Grand Theft Auto theme by Guillaume
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Grand Theft Auto | |
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Genre(s) | Action-adventure |
Developer(s) | |
Publisher(s) | Rockstar Games |
Creator(s) | |
Platform(s) | |
First release | Grand Theft Auto 28 November 1997 |
Latest release | Grand Theft Auto: The Trilogy – The Definitive Edition 11 November 2021 |
Grand Theft Auto (GTA) is an action-adventure video game series created by David Jones and Mike Dailly.[2] Later titles were developed under the oversight of brothers Dan and Sam Houser, Leslie Benzies and Aaron Garbut. It is primarily developed by British development house Rockstar North (formerly DMA Design), and published by its American parent company, Rockstar Games. The name of the series is a term for motor vehicle theft in the United States.
Gameplay focuses on an open world where the player can complete missions to progress an overall story, as well as engage in various side activities. Most of the gameplay revolves around driving and shooting, with occasional role-playing and stealth elements. The series also has elements of the earlier beat 'em up games from the 16-bit era. The games in the Grand Theft Auto series are set in fictional locales modelled after real-life cities, at various points in time from the early 1960s to the 2010s. The original game's map encompassed three cities—Liberty City (based on New York City), San Andreas (based on San Francisco),[a] and Vice City (based on Miami)—but later titles tend to focus on a single setting and expand upon the original three locales. Each game in the series centres on different respective protagonist who attempts to rise through the criminal underworld due to various motives, often accompanying themes of betrayal. Several film and music veterans have voiced characters in the games, including Ray Liotta, Dennis Hopper, Samuel L. Jackson, William Fichtner, James Woods, Debbie Harry, Axl Rose and Peter Fonda.[3]
DMA Design began the series in 1997, with the release of the Grand Theft Auto. As of 2020[update], the series consists of seven standalone titles and four expansion packs. The third main title, Grand Theft Auto III, released in 2001, is considered a landmark game, and brought the series into a three-dimensional environment for the first time. Subsequent titles have followed and built upon the format established by Grand Theft Auto III, receiving significant acclaim. The games influenced other open-world games, and led to the label Grand Theft Auto clone on similar titles.[4]
The series has been critically acclaimed, with all the main 3D entries in the franchise frequently ranked among the greatest and best-selling video games;[5] it has shipped more than 425 million units, making it one of the best-selling video game franchises. In 2006, Grand Theft Auto was featured in a list of British design icons in the Great British Design Quest organised by the BBC and the Design Museum.[6] In 2013, The Telegraph ranked Grand Theft Auto among Britain's most successful exports.[7] The series has also been controversial for its adult nature and violent themes, as well as for cut content.
Series history[edit]
Main series[edit]
1997 | Grand Theft Auto |
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1998 | |
1999 | Grand Theft Auto: London 1969 |
Grand Theft Auto: London 1961 | |
Grand Theft Auto 2 | |
2000 | |
2001 | Grand Theft Auto III |
2002 | Grand Theft Auto: Vice City |
2003 | Grand Theft Auto: Double Pack |
2004 | Grand Theft Auto: San Andreas |
Grand Theft Auto Advance | |
2005 | Grand Theft Auto: The Trilogy |
Grand Theft Auto: Liberty City Stories | |
2006 | Grand Theft Auto: Vice City Stories |
2007 | |
2008 | Grand Theft Auto IV |
2009 | Grand Theft Auto IV: The Lost and Damned |
Grand Theft Auto: Chinatown Wars | |
Grand Theft Auto: The Ballad of Gay Tony | |
2010 | |
2011 | |
2012 | |
2013 | Grand Theft Auto V |
Grand Theft Auto Online | |
2014 | |
2015 | |
2016 | |
2017 | |
2018 | |
2019 | |
2020 | |
2021 | Grand Theft Auto: The Trilogy – The Definitive Edition |
2022 | |
2023 | |
2024 | |
2025 | Grand Theft Auto VI |
The Grand Theft Auto series is split into separate fictional universes, named after the primary level of graphics capability used in each era.[8] The original Grand Theft Auto, its expansions and its sequel are considered the "2D universe". Grand Theft Auto III and its sequels are considered the "3D universe". Grand Theft Auto IV, its expansions and Grand Theft Auto V are considered the "HD universe". Each universe is considered separate with only brands, place names and background characters shared between them.[8]
Grand Theft Auto, the first game in the series, was released for MS-DOS and Windows in November 1997, ported to the PlayStation in 1998 and the Game Boy Color in 1999. Grand Theft Auto 2 was released in 1999 for Windows, later receiving ports on the PlayStation, Dreamcast and Game Boy Color.[9]
The PlayStation 2 also featured three instalments of the main series, all of which have been re-released on several platforms; a deal between Take-Two Interactive and Sony Computer Entertainment resulted in their timed exclusivity on the PlayStation 2, before receiving ports to Windows and the Xbox.[10] The 2001 title Grand Theft Auto III moved away from the two-dimension (2D) graphics used in the first two games to three-dimension (3D) computer graphics[11] Grand Theft Auto: Vice City was published in 2002, and was the first to feature a speaking protagonist, voiced by Ray Liotta.[12] Grand Theft Auto: San Andreas, released in 2004, introduced various new elements, including character customisation and a large map encompassing three cities and surrounding rural area.[13]
Two main instalments were published for the PlayStation 3 and Xbox 360. The 2008 title Grand Theft Auto IV focused on realism and detail, removing various customisation features, while adding an online multiplayer mode.[14] Grand Theft Auto V, published in 2013, featured three playable protagonists.[15] It was released to massive financial success, breaking multiple records.[16] It was later re-released with various enhancements, in 2014 for the PlayStation 4 and Xbox One, and in 2015 for Windows;[17] versions for PlayStation 5 and Xbox Series X and S were released in 2022.[18]
On 4 February 2022, Rockstar confirmed that development of a new entry in the series was "well underway".[19] In-development footage of the game leaked in September 2022;[20][21] Rockstar noted that it was "extremely disappointed" by the manner in which the game was first demonstrated, but that it did not anticipate long-term effects on development.[22] In December 2023, the game was officially announced as Grand Theft Auto VI, with a projected release date of 2025 for the PlayStation 5 and Xbox Series X/S.[23]
Other games[edit]
Grand Theft Auto has spawned numerous additional games and expansion packs. In 1999, the original game received two expansion packs: Grand Theft Auto: London 1969 and Grand Theft Auto: London 1961, which, as their names suggest, featured a different setting – a fictional version of London – and new missions and characters.[9] Grand Theft Auto Advance, released in 2004 exclusively for the Game Boy Advance, featured a top-down perspective, similarly to the first two main games in the series, and the same setting as Grand Theft Auto III, to which it served as a prequel. Three games were released for the PlayStation Portable: Grand Theft Auto: Liberty City Stories in 2005, which is also a prequel to Grand Theft Auto III; Grand Theft Auto: Vice City Stories in 2006, which is a prequel to Vice City; and Grand Theft Auto: Chinatown Wars in 2009, which features the same setting as Grand Theft Auto IV, but the two games are otherwise unrelated. Both Liberty City Stories and Vice City Stories were later ported to the PlayStation 2, while Chinatown Wars was originally released for the Nintendo DS and later ported to PlayStation Portable.[24] In 2009, The Lost and Damned and The Ballad of Gay Tony were released for the Xbox 360 as expansion packs to Grand Theft Auto IV; a "strategic alliance" between Rockstar and Microsoft resulted in the timed exclusivity. The expansions focus on characters who played a relatively minor role in the main game, and whose stories take place simultaneously with Grand Theft Auto IV's. Both were later released for the PlayStation 3 and Windows as part of a compilation, titled Grand Theft Auto: Episodes from Liberty City, also available on Xbox 360.[25]
Numerous titles in the series have received ports to mobile devices. Chinatown Wars was released for iOS in 2010 and for Android and Fire OS in 2014.[26] For their tenth anniversaries, Grand Theft Auto III and Vice City were both re-released for iOS and Android in 2011 and 2012, respectively.[27][28] In 2013, San Andreas was ported to iOS, Android and Windows Phone and RT;[29] the mobile port was later re-released for Xbox 360 in 2014, the year of the game's tenth anniversary,[30] and the following year for PlayStation 3.[31] In 2015, Liberty City Stories was ported to iOS, Android and Fire OS.[32][33]
Compilations[edit]
Grand Theft Auto Double Pack was released in 2003 for the PlayStation 2 and Xbox, and includes both Grand Theft Auto III and Vice City.[34] Grand Theft Auto: The Trilogy is a compilation of III, Vice City, and San Andreas, and was first released in 2005 for the Xbox.[35] It was later re-released for the PlayStation 2, Windows, Mac OS X, and PlayStation 4.[36][37][38][39] The Trilogy also served as the revised package for San Andreas, which had to be pulled from shelves due to the controversial Hot Coffee mod.[40] A report in August 2021 suggested that Rockstar Dundee was leading development on a remastered version of the trilogy, using Unreal Engine;[41] following some leaks,[42][43][44] Rockstar officially announced Grand Theft Auto: The Trilogy – The Definitive Edition on 8 October 2021. The game features graphical and gameplay upgrades, and replaced existing versions on digital retailers. It was released for the Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, and Xbox Series X/S on 11 November 2021,[45] and for Android and iOS on 14 December 2023.[46]
Grand Theft Auto: Episodes from Liberty City is a standalone compilation of the two episodes for Grand Theft Auto IV. It contains both The Lost and Damned and The Ballad of Gay Tony on one disc. It was released on 29 October 2009 for the Xbox 360 and on 13 April 2010 for PlayStation 3 and Windows. Microsoft added Episodes from Liberty City to its backwards compatibility list for Xbox One platforms in February 2017.[47] The standalone release of Episodes from Liberty City for Windows was discontinued and replaced by a single-player-only version of Grand Theft Auto IV: Complete Edition in 2020.[48]
Titles[edit]
Year | Title | Developer | Platform(s) | Universe[8] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Home console | Computer | Handheld | Mobile | Other | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Main series | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1997 | Grand Theft Auto | DMA Design | PS1 | GBC | 2D | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1999 | Grand Theft Auto 2 |
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Windows | GBC | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2001 | Grand Theft Auto III |
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3D | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2002 | Grand Theft Auto: Vice City | Rockstar North |
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2004 | Grand Theft Auto: San Andreas |
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Oculus Quest 2[C] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2008 | Grand Theft Auto IV |
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Windows | HD | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2013 | Grand Theft Auto V |
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Windows | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2025 | Grand Theft Auto VI | TBA |
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TBA | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Expansion packs | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1999 | Grand Theft Auto: London 1969 | Rockstar Canada | PS1 |
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2D | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Grand Theft Auto: London 1961 |
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2009 | Grand Theft Auto IV: The Lost and Damned | Rockstar North |
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Windows | HD | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Grand Theft Auto: The Ballad of Gay Tony |
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Windows | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Handheld games | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2004 | Grand Theft Auto Advance | Digital Eclipse | GBA | 3D | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2005 | Grand Theft Auto: Liberty City Stories | Rockstar Leeds | PS2 | PSP |
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2006 | Grand Theft Auto: Vice City Stories | PS2 | PSP | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2009 | Grand Theft Auto: Chinatown Wars |
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HD | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Compilations and remasters | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1999 | Grand Theft Auto: Director's Cut[D] | DMA Design / Rockstar Canada |
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2003 | Grand Theft Auto: The Classics Collection[E] |
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Grand Theft Auto: Double Pack[F] | Rockstar North |
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2005 | Grand Theft Auto: The Trilogy
Mercedes Benz SLRMercedes Benz SLR theme by meatballs.themes Download: MercedesBenzSLR.p3t
Redirect to: Heavenly Sword #2Heavenly Sword theme by BO0OM Download: HeavenlySword_2.p3t
Heavenly Sword is a 2007 action-adventure hack and slash video game developed by Ninja Theory and published by Sony Computer Entertainment for the PlayStation 3. Gameplay[edit]The game is an action-adventure title with heavy elements of hack and slash gameplay. The gameplay of the game resembles a martial arts title focused on melee combat while featuring opportunities for ranged attacks. The main character, Nariko, uses a weapon called the "Heavenly Sword" which changes into one of three forms depending on what attack stance the player uses as part of a unique fighting style. Speed Stance provides an even balance between damage and speed, where the sword takes the form of two separate blades.[1] Range Stance allows fast, long-range, but weaker attacks, with the sword being two blades chained together. Power Stance is the most powerful, but slowest style, where attacks are made with the sword in the shape of one large, two-handed blade. For exploration and certain battles, the game also makes use of quick time events (QTE). During a QTE, a symbol for a certain button or for an action such as moving the analog stick to the right or left appears on-screen and the player must match what is shown to successfully complete the scene.[1] In addition to Nariko, a secondary character, Kai, is controlled for some portions of the game.[1] Many of Kai's stages take the form of sniping missions, using her crossbow to pick off enemies, in some cases to protect characters. While Kai cannot perform hand-to-hand combat,[1] in stages that call for her to explore the level she is able to hop over objects and to free herself from an enemy's grasp by temporarily stunning them. Projectiles can be maneuvered to their targets using the motion-sensing capabilities of the Sixaxis controller through a feature known as Aftertouch. Such projectiles include guiding Kai's arrows after she has launched them, and for Nariko, guiding a cannon or rocket launcher, or picking up and throwing objects. Plot[edit]Setting[edit]The game's story and mythos revolves around the titular Heavenly Sword, a blade said to have been wielded by an unnamed Heavenly deity against a demonic warlord called the Raven Lord.[2] After the battle was won and the Raven Lord defeated, the sword was left in the mortal world, becoming the center of wars over its power.[3] The fighting made the sword lust after the life of its users, eventually killing them after a short time.[4][5] A warrior tribe finally took charge of the sword, ending the wars and pledging to keep it safe and unused for the world's own good.[6] Among the tribe, a legend said that the sword's original wielder would be reborn in the year of the "fire-horse", and that this figure would unite the world's scattered tribes and lead the world to peace.[7] Characters[edit]The game's narrator and main protagonist is Nariko (Anna Torv), a headstrong red-headed woman who was born in the year of the prophesied divine warrior: because she was a woman, her clan saw her as a mockery of the prophecy and a portent of doom.[8] The game's main antagonist is King Bohan (Andy Serkis), a tyrannical ruler who is determined to bring the world's tribes to heel and pave the way for a new golden age.[9] Nariko is trained as a warrior by her father, Master Shen (Ewan Stewart), who both cares for her as a child and has difficulty coping with her role in the clan's seeming undoing and the death of his wife.[10] Nariko's only friend is Kai (Lydia Baksh), a wild and erratic young girl who is the last member of a clan destroyed by the armies of Bohan.[11] Among Bohan's servants are his general, Flying Fox (Steven Berkoff): his serpentine mistress Whiptail (Race Davies): and Roach (Richard Ridings), Bohan's son, of whom the king is so ashamed because of Roach's obese appearance that he will not even acknowledge Roach as his own.[12] Story[edit]The game begins in medias res, with Nariko fighting the forces of Bohan. As she is fighting the sword finishes draining her life and she seemingly dies, waking in a field and speaking to the power within the sword about what has happened. Five days before, Nariko's clan is assaulted by King Bohan's forces. Before she joins the fight, Shen thrusts the sword into the ground next to her demanding that she take care of it. Nariko fights alongside her father and her clansmen as their defenses are weakened and stretched by scores of Bohan's warriors scaling the city walls accompanied by catapults. As the warriors and Shen escape from Bohan's Army, Nariko protects them until spotting a catapult moving toward the fort. As Shen had earlier instructed her, she flees, as the fortress is apparently destroyed behind her. She passes a large black bird with a golden head, the animal form of the Raven Lord. When Bohan's army captures her father and corners her Nariko has no choice but to wield the sword to defend herself in order to escape. She takes a flying leap off a cliff edge as Bohan's archers begin firing at her. Kai finds Nariko after disobeying Shen's orders to hide and informs her of the temple where her father and clansmen are held captive. Nariko infiltrates the temple and is ambushed by Flying Fox. She defeats the general and continues on to rescue her father. Meanwhile, King Bohan plots to set up a trap for Nariko with Whiptail. Nariko falls into the trap, and Whiptail, after watching most of her personal guards defeated, tells Nariko the truth behind her father's original feelings about her birth - Shen wanted to kill Nariko shortly after her birth, but was unable to bring himself to do so.[13] Nariko tells her father to leave her and fights with Whiptail. After Nariko impales Whiptail with the sword, King Bohan turns up and snaps Whiptail's neck in her dying moments, then captures the sword and an incapacitated Nariko. As Shen escapes, Kai makes her way to Nariko's cell. Kai is able to find where Nariko is imprisoned and begs that she comes home with her. Nariko explains to Kai that she needs to reacquire the Heavenly Sword to kill King Bohan. She asks Kai to retrieve the sword and Kai accepts the task. Kai succeeds in finding the Heavenly Sword, only to also discover her mother's skeleton. In a flashback, it is revealed that, some years ago, Kai's mother was murdered in front of her eyes by Flying Fox. Returning to the present, Kai is confronted by Flying Fox and barely manages to escape from him with the sword. Meanwhile, Nariko is forced by Bohan to fight before his army against Orangumen, pets of Roach's. During the battle, Kai arrives and throws Nariko the sword. When Nariko defeats all the Orangumen, Bohan orders Roach to murder Nariko. After defeating Roach, both Nariko and Kai flee from the pit. Bohan then commands Flying Fox to kill Kai while his soldiers take on Nariko. As the two try to escape, Flying Fox cuts Kai off from Nariko and they are separated. Nariko desperately tails Flying Fox, but when she finally catches up, he seemingly hangs Kai in front of her. Believing Kai dead, Nariko flies into a rage and battles with Flying Fox. As Nariko and Flying Fox duel, Kai, who survived the drop, uses her crossbow to shoot an arrow into Flying Fox's head, killing him. Nariko releases the injured Kai from the noose and returns her to the care of the clan. King Bohan rallies his men to launch a final attack to regain the Heavenly Sword. Nariko fights alongside her father and clansmen once more. Nariko kills countless numbers of Bohan's troops with ease and destroys his catapults. Despite her efforts, the sword kills her, bringing the events of the game full circle. But this time, Nariko reverses her death by making a pact with the sword to protect it from becoming a useless and dusty relic, since it needs her more than her clan needs it.[14] Nariko returns as a goddess-like figure, and proceeds to slaughter Bohan's troops. Desperate, Bohan begs the Raven Lord (who has been seen repeatedly throughout the game watching Nariko or being with Bohan) to give him the power to destroy Nariko. Bohan gets his wish and the Raven Lord merges with him.[15] An epic battle ensues similar to the one foretold in the prophecy. After Nariko manages to defeat Bohan, the raven leaves his body, and, despite Bohan begging for mercy, pecks his eyes out and flies away. As Nariko raises the sword to strike the final blow, Roach comes to his father's side and begs Nariko to let him take Bohan. Nariko relents, then Roach and Bohan leave, with Bohan calling Roach his son for the first time.[16] Though successful in protecting the sword from coming into the hands of Bohan, Nariko still must give her life for wielding it, for that is the price for using the almighty sword, and the story comes to its end. Nariko reflects that she believes they have fought in vain for the prophecy, that the sword was not from Heaven, but feels gratified that she chose to be the one who was going to save her people from evil: she took the sword, paid the price and ultimately defeated Bohan's army, but nevertheless she was still a normal woman.[17] Nariko heals Kai, and gives her the sword for safekeeping, before passing away. At the funeral, Nariko's body is placed into a boat filled with blossoms, and Kai and Shen cast her out to sea. Development[edit]Heavenly Sword began development in 2002.[18] After establishing early concept, a CGI trailer was produced which helped guide future development, described by the team as an iterative process where many other things changed around the central concept. The team began production without a specific console in mind, tailoring gameplay elements to the PlayStation 3 when the game was picked up by Sony as an exclusive for their upcoming platform.[19] The game was developed using Havok Complete, a combination of Havok Physics and Havok Animation.[20] Production began with the aim of telling a cinematic action adventure inspired by recent films including Crouching Tiger, Hidden Dragon and Hero, with a later fantasy influence inspired by the themes of The Lord of the Rings.[21] Other influences included the game Ico (2001), the graphic novel La Tour, and the South Korean movie Musa.[19] The game eventually developed a distinct visual and narrative identity while maintaining elements from these early inspirations.[21] Nariko's three combat styles drew direct inspiration from the dragon forms in Panzer Dragoon Orta (2002).[19] The character designs were intended to stand out from each other, with distinct elements ranging from color coding to how a character moved. Nariko was made recognisable both with her unique red hair and the simplicity of her outfit compared to other characters.[21] The early concept designs were heavily influenced by Japanese art, and while it retained a strong Far Eastern theme with influences from Japan and China, the team also incorporated references to Mongolian and South American environments and architecture.[19] Character movement was an important element for the team. Kai's movements were based on several elements, including cats and Princess Mononoke protagonist San.[19] While they were still faced with technical restrictions, the team had access to hardware which better enabled them to realise their world and character design. Ninja Theory collaborated with Peter Jackson's company Wētā FX to create realistic facial expressions both during cutscenes and in gameplay.[21] All of the actors involved in the project had previously been involved in film or television.[19] Actor Andy Serkis performs as the voice and motion capture actor for King Bohan, one of the major characters in Heavenly Sword; he also acts as dramatic director for the game and is one of the writers of the story of the game. Nariko is voiced by Australian actress Anna Torv.[22] A demo was released to the PlayStation Store on July 26, 2007, featuring a short, cinematic clip at the beginning and two brief enemy battles, lasting approximately five to ten minutes. An eight-second clip of the game was seen in an episode of the TV series Heroes entitled "Parasite", ostensibly being played by Jessica Sanders and her son, Micah. It featured Nariko running across ropes as they were cut by Bohan's soldiers, before landing on the platform to face them.[23] While the episode was broadcast over four months before the actual release of the game, the level displayed remained in the released build, including the rope sequence shown; the icons in the final game used to inform the player which buttons to press were changed from large, central icons as seen in the clip, to be smaller and positioned at the bottom of the screen. Sony and Ninja Theory have made five 'making-of' videos about the production of Heavenly Sword, with each one detailing a certain aspect of the game's production, from music to motion capture. The videos can either be unlocked while playing the game or downloaded from the PlayStation Store. Soundtrack[edit]Nitin Sawhney composed the music for the soundtrack. It was performed by the City of Prague Philharmonic Orchestra conducted by Stephen Hussey. Tameem Antoniades of Ninja Theory said "we have our big orchestral soundtrack but we wanted to add a more ethnic element and marry those two together. There are actually very few musicians in the world who are experts in both areas. Nitin Sawhney is one of them."[24] Sawhney stated that his creation of "musical textures take in everything from Hollywood, European and Chinese cinema to Indian and middle eastern instrumentation through the orchestras and soloists hovering between sonic tidal waves and reflective moments of intimate grace."[25] Related media[edit]Animated series[edit]A series of Heavenly Sword animated episodes were released prior to the launch of the game itself, acting as a prologue to the events of the game. The series, which consists of five episodes, was produced by London production company Blinkink and animated by CHASE Animation Studios, headed by Robert Chandler. The videos were made available both online[26] and through the PlayStation Store. The first two videos were also included on the retail version of the game; the latter three videos were not ready in time to be included.[27] The style of the animated series differs from the graphics of the game itself. The animated series relies on a simple and stylized 2D look, which allowed director Ben Hibon to "create a complete visual re-interpretation of the world and its inhabitants".[28] The videos were produced using a combination of Adobe Photoshop, Flash and After Effects. Initial reference frames were created with Photoshop, which were then animated in Flash and exported as separate layers into After Effects. The layers were composed onto a 3D stage with multiple foreground, middle ground and background elements, which allowed the use of 3D cameras and lighting to give depth and movement to the video.[28] Film[edit]A computer generated animated film version was produced by Blockade Entertainment and scripted by writer Todd Farmer. The cast includes Anna Torv as Nariko, Alfred Molina as King Bohan and Thomas Jane as Loki.[29] The film was released on Blu-ray, DVD and on PlayStation Network on September 2, 2014.[30] Video game appearances[edit]Nariko appears as a playable character in PlayStation All-Stars Battle Royale, voiced by Jennifer Hale.[31] Reception[edit]Reception
Heavenly Sword sold over one million copies by May 2008.[50][51] Tameem Antoniades stated in March 2010 that sales were approximately one-and-a-half million but that the developer did not break even.[52] The game was praised for its graphics[35] and combat system, while criticism stemmed from the short length of the game and lack of online capabilities. It received "generally favorable reviews" according to video game review aggregator Metacritic.[32] USA Today gave the game nine stars out of ten, saying, "PlayStation 3 fans hungry for more satisfying first-party content from Sony will be satiated with the feverish pace Heavenly Sword provides."[48] Digital Spy gave it four stars out of five, saying, "The lavish sword combat system and the awesome presentation are what make this title a worthy buy. Sony seems to have created this game as a showcase for the PS3 and forgot about getting the gameplay up to scratch. But despite its failings, Heavenly Sword is a great buy for the excellent sword fighting sections and for those who simply want to show their friends just what the PS3 is capable of."[53] The New York Times gave it a favorable review, saying, "The scenery is breathtaking, battles can be exciting, and the intelligent, cruel King Bohan — voiced brilliantly by Andy Serkis (...) — is one of the best video game villains ever. The game is frustrating because it seems as if it should have been a great game and as if its creators tried to make it a great game, but it managed to be only a pretty good one."[54] Maxim gave it a score of six out of ten, saying, "A few of the puzzles are a total bitch, the button-press sequence/finishing moves that the game steals directly from God of War require too much precision, and the sniper sequences wind up being even more tedious than the fighting. It's fun for a little while, and very flashy, but in the end, for everything Heavenly Sword does right, it does two more things wrong."[55] The A.V. Club gave it a C+ and stated that "If Metal Gear Solid and Halo had acting this good, we'd be on to something."[47] In Japan, Famitsu gave the game a score of two sevens and two eights, for a total of 30 out of 40.[36] During the 11th Annual Interactive Achievement Awards, the Academy of Interactive Arts & Sciences nominated Heavenly Sword in three categories: "Outstanding Character Performance", "Outstanding Achievement in Art Direction", and "Outstanding Achievement in Original Music Composition".[56] GamesRadar featured Kai in the article "Freakish fashion" in 2007,[57] and Nariko as a "game babe" sex symbol in 2007 and 2009.[58][59] In 2009, MSN featured Nariko in the article "Gaming's Hottest Babes".[60] UGO featured her among the "Top Animated Hotties" in 2008[61] and in their list of the best girls in video games in 2011,[62] and also in the article "11 Strong Gaming Girls We Never Saw Again" in 2010.[63] In 2010, Lisa Foiles of The Escapist ranked Nariko first in the "Top 5 Impractical Female Character Hairstyles".[64] In 2013, she was ranked as the 18th greatest heroine in video game history by Complex.[65] Cancelled sequel[edit]According to Ninja Theory co-founder Tameem Antoniades, the story for the sequel has already been written; in fact a whole trilogy is being planned. He stated, "We've had the story for the sequel for a while now. Hopefully, if this game is successful, then there's no reason why there shouldn't be a sequel and we'd very much like to go into that."[66] In March 2008, it was confirmed that Ninja Theory is not planning to create a sequel for Heavenly Sword, and instead has decided to work on a new project[67] (most likely Enslaved: Odyssey to the West). Sony Computer Entertainment retains the intellectual property of Heavenly Sword, and there is always the possibility of production on a sequel being outsourced to another developer.[68] In June 2008, it was reported that a sequel to Heavenly Sword was in-development at SCE Studio Cambridge, but was canceled due to Sony no longer seeing it as a commercially viable product.[69] Concept art for the title later surfaced in 2012.[70][71] References[edit]
Pure Pwnage (pronounced "pure ownage")[1] is a Canadian Internet-distributed mockumentary series from ROFLMAO Productions. The fictional series purports to chronicle the life and adventures of Jeremy (played by Jarett Cale), a Canadian and self-proclaimed "pro gamer". In 2010, an adaptation of the web series began airing on Showcase, a Canadian cable television channel, but the series failed to be picked up for a second season. Premise[edit]Pure Pwnage is a web series that follows the life of Jeremy, a skilled gamer who struggles with social interactions due to his self-centered and lazy nature. The show focuses on Jeremy's interactions within the gaming community and with non-gamers. Jeremy's brother Kyle documents his experiences, creating a documentary-style narrative. Cast[edit]Episodes[edit]There are currently eighteen web episodes available to the public and eight TV episodes.
History[edit]Pure Pwnage was created by Geoff Lapaire and Jarett Cale who also play the show's main protagonists. Originating in 2004, eighteen Internet-distributed episodes of the series have been released to date. In 2007, the series creators estimated their current viewer base to be over three million.[5] The series is filmed primarily in Toronto, Ontario, but has also included scenes filmed in Calgary, Alberta; Montreal, Quebec; Aurora, Ontario; Hamilton, Ontario; and the Netherlands. During an interview, director Geoff Lapaire (although as "Kyle"; Lapaire maintained his "Kyle" identity among fans and media) insisted that all of the characters on the show are not acting.[6] He suggested that the personalities on Pure Pwnage display their true-to-life abilities and eccentricities. The characters took great pains to maintain that the Pure Pwnage world is simply an extension of the real world. Lapaire has finally admitted that they are, in fact, actors. The sixth fanchat with the crew was out-of-character, where the fact that the characters within Pure Pwnage are exaggerated versions of the actors was confirmed. On August 6, 2009, it was announced that a Pure Pwnage TV series had been commissioned by Showcase.[7] Upon the announcement, many members of the Pure Pwnage fan community raised concerns. The main complaints were that the series was only announced to be airing in Canada, and the assumption that it would be changed in order to appeal to viewers not familiar with internet culture. Jarett Cale, who writes the show and plays Jeremy, tried to quell the complaints on the Pure Pwnage forums, saying "We're doing our best to get it broadcast in the USA, UK, Australia, etc., but it's really up to each country's respective broadcasters. [...] Geoff and I are still the main creative force – we're producers and writers. We've also brought on many new people with experience in traditional television to help us out both story-wise and production-wise. FPS Doug will still be there, and he will still be played by Joel Gardiner."[8] In response to a user asking if the TV series meant there would be no more web episodes, he said "Nope, it only means there's a new TV series."[9] Despite this, the future of the web series was uncertain. Geoff Lapaire, director of all previous episodes of Pure Pwnage, left the show in September 2008 to focus on the then-unannounced TV series, and Troy Dixon, who played T-Bag in the series, died in a car accident on December 6, 2008.[10] Jarett Cale announced in January 2009 that work on the next web episode had begun, with him as the director, however, the episode has not been released.[11] In a short Livestream cast on March 15, 2010, a user posted a comment regarding the web series and Jarett replied that the web series is back in production and is in progress. He has not given out an ETA. On January 19, 2011, Jarett announced on the Pure Pwnage forums that the TV series had not been picked up for a second season. Additionally, the web series has been put on indefinite hold. In his own words: "My hope that Pure Pwnage will see a proper ending to its illustrious web series has nearly vanished. I've let Geoff know that should he be willing at any time to resume some of his traditional, critical roles on the web series I will fly home to Toronto in a heartbeat to help make it happen."[12] On September 18, 2012 The Pure Pwnage YouTube channel uploaded a video titled "010100100100010101010100010101010101001001001110" which is a binary encoding of the word "Return", signalling the return of the Pure Pwnage. Pure Pwnage Teh Movie[edit]On September 19, 2012, an official crowd funding campaign was announced to aid in the funding of a Pure Pwnage movie.[13] The $75,000 goal was raised in just over 24 hours, due to overwhelming support from fans all over the world. At the end of the campaign, a total of $211,300 was raised. On November 22, 2015, the official trailer was released. The movie premiered in Toronto on January 23, 2016, at the Bloor Cinema. Further screenings took place around the US and in the UK. On May 7, 2016, Pure Pwnage Teh Movie was released for streaming and digital download via Vimeo. Reception and awards[edit]Pure Pwnage Teh Movie received the Canadian Comedy Awards 2016 award for best feature film.[14] The film was well-received by general audiences.[15] Spin-offs[edit]TV series[edit]On August 6, 2009, it was announced that a Pure Pwnage TV series had been commissioned by Showcase.[16] The announcement was made in the form of a mini-episode where Kyle tries to convince Jeremy to stop playing on his Nintendo DS Lite and make the announcement. The series had been teased for several months under the name "Project X". The TV series premiered on Showcase March 12, 2010, and premiered on Australia's ABC2 on October 4, 2010. According to creator Jarett Cale, the TV series itself takes place in a fictional world within the Pure Pwnage universe (webseries) where Kyle ironically got a TV series, thus explaining the lack of consistency between shows.[17] Jeremy's Mail Sac[edit]Starting in March 2010, the Pure Pwnage website began letting fans send Jeremy questions via e-mail. Jeremy then answered the fan questions in video segments posted on the website titled Jeremy's Mail Sac. Pro at Cooking[edit]Starring Dave (Dawei) as himself, Pro at Cooking is a spin-off of Pure Pwnage. A cooking show for gamers with Dave hosting as the main chef. When his female assistants do not perform as expected, Dave constantly fires each one of them usually after every episode. Directed by Davin, it has only aired seven 5- to 10-minute episodes. No other characters from Pure Pwnage, excluding Dave, Davin, and Geoff, appear on the show. Pure Pwnage: The Comic[edit]From February 28, 2006 to March 7, 2007, the Pure Pwnage website featured a regularly issued comic, of which a new page was released once every two to three weeks. Apparently set in the "real world" rather than in the fictional world of Pure Pwnage, the comic breaks most of the fourth wall of the show. For example, Dave said in the show that he was leaving it due to unfinished business in China, the comic claims that the real reason was that he had found a new job in Vancouver. However, both the show and comic clearly contain elements that are either symbolic representations of reality (for example, pwning an opponent with "micro balls" as a possible metaphor for pwning them in an actual video game) or are not based in reality whatsoever. Pure Pwnage: Teh Movie[edit]In September 2012, series creators Jarett Cale and Geoff Lapaire announced an indiegogo campaign to raise funds for a Pure Pwnage feature-length film. Within 24 hours of the campaign being launched, the project had received its goal of $75,000, and by the end of the campaign, they had reached a total of $211,300. Despite this being a relatively small film budget, Jarett Cale and Geoff Lapaire have said that with their experience of making the web series with an extremely limited amount of funds, they are confident that they would be able to make a quality film shot in countries across the world, mentioning hopes of filming in South Korea. Pre-production began in earnest in early 2013, with weekly twitch.tv live streams in which Lapaire, Cale, and guests such as Joel Gardiner (fps_doug) and Miranda Plant (Tagi) discuss the film and interact with fans. The film also featured Nathan Adams as an Accounting Associate, Ajay Fry as himself, and actors Gwenlyn Cumyn, Thomas Finn, and Alberta Mayne[18] The film premiered on January 23, 2016, in Toronto, Ontario. Following this, Cale and Lapaire took the film to the road, screening the project around the world in a touring limited release. On May 7, 2016, Pure Pwnage Teh Movie was released for streaming and digital download on Vimeo. Notes[edit]
External links[edit]Wikiquote has quotations related to Pure Pwnage. Metal Gear Solid #2Metal Gear Solid theme by Tony Download: MGS_Tony.p3t
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Heavenly SwordHeavenly Sword theme by Tony Download: HeavenlySword.p3t
Heavenly Sword is a 2007 action-adventure hack and slash video game developed by Ninja Theory and published by Sony Computer Entertainment for the PlayStation 3. Gameplay[edit]The game is an action-adventure title with heavy elements of hack and slash gameplay. The gameplay of the game resembles a martial arts title focused on melee combat while featuring opportunities for ranged attacks. The main character, Nariko, uses a weapon called the "Heavenly Sword" which changes into one of three forms depending on what attack stance the player uses as part of a unique fighting style. Speed Stance provides an even balance between damage and speed, where the sword takes the form of two separate blades.[1] Range Stance allows fast, long-range, but weaker attacks, with the sword being two blades chained together. Power Stance is the most powerful, but slowest style, where attacks are made with the sword in the shape of one large, two-handed blade. For exploration and certain battles, the game also makes use of quick time events (QTE). During a QTE, a symbol for a certain button or for an action such as moving the analog stick to the right or left appears on-screen and the player must match what is shown to successfully complete the scene.[1] In addition to Nariko, a secondary character, Kai, is controlled for some portions of the game.[1] Many of Kai's stages take the form of sniping missions, using her crossbow to pick off enemies, in some cases to protect characters. While Kai cannot perform hand-to-hand combat,[1] in stages that call for her to explore the level she is able to hop over objects and to free herself from an enemy's grasp by temporarily stunning them. Projectiles can be maneuvered to their targets using the motion-sensing capabilities of the Sixaxis controller through a feature known as Aftertouch. Such projectiles include guiding Kai's arrows after she has launched them, and for Nariko, guiding a cannon or rocket launcher, or picking up and throwing objects. Plot[edit]Setting[edit]The game's story and mythos revolves around the titular Heavenly Sword, a blade said to have been wielded by an unnamed Heavenly deity against a demonic warlord called the Raven Lord.[2] After the battle was won and the Raven Lord defeated, the sword was left in the mortal world, becoming the center of wars over its power.[3] The fighting made the sword lust after the life of its users, eventually killing them after a short time.[4][5] A warrior tribe finally took charge of the sword, ending the wars and pledging to keep it safe and unused for the world's own good.[6] Among the tribe, a legend said that the sword's original wielder would be reborn in the year of the "fire-horse", and that this figure would unite the world's scattered tribes and lead the world to peace.[7] Characters[edit]The game's narrator and main protagonist is Nariko (Anna Torv), a headstrong red-headed woman who was born in the year of the prophesied divine warrior: because she was a woman, her clan saw her as a mockery of the prophecy and a portent of doom.[8] The game's main antagonist is King Bohan (Andy Serkis), a tyrannical ruler who is determined to bring the world's tribes to heel and pave the way for a new golden age.[9] Nariko is trained as a warrior by her father, Master Shen (Ewan Stewart), who both cares for her as a child and has difficulty coping with her role in the clan's seeming undoing and the death of his wife.[10] Nariko's only friend is Kai (Lydia Baksh), a wild and erratic young girl who is the last member of a clan destroyed by the armies of Bohan.[11] Among Bohan's servants are his general, Flying Fox (Steven Berkoff): his serpentine mistress Whiptail (Race Davies): and Roach (Richard Ridings), Bohan's son, of whom the king is so ashamed because of Roach's obese appearance that he will not even acknowledge Roach as his own.[12] Story[edit]The game begins in medias res, with Nariko fighting the forces of Bohan. As she is fighting the sword finishes draining her life and she seemingly dies, waking in a field and speaking to the power within the sword about what has happened. Five days before, Nariko's clan is assaulted by King Bohan's forces. Before she joins the fight, Shen thrusts the sword into the ground next to her demanding that she take care of it. Nariko fights alongside her father and her clansmen as their defenses are weakened and stretched by scores of Bohan's warriors scaling the city walls accompanied by catapults. As the warriors and Shen escape from Bohan's Army, Nariko protects them until spotting a catapult moving toward the fort. As Shen had earlier instructed her, she flees, as the fortress is apparently destroyed behind her. She passes a large black bird with a golden head, the animal form of the Raven Lord. When Bohan's army captures her father and corners her Nariko has no choice but to wield the sword to defend herself in order to escape. She takes a flying leap off a cliff edge as Bohan's archers begin firing at her. Kai finds Nariko after disobeying Shen's orders to hide and informs her of the temple where her father and clansmen are held captive. Nariko infiltrates the temple and is ambushed by Flying Fox. She defeats the general and continues on to rescue her father. Meanwhile, King Bohan plots to set up a trap for Nariko with Whiptail. Nariko falls into the trap, and Whiptail, after watching most of her personal guards defeated, tells Nariko the truth behind her father's original feelings about her birth - Shen wanted to kill Nariko shortly after her birth, but was unable to bring himself to do so.[13] Nariko tells her father to leave her and fights with Whiptail. After Nariko impales Whiptail with the sword, King Bohan turns up and snaps Whiptail's neck in her dying moments, then captures the sword and an incapacitated Nariko. As Shen escapes, Kai makes her way to Nariko's cell. Kai is able to find where Nariko is imprisoned and begs that she comes home with her. Nariko explains to Kai that she needs to reacquire the Heavenly Sword to kill King Bohan. She asks Kai to retrieve the sword and Kai accepts the task. Kai succeeds in finding the Heavenly Sword, only to also discover her mother's skeleton. In a flashback, it is revealed that, some years ago, Kai's mother was murdered in front of her eyes by Flying Fox. Returning to the present, Kai is confronted by Flying Fox and barely manages to escape from him with the sword. Meanwhile, Nariko is forced by Bohan to fight before his army against Orangumen, pets of Roach's. During the battle, Kai arrives and throws Nariko the sword. When Nariko defeats all the Orangumen, Bohan orders Roach to murder Nariko. After defeating Roach, both Nariko and Kai flee from the pit. Bohan then commands Flying Fox to kill Kai while his soldiers take on Nariko. As the two try to escape, Flying Fox cuts Kai off from Nariko and they are separated. Nariko desperately tails Flying Fox, but when she finally catches up, he seemingly hangs Kai in front of her. Believing Kai dead, Nariko flies into a rage and battles with Flying Fox. As Nariko and Flying Fox duel, Kai, who survived the drop, uses her crossbow to shoot an arrow into Flying Fox's head, killing him. Nariko releases the injured Kai from the noose and returns her to the care of the clan. King Bohan rallies his men to launch a final attack to regain the Heavenly Sword. Nariko fights alongside her father and clansmen once more. Nariko kills countless numbers of Bohan's troops with ease and destroys his catapults. Despite her efforts, the sword kills her, bringing the events of the game full circle. But this time, Nariko reverses her death by making a pact with the sword to protect it from becoming a useless and dusty relic, since it needs her more than her clan needs it.[14] Nariko returns as a goddess-like figure, and proceeds to slaughter Bohan's troops. Desperate, Bohan begs the Raven Lord (who has been seen repeatedly throughout the game watching Nariko or being with Bohan) to give him the power to destroy Nariko. Bohan gets his wish and the Raven Lord merges with him.[15] An epic battle ensues similar to the one foretold in the prophecy. After Nariko manages to defeat Bohan, the raven leaves his body, and, despite Bohan begging for mercy, pecks his eyes out and flies away. As Nariko raises the sword to strike the final blow, Roach comes to his father's side and begs Nariko to let him take Bohan. Nariko relents, then Roach and Bohan leave, with Bohan calling Roach his son for the first time.[16] Though successful in protecting the sword from coming into the hands of Bohan, Nariko still must give her life for wielding it, for that is the price for using the almighty sword, and the story comes to its end. Nariko reflects that she believes they have fought in vain for the prophecy, that the sword was not from Heaven, but feels gratified that she chose to be the one who was going to save her people from evil: she took the sword, paid the price and ultimately defeated Bohan's army, but nevertheless she was still a normal woman.[17] Nariko heals Kai, and gives her the sword for safekeeping, before passing away. At the funeral, Nariko's body is placed into a boat filled with blossoms, and Kai and Shen cast her out to sea. Development[edit]Heavenly Sword began development in 2002.[18] After establishing early concept, a CGI trailer was produced which helped guide future development, described by the team as an iterative process where many other things changed around the central concept. The team began production without a specific console in mind, tailoring gameplay elements to the PlayStation 3 when the game was picked up by Sony as an exclusive for their upcoming platform.[19] The game was developed using Havok Complete, a combination of Havok Physics and Havok Animation.[20] Production began with the aim of telling a cinematic action adventure inspired by recent films including Crouching Tiger, Hidden Dragon and Hero, with a later fantasy influence inspired by the themes of The Lord of the Rings.[21] Other influences included the game Ico (2001), the graphic novel La Tour, and the South Korean movie Musa.[19] The game eventually developed a distinct visual and narrative identity while maintaining elements from these early inspirations.[21] Nariko's three combat styles drew direct inspiration from the dragon forms in Panzer Dragoon Orta (2002).[19] The character designs were intended to stand out from each other, with distinct elements ranging from color coding to how a character moved. Nariko was made recognisable both with her unique red hair and the simplicity of her outfit compared to other characters.[21] The early concept designs were heavily influenced by Japanese art, and while it retained a strong Far Eastern theme with influences from Japan and China, the team also incorporated references to Mongolian and South American environments and architecture.[19] Character movement was an important element for the team. Kai's movements were based on several elements, including cats and Princess Mononoke protagonist San.[19] While they were still faced with technical restrictions, the team had access to hardware which better enabled them to realise their world and character design. Ninja Theory collaborated with Peter Jackson's company Wētā FX to create realistic facial expressions both during cutscenes and in gameplay.[21] All of the actors involved in the project had previously been involved in film or television.[19] Actor Andy Serkis performs as the voice and motion capture actor for King Bohan, one of the major characters in Heavenly Sword; he also acts as dramatic director for the game and is one of the writers of the story of the game. Nariko is voiced by Australian actress Anna Torv.[22] A demo was released to the PlayStation Store on July 26, 2007, featuring a short, cinematic clip at the beginning and two brief enemy battles, lasting approximately five to ten minutes. An eight-second clip of the game was seen in an episode of the TV series Heroes entitled "Parasite", ostensibly being played by Jessica Sanders and her son, Micah. It featured Nariko running across ropes as they were cut by Bohan's soldiers, before landing on the platform to face them.[23] While the episode was broadcast over four months before the actual release of the game, the level displayed remained in the released build, including the rope sequence shown; the icons in the final game used to inform the player which buttons to press were changed from large, central icons as seen in the clip, to be smaller and positioned at the bottom of the screen. Sony and Ninja Theory have made five 'making-of' videos about the production of Heavenly Sword, with each one detailing a certain aspect of the game's production, from music to motion capture. The videos can either be unlocked while playing the game or downloaded from the PlayStation Store. Soundtrack[edit]Nitin Sawhney composed the music for the soundtrack. It was performed by the City of Prague Philharmonic Orchestra conducted by Stephen Hussey. Tameem Antoniades of Ninja Theory said "we have our big orchestral soundtrack but we wanted to add a more ethnic element and marry those two together. There are actually very few musicians in the world who are experts in both areas. Nitin Sawhney is one of them."[24] Sawhney stated that his creation of "musical textures take in everything from Hollywood, European and Chinese cinema to Indian and middle eastern instrumentation through the orchestras and soloists hovering between sonic tidal waves and reflective moments of intimate grace."[25] Related media[edit]Animated series[edit]A series of Heavenly Sword animated episodes were released prior to the launch of the game itself, acting as a prologue to the events of the game. The series, which consists of five episodes, was produced by London production company Blinkink and animated by CHASE Animation Studios, headed by Robert Chandler. The videos were made available both online[26] and through the PlayStation Store. The first two videos were also included on the retail version of the game; the latter three videos were not ready in time to be included.[27] The style of the animated series differs from the graphics of the game itself. The animated series relies on a simple and stylized 2D look, which allowed director Ben Hibon to "create a complete visual re-interpretation of the world and its inhabitants".[28] The videos were produced using a combination of Adobe Photoshop, Flash and After Effects. Initial reference frames were created with Photoshop, which were then animated in Flash and exported as separate layers into After Effects. The layers were composed onto a 3D stage with multiple foreground, middle ground and background elements, which allowed the use of 3D cameras and lighting to give depth and movement to the video.[28] Film[edit]A computer generated animated film version was produced by Blockade Entertainment and scripted by writer Todd Farmer. The cast includes Anna Torv as Nariko, Alfred Molina as King Bohan and Thomas Jane as Loki.[29] The film was released on Blu-ray, DVD and on PlayStation Network on September 2, 2014.[30] Video game appearances[edit]Nariko appears as a playable character in PlayStation All-Stars Battle Royale, voiced by Jennifer Hale.[31] Reception[edit]Reception
Heavenly Sword sold over one million copies by May 2008.[50][51] Tameem Antoniades stated in March 2010 that sales were approximately one-and-a-half million but that the developer did not break even.[52] The game was praised for its graphics[35] and combat system, while criticism stemmed from the short length of the game and lack of online capabilities. It received "generally favorable reviews" according to video game review aggregator Metacritic.[32] USA Today gave the game nine stars out of ten, saying, "PlayStation 3 fans hungry for more satisfying first-party content from Sony will be satiated with the feverish pace Heavenly Sword provides."[48] Digital Spy gave it four stars out of five, saying, "The lavish sword combat system and the awesome presentation are what make this title a worthy buy. Sony seems to have created this game as a showcase for the PS3 and forgot about getting the gameplay up to scratch. But despite its failings, Heavenly Sword is a great buy for the excellent sword fighting sections and for those who simply want to show their friends just what the PS3 is capable of."[53] The New York Times gave it a favorable review, saying, "The scenery is breathtaking, battles can be exciting, and the intelligent, cruel King Bohan — voiced brilliantly by Andy Serkis (...) — is one of the best video game villains ever. The game is frustrating because it seems as if it should have been a great game and as if its creators tried to make it a great game, but it managed to be only a pretty good one."[54] Maxim gave it a score of six out of ten, saying, "A few of the puzzles are a total bitch, the button-press sequence/finishing moves that the game steals directly from God of War require too much precision, and the sniper sequences wind up being even more tedious than the fighting. It's fun for a little while, and very flashy, but in the end, for everything Heavenly Sword does right, it does two more things wrong."[55] The A.V. Club gave it a C+ and stated that "If Metal Gear Solid and Halo had acting this good, we'd be on to something."[47] In Japan, Famitsu gave the game a score of two sevens and two eights, for a total of 30 out of 40.[36] During the 11th Annual Interactive Achievement Awards, the Academy of Interactive Arts & Sciences nominated Heavenly Sword in three categories: "Outstanding Character Performance", "Outstanding Achievement in Art Direction", and "Outstanding Achievement in Original Music Composition".[56] GamesRadar featured Kai in the article "Freakish fashion" in 2007,[57] and Nariko as a "game babe" sex symbol in 2007 and 2009.[58][59] In 2009, MSN featured Nariko in the article "Gaming's Hottest Babes".[60] UGO featured her among the "Top Animated Hotties" in 2008[61] and in their list of the best girls in video games in 2011,[62] and also in the article "11 Strong Gaming Girls We Never Saw Again" in 2010.[63] In 2010, Lisa Foiles of The Escapist ranked Nariko first in the "Top 5 Impractical Female Character Hairstyles".[64] In 2013, she was ranked as the 18th greatest heroine in video game history by Complex.[65] Cancelled sequel[edit]According to Ninja Theory co-founder Tameem Antoniades, the story for the sequel has already been written; in fact a whole trilogy is being planned. He stated, "We've had the story for the sequel for a while now. Hopefully, if this game is successful, then there's no reason why there shouldn't be a sequel and we'd very much like to go into that."[66] In March 2008, it was confirmed that Ninja Theory is not planning to create a sequel for Heavenly Sword, and instead has decided to work on a new project[67] (most likely Enslaved: Odyssey to the West). Sony Computer Entertainment retains the intellectual property of Heavenly Sword, and there is always the possibility of production on a sequel being outsourced to another developer.[68] In June 2008, it was reported that a sequel to Heavenly Sword was in-development at SCE Studio Cambridge, but was canceled due to Sony no longer seeing it as a commercially viable product.[69] Concept art for the title later surfaced in 2012.[70][71] References[edit]
Haze is traditionally an atmospheric phenomenon in which dust, smoke, and other dry particulates suspended in air obscure visibility and the clarity of the sky. The World Meteorological Organization manual of codes includes a classification of particulates causing horizontal obscuration into categories of fog, ice fog, steam fog, mist, haze, smoke, volcanic ash, dust, sand, and snow.[1] Sources for particles that cause haze include farming (ploughing in dry weather), traffic, industry, windy weather, volcanic activity and wildfires. Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey instead. Whereas haze often is considered a phenomenon occurring in dry air, mist formation is a phenomenon in saturated, humid air. However, haze particles may act as condensation nuclei that leads to the subsequent vapor condensation and formation of mist droplets; such forms of haze are known as "wet haze". In meteorological literature, the word haze is generally used to denote visibility-reducing aerosols of the wet type suspended in the atmosphere. Such aerosols commonly arise from complex chemical reactions that occur as sulfur dioxide gases emitted during combustion are converted into small droplets of sulfuric acid when exposed. The reactions are enhanced in the presence of sunlight, high relative humidity, and an absence of air flow (wind). A small component of wet-haze aerosols appear to be derived from compounds released by trees when burning, such as terpenes. For all these reasons, wet haze tends to be primarily a warm-season phenomenon. Large areas of haze covering many thousands of kilometers may be produced under extensive favorable conditions each summer. Air pollution[edit]Haze often occurs when suspended dust and smoke particles accumulate in relatively dry air. When weather conditions block the dispersal of smoke and other pollutants they concentrate and form a usually low-hanging shroud that impairs visibility and may become a respiratory health threat if excessively inhaled. Industrial pollution can result in dense haze, which is known as smog. Since 1991, haze has been a particularly acute problem in Southeast Asia. The main source of the haze has been smoke from fires occurring in Sumatra and Borneo which dispersed over a wide area. In response to the 1997 Southeast Asian haze, the ASEAN countries agreed on a Regional Haze Action Plan (1997) as an attempt to reduce haze. In 2002, all ASEAN countries signed the Agreement on Transboundary Haze Pollution, but the pollution is still a problem there today. Under the agreement, the ASEAN secretariat hosts a co-ordination and support unit.[2] During the 2013 Southeast Asian haze, Singapore experienced a record high pollution level, with the 3-hour Pollutant Standards Index reaching a record high of 401.[3] In the United States, the Interagency Monitoring of Protected Visual Environments (IMPROVE) program was developed as a collaborative effort between the US EPA and the National Park Service in order to establish the chemical composition of haze in National Parks and establish air pollution control measures in order to restore the visibility of the air to pre-industrial levels.[4] Additionally, the Clean Air Act requires that any current visibility problems be addressed and remedied, and future visibility problems be prevented, in 156 Class I Federal areas located throughout the United States. A full list of these areas is available on EPA's website.[5] In addition to the severe health issues caused by haze from air pollution, dust storm particles, and bush fire smoke, reduction in irradiance is the most dominant impact of these sources of haze and a growing issue for photovoltaic production as the solar industry grows.[6] Smog also lowers agricultural yield and it has been proposed that pollution controls could increase agricultural production in China.[7] These effects are negative for both sides of agrivoltaics (the combination of photovoltaic electricity production and food from agriculture). International disputes[edit]Transboundary haze[edit]Haze is no longer just a confined as a domestic problem. It has become one of the causes of international disputes among neighboring countries. Haze can migrate to adjacent countries in the path of wind and thereby pollutes other countries as well, even if haze does not first manifest there. One of the most recent problems occur in Southeast Asia which largely affects the nations of Indonesia, Malaysia and Singapore. In 2013, due to forest fires in Indonesia, Kuala Lumpur and surrounding areas became shrouded in a pall of noxious fumes dispersed from Indonesia, that brings a smell of ash and coal for more than a week, in the country's worst environmental crisis since 1997. The main sources of the haze are Indonesia's Sumatra Island, Indonesian areas of Borneo, and Riau, where farmers, plantation owners and miners have set hundreds of fires in the forests to clear land during dry weather. Winds blew most of the particulates and fumes across the narrow Strait of Malacca to Malaysia, although parts of Indonesia in the path are also affected.[8] The 2015 Southeast Asian haze was another major crisis of air quality, although there were occasions such as the 2006 and 2019 haze which were less impactful than the three major Southeast Asian haze of 1997, 2013 and 2015. Obscuration[edit]Haze causes issues in the area of terrestrial photography and imaging, where the penetration of large amounts of dense atmosphere may be necessary to image distant subjects. This results in the visual effect of a loss of contrast in the subject, due to the effect of light scattering and reflection through the haze particles. For these reasons, sunrise and sunset colors and possibly the sun itself appear subdued on hazy days, and stars may be obscured by haze at night. In some cases, attenuation by haze is so great that, toward sunset, the sun disappears altogether before even reaching the horizon.[9] Haze can be defined as an aerial form of the Tyndall effect therefore unlike other atmospheric effects such as cloud, mist and fog, haze is spectrally selective in accordance to the electromagnetic spectrum: shorter (blue) wavelengths are scattered more, and longer (red/infrared) wavelengths are scattered less. For this reason, many super-telephoto lenses often incorporate yellow light filters or coatings to enhance image contrast.[10] Infrared (IR) imaging may also be used to penetrate haze over long distances, with a combination of IR-pass optical filters and IR-sensitive detectors at the intended destination. See also[edit]
Notes[edit]
Kate BeckinsaleKate Beckinsale theme by Nightfall24 Download: KateBeckinsale.p3t
Kathrin Romany Beckinsale (born 26 July 1973)[1][2][3] is an English actress known for her roles in period, romance, and action films. The only child of actors Richard Beckinsale and Judy Loe, Kate Beckinsale made her acting debut when she was only a year old,[4] as an extra on the British daytime drama Couples (1975), on which her parents also appeared. She didn't act again until she was nearly an adult, beginning in 1991 with a small voice role in an episode of the miniseries adaptation of P. D. James' Devices and Desires and a supporting role in the television movie One Against the Wind starring Judy Davis and Sam Neill. In 1992, she starred in the Blade Runner-inspired short film "Rachel's Dream" with Christopher Eccleston and debuted onstage in a production of Noël Coward's Hay Fever. In 1993, she costarred in the Anna Lee pilot "Headcase" and made her theatrical film debut with the brief but crucial role of Hero in Kenneth Branagh's adaptation of William Shakespeare's Much Ado About Nothing whilst studying at the University of Oxford. Subsequently, she established herself in leading roles in numerous British costume dramas such as Prince of Jutland (1994), Cold Comfort Farm (1995), Emma (1996), and The Golden Bowl (2000). She challenged herself by taking roles in films such as The Last Days of Disco (1998), Brokedown Palace (1999), Pearl Harbor (2001), Serendipity (2001), Tiptoes (2003), The Aviator (2004), and Click (2006). Since taking the role of Selene in the Underworld film series (2003–2016), Beckinsale became known for her work in action films, including Van Helsing (2004), Whiteout (2009), Contraband (2012), Total Recall (2012), and Jolt (2021) while also earning acclaim for her roles in Snow Angels (2007), Nothing but the Truth (2008), Everybody's Fine (2009), Love & Friendship (2016), and The Only Living Boy in New York (2017). In recent years, she returned to television in the limited series The Widow (2019) and the short-lived dramedy Guilty Party (2021), also serving as an executive producer in the latter. Early life and education[edit]Kathrin Romany Beckinsale was born on 26 July 1973 in the Chiswick district of London,[5][6] the only child of actors Richard Beckinsale and Judy Loe.[7] She has a half-sister from her father's earlier marriage, actress Samantha Beckinsale.[7] Her father was partly of Burmese descent.[8][9] Her parents did not marry until 1977, prior to Beckinsale starting nursery school,[10] when she made her first television appearance at age four, in an episode of This Is Your Life, dedicated to her father.[11] When she was five, her father died suddenly of a heart attack, aged 31. She was deeply traumatised by the loss and "started expecting bad things to happen."[12][7] Her widowed mother moved in with director Roy Battersby when Beckinsale was nine, and she was brought up alongside his four sons and daughter.[13] She had a close relationship with her stepfather,[7] who was a member of the Workers Revolutionary Party during her youth.[14] She helped to sell The News Line, a Trotskyist newspaper, as a little girl and has said the household phone was tapped following Battersby's blacklisting by the BBC.[14] Family friends included Ken Loach and Vanessa Redgrave.[14] Beckinsale was educated at Godolphin and Latymer School, an independent school for girls in Hammersmith, West London, and was involved with the Orange Tree Youth Theatre.[15] She was twice a winner of the WH Smith Young Writers Award for both fiction and poetry.[16] She has described herself as a "late bloomer": "All of my friends were kissing boys and drinking cider way before me. I found it really depressing that we weren't making camp fires and everyone was doing stuff like that."[17] She had a nervous breakdown and developed anorexia at age fifteen,[18] and underwent Freudian psychoanalysis for four years.[7] Beckinsale studied Russian at school[19] and read French and Russian literature at New College, Oxford, and was later described by her contemporary Victoria Coren Mitchell, as "whip-clever, slightly nuts, and very charming".[20] She became friends with Roy Kinnear's daughter Kirsty.[21] She was involved with the Oxford University Dramatic Society, most notably being directed by fellow student Tom Hooper in a production of A View from the Bridge at the Oxford Playhouse.[22] As a Modern Languages student, she was required to spend her third year abroad, and studied in Paris. She then quit university to focus on her burgeoning acting career: "It was getting to the point where I wasn't enjoying either thing enough because both were very high pressure."[7] Beckinsale has stated she would like to complete her studies at Oxford University.[23][24] Career[edit]1991–1997: Early acting roles[edit]Beckinsale decided at a young age she wanted to be an actress: "I grew up immersed in film. My family were in the business. I quickly realised that my parents seemed to have much more fun in their work than any of my friends' parents."[25] She was inspired by the performances of Jeanne Moreau.[26] She made her television debut in 1991 with a small part in an ITV adaptation of P. D. James' Devices and Desires.[27] In 1992, she starred alongside Christopher Eccleston in "Rachel's Dream," a 30‑minute Channel 4 short.[28] In 1993, she appeared in the pilot of the ITV detective series, Anna Lee, starring Imogen Stubbs.[29] In 1993, Beckinsale landed the role of Hero in Kenneth Branagh's big-screen adaptation of Much Ado About Nothing. It was filmed in Tuscany, Italy, during a summer holiday from Oxford University.[30] She attended the film's Cannes Film Festival premiere and remembered it as an overwhelming experience. "Nobody even told me I could bring a friend!"[17] "I had Doc Martens boots on, and I think I put the flower from the breakfast tray in my hair."[31] Peter Travers of Rolling Stone was won over by her "lovely" performance.[32] Vincent Canby of The New York Times noted that she and Robert Sean Leonard "look right and behave with a certain naive sincerity, although they often seem numb with surprise at hearing the complex locutions they speak."[33] The film grossed over $22 million at the box office.[34] She made three other films while at university. In 1994, she appeared as Christian Bale's love interest in Prince of Jutland, a film based on the Danish legend which inspired Shakespeare's Hamlet,[35] and starred in the murder mystery Uncovered.[36] In 1995, while studying in Paris, she filmed the French language Marie-Louise ou la permission.[37] Shortly after leaving Oxford University in 1995, Beckinsale starred in Cold Comfort Farm, as Flora Poste, a newly orphaned 1930s socialite sent to live with distant family members in rural England. The John Schlesinger-directed film was an adaptation of Stella Gibbons's novel and also featured Joanna Lumley, Eileen Atkins, Ian McKellen, Rufus Sewell and Stephen Fry. Beckinsale was initially considered too young, but was cast after she wrote a pleading letter to the director.[38] Emanuel Levy of Variety was reminded of "the strength of a young Glenda Jackson and the charm of a young Julie Christie."[39] Kevin Thomas of the Los Angeles Times classed the actress as "yet another of those effortlessly skilled British beauties who light up the screen."[40] Janet Maslin of The New York Times felt she played the role "with the perfect snippy aplomb."[41] The film grossed over $5 million at the US box office.[42] Also in 1995, she appeared in Haunted, a ghost story in which Derek Elley of Variety felt she "holds the screen, with both physical looks and verbal poise."[43] 1995 saw Beckinsale's first professional stage appearance, as Nina in The Seagull at Theatre Royal, Bath. She became romantically involved with co-star Michael Sheen after meeting during play rehearsals.[44] She later said: "I was all revved up to feel very intimidated. It was my first-ever play and my mother had cut out reviews of him in previous productions. And then he walked in ... It was almost like, 'God, well, I'm finished now. That's it, then.'... He's the most outrageously talented person I've ever met."[45] Irving Wardle of The Independent felt that "the casting, including Michael Sheen's volcanic Kostya and Kate Beckinsale's steadily freezing Nina, is mainly spot-on."[46] In early 1996, she starred in two further plays, Sweetheart at the Royal Court Theatre[47] and Clocks and Whistles at the Bush Theatre.[48] Beckinsale next starred in an ITV adaptation of Jane Austen's Emma, playing Emma to Mark Strong's Mr Knightley and Samantha Morton's Harriet Smith. "You shouldn't necessarily like Emma," Beckinsale has said of her character. "You do love her, but in the way the family of a young girl could be exasperated by her outrageous behaviour and still love her."[38] The programme was aired in autumn 1996, just months after Gwyneth Paltrow had starred in a film adaptation of the same story.[38] Caryn James of The New York Times felt that while "Ms. Beckinsale's Emma is plainer looking than Ms. Paltrow's," she is "altogether more believable and funnier."[49] Jonathan Brown of The Independent has described Beckinsale's interpretation as "the most enduring modern performance" as Emma.[50] In 1997, Beckinsale appeared opposite Stuart Townsend in the comedy Shooting Fish, one of the most commercially successful British films of that year.[51][52] "I'd just had my wisdom teeth out," Beckinsale later recalled of the initial audition. "I was also on very strong painkillers, so it was not the most conventional of meetings."[53] Elley wrote of "an incredibly laid-back performance".[54] Thomas felt she "just glows as an aristocrat facing disaster with considerable aplomb."[55] She narrated Austen's Emma for Hodder & Stoughton AudioBooks[56] and Diana Hendry's "The Proposal" for BBC Radio 4.[57][58] Also in 1997, she played Juliet to Michael Sheen's Romeo, in an audio production of Romeo and Juliet, directed by Sheen.[59] In Beckinsale's last film before her move to the US, she starred as Alice in Channel 4's Alice Through the Looking-Glass, released in July 1998.[60] 1998–2002: Move to Hollywood[edit]At this point in her career, Beckinsale began to seek work in the United States, something she has said wasn't "a conscious decision... My boyfriend was in a play on Broadway so that's why we ended up in New York, and my auditions happened to be for American films."[61] She starred opposite Chloë Sevigny in 1998's The Last Days of Disco. The Whit Stillman film focused on a group of mostly Ivy League and Hampshire College graduates socialising in the Manhattan disco scene of the early 1980s. Beckinsale's American accent was widely praised.[62][63][64] Kenneth Turan of the Los Angeles Times felt her role as the bossy Charlotte was "beautifully played."[65] Todd McCarthy of Variety was unimpressed by the film but noted that "compensations include Beckinsale, looking incredible in a succession of black dresses, whose character can get on your nerves even if the actress doesn't."[66] Her performance earned her a London Critics' Circle Film Award.[67] The film grossed $3 million worldwide.[68] In 1999, Beckinsale appeared opposite Claire Danes in Brokedown Palace, a drama about two young Americans forced to deal with the Thai justice system on a post-graduation trip abroad. A then 26-year-old Beckinsale played a young girl.[69] Danes had hoped to become friends with Beckinsale during the shoot but found her "complicated" and "prickly."[70] McCarthy said the leads "confirm their status as two of the young actresses on the scene today most worth watching," finding Beckinsale "very effective at getting across layered character traits and emotions."[71] "Danes and Beckinsale are exceptionally talented young actresses," said Thomas, but "unfortunately, the script's seriously underdeveloped context defeats their considerable efforts at every turn."[72] Stephen Holden of The New York Times felt that Beckinsale's character "never comes into focus."[73] The film was a box office failure.[74] 2000's The Golden Bowl marked Beckinsale's first role following the birth of her daughter. The Merchant/Ivory production was based on the novel by Henry James and also starred Uma Thurman and Jeremy Northam. Beckinsale's partner, Michael Sheen, hit Northam on the film set after he followed Beckinsale to her trailer to scold her for forgetting a line.[75] Holden noted "the most satisfying of the four-lead performances belong to the British cast members, Ms. Beckinsale and Mr. Northam, who are better than their American counterparts at layers of emotional concealment," adding each beat of Beckinsale's performance "registers precisely."[76] Thomas felt her performance would take her to "a new career level."[77] Andrew Sarris of The New York Observer asserted that she "comes close to capturing the sublimity of Maggie, despite the obvious fact that no movie can capture the elegant copiousness of James' prose."[78] The film grossed over $5 million worldwide.[79] Beckinsale rose to fame in 2001 with a leading role in the war film Pearl Harbor, as a nurse torn between two pilots, played by Ben Affleck and Josh Hartnett. She was drawn to the project by the script: "It's so unusual these days to read a script that has those old-fashioned values to it. Not morals, but movie values. It's a big, sweeping epic....You just never get the chance to do that."[80] Director Michael Bay initially had doubts about casting the actress: "I wasn't sure about her at first...she wore black leather trousers in her screen test and I thought she was a little nasty...it was easy to think of this woman as a slut."[81] He eventually decided to hire her because she wasn't "too beautiful. Women feel disturbed when they see someone's too pretty."[82] He asked her to lose weight during filming.[83] In a 2004 interview, the actress noted that his comments were "upsetting"[84] and said she wore leather trousers because "it was snowing out. It wasn't exactly like I had my nipple rings in."[85] She felt grateful that she had not had to deal with such criticism at a younger age: "If I had come on to a movie set at [a younger] age and someone had said, 'You're a bit funny-looking, can you go on a diet?' – I might have jumped off a building. I just didn't have the confidence to put that into perspective at the time."[81] However, speaking in 2011, she said she was "very fond" of Bay.[86] Pearl Harbor received negative reviews. Owen Gleiberman of Entertainment Weekly praised "the avid eyed, ruby lipped Kate Beckinsale, the rare actress whose intelligence gives her a sensual bloom; she's like Parker Posey without irony."[87] A. O. Scott of The New York Times noted that "Mr. Affleck and Ms. Beckinsale do what they can with their lines, and glow with the satiny shine of real movie stars."[88] However, Mike Clark of USA Today felt that the "usually appealing Kate Beckinsale" is "inexplicably submerged – like her hospital colleagues – under heaps of tarty makeup that even actresses of the era didn't wear."[89] The film was a commercial success, grossing $449 million worldwide.[90] Beckinsale's second film appearance of 2001 was in the romantic comedy Serendipity, as the love interest of John Cusack. It was filmed directly after Pearl Harbor and Beckinsale found it "a real relief to return to something slightly more familiar."[61] Turan praised the "appealing and believable" leads, adding that Beckinsale "reinforces the strong impression she made in Cold Comfort Farm, The Golden Bowl, and The Last Days of Disco" after "recovering nicely" from her appearance in the much-maligned Pearl Harbor.[91] Claudia Puig of USA Today felt that "Beckinsale's talents haven't been mined as effectively in any other film since Cold Comfort Farm."[92] McCarthy found her "energetic and appealing".[93] Elvis Mitchell of The New York Times described her as "luminous but determined."[94] In an uncomplimentary review of the film, Roger Ebert described her as "a good actress, but not good enough to play this dumb."[95] The film has grossed over $77 million at the worldwide box office.[96] In 2002, Beckinsale starred in Lisa Cholodenko's Laurel Canyon, as a strait-laced academic who finds herself increasingly attracted to her free-spirited future mother-in-law. The independent film was another opportunity for Beckinsale to work with Christian Bale, her Prince of Jutland co‑star. She found their sex scene awkward because she knew Bale well: "If it was a stranger, it would have been easier."[97] While Frances McDormand's performance as Bale's mother was widely praised, Beckinsale received negative reviews. Holden found the film "superbly acted, with the exception of Ms. Beckinsale, whose tense, colourless Alex conveys no inner life."[98] Critic Lisa Schwarzbaum was unimpressed by the "tedious" characters and criticised "the fussy performances of Bale and Beckinsale" in particular.[99] The film has grossed over $4 million worldwide.[100] 2003–2006: Action roles[edit]Beckinsale became known as an action star after playing a vampire in 2003's Underworld. The film was markedly different from her previous work, and Beckinsale has said she was grateful for the change of pace after appearing in "a bunch of period stuff and then a bunch of romantic comedies,"[101] adding that "It was quite a challenge for me to play an action heroine and pull off all that training when [in real life] I can't catch a ball if it's coming my way."[102] The film received negative to mixed reviews but was a surprise box-office hit and has gained a cult following.[103] Also in 2003, she starred in the little seen Tiptoes with Gary Oldman and Matthew McConaughey.[104] In 2004, Beckinsale starred in the action horror film Van Helsing. She was "so surprised" to be appearing in her second action film in two years. "It just seemed like a very good role."[105] Beckinsale had just separated from her long-term boyfriend Michael Sheen at the time of filming and appreciated the warm atmosphere created on set by director Stephen Sommers and co‑star Hugh Jackman: "I really did find that working with people like Stephen and Hugh made it possible to get through what I was going through."[106] The film grossed over $120 million at the US box office and over $300 million worldwide, but it was not well-reviewed.[107][108] Mick LaSalle of the San Francisco Chronicle described her as "a pretty actress doing her best to maintain dignity, vainly trying to craft a feminist statement from a filmmaker's whimsy".[109] Rex Reed of The New York Observer felt she was "desperately in need of a new agent."[110] Also in 2004, Beckinsale portrayed Ava Gardner in Martin Scorsese's Howard Hughes biopic The Aviator. Scorsese decided to cast Beckinsale because, "I've always liked her. I've seen all her work, and I was glad that she agreed to audition."[111] Beckinsale's performance received mixed reviews. Ken Tucker of New York Magazine said she played the part "in full va-va-voom blossom".[112] LaSalle felt that she manages "to convince us that Ava was one of the great broads of all time."[113] However, Clark described it as "the one performance that doesn't come off (though Beckinsale has the requisite beauty)".[114] Peter Bradshaw of The Guardian stated that "Gardner's rich, voluptuous sexiness is completely absent as Beckinsale sleepwalks through the role as if she was advertising perfume."[115] The film grossed over $213 million worldwide.[116] In 2006, Beckinsale reprised her role as Selene in the successful vampire sequel Underworld: Evolution, directed by her husband, Len Wiseman.[117] It was the first time she had "been involved with a movie from the moment it's a germ of an idea right through the whole editing process."[118] Her daughter had a small role as the younger Selene.[118] The film was a box office success, grossing $111 million worldwide.[119] Beckinsale's second film appearance of 2006 was opposite Adam Sandler and Christopher Walken in Click, a comedy about an overworked family man who discovers a magical remote control that allows him to control time. The opportunity to play a mother "was one of the things that was attractive to me" about the part.[120] It was highly profitable, grossing $237 million worldwide against a production budget of $82.5 million.[121] 2007–2008: Focus on small-scale drama[edit]Beckinsale then made a return to smaller-scale projects: "My experience is that I sort of stepped away from the independent movies and did a couple of big movies. But that's not necessarily how it's perceived by everybody else, which I do understand."[122] "I enjoy an action movie as much as the next person [but] it's not something that I would like to do solely."[123] She explained that she had originally decided to appear in Underworld because she felt typecast in classical roles – it was "assumed that I use a chamber pot and wear bloomers"[124] – but that her action career "kind of took off a little too much."
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