Decatur Staleys, who did not allow a rushing touchdown in a 13-game season.[31] The 49ers' stingy defense ranked fourth overall and played a huge role in the 49ers finishing with a 13–3 record. This also marked the first time since 2002 the 49ers were division champs and back in the playoffs.
During a game against the St. Louis Rams in week 13, Willis landed awkwardly after missing a tackle and injured his right hamstring.[32] Despite missing nearly four games due to the hamstring injury, Willis finished the season with 97 tackles along with two sacks, four forced fumbles, 12 pass deflections and an interception. He also improved his game significantly in coverage recording a career-high 12 pass deflections.[33] Willis was named to his fifth consecutive Pro Bowl and becomes the first player in franchise history to make five Pro Bowl appearances to start a career.[34] In addition, he earned first-team All-Pro from the Associated Press for the third consecutive year.[35]
During the 2012 season, Willis had 120 combined tackles, two forced fumbles (one recovery), two interceptions, nine passes defended, and 0.5 sacks. He led the 49ers into the postseason for a second straight year. Willis recorded ten combined tackles as the 49ers lost Super Bowl XLVII to the Baltimore Ravens by a score of 34–31.[36] Willis had 29 combined tackles and a sack during the 2012 postseason.
On August 5, 2013, Willis underwent surgery to repair a fractured hand he suffered during training camp. He started the first three games of the season, but then had a groin injury in Week 3. He would then miss the next two games. However, in a game against the Atlanta Falcons, he recorded 18 tackles. He ended the 2013 season with 104 tackles.
Willis played in six games of the 2014 season hampered by a nagging toe injury. He made the decision to end his season on November 11 and undergo season-ending surgery on his nagging left big toe, which bothered him for several previous seasons. The 49ers placed Willis on the injured reserve list soon after the surgery.[37]
After struggling with a toe injury that kept him sidelined for most of 2014, Willis announced his retirement on March 10, 2015.[38][39]
On February 8, 2024, Willis was selected to be inducted into the Pro Football Hall of Fame, in his fifth year of eligibility and second year as a finalist.[40]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Burton was born on August 25, 1958, in Burbank, California, the son of Jean Burton (née Erickson, 1933–2002), later the owner of a cat-themed gift shop, and William "Bill" Burton (1930–2000), a former minor league baseball player who was working for the Burbank Parks and Recreation Department.[5][6]
As a preteen,[citation needed] Burton would[citation needed] make short films in his backyard at 2101 North Evergreen Street, using crude stop motion animation techniques or shooting on 8 mm film without sound (one of his oldest known juvenile films is The Island of Doctor Agor, which he made when he was 13 years old). Burton attended Providencia Elementary School, Luther Burbank Middle School, and Burbank High School,[7] but was not a particularly good student. He played on the water polo team at Burbank High. Burton was an introspective person and found pleasure in artwork, painting, drawing, and watching movies. His future work would be heavily influenced by the works of such childhood heroes as Dr. Seuss and Roald Dahl.[8]
While at Disney in 1982, Burton made his first short, Vincent, a six-minute black-and-white stop motion film based on a poem written by Burton, which depicts a young boy who fantasizes that he is his hero Vincent Price, with Price himself providing narration. The film was produced by Rick Heinrichs, whom Burton had befriended while working in the concept art department at Disney. The film was shown at the Chicago Film Festival and released, alongside the teen drama Tex, for two weeks in one Los Angeles cinema. This was followed by Burton's first live-action production, Hansel and Gretel, a Japanese-themed adaptation of the Brothers Grimmfairy tale for the Disney Channel, which climaxes in a kung fu fight between Hansel and Gretel and the witch. Having aired once in 1983 at 10:30 P.M. on Halloween and promptly shelved, prints of the film are extremely difficult to locate, fueling rumors that the project did not exist. The short would finally go on public display in 2009 at the Museum of Modern Art, and again in 2011 as part of the Tim Burton art exhibit at LACMA.[11][12] It was again shown at the Seoul Museum of Art in 2012.[13]
Burton's next live-action short film, Frankenweenie, was released in 1984. It tells the story of a young boy who tries to revive his dog after it is run over by a car. Filmed in black-and-white, it stars Barret Oliver, Shelley Duvall (with whom he would work again in 1986, directing an episode of her television series Faerie Tale Theatre), and Daniel Stern. After Frankenweenie was completed, Disney fired Burton, under the pretext of him spending the company's resources on a film that would be too dark and scary for children to see.[14]
Actor Paul Reubens saw Frankenweenie and chose Burton to direct the cinematic spin-off of his popular character Pee-wee Herman, stating on the audio commentary of 2000 DVD release of Pee-wee's Big Adventure that as soon as the short began, he was sold on Burton's style. Pee-wee Herman gained mainstream popularity with a successful stage show at The Groundlings and the Roxy which was later turned into an HBO special. The film, Pee-wee's Big Adventure, was made on a budget of $8 million and grossed more than $40 million at the North American box office. Burton, a fan of the eccentric musical group Oingo Boingo, asked songwriter Danny Elfman to provide the music for the film. Since then, Elfman has scored every film that Tim Burton has directed, except for Ed Wood,[15]Sweeney Todd: The Demon Barber of Fleet Street, and Miss Peregrine's Home for Peculiar Children.
Burton directed his next big project: Beetlejuice (1988), a supernatural comedy horror about a young couple forced to cope with life after death and the family of pretentious yuppies who invade their treasured New England home. Their teenage daughter, Lydia (Winona Ryder), has an obsession with death which allows her to see the deceased couple. Starring Alec Baldwin and Geena Davis, and featuring Michael Keaton as the obnoxious bio-exorcist Beetlejuice, the film grossed $80 million on a relatively low budget and won an Academy Award for Best Makeup. It would be converted into a cartoon of the same name, with Burton playing a role as executive producer, that ran on ABC and later Fox channel.
Burton's ability to produce hits with low budgets impressed studio executives, and he received his first big-budget film, Batman. The production was plagued with problems. Burton repeatedly clashed with the film's producers, Jon Peters and Peter Guber, but the most notable debacle involved casting. For the title role, Burton chose to cast Michael Keaton as Batman following their previous collaboration in Beetlejuice, despite Keaton's average physique, inexperience with action films, and reputation as a comic actor. Although Burton won in the end, the furor over the casting provoked enormous fan animosity, to the extent that Warner Brothers' share price slumped.[citation needed] Burton had considered it ridiculous to cast a "bulked-up" ultra-masculine man as Batman, insisting that Batman should be an ordinary man who dressed up in an elaborate bat costume to frighten criminals. Burton cast Jack Nicholson as The Joker (Tim Curry being his second choice) in a move that helped assuage fans' fears, as well as attracting older audiences not as interested in a superhero film. When the film opened in June 1989, it was backed by the biggest marketing and merchandising campaign in film history at the time, and became one of the biggest box office hits of all time, grossing over $250 million in the U.S. and $400 million worldwide (numbers not adjusted for inflation) and earning critical acclaim for the performances of both Keaton and Nicholson, as well as the film's production aspects, which won the Academy Award for Best Art Direction. The success of the film helped establish Burton as a profitable director, and it proved to be a huge influence on future superhero films, which eschewed the bright, all-American heroism of Richard Donner's Superman for a grimmer, more realistic look and characters with more psychological depth. It also became a major inspiration for the successful 1990s cartoon Batman: The Animated Series, as the darkness of Burton's film and its sequel allowed for a darker Batman on television.
Burton claimed that the graphic novel Batman: The Killing Joke was a major influence on his film adaptation of Batman:
I was never a giant comic book fan, but I've always loved the image of Batman and the Joker. The reason I've never been a comic book fan – and I think it started when I was a child – is because I could never tell which box I was supposed to read. I don't know if it was dyslexia or whatever, but that's why I loved The Killing Joke, because, for the first time, I could tell which one to read. It's my favorite. It's the first comic I've ever loved. And the success of those graphic novels made our ideas more acceptable.[16]: 71
In 1990, Burton created a unique drawing which gave screenwriter Caroline Thompson inspiration to write the script for Edward Scissorhands which Burton directed, re-uniting with Winona Ryder from Beetlejuice. His friend Johnny Depp, a teen idol at the end of the 1980s due primarily to his work on the hit TV series 21 Jump Street, was cast in the title role of Edward, who was the creation of an eccentric and old-fashioned inventor (played by Vincent Price in one of his last screen appearances). Edward looked human, but was left with scissors in the place of hands due to the untimely death of his creator. Set in suburbia (and shot in Land o' Lakes, Florida), the film is largely seen as Burton's autobiography of his childhood in Burbank. Burton's idea[17] for the character of Edward Scissorhands came from a drawing he created in high school. Depp wrote a similar comment in the foreword to Mark Salisbury's book, Burton on Burton, regarding his first meeting with Burton over the casting of the film. Edward Scissorhands is considered one of Burton's best movies by some critics.[18] Burton has stated that this is his most personal and meaningful film because it is a representation of him not being able to communicate effectively with others as a teenager.
After the success of Batman, Burton agreed to direct the sequel for Warner Bros. on the condition that he would be granted total control. The result was Batman Returns, which featured Michael Keaton returning as Batman, and a new triad of villains: Danny DeVito (as the Penguin), Michelle Pfeiffer (as Catwoman) and Christopher Walken (as Max Shreck, an evil corporate tycoon and original character created for the film). Somewhat darker and considerably more personal than its predecessor, concerns were raised that the film might be too scary for children. Audiences were more uncomfortable at the film's overt sexuality, personified by the sleek, fetish-inspired styling of Catwoman's costume. Burton made many changes to the Penguin which would subsequently be applied to the character in both comics and television. In the comics, the penguin was an ordinary man; Burton transformed him into a freak of nature resembling a penguin with webbed, flipper-like fingers, a hooked, beak-like nose and a short, rotund body. Released in 1992, Batman Returns grossed $282.8 million worldwide, making it a financial success, though not to the extent of its predecessor.
Due to schedule constraints on Batman Returns, Burton produced, but did not direct, The Nightmare Before Christmas (1993) for Disney, originally meant to be a children's book in rhyme. The film was directed by Henry Selick and written by Caroline Thompson, based on Burton's original story, world, and characters. The film received positive reviews for the stop motion animation, musical score, and original storyline. It was a modest box office success, grossing $50 million. Because of the nature of the film, it was not produced under Disney's name, but rather Disney-owned Touchstone Pictures. Disney wanted the protagonist to have eyes,[19] but the final iteration did not. Over 100 people worked on this motion picture just to create the characters, and it took three years of work to produce the film.[19] Burton collaborated with Selick again for James and the Giant Peach (1996), which Burton co-produced.
In 1994, Burton and frequent co-producer Denise Di Novi produced the 1994 fantasy-comedy Cabin Boy, starring comedian Chris Elliott and directed/written by Adam Resnick. Burton was originally supposed to direct the film after seeing Elliott perform on Get a Life, but he handed the directing responsibility to Resnick once he was offered Ed Wood. Burton's next film, Ed Wood (1994), was of a much smaller scale, depicting the life of the infamous director Ed Wood. Starring Johnny Depp in the title role, the film is an homage to the low-budget science fiction and horror films of Burton's childhood and handles its comical protagonist and his motley band of collaborators with surprising fondness and sensitivity. Owing to creative squabbles during the making of The Nightmare Before Christmas, Danny Elfman declined to score Ed Wood, and the assignment went to Howard Shore. While a commercial failure at the time of its release, Ed Wood became a cult classic and was well-received by critics. Martin Landau received the Academy Award for Best Supporting Actor for his portrayal of Bela Lugosi, and the film received the Academy Award for Best Makeup.
Despite Burton's intention to still lead the Batman franchise, Warner Bros. considered Batman Returns too dark and unsafe for children. To attract the young audience, it was decided that Joel Schumacher, who had directed films like The Client, would lead the third film, while Burton would only produce it in conjunction with Peter MacGregor-Scott. Following this change and the changes made by the new director, Michael Keaton resigned from the lead role and was replaced by Val Kilmer. Filming for Batman Forever began in late 1994 with new actors: Tommy Lee Jones as Harvey Dent/Two-Face, Nicole Kidman as Dr. Chase Meridian, Chris O'Donnell as Dick Grayson/Robin and Jim Carrey as Edward Nygma/The Riddler; the only two actors who returned after Batman Returns were Pat Hingle as Commissioner Gordon and Michael Gough as Alfred Pennyworth. The film, a combination of the darkness that characterized the saga and colors and neon signs proposed by Schumacher, was a huge box office success, earning $336 million. Warner Bros. demanded that Schumacher delete some scenes so the film did not have the same tone as its predecessor, Batman Returns (later they were added as deleted scenes on the 2005 DVD release).
Sleepy Hollow, released in late 1999, had a supernatural setting and starred Johnny Depp as Ichabod Crane, a detective with an interest in forensic science rather than the schoolteacher of Washington Irving's original tale. With Sleepy Hollow, Burton paid homage to the horror films of the English company Hammer Films. Christopher Lee, one of Hammer's stars, was given a cameo role. A host of Burton regulars appeared in supporting roles (Michael Gough, Jeffrey Jones, and Christopher Walken, among others), and Christina Ricci was cast as Katrina van Tassel. A well-regarded supporting cast was headed by Miranda Richardson, Michael Gambon, Richard Griffiths and Ian McDiarmid. Mostly well received by critics, and with a special mention to Elfman's gothic score, the film has grossed $207 million worldwide and won an Academy Award for Best Art Direction, as well as two BAFTAs for Best Costume Design and Best Production Design. A box office success, Sleepy Hollow was also a turning point for Burton. Along with the change in his personal life (separation from actress Lisa Marie), Burton changed radically in style for his next project, leaving the haunted forests and colorful outcasts behind to go on to directing Planet of the Apes which, as Burton had repeatedly noted, was "not a remake" of the earlier film.
Planet of the Apes was a commercial success, grossing $68 million in its opening weekend and eventually it earned $180 million in North America and $362 million worldwide. The film however has received mixed reviews and is widely considered inferior to the first adaptation of the novel. In 2003, Burton directed Big Fish, based on the novel Big Fish: A Novel of Mythic Proportions by Daniel Wallace. The film is about a father telling the story of his life to his son using exaggeration and color. Starring Ewan McGregor as young Edward Bloom and Albert Finney as an older Edward Bloom, the film also stars Jessica Lange, Billy Crudup, Danny DeVito, Alison Lohman and Marion Cotillard. Big Fish received four Golden Globe nominations as well as an Academy Award nomination for Elfman's score. The film was also the second collaboration between Burton and Helena Bonham Carter, who played the characters of Jenny and the Witch, and Burton and Danny DeVito, who played Amos Calloway the circus ringleader.
Burton directed his first music video, "Bones", in 2006. "Bones" is the sixth overall single by American indie rock band The Killers and the second released from their second studio album, Sam's Town. Starring in this video were actors Michael Steger and Devon Aoki. Burton went on to direct a second music video for The Killers, "Here with Me", starring Winona Ryder, released in 2012.[20]
Marshall Bruce Mathers III (born October 17, 1972), known professionally as Eminem (also stylized as EMINƎM), is an American rapper. He is credited with popularizing hip hop in Middle America and is regarded as one of the greatest rappers of all time.[3] His global success is considered to have broken racial barriers to the acceptance of white rappers in popular music. While much of his transgressive work during the late 1990s and early 2000s made him a controversial figure, he came to be a representation of popular angst of the American underclass and has been cited as influencing many musical artists. His songs include "My Name Is", "The Real Slim Shady", "The Way I Am", "Stan", "Without Me", "Lose Yourself", "Mockingbird", "Not Afraid", and "Love the Way You Lie".
Marshall Bruce Mathers III was born on October 17, 1972, in St. Joseph, Missouri, the only child of Marshall Bruce Mathers Jr. and Deborah Rae "Debbie" (née Nelson).[12][13] His mother nearly died during her 73-hour labor with him.[14] Eminem's parents were in a band called Daddy Warbucks, playing in Ramada Inns along the Dakotas–Montana border before they separated. His father abandoned his family when Eminem was a year and a half old, and Eminem was raised only by his mother, Debbie, in poverty.[12] His mother later had a son named Nathan "Nate" Kane Samara.[15] By age eleven, Eminem and his mother had moved several times and lived in several towns and cities in Missouri (including St. Joseph, Savannah, and Kansas City) and Metro Detroit (Warren and Roseville)[16] before settling in Warren, a suburb of Detroit.[17] Eminem frequently fought with his mother, whom a social worker described as having a "very suspicious, almost paranoid personality".[18] He wrote letters to his father, but Debbie said that they all came back marked "return to sender".[19]
When he was a child, a bully named D'Angelo Bailey severely injured Eminem's head in an assault,[20] an incident which Eminem later recounted (with comic exaggeration) on the song "Brain Damage". Debbie filed a lawsuit against the public school for this in 1982. The suit was dismissed the following year by a Macomb County, Michigan, judge, who said the schools were immune from lawsuits.[14] For much of his youth, Eminem and his mother lived in a working-class, primarily black, Detroit neighborhood. He and Debbie were one of three white households on their block, and Eminem was beaten several times by black youths.[19]
Eminem was interested in storytelling, aspiring to be a comic book artist before discovering hip hop.[21] He heard his first rap song ("Reckless", featuring Ice-T) on the Breakin' soundtrack, a gift from Debbie's half-brother, Ronnie Polkingharn. His uncle was close to the boy and later became a musical mentor to him. When Polkingharn committed suicide in 1991, Eminem stopped speaking publicly for days and did not attend his funeral.[19][22]
At age 14, Eminem began rapping with high-school friend Mike Ruby; they adopted the names "Manix" and "M&M", the latter evolving into "Eminem".[22][14] Eminem snuck into neighboring Osborn High School with friend and fellow rapper Proof for lunchroom freestyle rap battles.[23] On Saturdays, they attended open mic contests at the Hip-Hop Shop on West 7 Mile Road, considered "ground zero" for the Detroit rap scene.[19] Struggling to succeed in a predominantly black industry, Eminem was appreciated by underground hip hop audiences.[22][24][25] When he wrote verses, he wanted most of the words to rhyme; he wrote long words or phrases on paper and, underneath, worked on rhymes for each syllable. Although the words often made little sense, the drill helped Eminem practice sounds and rhymes.[26]
In 1987, Debbie allowed runaway Kimberly Anne "Kim" Scott to stay at their home. Several years later, Eminem began an on-and-off relationship with Scott.[14] After spending three years in ninth grade due to truancy and poor grades,[27] he dropped out of Lincoln High School at age 17. Although interested in English, Eminem never explored literature (preferring comic books) and he disliked math and social studies.[26] Eminem worked at several jobs to help his mother pay the bills. One of the jobs he had was with Little Caesar's Pizza in Warren.[28] He later said she often threw him out of the house anyway, often after taking most of his paycheck. When she left to play bingo, he would blast the stereo and write songs.[19]
1988–1997: Early career, Infinite and family struggles[edit]
In 1988, he went by the stage name MC Double M and formed his first group, New Jacks, and made a self-titled demo tape with DJ Butter Fingers.[1][29][30] In 1989, they later joined Bassmint Productions who later changed their name to Soul Intent in 1992 with rapper Proof and other childhood friends.[31] They released a self-titled EP in 1995 featuring Proof.[22] Eminem also made his first music video appearance in 1992 in a song titled, "Do-Da-Dippity", by Champtown. Later in 1996, Eminem and Proof teamed up with four other rappers to form The Dirty Dozen (D12), who released The Underground E.P. in 1997 and their first album Devil's Night in 2001.[19] He was also affiliated with Newark's rap collective Outsidaz, collaborating with them on different projects.[citation needed]
Eminem was soon signed to Jeff and Mark Bass's F.B.T. Productions and recorded his debut album Infinite for their independent Web Entertainment label.[32] The album was a commercial failure upon its release in 1996.[33] One lyrical subject of Infinite was his struggle to raise his newborn daughter, Hailie Jade Scott Mathers, on little money. During this period, Eminem's rhyming style, primarily inspired by rappers Nas, Esham and AZ, lacked the comically violent slant for which he later became known.[34] Detroit disc jockeys largely ignored Infinite and the feedback Eminem did receive ("Why don't you go into rock and roll?") led him to craft angrier, moodier tracks.[19]
At this time Eminem and Kim Scott lived in a crime-ridden neighborhood and their house was robbed several times.[19] Eminem cooked and washed dishes for minimum wage at Gilbert's Lodge, a family-style restaurant at St. Clair Shores.[35] His former boss described him as becoming a model employee, as he worked 60 hours a week for six months after Hailie's birth.[14] He was fired shortly before Christmas and later said, "It was, like, five days before Christmas, which is Hailie's birthday. I had, like, forty dollars to get her something."[19] After the release of Infinite, his personal problems and substance abuse culminated in a suicide attempt.[22] By March 1997 he was fired from Gilbert's Lodge for the last time and lived in his mother's mobile home with Kim and Hailie.[14]
1997–1999: Introduction of Slim Shady, The Slim Shady LP and rise to success[edit]
Eminem and Proof performing at Juice Jam in Munich, Germany, in 1999
Eminem attracted more attention when he developed Slim Shady, a sadistic, violent alter ego. The character allowed him to express his anger with lyrics about drugs, rape and murder.[14] In the spring of 1997 he recorded his debut EP, the Slim Shady EP, which was released that winter by Web Entertainment.[19] The EP, with frequent references to drug use, sexual acts, mental instability and violence, also explored the more-serious themes of dealing with poverty and marital and family difficulties and revealed his direct, self-deprecating response to criticism.[22] Hip hop magazine The Source featured Eminem in its "Unsigned Hype" column in March 1998.[36]
After he was fired from his job and evicted from his home, Eminem went to Los Angeles to compete in the 1997 Rap Olympics, a nationwide battle rap competition. He placed second, losing to Project Blowed MC Otherwize.[37] An Interscope Records intern named Dean Geistlinger was in attendance and asked Eminem for a copy of the Slim Shady EP, which was then sent to company CEO Jimmy Iovine.[38] Iovine played the tape for record producer Dr. Dre, founder of Aftermath Entertainment and founding member of hip hop group N.W.A. Dre recalled, "In my entire career in the music industry, I have never found anything from a demo tape or a CD. When Jimmy played this, I said, 'Find him. Now.'" Dre would later state on the fourth and last episode of The Defiant Ones, "I was like: what the fuck!?, and who the fuck is that?" expressing his shock towards Mathers's rapping talent. Although his associates criticized him for hiring a white rapper, Dre was confident in his decision: "I don't give a fuck if you're purple; if you can kick it, I'm working with you."[19] Eminem had idolized Dre since listening to N.W.A as a teenager and was nervous about working with him on an album: "I didn't want to be starstruck or kiss his ass too much ... I'm just a little white boy from Detroit. I had never seen stars let alone Dr. Dre."[39] He became more comfortable working with Dre after a series of productive recording sessions.[40]
Eminem released The Slim Shady LP in February 1999. Although it was one of the year's most popular albums (certified triple platinum by the end of the year),[41] he was accused of imitating the style and subject matter of underground rapper Cage.[42][43] The album's popularity was accompanied by controversy over its lyrics; in "'97 Bonnie & Clyde" Eminem describes a trip with his infant daughter when he disposes of his wife's body and in "Guilty Conscience" which encourages a man to murder his wife and her lover. "Guilty Conscience" marked the beginning of a friendship and musical bond between Dr. Dre and Eminem. The label-mates later collaborated on a number of hit songs ("Forgot About Dre" and "What's the Difference" while also providing uncredited vocals on "The Watcher" from Dr. Dre's album 2001, "Bitch Please II" from The Marshall Mathers LP, "Say What You Say" from The Eminem Show, "Encore/Curtains Down" from Encore and "Old Time's Sake" and "Crack a Bottle" from Relapse) and Dre made at least one guest appearance on each of Eminem's Aftermath albums.[44]The Slim Shady LP has been certified quadruple platinum by the RIAA.[45]
1999–2003: The Marshall Mathers LP and The Eminem Show[edit]
After Eminem released The Slim Shady LP, he started his own record label, Shady Records, in late 1999. Eminem looked for an avenue to release D12, and his manager Paul Rosenberg was keen to start a label, which led to the two teaming up to form Shady.[46] Its A&R Marc Labelle has defined the record label as "a boutique label but [with] all the outlets of a major [and] Interscope backing up our every move."[47]
Recorded from 1999 to 2000,[48]The Marshall Mathers LP was released in May 2000. It sold 1.76 million copies in its first week, breaking US records held by Snoop Dogg's Doggystyle for fastest-selling hip hop album and Britney Spears' ...Baby One More Time for fastest-selling solo album.[49][50] The first single from the album, "The Real Slim Shady", was a success despite controversies about Eminem's insults and dubious claims about celebrities (for example, that Christina Aguilera had performed oral sex on Carson Daly and Fred Durst).[51] In his second single, "The Way I Am", he reveals the pressure from his record company to top "My Name Is". Although Eminem parodied shock rocker Marilyn Manson in the music video for "My Name Is", they are reportedly on good terms; Manson is mentioned in "The Way I Am", appeared in its music video and has performed a live remix of the song with Eminem.[52] In the third single, "Stan" (which samples Dido's "Thank You"), Eminem tries to deal with his new fame, assuming the persona of a deranged fan who kills himself and his pregnant girlfriend (mirroring "'97 Bonnie & Clyde" from The Slim Shady LP).[24]
The music magazine Q called "Stan" the third-greatest rap song ever,[53] and it was ranked tenth in a Top40-Charts.com survey.[54] The song has since been ranked 296th on Rolling Stone's "500 Greatest Songs of All Time" list.[55] In July 2000, Eminem was the first white artist to appear on the cover of The Source.[36]The Marshall Mathers LP was certified Diamond by the RIAA in March 2011 and sold 21 million copies worldwide.[56]
The Eminem Show was released in May 2002. It was another success, reaching number one on the charts and selling over 1.332 million copies during its first full week.[41] The album's single, "Without Me", denigrates boy bands, Limp Bizkit, Dick and Lynne Cheney, Moby and others. The Eminem Show, certified Diamond by the RIAA, examines the effects of Eminem's rise to fame, his relationship with his wife and daughter and his status in the hip hop community, addressing an assault charge brought by a bouncer he saw kissing his wife in 2000. Although several tracks are clearly angry, Stephen Thomas Erlewine of AllMusic found The Eminem Show less inflammatory than The Marshall Mathers LP.[64]L. Brent Bozell III, who had criticized The Marshall Mathers LP for misogynistic lyrics, noted The Eminem Show's extensive use of obscenity and called Eminem "Eminef" for the prevalence of the word "motherfucker" on the album.[65]The Eminem Show sold 27 million copies worldwide[56] and was the bestselling album of 2002.[citation needed]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
