This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Street Fighter is one of the highest-grossing video game franchises of all time and one of Capcom's flagship series, with total sales of 54 million units worldwide as of March 2024[update].[2] It is also one of the highest-grossing media franchises of all time.
Street Fighter, designed by Takashi Nishiyama and Hiroshi Matsumoto, debuted in arcades in 1987.[3][4] The player controls martial artist Ryu to compete in a worldwide martial arts tournament spanning five countries and 10 opponents. A second player can control Ryu's friendly American rival, Ken Masters. The player can perform three punch and kick attacks, each varying in speed and strength, and three special attacks: the Hadōken, Shōryūken, and Tatsumaki Senpūkyaku, performed by executing special joystick and button combinations.[5]
Street Fighter II: The World Warrior is the first one-on-one fighting game to give players a choice from a variety of player characters with different moves, allowing for more varied matches. Each player character has a unique fighting style with approximately 30 or more moves, including new grappling moves and throws, and two or three special attacks. In the single-player mode, the player character is pitted sequentially against the seven other main characters before confronting the final four bosses, exclusively CPU-controlled. As in the original, a second player can join anytime for competitive matches.[citation needed]
The original Japanese version of Street Fighter II introduced an African-American boxerboss character that shared the physical characteristics and likeness of real-life boxer Mike Tyson. (The character was originally named "Mike Bison". To avoid a likeness infringement lawsuit, Capcom rotated the names of three of the boss characters for international versions of the game. The final boss, named Vega in the Japanese version, was given the M. Bison name, the talon-wielding Spanish warrior, named Balrog in the Japanese version, was renamed Vega and the boxer became Balrog.[8] In a 2019 interview, Mike Tyson himself was asked about the "Mike Bison" character design, and revealed that he was "honored by the impersonation".[9])
Street Fighter II eclipsed its predecessor in popularity, eventually turning Street Fighter into a multimediafranchise.[10] It had an unexpectedly phenomenal impact on gaming. More than $10 billion in inflation-adjusted revenue as of 2017 was grossed from all versions, mostly from arcades.[11] More than 14 million cartridges were sold for the Super Nintendo Entertainment System and Sega Genesis/Mega Drive.[12]
The first official update to the series was Street Fighter II: Champion Edition, pronounced Street Fighter II Dash in Japan, as noted by the prime notation on the logo. The four computer-controlled boss characters are human-playable and two players can choose the same character, leaving one character with an alternate color pattern. It has slightly improved graphics, including differently colored backgrounds and refined gameplay. A second upgrade, Street Fighter II: Hyper Fighting (Street Fighter II Dash Turbo in Japan), was produced in response to the various bootleg editions of the game. Hyper Fighting offers faster gameplay than its predecessors, different character costume colors and new special techniques. Super Street Fighter II: The New Challengers, the third revision, gives the game a complete graphical and musical overhaul and introduces four new playable characters. It is also the first game for Capcom's CP System II arcade hardware. The fifth arcade installment, Super Street Fighter II Turbo, Super Street Fighter II X in Japan, brings back the faster gameplay of Hyper Fighting, a new type of special techniques known as "Super Combos" and a hidden character, Akuma.[citation needed]
Numerous home versions of the Street Fighter II games have been produced following the release of the original game. The original version, Street Fighter II: The World Warrior, was ported to the Super NES in 1992, which is Capcom's best-selling game as of 2008[update].[12] A Japanese-only port of Street Fighter II Dash for the PC Engine came in 1993. That year, two home versions of Hyper Fighting were released: Street Fighter II Turbo for Super NES and Street Fighter II: Special Champion Edition (Street Fighter II Dash Plus in Japan) for Genesis. The following game, Super Street Fighter II, was also ported to the Super NES and Genesis in 1994. That year, Super Street Fighter II Turbo was released for the 3DO Interactive Multiplayer and for Windows, released by the now-defunct GameTek.[citation needed]
In 1997, Capcom released the Street Fighter Collection for the PlayStation and Sega Saturn. This is a compilation including Super and Super Turbo, and Street Fighter Alpha 2 Gold (Street Fighter Zero 2′ (Dash) in Japan), an updated version of Street Fighter Alpha 2. It was followed by Street Fighter Collection 2 (Capcom Generation Vol. 5 in Japan), also released for the PlayStation and Saturn, which includes the original Street Fighter II, Champion Edition, and Hyper Fighting. In 2000, Capcom released Super Street Fighter II X for Matching Service exclusively in Japan for the Dreamcast. This version of the game features an online two-player versus mode. In 2003, Capcom released Hyper Street Fighter II: The Anniversary Edition for the arcades in Japan and Asia to commemorate the 15th anniversary of the series. As the final arcade installment, the game is a hybrid version of Super Turbo, which allows players to select between versions of characters from all five previous Street Fighter II games. Hyper was released in North America and the PAL region via its ports for the PlayStation 2 and the Xbox, released as part of the Street Fighter Anniversary Collection along with Street Fighter III: 3rd Strike. In 2005, the three games in Street Fighter Collection 2 were included in Capcom Classics Collection Vol. 1 for PlayStation 2 and Xbox. A version of Super Turbo, along with the original Street Fighter, was later included in the 2007 compilation Capcom Classics Collection Vol. 2, also released for the PlayStation 2 and Xbox. Street Fighter II and Super Street Fighter II are also available as downloadable games for select cellular phone services.[citation needed]
An updated version of Super Street Fighter II Turbo came to the PlayStation Network and Xbox Live Arcade services in 2008.[13] The game, Super Street Fighter II Turbo HD Remix, has fully redrawn artwork, including HD sprites 4.5x the original size, drawn by artists from UDON. This is the first time the Street Fighter characters have had new sprites, drawn by Capcom, since Capcom vs. SNK 2 in 2001. The game has several changes which address character balancing issues, but also features the original arcade version gameplay so that players can choose between the two.[14]
Ultra Street Fighter II: The Final Challengers is an updated version of 1994's Super Street Fighter II Turbo for the Nintendo Switch. The game features two graphical styles—classic pixel art and updated high-definition art. New gameplay mechanics and modes have been introduced and tweaks have been made to the game's balance. It has two more characters, who are classic alternate evil form of the classic characters Ryu and Ken, Evil Ryu and Violent Ken, and Akuma is now playable.[citation needed]
Street Fighter Alpha: Warriors' Dreams (Street Fighter Zero in Asia and Mexico), was released in 1995. It uses the same character designs Capcom previously employed in Darkstalkers and X-Men: Children of the Atom, with settings and character designs heavily influenced by Street Fighter II: The Animated Movie. Alpha expands on the Super Combo system from Super Turbo by extending Super Combo meter into three levels, allowing for super combos to be stored up and introducing Alpha Counters and Chain Combos, also from Darkstalkers. The plot of Alpha is set between the first two Street Fighter games and fleshes out the backstories and grudges held by many of the classic Street Fighter II characters.[15] It has a playable roster of ten immediately playable characters and three unlockable fighters, comprising not only younger versions of established characters, but also characters from the original Street Fighter and Final Fight, such as Adon and Guy.[citation needed]
Street Fighter Alpha 2 has all-new stages, music, and endings for some characters, some of which overlap with those from the original Alpha.[16] It also discards the Chain Combo system in favor of Custom Combos, which requires a portion of the Super Combo meter to be used. Alpha 2 retains all 13 characters from the original and adds five new characters to the roster along with hidden versions of returning characters. Alpha 2 is followed by a slightly enhanced arcade release, Street Fighter Zero 2 Alpha, released in Japan and Brazil, ported to home consoles as Street Fighter Alpha 2 Gold and Zero 2′ Dash in Japan.[citation needed]
The third and final Alpha game, Street Fighter Alpha 3, was released in 1998 following the release of the original Street Fighter III: 2nd Impact and Street Fighter EX. Alpha 3 introduces three selectable fighting styles and further expands the playable roster to 28 characters.[17] Console versions of the three games, including the original Alpha 2 and Alpha 2 Gold, were released for the PlayStation and Sega Saturn, although versions of specific games in the series were also released for the Game Boy Color, Super NES, Dreamcast, and Windows. The home console versions of Alpha 3 further expands the character roster by adding the remaining "New Challengers" from Super Street Fighter II. The Dreamcast version of the game was backported to the arcades in Japan as Street Fighter Zero 3 Upper. A version of Upper, titled Alpha 3 outside Japan, was released for the Game Boy Advance and added three characters from Capcom vs. SNK 2. A PlayStation Portable version, Alpha 3 MAX, or Zero 3 Double Upper in Japan, contains the added characters from the GBA version and Ingrid from Capcom Fighting Jam.[citation needed]
In 1996, Capcom co-produced a 3D fighting game Street Fighter EX with Arika, a company founded by Street Fighter II planner Akira Nishitani. It was developed for the PlayStation-based ZN-1 hardware. EX combined the established Street Fighter cast with original characters created and owned by Arika. It was followed by an upgraded version, Street Fighter EX Plus, in 1997, which expanded the character roster. A home version with additional features and characters, Street Fighter EX Plus Alpha, was released for the PlayStation during the same year.[citation needed]
A sequel was released in 1998, Street Fighter EX2, developed for the ZN-2 hardware. Custom combos were reintroduced and the character roster was expanded upon even further. In 1999, EX2 also received an upgraded version, Street Fighter EX2 Plus. A port of EX2 Plus was released for the PlayStation in 1999.[citation needed]
The third game in the series, Street Fighter EX3, was released as a launch game for the PlayStation 2 in 2000. This game included a tag team system, a mode that let a single player fight up to three opponents simultaneously, and another mode that allowed players to give the new character, Ace, a selection of special and super moves after purchasing them with experience points. The cast included many characters from the previous game.[citation needed]
Some of the Arika-owned characters from the series were later featured in other games developed by the company. The Namco-distributed arcade game Fighting Layer featured Allen Snider and Blair Dame from the original EX, while Skullomania would reappear in the PlayStation game Fighter Maker. A spiritual successor to Fighting Layer, featuring an initial roster consisting entirely of Arika-owned EX characters, Fighting EX Layer, was released in 2018.[18]
Capcom produced fighting games involving licensed characters from other companies and their own properties. In 1994, Capcom released the Marvel-licensed fighting game X-Men: Children of the Atom, which features Akuma from Super Turbo as a hidden character. It was followed by Marvel Super Heroes in 1995, which features Anita from Night Warriors
Parker and Stone developed South Park from two animated short films, both titled The Spirit of Christmas, released in 1992 and 1995. The second short became one of the first Internet viral videos, leading to the series' production. The pilot episode was produced using cutout animation; the remainder of the series uses computer animation recalling the prior technique. Since the fourth season, episodes are generally written and produced during the week preceding its broadcast, with Parker serving as the lead writer and director.
Since its debut on August 13, 1997, 328 episodes of South Park have been broadcast. It debuted with great success, consistently earning the highest ratings of any basic cable program. Subsequent ratings have varied, but it remains one of Comedy Central's longest-running programs. In August 2021, South Park was renewed through 2027, and a series of television specials was announced for Paramount+, the first two of which were released later that year.[2][3] In October 2019, it was announced that WarnerMedia acquired exclusive streaming rights to South Park starting in June 2020 for HBO Max.[4] The series' twenty-sixth season premiered on February 8, 2023.[5]
South Park has received critical acclaim, and is included in various publications' lists of the greatest television shows. It has received numerous accolades, including five Primetime Emmy Awards and a Peabody Award. A theatrical film, South Park: Bigger, Longer & Uncut, was released in June 1999 to commercial and critical success, garnering an Academy Award nomination. In 2013, TV Guide ranked South Park the tenth Greatest TV Cartoon of All Time.[6]
South Park centers around four boys: Stan Marsh, Kyle Broflovski, Eric Cartman and Kenny McCormick. The boys live in the fictional small town of South Park, located within the real-life South Park basin in the Rocky Mountains of central Colorado,[7] approximately a one-hour drive from Denver.[8] The town is also home to an assortment of other characters, including students, families, elementary school staff, and other various residents.[9] Prominent settings include South Park Elementary, various neighborhoods and the surrounding mountain range, actual Colorado landmarks, and the businesses along the town's main street, all of which are based on the appearance of similar locations in Fairplay, Colorado.[7][9] As one of the few television programs set in the Mountain West region that takes place outside the urban core of Denver, South Park frequently features the unique culture of the region, including cattle ranchers, Old West theme parks, snowy climates, mountaineering, Mormons, real-life Colorado locations such as Casa Bonita and Cave of the Winds, and many other regionally specific characteristics.
Stan is portrayed as an average American boy; however, he has many mishaps throughout the series. In the first 22 seasons, Stan lived in South Park, but in the episodes during and after season 22, Stan resided in Tegridy Farms. Kyle is Jewish, and his portrayal as one of the few such people in South Park is often dealt with satirically.[10] Stan is modeled after Parker, while Kyle is modeled after Stone. They are best friends, and their friendship, symbolically intended to reflect Parker and Stone's friendship,[11] is a common topic throughout the series. Cartman (as he is commonly referred to) is amoral and increasingly psychopathic, and is commonly portrayed as an antagonist. His staunch antisemitism has resulted in a progressive rivalry with Kyle.[10][12] Kenny, who comes from a poor family, tightly wears his parka hood to the point where it obscures most of his face and muffles his speech. During the first five seasons, Kenny died in almost every episode before reappearing in the next with no definite explanation. He was killed off in the fifth season episode "Kenny Dies", before being reintroduced in the sixth season finale, "Red Sleigh Down". Since then, Kenny is depicted as dying sporadically. During the first 58 episodes, the children were in the third grade. During the fourth season, they entered the fourth grade, where they have remained ever since.[13][14]
Plots are often set in motion by events, ranging from the fairly typical to the supernatural and extraordinary, which frequently happen in the town.[15] The boys often act as the voice of reason when these events cause panic or incongruous behavior among the adult populace, who are customarily depicted as irrational, gullible, and prone to overreaction.[7][16] They are frequently confused by the contradictory and hypocritical behavior of their parents and other adults, and often perceive them as having distorted views on morality and society.[9][17]
Each episode opens with a tongue-in-cheekall persons fictitious disclaimer: "All characters and events in this show—even those based on real people—are entirely fictional. All celebrity voices are impersonated.....poorly. The following program contains coarse language and due to its content it should not be viewed by anyone."[18][19]
South Park was the first weekly program to be rated TV-MA,[20] and is generally intended for adult audiences.[21][22][23] The boys and most other child characters use strong profanity, with only the most taboo words being bleeped during a typical broadcast.[9] Parker and Stone perceive this as the manner in which real-life small boys speak when they are alone.[24][25]
Early episodes tended to be shock value-oriented and featured more slapstick-style humor.[33] While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old".[10] Parker and Stone also began further developing other characters by giving them larger roles in certain storylines,[10] and began writing plots as parables based on religion, politics, and numerous other topics.[9] This provided the opportunity for the show to spoof both extreme sides of contentious issues,[34] while lampooning both liberal and conservative points of view.[9][16][35] Rebecca Raphael described the show as "an equal opportunity offender",[15] while Parker and Stone describe their main purpose as to "be funny" and "make people laugh",[36][37] while stating that no particular topic or group of people be exempt from mockery and satire.[16][32][38][39][40]
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America",[41] stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience.[36][37] While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters,[34] and Time described the boys as "sometimes cruel but with a core of innocence".[11] Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".[42]
Parker and Stone met in film class at the University of Colorado in 1992 and discovered a shared love of Monty Python, which they often cite as one of their primary inspirations.[43] They created an animated short entitled The Spirit of Christmas.[27] The film was created by animating construction paper cutouts with stop motion, and features prototypes of the main characters of South Park, including a character resembling Cartman but named "Kenny", an unnamed character resembling what is today Kenny, and two near-identical unnamed characters who resemble Stan and Kyle. Fox Broadcasting Company executive and mutual friend Brian Graden commissioned Parker and Stone to create a second short film as a video Christmas card. Created in 1995, the second The Spirit of Christmas short resembled the style of the later series more closely.[44] To differentiate between the two homonymous shorts, the first short is often referred to as Jesus vs. Frosty, and the second short as Jesus vs. Santa. Graden sent copies of the video to several of his friends, and from there it was copied and distributed, including on the internet, where it became one of the first viral videos.[27][11]
As Jesus vs. Santa became more popular, Parker and Stone began talks of developing the short into a television series about four children residing in the fictional Colorado town of South Park. Fox eagerly agreed to meet with the duo about the show's premise, having prided itself on edgier products such as Cops, The Simpsons, and The X-Files. However, during the meeting at the Fox office in Century City, disagreements between the two creators and the network began to arise, mainly over the latter's refusal to air a show that included a supporting talking stool character named Mr. Hankey. Some executives at 20th Century Fox Television (which was to produce the series) agreed with its then-sister network's stance on Mr. Hankey and repeatedly requested Parker and Stone to remove the character in order for the show to proceed. Refusing to meet their demands, the duo cut ties with Fox and its sister companies all together and began shopping the series somewhere else.[45][46][47]
The two then entered negotiations with both MTV and Comedy Central. Parker preferred the show be produced by Comedy Central, fearing that MTV would turn it into a kids show.[48] When Comedy Central executive Doug Herzog watched the short, he commissioned for it to be developed into a series.[27][49] Parker and Stone assembled a small staff and spent three months creating the pilot episode "Cartman Gets an Anal Probe".[50]South Park was in danger of being canceled before it even aired when the show fared poorly with test audiences, particularly with women. However, the shorts were still gaining more popularity over the Internet, and Comedy Central ordered a run of six episodes.[36][48]South Park debuted with "Cartman Gets an Anal Probe" on August 13, 1997.[51]
Except for the pilot episode, which was produced using cutout animation, all episodes of South Park are created with the use of software, primarily Autodesk Maya.[52] As opposed to the pilot, which took three months to complete,[53] and other animated sitcoms, which are traditionally hand-drawn by companies in South Korea in a process that takes roughly eight to nine months,[27][35] individual episodes of South Park take significantly less time to produce. Using computers as an animation method, the show's production staff were able to generate an episode in about three weeks during the first seasons.[54] Now, with a staff of about 70 people, episodes are typically completed in one week,[27][34][35] with some in as little as three to four days.[55][56][57] Nearly the entire production of an episode is accomplished within one set of offices, which were originally at a complex in Westwood, Los Angeles, California and are now part of South Park Studios in Culver City, California.[49][53] Parker and Stone have been the show's executive producers throughout its entire history.[58]Debbie Liebling, who was Senior Vice President of original programming and development for Comedy Central, also served as an executive producer during the show's first five seasons, coordinating the show's production efforts between South Park Studios and Comedy Central's headquarters in New York City.[59][60] During its early stages, finished episodes of South Park were hastily recorded to D-2 to be sent to Comedy Central for airing in just a few days' time.[61] Each episode used to cost $250,000.[62]
After exchanging ideas, Parker will write a script, and from there the entire team of animators, editors, technicians, and sound engineers will each typically work 100–120 hours in the ensuing week.[50] Since the show's fourth season (2000), Parker has assumed most of the show's directorial duties, while Stone relinquished his share of the directing to focus on handling the coordination and business aspects of the production.[27][71] On Wednesday, a completed episode is sent to Comedy Central's headquarters via satellite uplink, sometimes just a few hours before its air time of 10 PM Eastern Time.[27][72]
Parker and Stone state that subjecting themselves to a one-week deadline creates more spontaneity amongst themselves in the creative process, which they feel results in a funnier show.[27] The schedule also allows South Park to both stay more topical and respond more quickly to specific current events than other satiric animated shows.[10][73] One of the earliest examples of this was in the season four (2000) episode "Quintuplets 2000", which references the United States Border Patrol's raid of a house during the Elián González affair, an event which occurred only four days before the episode originally aired.[74] The season nine (2005) episode "Best Friends Forever" references the Terri Schiavo case,[25][34] and originally aired in the midst of the controversy and less than 12 hours before she died.[35][75] A scene in the season seven (2003) finale "It's Christmas in Canada" references the discovery of dictator Saddam Hussein in a "spider hole" and his subsequent capture, which happened a mere three days prior to the episode airing.[76] The season 12 (2008) episode "About Last Night..." revolves around Barack Obama's victory in the 2008 presidential election, and aired less than 24 hours after Obama was declared the winner, using segments of dialogue from Obama's real victory speech.[77]
On October 16, 2013, the show failed to meet their production deadline for the first time ever, after a power outage on October 15 at the production studio prevented the episode, season 17's "Goth Kids 3: Dawn of the Posers", from being finished in time. The episode was rescheduled to air a week later on October 23, 2013.[78]
The show's style of animation is inspired by the paper cut-out cartoons made by Terry Gilliam for Monty Python's Flying Circus, of which Parker and Stone have been lifelong fans.[48][11][79]Construction paper and traditional stop motioncutout animation techniques were used in the original animated shorts and in the pilot episode. Subsequent episodes have been produced by computer animation, providing a similar look to the originals while requiring a fraction of the time to produce. Before computer artists begin animating an episode, a series of animatics drawn in Toon Boom are provided by the show's storyboard artists.[50][80]
The characters and objects are composed of simple geometrical shapes and primary and secondary colors. Most child characters are the same size and shape, and are distinguished by their clothing, hair and skin colors, and headwear.[17] Characters are mostly presented two-dimensionally and from only one angle. Their movements are animated in an intentionally jerky fashion, as they are purposely not offered the same free range of motion associated with hand-drawn characters.[10][53][81] Occasionally, some non-fictional characters are depicted with photographic cutouts of their actual head and face in lieu of a face reminiscent of the show's traditional style. Canadians on the show are often portrayed in an even more minimalist fashion; they have simple beady eyes, and the top halves of their heads simply flap up and down when the characters speak.[38]
When the show began using computers, the cardboard cutouts were scanned and re-drawn with CorelDRAW, then imported into PowerAnimator, which was used with SGI workstations to animate the characters.[50][53] The workstations were linked to a 54-processor render farm that could render 10 to 15 shots an hour.[50] Beginning with
The game uses most of the mechanics of the late 1970s game Snake.[2] The goal consists of taking the balls and throwing them into the hole at the center of the stage. While the game has many variations of gameplay, the main goal stays the same.
Snakeball has a flashy disco graphic style, with stages that are taking places on disco floors.[3] The player can also choose between 16 characters with 8 colors each. The PlayStation Eye camera can be used to snap a picture of the player's face and map it onto one of the riders.
Snakeball has three main game modes: Snakeball, Challenge and Ball Frenzy. Snakeball is the multiplayer mode, where up to eight players can play online. There are 10 variations of game for this mode:
Raindrops: The player has to collect the balls as they appear and shoot them in the goal.
Patience: Similar to Raindrops, but here, the balls do not appear immediately.
Goal Fever: Similar to Raindrops, but every ball must be put into the goal of matching color.
The Ball Ring: Similar to Raindrops, but only with bomb balls that explodes after 10 seconds.
Open Season: At the beginning, the balls are launched and do not stop moving. Also, there are now enemies that the player must avoid.
Bumper Jam: In this game variation, balls can only be shot at goal.
Square Routes: Similar to Raindrops, but taking places in a maze of squares bumpers.
Goal Tangle: The player can score balls in goals for shots and normal goals in a stage filled with enemies.
Trigger Snappy: Similar to Open Season, but the enemies here are far more. Fortunately, the player can now eliminate them with guns.
No balls: The player has no balls to score. The goal of the game is to destroy the ships of other players with guns.
The second game mode is Challenge, where the player must navigate through levels to open the teleporter and go to the next level. 14 levels are available. The last one is Ball Frenzy, which is a remake of the classic game Snake, with 10 levels. The goal of this mode is to get all the 1000 balls that are in the level without crashing and destroying the ship.
Additional Team Mode add-on was released at the PlayStation Store in May 2008. It includes team-based online and offline multiplayer matches up to 8 players.[4]
This page is a redirect. The following categories are used to track and monitor this redirect:
From a short name: This is a redirect from a title that is a shortened form of a more complete page title, such as a person's full name or the unbroken title of a written work.
From other capitalisation: This is a redirect from a title with another method of capitalisation. It leads to the title in accordance with the Wikipedia naming conventions for capitalisation, or it leads to a title that is associated in some way with the conventional capitalisation of this redirect title. This may help writing, searching and international language issues.
If this redirect is an incorrect capitalisation, then {{R from miscapitalisation}} should be used instead, and pages that use this link should be updated to link directly to the target. Miscapitalisations can be tagged in any namespace.
Use this rcat to tag onlymainspace redirects; when other capitalisations are in other namespaces, use {{R from modification}}instead.
To a section: This is a redirect from a topic that does not have its own page to a section of a page on the subject. For redirects to embedded anchors on a page, use {{R to anchor}}instead.
Bleach is the generic name for any chemical product that is used industrially or domestically to remove colour (whitening) from fabric or fiber (in a process called bleaching) or to disinfect after cleaning. It often refers specifically to a dilute solution of sodium hypochlorite, also called "liquid bleach".
Many bleaches have broad-spectrum bactericidal properties, making them useful for disinfecting and sterilizing. They are used in swimming pool sanitation to control bacteria, viruses, and algae and in many places where sterile conditions are required. They are also used in many industrial processes, notably in the bleaching of wood pulp. Bleaches also have other minor uses, like removing mildew, killing weeds, and increasing the longevity of cut flowers.[1]
Bleaches work by reacting with many coloured organic compounds, such as natural pigments, and turning them into colourless ones. While most bleaches are oxidizing agents (chemicals that can remove electrons from other molecules), some are reducing agents (that donate electrons).
Chlorine, a powerful oxidizer, is the active agent in many household bleaches. Since pure chlorine is a toxic corrosive gas, these products usually contain hypochlorite, which releases chlorine. "Bleaching powder" usually refers to a formulation containing calcium hypochlorite.[citation needed]
Bleaches generally react with many other organic substances besides the intended coloured pigments, so they can weaken or damage natural materials like fibers, cloth, and leather, and intentionally applied dyes, such as the indigo of denim. For the same reason, ingestion of the products, breathing of the fumes, or contact with skin or eyes can cause bodily harm and damage health.
The earliest form of bleaching involved spreading fabrics and cloth out in a bleachfield to be whitened by the action of the Sun and water.[4][5] In the 17th century, there was a significant cloth bleaching industry in Western Europe, using alternating alkaline baths (generally lye) and acid baths (such as lactic acid from sour milk, and later diluted sulfuric acid). The whole process lasted up to six months.[4]
Chlorine-based bleaches, which shortened that process from months to hours, were invented in Europe in the late 18th century. Swedish chemist Carl Wilhelm Scheele discovered chlorine in 1774,[4] and in 1785 Savoyard scientist Claude Berthollet recognized that it could be used to bleach fabrics.[4] Berthollet also discovered sodium hypochlorite, which became the first commercial bleach, named Eau de Javel ("Javel water") after the borough of Javel, near Paris, where it was produced.
Scottish chemist and industrialist Charles Tennant proposed in 1798 a solution of calcium hypochlorite as an alternative for Javel water, and patented bleaching powder (solid calcium hypochlorite) in 1799.[4][6] Around 1820, French chemist Antoine Germain Labarraque discovered the disinfecting and deodorizing ability of hypochlorites and was instrumental in popularizing their use for such purpose.[7] His work greatly improved medical practice, public health, and the sanitary conditions in hospitals, slaughterhouses, and all industries dealing with animal products.[8]
Louis Jacques Thénard first produced hydrogen peroxide in 1818 by reacting barium peroxide with nitric acid.[9] Hydrogen peroxide was first used for bleaching in 1882, but did not become commercially important until after 1930.[10]Sodium perborate as a laundry bleach has been used in Europe since the early twentieth century, and became popular in North America in the 1980s.[11]
Colours of natural organic materials typically arise from organic pigments, such as beta carotene. Chemical bleaches work in one of two ways:
An oxidizing bleach works by breaking the chemical bonds that make up the chromophore. This changes the molecule into a different substance that either does not contain a chromophore or contains a chromophore that does not absorb visible light. This is the mechanism of bleaches based on chlorine but also of oxygen-anions which react through the initial nucleophilic attack.[12]
A reducing bleach works by converting double bonds in the chromophore into single bonds. This eliminates the ability of the chromophore to absorb visible light. This is the mechanism of bleaches based on sulfur dioxide.[13]
Sunlight acts as a bleach through a process leading to similar results: high-energy photons of light, often in the violet or ultraviolet range, can disrupt the bonds in the chromophore, rendering the resulting substance colourless. Extended exposure often leads to massive discolouration usually reducing the colours to a white and typically very faded blue.[14]
The broad-spectrum effectiveness of most bleaches is due to their general chemical reactivity against organic compounds, rather than the selective inhibitory or toxic actions of antibiotics. They irreversibly denature or destroy many proteins, including all prions, making them extremely versatile disinfectants.
Hypochlorite bleaches in low concentration were also found to attack bacteria by interfering with heat shock proteins on their walls.[15] According to 2013 Home Hygiene and Health report,[16] using bleach, whether chlorine- or peroxide-based, significantly increases germicidal efficiency of laundry even at low temperatures (30-40 degrees Celsius), which makes it possible to eliminate viruses, bacteria, and fungi from a variety of clothing in a home setting.[17]
Chlorine-based bleaches are found in many household "bleach" products, as well as in specialized products for hospitals, public health, water chlorination, and industrial processes.
The grade of chlorine-based bleaches is often expressed as percent active chlorine. One gram of 100% active chlorine bleach has the same bleaching power as one gram of elemental chlorine.
The most common chlorine-based bleaches are:
Sodium hypochlorite (NaClO), usually as a 3–6% solution in water, usually called "liquid bleach" or just "bleach". Historically called "Javel water" (French: eau de Javel). It is used in many households to whiten laundry, disinfect hard surfaces in kitchens and bathrooms, treat water for drinking, and keep swimming pools free of infectious agents.
Bleaching powder (formerly known as "chlorinated lime"), usually a mixture of calcium hypochlorite (Ca(ClO) 2), calcium hydroxide (slaked lime, Ca(OH) 2), and calcium chloride (CaCl 2) in variable amounts.[18] Sold as a white powder or in tablets, it is used in many of the same applications as sodium hypochlorite but is more stable and contains more available chlorine.
Peroxide-based bleaches are characterized by the peroxide chemical group, namely two oxygen atoms connected by a single bond, (–O–O–). This bond is easily broken, giving rise to very reactive oxygen species, which are the active agents of bleach.
The main products in this class are:
Hydrogen peroxide itself (H 2O 2). It is used, for example, to bleach wood pulp and hair or to prepare other bleaching agents like perborates, percarbonates, peracids, etc.
Sodium percarbonate (Na 2H 3CO 6), an adduct of hydrogen peroxide and sodium carbonate ("soda ash" or "washing soda", Na 2CO 3). Dissolved in water, it yields a solution of the two products, that combines the degreasing action of the carbonate with the bleaching action of the peroxide.
Sodium perborate (Na 2H 4B 2O 8). Dissolved in water it forms some hydrogen peroxide, but also the perborate anion (B(OOH)(OH)− 3) which can perform nucleophilic oxidation.[20]
Peracetic (peroxoacetic) acid (H 3CC(O)OOH). Generated in situ by some laundry detergents, and also marketed for use as industrial and agricultural disinfection and water treatment.[21]
Ozone (O 3). While not properly a peroxide, its mechanism of action is similar. It is used in the manufacture of paper products, especially newsprint and white Kraft paper.[23]
Potassium persulfate (K2S2O8) and other persulfate salts. It, alongside ammonium and sodium persulfate, is common in hair-lightening products.[24]
Sodium dithionite (also known as sodium hydrosulfite) is one of the most important reductive bleaching agents. It is a white crystalline powder with a weak sulfurous odor. It can be obtained by reacting sodium bisulfite with zinc
2 NaHSO3 + Zn → Na2S2O4 + Zn(OH)2
It is used as such in some industrial dyeing processes to eliminate excess dye, residual oxide, and unintended pigments and for bleaching wood pulp.
In Negative film processing, silver halide grains are associated with couplers which, on development, produce metallic silver and a coloured image. The silver is 'bleached' to a soluble form in a solution of ferric EDTA, which is then dissolved in 'fix', a solution of sodium or ammonium thiosulfate. The procedure is the same for paper processing except that the EDTA and thiosulfate are mixed in 'bleachfix'.
In Reversal processing, residual silver in the emulsion after the first development is reduced to a soluble silver salt using a chemical bleach, most commonly EDTA. A conventional fixer then dissolves the reduced silver but leaves the unexposed silver halide intact. This unexposed halide is then exposed to light or chemically treated so that a second development produces a positive image. In colour and chromogenic film, this also generates a dye image in proportion to the silver.
Photographic bleaches are also used in black-and-white photography to selectively reduce silver to reduce silver density in negatives or prints. In such cases, the bleach composition is typically an acid solution of potassium dichromate.
A Risk Assessment Report (RAR) conducted by the European Union on sodium hypochlorite conducted under Regulation EEC 793/93 concluded that this substance is safe for the environment in all its current, normal uses.[26] This is due to its high reactivity and instability. The disappearance of hypochlorite is practically immediate in the natural aquatic environment, reaching in a short time concentration as low as 10−22 μg/L or less in all emission scenarios. In addition, it was found that while volatile chlorine species may be relevant in some indoor scenarios, they have a negligible impact in open environmental conditions. Further, the role of hypochlorite pollution is assumed as negligible in soils.
Industrial bleaching agents can be sources of concern. For example, the use of elemental chlorine in the bleaching of wood pulp produces organochlorines and persistent organic pollutants, including dioxins. According to an industry group, the use of chlorine dioxide in these processes has reduced the dioxin generation to under-detectable levels.[27] However, the respiratory risk from chlorine and highly toxic chlorinated byproducts still exists.
A European study conducted in 2008 indicated that sodium hypochlorite and organic chemicals (e.g., surfactants, fragrances) contained in several household cleaning products can react to generate chlorinated volatile organic compounds (VOCs).[28] These chlorinated compounds are emitted during cleaning applications, some of which are toxic and probable human carcinogens. The study showed that indoor air concentrations significantly increase (8–52 times for chloroform and 1–1170 times for carbon tetrachloride, respectively, above baseline quantities in the household) during the use of bleach-containing products. The increase in chlorinated volatile organic compound concentrations was the lowest for plain bleach and the highest for the products in the form of "thick liquid and gel".
The significant increases observed in indoor air concentrations of several chlorinated VOCs (especially carbon tetrachloride and chloroform) indicate that bleach use may be a source that could be important in terms of inhalation exposure to these compounds. While the authors suggested that using these cleaning products may significantly increase the cancer risk,[28][29] this conclusion appears to be hypothetical:
The highest level cited for a concentration of carbon tetrachloride (seemingly of highest concern) is 459 micrograms per cubic meter, translating to 0.073 ppm (part per million), or 73 ppb (part per billion). The OSHA-allowable time-weighted average concentration over eight hours is 10 ppm,[30] almost 140 times higher;
The OSHA highest allowable peak concentration (5-minute exposure for five minutes in 4 hours) is 200 ppm,[30] twice as high as the reported highest peak level (from the headspace of a bottle of a sample of bleach plus detergent).
Sodium hypochlorite solution, 3–6%, (common household bleach) is typically diluted for safe use when disinfecting surfaces and when used to treat drinking water.[31][32]
A weak solution of 2% household bleach in warm water is typical for sanitizing smooth surfaces before the brewing of beer or wine.[citation needed]
US government regulations (21 CFR 178 Subpart C) allow food processing equipment and food contact surfaces to be sanitized with solutions containing bleach, provided that the solution is allowed to drain adequately before contact with food and that the solutions do not exceed 200 parts per million (ppm) available chlorine (for example, one tablespoon of typical household bleach containing 5.25% sodium hypochlorite, per gallon of water).
A 1-in-47 dilution of household bleach with water (1 part bleach to 47 parts water: e.g. one teaspoon of bleach in a cup of water, or 21 ml per litre, or 1/3 cup of bleach in a gallon of water) is effective against many bacteria and some viruses in homes.[33] Even "scientific-grade", commercially produced disinfection solutions such as Virocidin-X usually have sodium hypochlorite as their sole active ingredient, though they also contain surfactants (to prevent beading) and fragrances (to conceal the bleach smell).[34]
See hypochlorous acid for a discussion of the mechanism for disinfectant action.
An oral rinse with a 0.05% dilute solution of household bleach is shown to treat gingivitis.[35]
Colour-safe bleach is a chemical that uses hydrogen peroxide as the active ingredient (for stain removal) rather than sodium hypochlorite or chlorine.[36] It also has chemicals in it that help brighten colours.[37] Though hydrogen peroxide is used for sterilization purposes and water treatment, its ability to disinfect laundry is limited because the concentration of hydrogen peroxide in laundry products is lower than what is used in other applications.[37]
The safety of bleaches depends on the compounds present, and their concentration.[38] Generally speaking, the ingestion of bleaches will cause damage to the esophagus and stomach, possibly leading to death. On contact with the skin or eyes, it causes irritation, drying, and potentially burns. Inhalation of bleach fumes can cause mild irritation of the upper airways..[38]Personal protective equipment should always be used when using bleach.
Bleach should never be mixed with vinegar or other acids, as this will create highly toxic chlorine gas, which can cause severe burns internally and externally.[39][40][41][42] Mixing bleach with ammonia similarly produces toxic chloramine gas, which can burn the lungs.[39][40][42] Mixing bleach with rubbing alcohol makes highly toxic chloroform,[43] while mixing with hydrogen peroxide results in an exothermic and potentially explosive chemical reaction that releases oxygen.[44]
Miracle Mineral Supplement (MMS), also promoted as "Master Mineral Solution" or "Chlorine Dioxide Solution" or CDS,[45] to evade restrictions by online retail platforms, is a bleach solution that has been fraudulently promoted as a cure-all since 2006.[46] Its main active ingredient is sodium chlorite, which is "activated" with citric acid to form chlorine dioxide. In an attempt to evade health regulations, its inventor Jim Humble, a former Scientologist, founded the Genesis II Church of Health and Healing, which considers MMS as its sacrament.[47][48]
During the COVID-19 pandemic, advocates of MMS including QAnon proponent Jordan Sather and Mark Grenon, who are affiliated with the Genesis II Church, began to suggest this would treat COVID-19.[49][50] Several news outlets, including The New York Times and The Washington Post, portrayed U.S. president Donald Trump's remarks in a 23 April 2020 briefing as promoting the injection of bleach as a potential COVID-19 treatment.[51][52][53] According to fact-checkers, many such reports were false and misleading, as they lacked needed context—including the fact that, at the same briefing, Trump specifically clarified that any such treatments "wouldn't be through injections, we're talking about almost a cleaning and sterilization of an area. Maybe it works, maybe it doesn't work, but it certainly has a big effect if it's on a stationary object.".[54][55] Nevertheless, the widespread reporting led the CDC, scientists, and bleach companies to re-state that bleach is harmful to humans and should not be ingested or injected.[56][53] MSN News quoted Professor Rob Chilcott, a
Inuyasha (犬夜叉, lit. "Dog Yaksha") is a Japanese manga series written and illustrated by Rumiko Takahashi. It was serialized in Shogakukan's shōnen manga magazine Weekly Shōnen Sunday from November 1996 to June 2008, with its chapters collected in 56 tankōbon volumes. The series begins with Kagome Higurashi, a fifteen-year-old middle school girl from modern-dayTokyo who is transported to the Sengoku period after falling into a well in her family shrine, where she meets the half-dog demon, half-human Inuyasha. After the sacred Shikon Jewel re-emerges from deep inside Kagome's body, she inadvertently shatters it into dozens of fragments that scatter across Japan. Inuyasha and Kagome set to recover Jewel's fragments, and through their quest, they are joined by the lecherous monkMiroku, the demon slayer Sango, and the fox demonShippō. Together, they journey to restore the Shikon Jewel before it falls into the hands of the evil half-demon Naraku.
In contrast to the typically comedic nature of much of Takahashi's previous work, Inuyasha deals with a darker and more serious subject matter, using the setting of the Sengoku period to easily display the violent content while still retaining some comedic elements. The manga was adapted into two anime television series by Sunrise. The first series ran for 167 episodes on Nippon TV and Yomiuri TV from October 2000 to September 2004. The second series, Inuyasha: The Final Act, is a direct sequel that adapts the remainder of the manga. It ran for 26 episodes from October 2009 to March 2010. Four feature films and an original video animation (OVA) have also been released. Other merchandise includes video games and a light novel. An anime original sequel spin-off television series, titled Yashahime: Princess Half-Demon, aired for two seasons from October 2020 to March 2022.
Viz Media licensed the manga, the two anime series, and movies for North America. Both Inuyasha and Inuyasha: The Final Act aired in the United States on Adult Swim (and later on its revived Toonami block) from 2002 to 2015.
By September 2020, Inuyasha had 50 million copies in circulation, making it one of the best-selling manga series of all time. In 2002, the manga won the 47th Shogakukan Manga Award for the shōnen category.
In 1496 Japan, humans and demons (yōkai) battle over the Shikon Jewel (四魂の玉, Shikon no Tama, lit. "The Jewel of Four Souls"), which is said to grant any wish. Kikyo, the priestess who keeps the Shikon Jewel, is in love with the half-demon Inuyasha. However, they fall into a deceitful trap and betray each other. Inuyasha steals the Shikon Jewel, but the dying Kikyo pins Inuyasha to a tree with a sacred arrow. Per Kikyo's will, her body is cremated along with the Shikon Jewel, which disappeared from the era.
Five hundred years later, Kagome Higurashi lives on the grounds of her family's Shinto shrine, with her mother, grandfather and younger brother. On her fifteenth birthday, Kagome is dragged into the enshrined Bone Eater's Well (骨喰いの井戸, Honekui no Ido) by a centipede demon and sent back in time to the Sengoku period in 1546. The Shikon Jewel manifests from within the body of Kagome, who is Kikyo's reincarnation, and she desperately frees Inuyasha from the tree to kill the centipede demon. When Inuyasha threatens her, Kikyo's sister Kaede subdues him with a magical bead necklace to keep him under control. Later, Kagome inadvertently shatters the Shikon Jewel into many shards with an arrow, and they scatter across Japan and into the possession of various demons and humans.
Inuyasha obtains his father's sword Tessaiga, which places him at odds with his older half-brother Sesshomaru, the wielder of Tenseiga. Inuyasha aids Kagome in collecting the shards and dealing with the threats they come across. On their journey, the presence of Naraku, a spider half-demon who was responsible for manipulating Inuyasha and Kikyo, comes to light. While pursuing Naraku, Inuyasha and Kagome recruit the young fox demon Shippō, the perverted monkMiroku (whose hand was cursed by Naraku), and the demon slayer Sango and her two-tailed demon cat Kirara. Sango's clan was killed when they were tricked by Naraku, and her younger brother Kohaku fell under his control. Over time, Inuyasha enhances Tessaiga into stronger forms while defeating his enemies. His team is loosely allied with Sesshomaru, whom Naraku attempted to manipulate, the resurrected Kikyo who plans to purify the Shikon Jewel if all shards are collected, and Kōga, the leader of a wolf demon tribe who seeks to avenge his comrades whom Naraku killed. As Inuyasha and his friends journey together, he and Kagome begin to fall in love with one another, which is complicated by Inuyasha's lingering feelings for Kikyo.
Desperately hunted by his enemies, Naraku temporarily removes his heart and wounds Kikyo. Kohaku, having been previously killed but later revived by Naraku and kept alive and under his control by a Shikon Jewel shard, eventually regains his free will and memories, and attempts to escape Naraku's group. During that time, Sesshomaru settles his feud with Inuyasha to enable his brother to perfect Tessaiga to its optimal abilities. Kikyo sacrifices herself to give life to Kohaku, and Naraku collects all the shards to restore the Shikon Jewel. As he is slain by Inuyasha and his allies, Naraku reveals his true desire for Kikyo, despite his hatred towards her, and he uses his wish to trap himself and Kagome inside the Shikon Jewel before dying. Revealed to be sentient, the Shikon Jewel intends for Kagome to make a selfish wish so that she and Naraku will be trapped in an eternal conflict, thus prolonging the Jewel's existence. However, with Inuyasha by her side, Kagome wishes for the Shikon Jewel to disappear forever, allowing her to return to her time with the well sealed, and she and Inuyasha lose contact for three years.
In that time, the Sengoku period changes drastically: Sango and Miroku marry and have three children together, Kohaku continues his role as a demon slayer, and Shippō trains to make his demon magic stronger. Back in the present, Kagome graduates from high school, and manages to get the Bone Eater's Well in her backyard to work again. She returns to the Sengoku period, where she reunites with Inuyasha, marries him, and continues to train with Kaede and become a topmost-level priestess.
Takahashi wrote Inuyasha after finishing Ranma ½. In contrast to her previous comedic works such as Urusei Yatsura (1978–1987), Maison Ikkoku (1980–1987), and One Pound Gospel (1987–2006), Takahashi wanted to create a darker storyline that was thematically closer to her Mermaid Saga stories. To portray violent themes softly, the story was set in the Sengoku period, when wars were common. Takahashi did no notable research on the designs of samurai or castles because she considered such topics common knowledge. By June 2001, a clear ending to the series had not been established because Takahashi still was unsure about how to end the relationship between Inuyasha and Kagome. Furthermore, Takahashi said that she did not have an ending to previous manga she wrote during the beginning, having figured them out as their serialization progressed.[3][4]
Inuyasha is written and illustrated by Rumiko Takahashi. The series debuted in Shogakukan's Weekly Shōnen Sunday (issue #50, 1996) on November 13, 1996.[5][6]Inuyasha finished after an 11 year and seven month run in the magazine (issue #29, 2008) on June 18, 2008.[7][8] Its 558 chapters were collected in 56 tankōbon volumes by Shogakukan, released from April 18, 1997,[9] to February 18, 2009.[10] Shogakukan re-published the series in a 30-volume wide-ban edition, released from January 18, 2013,[11] to June 18, 2015.[12] Takahashi published a special epilogue chapter, titled "Since Then" (あれから, Are kara), in Weekly Shōnen Sunday on February 6, 2013, as part of the "Heroes Come Back" anthology, which comprised short stories by manga artists to raise funds for recovery of the areas afflicted by the 2011 Tōhoku earthquake and tsunami.[13] The chapter was later included in the last volume of the wide-ban edition of the manga in 2015,[14] and was published again in Shōnen Sunday S on October 24, 2020.[15][16]
In North America, Inuyasha has been licensed for English language release by Viz Media, initially titled as Inu-Yasha. They began publishing the manga in April 1997 in an American comic book format, each issue containing two or three chapters from the original manga, and the last issue was released in February 2003, which covered up until the original Japanese 14th volume.[17][18][19][20] Viz Media started publishing the series in a first trade-paperback edition, with 12 volumes published from July 6, 1998, to October 6, 2002.[21][22] A second edition began with the 13th volume, released on April 9, 2003,[23] and the first 12 volumes, following this edition, were reprinted as well.[24][25] Up until the 37th volume, Viz Media published the series in left-to-right orientation,[26] and with the release of the 38th volume on July 14, 2009, they published the remaining volumes in "unflipped" right-to-left page layout.[26][27] Viz Media published the 56th and final volume of Inuyasha on January 11, 2011.[28] In 2009, Viz Media began publishing the series in their 3-in-1 omnibus volume "VizBig" edition, with the original unflipped chapters. The 18 volumes were released from November 10, 2009, to February 11, 2014.[29][30] On December 15, 2020, Viz released the 18 volumes digitally.[31][32]
The first Inuyasha anime adaptation, sometimes known as Inuyasha: A Feudal Fairy Tale (戦国御伽草子 犬夜叉, Sengoku Otogizōshi Inuyasha), produced by Sunrise, was broadcast for 167 episodes on Nippon TV and Yomiuri TV from October 16, 2000, to September 13, 2004.[33][34]Avex collected the episodes in a total of seven series of DVD volumes distributed in Japan between May 30, 2001, and July 27, 2005.[a]
In North America, the series was licensed for an English dub release by Viz Media.[36] The series was first run on Adult Swim from August 31, 2002, to October 27, 2006,[37] with reruns from 2006 to 2014. When Toonami became a block on Adult Swim, Inuyasha aired there from November 2012 to March 2014, when the network announced that they had lost the broadcast rights to the series.[38][39] On August 25, 2017, Starz announced that they would be offering episodes of the series for their video on demand service starting on September 1 of that same year, where they were available until November 30, 2018.[40][41] The series was also streamed on HBO Max in the United States from August 4, 2020, until August 3, 2022.[42][43] The series aired in Canada on YTV's Bionix programming block from September 5, 2003, to December 1, 2006.[44] Viz collected the series in a total of 55 DVD volumes,[45][46] while seven box sets were also released.[47][48] In September 2020, Funimation announced that they would begin streaming the first 54 episodes of the series and the four films.[49]
Viz Media also released a separate series of ani-manga volumes which are derived from full-color screenshots of the anime episodes. 30 volumes were released from January 14, 2004 to December 9, 2008.[50][51]
In July 2009, it was announced that another anime television series adaptation, covering the original 36–56 volumes of the manga, would be made by the first anime's same cast and crew.[52] Titled Inuyasha: The Final Act (犬夜叉 完結編, Inuyasha Kanketsu-hen), the series was broadcast for 26 episodes on Nippon TV and Yomiuri TV from October 4, 2009, to March 30, 2010.[53][b] In other parts of Asia, the series was broadcast in the same week as its broadcast in Japan on Animax Asia.[60]Aniplex collected the episodes on seven DVDs, released between December 23, 2009, and June 23, 2010.[61][62]
In North America, the series was licensed by Viz Media,[63] and the episodes were simulcast via Hulu and Viz Media's Shonen Sunday site in the United States.[64] Viz Media released the series in two DVD or Blu-ray sets, which included an English dub.[65] The first thirteen episodes, constituting the first set, were released on November 20, 2012,[66] and the last thirteen episodes, constituting the second set, were released on February 12, 2013.[67] The series began broadcasting in the United States and Canada on Viz Media's online network, Neon Alley, on October 2, 2012.[68] On October 24, 2014, it was announced that Adult Swim would air The Final Act on the Toonami block, beginning on November 15, at 2:00 a.m. EST.[69]
In May 2020, an anime original sequel spin-off television series was announced, titled Yashahime: Princess Half-Demon (半妖の夜叉姫, Han'yō no Yashahime), which follows the journey of Towa Higurashi and Setsuna, Sesshomaru and Rin's fraternal twin daughters, and Moroha, Inuyasha and Kagome's daughter. It premiered on October 3, 2020.[70][71][72]
The series is produced by Sunrise, with direction by Teruo Sato for the first season and Masakazu Hishida for the second, and main character designs by Inuyasha author Rumiko Takahashi.[70][73] Staff from the Inuyasha anime returned, with Katsuyuki Sumisawa in charge of the scripts, Yoshihito Hishinuma in charge of the anime character designs and Kaoru Wada as composer.[70] The cast includes Sara Matsumoto as Towa Higurashi, Mikako Komatsu as Setsuna, and Azusa Tadokoro as Moroha.[72]
Viz Media announced the rights to digital streaming, EST, and home video release of the series for North and Latin American territories.[70][74]
There are four animated films with original storylines written by Katsuyuki Sumisawa, the writer for the Inuyasha anime series.[75] The films were released with English subtitles and dubbed audio tracks on Region 1 DVD by Viz Media. Together, the four films have earned over US$20 million in Japanese box offices.[76]
The first film, Inuyasha the Movie: Affections Touching Across Time, was released in 2001. In the film, Inuyasha and his friends confront Menomaru, a demonic moth warrior brought to life by one of the shards.
The third film, Inuyasha the Movie: Swords of an Honorable Ruler, was released in 2003. In it, Inuyasha and Sesshomaru forcefully work together to seal the evil Sō'unga, their father's third sword, when it is awakened from its sheath.
The fourth and final film, Inuyasha the Movie: Fire on the Mystic Island, was released in 2004. It follows Inuyasha and his friends protecting a group of half-demon children from four evil demons on an ancient mystical island.
A 30-minute original video animation titled Black Tessaiga (黒い鉄砕牙, Kuroi Tessaiga), was presented on July 30, 2008, at an "It's a Rumic World" exhibit at the Matsuya Ginza department store in Tokyo's Ginza shopping district. The episode uses the original voice cast from the anime series.[77] It was released in Japan on October 20, 2010, in both DVD and Blu-ray formats.[78][79]
Multiple soundtracks and character songs were released for the series by Avex Mode. Three character singles were released August 3, 2005 – "Aoki Yasei o Daite" (蒼き野生を抱いて, Embrace the Untamed Wilderness) by Inuyasha featuring Kagome, "Kaze no Naka e" (風のなかへ, Into the Wind) by Miroku featuring Sango and Shippō, and "Gō" (業, Fate) by Sesshomaru featuring Jaken and Rin. The singles charted at number 63, 76, and 79 respectively on the Oricon chart.[80][81][82] Three more character songs were released on January 25, 2006 – "Rakujitsu" (落日, Setting Sun) by Naraku, "Tatta Hitotsu no Yakusoku" (たったひとつの約束, That's One Promise) by Kagome Higurashi, and "Abarero!!" (暴れろ!!, Go On A Rampage!!) by Bankotsu and Jakotsu. The singles charted at number 130, 131, and 112 respectively on the Oricon chart.[83][84][85]
On March 24, 2010, Avex released Inuyasha Best Song History (犬夜叉 ベストソング ヒストリー, Inuyasha Besuto Songu Hisutorī), a best album that contains all the opening and ending t