Vista Ultimate

Vista Ultimate theme by Tidus Strife

Download: VistaUltimate.p3t

http://img267.imageshack.us/img267/2245/vistaultimateps3themebyyj6.png
(3 backgrounds)

Sudi-‘s PS3 Theme

PS3 theme by Sudi-

Download: sudi.p3t

Sudi-’s PS3 Theme
(1 background)

P3T Unpacker v0.12
Copyright (c) 2007. Anoop Menon

This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!

Download for Windows: p3textractor.zip

Instructions:

Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.

The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.

The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].

For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following:
p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.

La Liga

La Liga theme by argen_213

Download: LaLiga.p3t

http://img162.imageshack.us/img162/3023/laligaresizedtp5ie0.png
(1 background)

LaLiga EA Sports
Organising bodyLiga Nacional de Fútbol Profesional
Founded1929; 95 years ago (1929)
CountrySpain
ConfederationUEFA
Number of teams20 (since 1997–98)
Level on pyramid1
Relegation toSegunda División
Domestic cup(s)Copa del Rey
Supercopa de España
International cup(s)UEFA Champions League
UEFA Europa League
UEFA Europa Conference League
Current championsReal Madrid (36th title)
(2023–24)
Most championshipsReal Madrid (36 titles)
Most appearancesAndoni Zubizarreta
Joaquín
(622)
Top goalscorerLionel Messi
(474)[1]
TV partnersList of broadcasters
Websitelaliga.com
Current: 2024–25 La Liga

The Campeonato Nacional de Liga de Primera División,[a] commonly known as the Primera División[b] or La Liga[c][2] and officially as LaLiga EA Sports[d][3] since 2023 for sponsorship reasons, is the top men's professional football division of the Spanish football league system. It is controlled by the Liga Nacional de Fútbol Profesional and is contested by 20 teams over a 38-matchday period.

Since its inception, 62 teams have competed in La Liga. Nine teams have been crowned champions, with Barcelona winning the inaugural La Liga and Real Madrid winning the title a record 36 times. Real Madrid are also the most recent winners, having won the 2023–24 edition. During the 1940s Valencia, Atlético Madrid and Barcelona emerged as the strongest clubs, winning several titles. Real Madrid and Barcelona dominated the championship in the 1950s, each winning four La Liga titles during the decade. During the 1960s and 1970s, Real Madrid dominated La Liga, winning fourteen titles, with Atlético Madrid winning four.[4] During the 1980s and 1990s Real Madrid were prominent in La Liga, but the Basque clubs of Athletic Club and Real Sociedad had their share of success, each winning two Liga titles. From the 1990s onward, Barcelona have dominated La Liga, winning seventeen titles to date.[5] Although Real Madrid has been prominent, winning eleven titles, La Liga has also seen other champions, including Valencia and Deportivo La Coruña.

According to UEFA's league coefficient rankings, La Liga was the top league in Europe in each of the seven years from 2013 to 2019 (calculated using accumulated figures from five preceding seasons) and led Europe for 22 of the 60 ranked years up to 2019, more than any other country. It also produced the continent's top-rated club more times (22) than any other league in that period, more than double that of second-placed Serie A (Italy), including the top club in 10 of the 11 seasons between 2009 and 2019; each of these pinnacles was achieved by either Barcelona or Real Madrid. La Liga clubs have won the most UEFA Champions League (20), UEFA Europa League (14), UEFA Super Cup (16) and FIFA Club World Cup (8) titles, and its players have accumulated the highest number of Ballon d'Or awards (24), The Best FIFA Men's Player awards (19)[e] and UEFA Men's Player of the Year awards (12).[f]

La Liga is one of the most popular professional sports leagues globally, with an average attendance of 26,933 for league matches in the 2018–19 season.[6] This is the eighth-highest of any domestic professional sports league in the world and the third-highest of any professional association football league in the world, behind fellow big five leagues Bundesliga and Premier League, and above Serie A and Ligue 1.[7][8] La Liga is also the seventh wealthiest professional sports league in the world by revenue, after the NFL, MLB, the NBA, the Premier League, the NHL, and the Bundesliga.[9]

From 2008 to 2016, it was sponsored by Banco Bilbao Vizcaya Argentaria and known as Liga BBVA. Then, from 2016 to 2023, it was sponsored by Banco Santander and known as LaLiga Santander. Since 2023, it has been sponsored by Electronic Arts and is known as LaLiga EA Sports.

Competition format[edit]

The competition format follows the usual double round-robin format. During the course of a season, which lasts from August to May, each club plays every other club twice, once at home and once away, for 38 matches. Teams receive three points for a win, one point for a draw, and no points for a loss. Teams are ranked by total points, with the highest-ranked club crowned champion at the end of the season.

Promotion and relegation[edit]

A system of promotion and relegation exists between the Primera División and the Segunda División. The three lowest placed teams in La Liga are relegated to the Segunda División, and the top two teams from the Segunda División promoted to La Liga, with an additional club promoted after a series of play-offs involving the third, fourth, fifth and sixth placed clubs. Below is a complete record of how many teams played in each season throughout the league's history;

Number of clubs in La Liga throughout the years
Period (in years) No. of clubs
1929–1934 10 clubs
1934–1941 12 clubs
1941–1950 14 clubs
1950–1971 16 clubs
1971–1987 18 clubs
1987–1995 20 clubs
1995–1997 22 clubs
1997–present 20 clubs

Tie breaker rules[edit]

If points are equal between two or more clubs, the rules are:[10]

  • If all clubs involved have played each other twice:
    • If the tie is between two clubs, then the tie is broken using the head-to-head goal difference for those clubs (without away goals rule).
    • If the tie is between more than two clubs, then the tie is broken using the games the clubs have played against each other:
      • a) head-to-head points
      • b) head-to-head goal difference
  • If two legged games between all clubs involved have not been played, or the tie is not broken by the rules above, it is broken using:
    • a) total goal difference
    • b) total goals scored
  • If the tie is still not broken, the winner will be determined by Fair Play scales.[11] These are:
    • yellow card, 1 point
    • doubled yellow card/ejection, 2 points
    • direct red card, 3 points
    • suspension or disqualification of coach, executive or other club personnel (outside referees' decisions), 5 points
    • misconduct of the supporters: mild 5 points, serious 6 points, very serious 7 points
    • stadium closure, 10 points
    • if the Competition Committee removes a penalty, the points are also removed
  • If the tie is still not broken, it will be resolved with a tie-break match in a neutral stadium.

Qualification for European competitions[edit]

Current criteria[edit]

The top four teams in La Liga qualify for the subsequent season's UEFA Champions League group stage. The winners of the UEFA Champions League and UEFA Europa League also qualify for the subsequent season's UEFA Champions League group stage.

The fifth place team in La Liga and the winner of the Copa del Rey also qualify for the subsequent season's UEFA Europa League group stage. However, if the winner also finished in the top five places in La Liga, then this place reverts to the team that finished sixth in La Liga. Furthermore, the sixth place (or seventh if sixth already qualifies due to the Copa del Rey) team qualifies for the subsequent season's UEFA Conference League play-off round.[12]

The number of places allocated to Spanish clubs in UEFA competitions is dependent upon the position a country holds in the UEFA country coefficients, which are calculated based upon the performance of teams in UEFA competitions in the previous five years. As of the end of the 2023–24 season, the ranking of Spain (and de facto La Liga) is second.[13]

History[edit]

Foundation[edit]

In April 1928, José María Acha, a director at Arenas de Getxo, first proposed the idea of a national league in Spain. After much debate about the size of the league and who would take part, the Real Federación Española de Fútbol eventually agreed on the ten teams who would form the first Primera División in 1929. Arenas, Barcelona, Real Madrid, Athletic Club, Real Sociedad and Real Unión were all selected as previous winners of the Copa del Rey. Atlético Madrid, Espanyol and Europa qualified as Copa del Rey runners-up and Racing de Santander qualified through a knockout competition. Only three of the founding clubs (Real Madrid, Barcelona, and Athletic Club) have never been relegated from the Primera División.

1930s: Athletic Bilbao dominion[edit]

Athletic Bilbao team in 1933.

Although Barcelona won the first Liga in 1929 and Ricardo Zamora's Real Madrid won their first titles in 1932 and 1933, it was Athletic Bilbao that set the early pace winning La Liga in 1930, 1931, 1934 and 1936 (in addition to four Copa trophies), and they also achieved the biggest win in La Liga history by beating Barcelona 12-1; This team, coached by Fred Pentland, is known by the nickname First historic squad, notably forming an attacking partnership with Bata, Guillermo Gorostiza, José Iraragorri, Chirri II and Lafuente. In 1935, Real Betis, then known as Betis Balompié, won their only title to date. Primera División was suspended during the Spanish Civil War.

In 1937, the teams in the Republican area of Spain, with the notable exception of the two Madrid clubs, competed in the Mediterranean League and Barcelona emerged as champions. Seventy years later, on 28 September 2007, Barcelona requested the Royal Spanish Football Federation (Spanish acronym RFEF) to recognise that title as a Liga title. This action was taken after RFEF was asked to recognise Levante's Copa de la España Libre win as equivalent to Copa del Rey trophy. Nevertheless, the governing body of Spanish football has not made an outright decision yet.

1940s: Atlético Madrid, Barcelona and Valencia emerge[edit]

Results of the five champions during the post-war years
Season ATM BAR ATH SEV VAL
1939–40 1 9 3 2 8
1940–41 1 4 2 5 3
1941–42 3 12 7 6 1
1942–43 8 3 1 2 7
1943–44 2 6 10 3 1
1944–45 3 1 6 10 5
1945–46 7 2 3 1 6
1946–47 3 4 2 6 1
1947–48 3 1 6 5 2
1948–49 4 1 6 8 2
1949–50 1 5 6 10 3
TOTAL 3 3 1 1 3
Top three 8 4 5 4 7
  La Liga champions
  Copa del Generalísimo
  La Liga/Copa del Generalísimo double

When the Primera División resumed after the Spanish Civil War, it was Atlético Aviación (nowadays Atlético Madrid), Valencia, and Barcelona that emerged as the strongest clubs. Atlético were only awarded a place during the 1939–40 season as a replacement for Real Oviedo, whose ground had been damaged during the war. The club subsequently won its first Liga title and retained it in 1941. While other clubs lost players to exile, execution, and as casualties of the war, the Atlético team was reinforced by a merger. The young, pre-war squad of Valencia had also remained intact and in the post-war years matured into champions, gaining three Liga titles in 1942, 1944, and 1947. They were also runners-up in 1948 and 1949.

Athletic Bilbao was one of the clubs most affected by the war, since many of its players (sympathizers of the Republican faction) went into exile in Latin America and very few returned. But thanks to a search for young talents, they managed to form the well-known Second historic squad made up of Rafael Iriondo, Venancio Pérez, José Luis Panizo, Agustín Gaínza and the mythical scorer Telmo Zarra (Spanish top scorer in La Liga history, among other records). They won a La Liga and Copa del Generalísimo double in 1943 and won the Cup again in 1944, 1945 and 1950, in addition to an Copa Eva Duarte (official predecessor of the Supercopa). Sevilla also enjoyed a brief golden era, finishing as runners-up in 1940 and 1942 before winning their only title to date in 1946.

Meanwhile, on the other side of Spain, Barcelona began to emerge as a force under the legendary Josep Samitier. A Spanish footballer for both Barcelona and Real Madrid, Samitier cemented his legacy with Barcelona. During his playing career with Barcelona he scored 133 goals, won the inaugural La Liga title and five Copa Del Rey. In 1944, Samitier returned to Barcelona as a coach and guided them in winning their second La Liga title in 1945. Under Samitier and legendary players César Rodríguez, Josep Escolà, Estanislau Basora and Mariano Gonzalvo, Barcelona dominated La Liga in the late 1940s,[14] winning back to back La Liga titles in 1948 and 1949. The 1940s proved to be a successful season for Barcelona, winning three La Liga titles and one Copa Del Rey, but the 1950s proved to be a decade of dominance, not just from Barcelona, but from Real Madrid.

1950s: FC Barcelona and Real Madrid Dominate[edit]

Naturalised Argentine Alfredo Di Stéfano was part of a dominant Real Madrid side in the 1950s
During the 1950s, László Kubala was a leading member of Barcelona, scoring 194 goals in 256 appearances.

Although Atlético Madrid, previously known as ''Atlético Aviación'', were champions in 1950 and 1951 under mastermind Helenio Herrera, the 1950s continued the success FC Barcelona had during the late 1940s.

During this decade, FC Barcelona's first golden era emerged under coach Ferdinand Daučík, winning back-to-back La Liga and Copa Del Rey doubles in 1951–52 and 1952–53. In 1952, FC Barcelona made history yet again by winning five distinctive trophies in one year. This team, composed of László Kubala, Mariano Gonzalvo, César Rodríguez Álvarez, and Joan Segarra, won La Liga, Copa Del Rey, Copa Eva Duarte (predecessor of Spanish Super Cup), Latin Cup and Copa Martini & Rossi. Their success in winning five trophies in one year earned them the name 'L’equip de les cinc Copes'[15] or The Team of the Five Cups.

In the latter parts of the 1950s, coached by Helenio Herrera and featuring Luis Suárez, Barcelona won yet again back-to-back La Liga's, winning them in 1959 and 1960. In 1959, Barcelona also won another double of La Liga / Copa Del Rey, conquering three doubles in the 1950s.

The 1950s also saw the beginning of the Real Madrid dominance. During the 1930s through the 1950s there were strict limits imposed on foreign players. In most cases, clubs could have only three foreign players in their squads, meaning that at least eight local players had to play in every game. During the 1950s, however, these rules were circumvented by Real Madrid who naturalised Alfredo Di Stéfano and Ferenc Puskás.[citation needed] Di Stéfano, Puskás, Raymond Kopa and Francisco Gento formed the nucleus of the Real Madrid team that dominated the second half of the 1950s. Real Madrid won their third La Liga in 1954 — their first since 1933 — and retained their title in 1955. In 1956, Athletic Club won their sixth La Liga title, but Real Madrid won La Liga again in 1957 and 1958.

All in all, Barcelona and Real Madrid won four La Liga titles each in the 1950s, with Atlético Madrid winning two and Athletic Club winning one during this decade.

1960s–1970s: Real Madrid superiority[edit]

Real Madrid dominated La Liga between 1960 and 1980, being crowned champions 14 times.[16] Real Madrid won five La Liga titles in a row from 1961 to 1965 as well as winning three doubles between 1960 and 1980. During the 1960s and 1970s, only Atlético Madrid offered Real Madrid any serious challenge. Atlético Madrid were crowned La Liga champions four times in 1966, 1970, 1973, and 1977. Atlético Madrid also finished second place in 1961, 1963, and 1965. In 1971, Valencia won their fourth La Liga title in 1971 under Alfredo Di Stéfano, and the Johan Cruyff-inspired Barcelona won their ninth La Liga in 1974.

1980s: Real Madrid dominate but the Basque Clubs disrupt their monopoly[edit]

Real Madrid's monopoly in La Liga was interrupted significantly in the 1980s. Although Real Madrid won another five La Liga titles in a row from 1986 to 1990[17] under the brilliance of Emilio Butragueño and Hugo Sánchez, the Basque clubs of Real Sociedad and Athletic Bilbao also dominated the 1980s.[18] Real Sociedad won their first La Liga titles in 1981 and 1982; Luis Arconada, Roberto López Ufarte and Txiki Begiristain stood out from this team. Later, Athletic Bilbao also managed to win two consecutive La Liga titles in 1983 and 1984, also achieving their fifth La Liga and Copa del Rey double in 1984; The stars Andoni Zubizarreta, Santi Urkiaga, Andoni Goikoetxea, Dani, Manuel Sarabia and Estanislao Argote made this success possible. For its part, Barcelona won their tenth La Liga title in 1985 under coach Terry Venables, their first La Liga win since 1974.

1990s: Barcelona's Dream Team[edit]

La Masia graduates Guillermo Amor, Albert Ferrer and Pep Guardiola.

Johan Cruyff returned to Barcelona as manager in 1988, and assembled the legendary Dream Team.[19] When Cruyff took control of his Barcelona side, they had won only two La Liga titles in the past 20 years. Cruyff decided to build a team composed of international stars and La Masia graduates in order to restore Barcelona to their former glory days. This team wa

Neon

Neon theme by JyriK

Download: Neon_theme_for_PS3_by_JyriK.p3t

Neon Theme
(3 backgrounds)

Neon, 10Ne
Neon
Appearancecolorless gas exhibiting an orange-red glow when placed in an electric field
Standard atomic weight Ar°(Ne)
Neon in the periodic table
Hydrogen Helium
Lithium Beryllium Boron Carbon Nitrogen Oxygen Fluorine Neon
Sodium Magnesium Aluminium Silicon Phosphorus Sulfur Chlorine Argon
Potassium Calcium Scandium Titanium Vanadium Chromium Manganese Iron Cobalt Nickel Copper Zinc Gallium Germanium Arsenic Selenium Bromine Krypton
Rubidium Strontium Yttrium Zirconium Niobium Molybdenum Technetium Ruthenium Rhodium Palladium Silver Cadmium Indium Tin Antimony Tellurium Iodine Xenon
Caesium Barium Lanthanum Cerium Praseodymium Neodymium Promethium Samarium Europium Gadolinium Terbium Dysprosium Holmium Erbium Thulium Ytterbium Lutetium Hafnium Tantalum Tungsten Rhenium Osmium Iridium Platinum Gold Mercury (element) Thallium Lead Bismuth Polonium Astatine Radon
Francium Radium Actinium Thorium Protactinium Uranium Neptunium Plutonium Americium Curium Berkelium Californium Einsteinium Fermium Mendelevium Nobelium Lawrencium Rutherfordium Dubnium Seaborgium Bohrium Hassium Meitnerium Darmstadtium Roentgenium Copernicium Nihonium Flerovium Moscovium Livermorium Tennessine Oganesson
He

Ne

Ar
fluorineneonsodium
Atomic number (Z)10
Groupgroup 18 (noble gases)
Periodperiod 2
Block  p-block
Electron configuration[He] 2s2 2p6
Electrons per shell2, 8
Physical properties
Phase at STPgas
Melting point24.56 K ​(−248.59 °C, ​−415.46 °F)
Boiling point27.104 K ​(−246.046 °C, ​−410.883 °F)
Density (at STP)0.9002 g/L
when liquid (at b.p.)1.207 g/cm3[3]
Triple point24.556 K, ​43.37 kPa[4][5]
Critical point44.4918 K, 2.7686 MPa[5]
Heat of fusion0.335 kJ/mol
Heat of vaporization1.71 kJ/mol
Molar heat capacity20.79[6] J/(mol·K)
Vapor pressure
P (Pa) 1 10 100 1 k 10 k 100 k
at T (K) 12 13 15 18 21 27
Atomic properties
Oxidation states0
Ionization energies
  • 1st: 2080.7 kJ/mol
  • 2nd: 3952.3 kJ/mol
  • 3rd: 6122 kJ/mol
  • (more)
Covalent radius58 pm
Van der Waals radius154 pm
Color lines in a spectral range
Spectral lines of neon
Other properties
Natural occurrenceprimordial
Crystal structureface-centered cubic (fcc) (cF4)
Lattice constant
Face-centered cubic crystal structure for neon
a = 453.77 pm (at triple point)[7]
Thermal conductivity49.1×10−3 W/(m⋅K)
Magnetic orderingdiamagnetic[8]
Molar magnetic susceptibility−6.74×10−6 cm3/mol (298 K)[9]
Bulk modulus654 GPa
Speed of sound435 m/s (gas, at 0 °C)
CAS Number7440-01-9
History
PredictionWilliam Ramsay (1897)
Discovery and first isolationWilliam Ramsay & Morris Travers[10][11] (1898)
Isotopes of neon
Main isotopes[12] Decay
abun­dance half-life (t1/2) mode pro­duct
20Ne 90.5% stable
21Ne 0.27% stable
22Ne 9.25% stable
 Category: Neon
| references

Neon is a chemical element; it has symbol Ne and atomic number 10. It is the second noble gas in the periodic table.[13] Neon is a colorless, odorless, inert monatomic gas under standard conditions, with approximately two-thirds the density of air.

Neon was discovered in 1898 alongside krypton and xenon, identified as one of the three remaining rare inert elements in dry air after the removal of nitrogen, oxygen, argon, and carbon dioxide. Its discovery was marked by the distinctive bright red emission spectrum it exhibited, leading to its immediate recognition as a new element. The name neon originates from the Greek word νέον, a neuter singular form of νέος (neos), meaning 'new'. Neon is a chemically inert gas, with no known uncharged neon compounds. Existing neon compounds are primarily ionic molecules or fragile molecules held together by van der Waals forces.

The synthesis of most neon in the cosmos resulted from the nuclear fusion within stars of oxygen and helium through the alpha-capture process. Despite its abundant presence in the universe and Solar System—ranking fifth in cosmic abundance following hydrogen, helium, oxygen, and carbon—neon is comparatively scarce on Earth. It constitutes about 18.2 ppm of Earth's atmospheric volume and a lesser fraction in the Earth's crust. The high volatility of neon and its inability to form compounds that would anchor it to solids explain its limited presence on Earth and the inner terrestrial planets. Neon’s high volatility facilitated its escape from planetesimals under the early Solar System's nascent Sun's warmth.

Neon's notable applications include its use in low-voltage neon glow lamps, high-voltage discharge tubes, and neon advertising signs, where it emits a distinct reddish-orange glow.[14][15] This same red emission line is responsible for the characteristic red light of

Bloody

Bloody theme by bittersour

Download: Bloody.p3t

Bloody Theme
(Background SD only)

Bloody, as an adjective or adverb, is an expletive attributive commonly used in British English, Irish English, and Australian English; it is also present in Canadian English, Indian English, Malaysian/Singaporean English, Hawaiian English, South African English, and a number of other Commonwealth of nations. It has been used as an intensive since at least the 1670s.[1] Considered respectable until about 1750, it was heavily tabooed during c. 1750–1920, considered equivalent to heavily obscene or profane speech.[citation needed] Public use continued to be seen as controversial until the 1960s, but the word has since become a comparatively mild expletive or intensifier.[citation needed]

In American English, the word is used almost exclusively in its literal sense to describe something that is covered in blood; when used as an intensifier, it is seen by American audiences as a stereotypical marker of a British- or Irish-English speaker, without any significant obscene or profane connotations. Canadian English usage is similar to American English, but use as an expletive adverb may be considered slightly vulgar depending on the circumstances.

Origin[edit]

Use of the adjective bloody as a profane intensifier predates the 18th century. Its ultimate origin is unclear, and several hypotheses have been suggested. It may be a direct loan of Dutch bloote, (modern spelling blote) meaning entire, complete or pure, which was suggested by Ker (1837) to have been "transformed into bloody, in the consequently absurd phrases of bloody good, bloody bad, bloody thief, bloody angry, etc., where it simply implies completely, entirely, purely, very, truly, and has no relation to either blood or murder, except by corruption of the word."[2]

The word "blood" in Dutch and German is used as part of minced oaths, in abbreviation of expressions referring to "God's blood", i.e. the Passion or the Eucharist. Ernest Weekley (1921) relates English usage to imitation of purely intensive use of Dutch bloed and German Blut in the early modern period.

A popularly reported theory suggested euphemistic derivation from the phrase by Our Lady. The contracted form by'r Lady is common in Shakespeare's plays around the turn of the 17th century, and Jonathan Swift about 100 years later writes both "it grows by'r Lady cold" and "it was bloody hot walking to-day"[3] suggesting that bloody and by'r Lady had become exchangeable generic intensifiers. However, Eric Partridge (1933) describes the supposed derivation of bloody as a further contraction of by'r lady as "phonetically implausible". According to Rawson's dictionary of Euphemisms (1995), attempts to derive bloody from minced oaths for "by our lady" or "God's blood" are based on the attempt to explain the word's extraordinary shock power in the 18th to 19th centuries, but they disregard that the earliest records of the word as an intensifier in the 17th to early 18th century do not reflect any taboo or profanity. It seems more likely, according to Rawson, that the taboo against the word arose secondarily, perhaps because of an association with menstruation.[4]

The Oxford English Dictionary prefers the theory that it arose from aristocratic rowdies known as "bloods", hence "bloody drunk" means "drunk as a blood".[5]

History of use[edit]

Until at least the early 18th century, the word was used innocuously. It was used as an intensifier without apparent implication of profanity by 18th-century authors such as Henry Fielding and Jonathan Swift ("It was bloody hot walking today" in 1713) and Samuel Richardson ("He is bloody passionate" in 1742).

After about 1750 the word assumed more profane connotations. Johnson (1755) already calls it "very vulgar", and the original Oxford English Dictionary article of 1888 comments the word is "now constantly in the mouths of the lowest classes, but by respectable people considered 'a horrid word', on a par with obscene or profane language".[6]

On the opening night of George Bernard Shaw's comedy Pygmalion in 1914, Mrs Patrick Campbell, in the role of Eliza Doolittle, created a sensation with the line "Walk! Not bloody likely!" and this led to a fad for using "Pygmalion" itself as a pseudo-oath, as in "Not Pygmalion likely".[7][8]

Usage outside the UK[edit]

Australia[edit]

Bloody has always been a very common part of Australian speech and has not been considered profane there for some time.[when?]. The word was dubbed "the Australian adjective" by The Bulletin on 18 August 1894. One Australian performer, Kevin Bloody Wilson, has even made it his middle name. Also in Australia, the word bloody is frequently used as a verbal hyphen, or infix, correctly called tmesis as in "fanbloodytastic". In the 1940s an Australian divorce court judge held that "the word bloody is so common in modern parlance that it is not regarded as swearing". Meanwhile, Neville Chamberlain's government was fining Britons for using the word in public.[citation needed] In 2007 an Australian advertising campaign So where the bloody hell are you? was banned on UK televisions and billboards as the term was still considered an expletive.

United States[edit]

The word as an expletive is seldom used in the United States of America. In the US the term is usually used when the intention is to mimic an Englishman. Because it is not perceived as profane in American English, "bloody" is not censored when used in American television and film, for example in the 1961 film The Guns of Navarone the actor Richard Harris at one point says: "You can't even see the bloody cave, let alone the bloody guns. And anyway, we haven't got a bloody bomb big enough to smash that bloody rock ..." – but bloody was replaced with ruddy for British audiences of the time.[citation needed]

Canada[edit]

The term bloody as an intensifier is now overall fairly rare in Canada, though still more common than in the United States.[citation needed] It is more commonly spoken in the Atlantic provinces, particularly Newfoundland.[9] It may be considered mildly vulgar depending on the circumstances.[citation needed]

Singapore[edit]

In Singapore, the word bloody is commonly used as a mild expletive in Singapore's colloquial English. The roots of this expletive derives from the influence and informal language British officers used during the dealing and training of soldiers in the Singapore Volunteer Corps and the early days of the Singapore Armed Forces. When more Singaporeans were promoted officers within the Armed Forces, most new local officers applied similar training methods their former British officers had when they were cadets or trainees themselves. This includes some aspects of British Army lingo, like "bloody (something)". When the newly elected Singapore government implemented compulsory conscription, all 18-year-old able bodied Singapore males had to undergo training within the Armed Forces. When National servicemen completed their service term, some brought the many expletives they picked up during their service into the civilian world and thus became a part of the common culture in the city state.

Malaysia[edit]

The word "bloody" also managed to spread up north in neighbouring Malaysia, to where the influence of Singapore English has spread. The use of "bloody" as a substitute for more explicit language increased with the popularity of British and Australian films and television shows aired on local television programmes. The term bloody in Singapore may not be considered explicit, but its usage is frowned upon in formal settings.

South Africa[edit]

The term is frequently used among South Africans in their colloquial English and it is an intensifier. It is used in both explicit and non-explicit ways. It also spread to Afrikaans as "bloedige" and is popular amongst many citizens in the country. It is also used by minors and is not considered to be offensive.

India[edit]

The term is also frequently used as a mild expletive or an intensifier in India.

Euphemisms[edit]

Many substitutions were devised[year needed] to convey the essence of the oath, but with less offence; these included bleeding, bleaking, cruddy, smuddy, blinking, blooming, bally, woundy, flaming and ruddy.

Publications such as newspapers, police reports, and so on may print b⸺y instead of the full profanity.[10] A spoken language equivalent is blankety or, less frequently, blanked or blanky; the spoken words are all variations of blank, which, as a verbal representation of a dash, is used as a euphemism for a variety of "bad" words.[10]

In composition[edit]

Use of bloody as an adverbial or generic intensifier is to be distinguished from its fixed use in the expressions "bloody murder" and "bloody hell". In "bloody murder", it has the original sense of an adjective used literally. The King James Version of the Bible frequently uses bloody as an adjective in reference to bloodshed or violent crime, as in "bloody crimes" (Ezekiel 22:2), "Woe to the bloody city" (Ezekiel 24:6, Nahum 3:1). "bloody men" (26:9, Psalms 59:2, 139:19), etc. The expression of "bloody murder" goes back to at least Elizabethan English, as in Shakespeare's Titus Andronicus (c. 1591), "bloody murder or detested rape". The expression "scream bloody murder" (in the figurative or desemanticised sense of "to loudly object to something" attested since c. 1860)[11] is now considered American English, while in British English, the euphemistic "blue murder" had replaced "bloody murder" during the period of "bloody" being considered taboo.[12]

The expression "bloody hell" is now used as a general expression of surprise or as a general intensifier; e.g. "bloody hell" being used repeatedly in Harry Potter and the Philosopher's Stone (2001, PG Rating). In March 2006 Australia's national tourism commission, Tourism Australia, launched an advertising campaign targeted at potential visitors in several English-speaking countries. The ad sparked controversy because of its ending (in which a cheerful, bikini-clad spokeswoman delivers the ad's call-to-action by saying "...so where the bloody hell are you?"). In the UK the BACC required that a modified version of the ad be shown in the United Kingdom, without the word "bloody".[13] In May 2006 the UK's Advertising Standards Authority ruled that the word bloody was not an inappropriate marketing tool and the original version of the ad was permitted to air. In Canada, the ad's use of "bloody hell" also created controversy.[14][15]

The longer "bloody hell-hounds" appears to have been at least printable in early 19th century Britain.[16] "Bloody hell's flames" as well as "bloody hell" is reported as a profanity supposedly used by Catholics against Protestants in 1845.[17]

References[edit]

  1. ^ Sterfania Biscetti, "The diachronic development of bloody: a case study in historical pragmatics". In Richard Dury, Maurizio Gotti, Marina Dossena (eds.) English Historical Linguistics 2006 Volume 2: Lexical and semantic change. Amsterdam/Philadelphia: John Benjamins Publishing Company. 2008, p. 55.
  2. ^ John Bellenden Ker, An Essay on the Archæology of our Popular Phrases and Nursery Rhymes, London:Longman, Rees, Orme, Brown, Green & Co., 1837, pg 36.
  3. ^ "The Journal to Stella, by Jonathan Swift : Letter 24". Etext.library.adelaide.edu.au. 1711.
  4. ^ "More likely, the taboo stemmed from the fear that many people have of blood and, in the minds of some, from an association with menstrual bleeding. Whatever, the term was debarred from polite society during the whole of the nineteenth century." Rawson (1995).
  5. ^ "Definition of Bloody by Oxford Dictionary on Lexico.com". Lexico Dictionaries English. Archived from the original on 1 November 2020.
  6. ^ The Oxford English Dictionary. Vol. 1. Oxford: Clarendon Press. 1933. p. 933. 2. As an intensive: Very .... and no mistake, exceedingly; abominably, desperately. In general colloquial use from the Restoration to c1750; now constantly in the mouths of the lowest classes, but by respectable people considered 'a horrid word', on a par with obscene or profane language, and usually printed in the newspapers (in police reports, etc.) 'b⸺y'.
  7. ^ "My Fair Lady Overview- Read the review". Channel 4 (British Television Station). Archived from the original on 7 February 2009. Retrieved 14 August 2008.
  8. ^ "Bloody". World Wide Words. 1 April 2006. Retrieved 24 May 2013.
  9. ^ "Dictionary of Newfoundland English Search". www.heritage.nf.ca. Retrieved 28 January 2022.
  10. ^ a b Oxford English Dictionary.
  11. ^ "Idioms Dictionary - Common Idioms and Phrases in English Language". Dictionary.reference.com. Retrieved 24 May 2013.
  12. ^ "World Wide Words: Blue murder". World Wide Words.
  13. ^ Lee Quimby, Fiona (28 March 2007). "Brit ban on 'bloody' ad 'incredibly ludicrous' - Travel". Sydney Morning Herald. Archived from the original on 15 March 2016. Retrieved 18 March 2018.
  14. ^ Nudd, Tim (22 March 2006). "Canada is fine with 'bloody,' not with 'hell'". Retrieved 7 March 2022.
  15. ^ McArthur, Keith (21 March 2006). "CBC quibbles with risqué Australia ad". The Globe and Mail. Retrieved 7 March 2022.
  16. ^ so in London Theatre: A Collection of the Most Celebrated Dramatic Pieces, Correctly Given, from Copies Used in the Theatres Volumes 11-12 (1815), p. 59 "Bloody hell-hounds, I overheard you!"
  17. ^ John Ryan, Popery unmasked. A narrative of twenty years' Popish persecution (1845), p. 44.

External links[edit]

Jessica Alba

Jessica Alba theme by PenguinRage

Download: JessicaAlba.p3t

Jessica Alba Theme
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Jessica Alba
Alba in May 2016
Born
Jessica Marie Alba

(1981-04-28) April 28, 1981 (age 43)
Other namesJessica Warren[1]
Occupations
  • Actress
  • businesswoman
Years active1992–present
Spouse
Cash Warren
(m. 2008)
Children3

Jessica Marie Alba (/ˈælbə/ AL-bə; born April 28, 1981)[2] is an American actress. She began her acting career at age 13 in Camp Nowhere (1994), followed up by The Secret World of Alex Mack (1994), and rose to prominence at age 19 as the lead actress of the television series Dark Angel (2000–2002), for which she received a Golden Globe nomination.[3][4][5]

Her big screen breakthrough came in Honey (2003). She soon established herself as a Hollywood actress, and has starred in numerous box office hits throughout her career, including Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer (2007), Good Luck Chuck (2007), The Eye (2008), Valentine's Day (2010), Little Fockers (2010), and Mechanic: Resurrection (2016).[6] She is a frequent collaborator with director Robert Rodriguez, having starred in Sin City (2005), Machete (2010), Spy Kids: All the Time in the World (2011), Machete Kills (2013), and Sin City: A Dame to Kill For (2014). From 2019 to 2020, Alba starred in the Spectrum action crime series L.A.'s Finest.

In 2011, Alba co-founded The Honest Company, a consumer goods company that sells baby, personal and household products.[7] A number of magazines, including Men's Health, Vanity Fair and FHM, have included Alba on their lists of the world's most beautiful women.

Early life[edit]

Jessica Marie Alba was born in Pomona, California[8] on April 28, 1981, to Catherine Louisa (née Jensen) and Mark David Alba. Her mother has Danish, Welsh, German, English and French ancestry, while her paternal grandparents, who were born in California, were children of Mexican immigrants.[9] She has a younger brother, Joshua. Her third cousin, once removed, is writer Gustavo Arellano.[10] Her father's Air Force career took the family to Biloxi, Mississippi, and Del Rio, Texas, before they settled in Claremont, California when she was nine years old.[4] Alba has described her family as "very conservative… a traditional, Catholic, Latin American family", and herself as very liberal; she says she identified as a "feminist" as early as age five.[11]

Alba's early life was marked by a multitude of physical maladies. During childhood, she suffered from pneumonia four to five times a year and had partially collapsed lungs twice as well as a ruptured appendix and tonsillar cyst. She has also had asthma since she was a child.[4] She became isolated from other children at school because she was hospitalized so often, no one knew her well enough to befriend her.[12] She has said that her family's frequent moving also contributed to her isolation from her peers.[11] She graduated from Claremont High School at age 16 and subsequently attended the Atlantic Theater Company.[13]

Acting career[edit]

1992–1999: Beginnings[edit]

Alba in 2007

Alba expressed an interest in acting from age five. In 1992, the eleven year old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. She won the grand prize, and took her first acting lessons. An agent signed her nine months later.[4][14] Her first film appearance was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.[3]

Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack.[15] She then performed the role of Maya in the first two seasons of the 1995 television series Flipper.[3][15] Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and was a PADI certified scuba diving skills which were put to use on the show, which was filmed in Australia.[15][16]

In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave.[17] In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S..[3] After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet.[14][18] Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique tormenting an insecure copy editor in the romantic comedy Never Been Kissed, opposite Drew Barrymore, and as the female lead in the little seen comedy horror film Idle Hands, alongside Devon Sawa.[6]

2000–2006: Worldwide recognition[edit]

Her big break came when James Cameron picked Alba from over 1000 candidates for the role of the genetically engineered super-soldier Max Guevara on the FOX sci-fi television series Dark Angel.[19] The series ran for two seasons, until 2002, and earned Alba critical acclaim, a Golden Globe nomination, the Teen Choice Award for Choice Actress, and a Saturn Award for Best Actress.[6][20] Her role has been cited as a feminist character and is considered a symbol of female empowerment. Writing for the University of Melbourne, Bronwen Auty considered Max "the archetypal modern feminist hero—a young woman empowered to use her body actively to achieve goals", citing Max's refusal to use firearms and instead using martial arts and knowledge as weapons.[21] In 2004, Max was ranked #17 in TV Guide's list of "25 Greatest Sci-Fi Legends".[22][23] Her Dark Angel role led to significant parts in films. She had her big screen breakthrough in 2003 when she starred as an aspiring dancer-choreographer in Honey.[24] Rotten Tomatoes' critical consensus was: "An attractive Jessica Alba and energetic dance numbers provide some lift to this corny and formulaic movie".[25] Budgeted at US$18 million, the film made US$62.2 million.[26]

Alba next played exotic dancer Nancy Callahan, as part of a long ensemble cast, in the neo-noir crime anthology film Sin City (2005), written, produced, and directed by Robert Rodriguez and Frank Miller. It is based on Miller's graphic novel of the same name.[27] She had not heard about the novel prior to her involvement with the film, but was eager to work with Rodriguez.[28] The film was a critical darling and grossed US$158.8 million. She received a MTV Movie Award for Sexiest Performance.[29][30]

Alba at a screening for The Eye (2008)

Alba portrayed the Marvel Comics character Invisible Woman in Fantastic Four (also 2005), alongside Ioan Gruffudd, Chris Evans, Michael Chiklis, and Julian McMahon.[31] The Guardian, in its review for the film, noted: "Feminists and non-feminists alike must absorb the Fantastic Four's most troubling paradox: having been admitted to the story on the grounds of her beauty, [Alba's] superpower is to be invisible".[32] The film was a commercial success despite negative reviews, grossing US$333.5 million worldwide. At the 2006 MTV Movie Awards, Alba earned nominations for Best Hero and Best On-Screen Team. Her last 2005 film was the thriller Into the Blue, where she portrayed, opposite Paul Walker, one half of a couple who find themselves in trouble with a drug lord after finding the illicit cargo of a sunken airplane. The film saw moderate box office returns, with a US$44.4 million worldwide gross.[33] She hosted the 2006 MTV Movie Awards and performed sketches spoofing the movies King Kong, Mission: Impossible III and The Da Vinci Code.[34]

2007–2010: Romantic comedies[edit]

Alba reprised her role in Fantastic Four: Rise of the Silver Surfer, released in June 2007. According to Alba, Tim Story's direction during an emotional scene almost made her quit acting. "[He told me] 'It looks too real. It looks too painful. Can you be prettier when you cry? Cry pretty, Jessica.' He was like, 'Don't do that thing with your face. Just make it flat. We can CGI the tears in.'" According to Alba, this experience filled her with self-doubt: "And then it all got me thinking: Am I not good enough? Are my instincts and my emotions not good enough? Do people hate them so much that they don't want me to be a person? Am I not allowed to be a person in my work? And so I just said, 'Fuck it. I don't care about this business anymore.'"[35] The film grossed US$290 million globally.[36]

In Good Luck Chuck (also 2007), Alba portrayed the love interest of a womanizer dentist. She posed for one of the Good Luck Chuck's theatrical posters parodying the well-known Rolling Stone cover photographed by Annie Leibovitz featuring John Lennon and Yoko Ono in similar poses. While the film was heavily panned by critics, it made almost US$60 million upon its release.[37] Her third starring vehicle in 2007 was the psychological thriller Awake, portraying the girlfriend of a wealthy man who is about to have a heart transplant.[38] Reviews were lukewarm, but Roger Ebert praised her performance,[39] and budgeted at around US$8 million, the film made US$32.7 million.[40]

In February 2008, she hosted the Academy of Motion Picture Arts and Sciences' Science and Technical Awards.[41] Alba made her acting transition to the horror genre in the film The Eye, a remake of the Hong Kong original, in which she obtained the role of a successful classical violinist who receives an eye transplant that allows her to see into the supernatural world.[42] Though the film was not well received by critics,[43] her performance itself received mixed reviews. She garnered a Teen Choice for Choice Movie Actress: Horror–Thriller[44] and a Razzie Award nomination for Worst Actress (shared with The Love Guru).[45] In 2008, she also played a salesgirl in the independent romantic comedy Meet Bill, alongside Logan Lerman and Elizabeth Banks, and starred in the comedy The Love Guru, as a woman who inherits the Toronto Maple Leafs hockey team, opposite Mike Myers and Justin Timberlake.[46] Mick LaSalle, of the San Francisco Chronicle, noting that she was "prominently" in the film, felt that she "finally seems relaxed on camera".[47] The Love Guru was a critical and commercial flop.[48]

Alba in 2010

While Alba did not have any film release in 2009, five high-profile films released throughout 2010 featured her in significant roles. Her first role in the year was that of a prostitute in The Killer Inside Me, an adaptation of the book of the same name, opposite Kate Hudson and Casey Affleck, which premiered at the Sundance Film Festival to polarized reactions from critics.[49][50][51] Her next film was the romantic comedy Valentine's Day, in which she played the girlfriend of a florist as part of a long ensemble cast consisting of Jessica Biel, Bradley Cooper, Taylor Lautner and Julia Roberts, among others. Despite negative reviews, the film was a commercial success, with a worldwide gross of US$216.5 million.[52] In the action film Machete, Alba reunited with director Robert Rodriguez, taking on the role of an immigration officer torn between enforcing the law and doing what is popular in the eyes of her family. Machete made over US$44 million globally.[53]

The drama An Invisible Sign of My Own, which Alba filmed in late 2008, premiered at the Hamptons Film Festival. In it, she portrayed a painfully withdrawn young woman.[54][55][56] Her last 2010 film was the comedy Little Fockers, in which she played an extrovert drug representative, reuniting with Robert De Niro, who was also in Machete. Despite negative reviews from critics, the film grossed over US$310 million worldwide.[57] For all her 2010 roles, she received a Razzie Award for Worst Supporting Actress.[58]

2011–present: action and independent media productions[edit]

In 2011, Alba worked for the third time with Robert Rodriguez in the film Spy Kids: All the Time in the World, portraying a retired spy who is called back into action. To bond with her new stepchildren, she invites them along.[59] The film paled at the box office in comparison to the previous films in the franchise, but was still a moderate success, taking in US$85 million around the globe.[60] Alba next appeared with Adam Scott, Richard Jenkins, Jane Lynch, Mary Elizabeth Winstead, and Catherine O'Hara in the comedy A.C.O.D. (2013), portraying what the Washington Post described as a "fellow child of divorce", with whom Scott's character "almost cheats on" her girlfriend.[61] ScreenRant critic Ben Kendrick wrote: "[Winstead] and [Alba] also deliver in their contributions – though both of their characters are mainly designed to be mirrors for Carter to examine his own life and choices."[62] A.C.O.D. received a limited theatrical run in North America.[63] In 2013, Alba also made her voice acting debut in the moderately successful animated film Escape from Planet Earth.[64]

Alba worked once again with director Rodriguez for two film sequels. She reprised her role of an Immigration Officer, in an uncredited cameo appearance, in Machete Kills (2013), which flopped with critics and audiences,[65] and her much larger role of stripper Nancy Callahan, seeking to avenge her late protector, in Sin City: A Dame to Kill For, which was released in August 2014, on 2D and 3D.[66][67][68] Unlike the first film, A Dame to Kill For was a commercial failure, grossing US$39 million against its US$65 million production budget,[69] and received mixed reviews from film critics. Variety felt it was a "late, limp attempt to turn Alba's character from an exploited figure into an empowered one".[70] She next took on the roles of a cabaret show performer in the dramedy Dear Eleanor (2014), the athletic girlfriend of a successful and well-respected English professor in the romantic comedy Some Kind of Beautiful (2014), a receptionist at a limo company in the thriller Stretch (also 2014), an emotionally vulnerable weapons trafficker in the crime comedy Barely Lethal (2015), and that of a documentary filmmaker in the horror film The Veil (2016); all films were released for limited theatrical runs and VOD.[71][72][73]

In the action film Mechanic: Resurrection (2016), alongside Jason Statham, Alba played the girlfriend of a retired hitman. She did Krav Maga to get into shape for the film,[74] and was drawn to the strength her character exhibited, remarking: "I think for these types of movies you don't often get to see the female romantic lead kind of kick butt. I mean, it's usually she's being saved by the guy, and so it's nice that I got to come to the table with a toughness, and a real heart".[75] The film made US$125.7 million worldwide.[76]

She will star in and executive produce a new documentary series for Disney+ called Parenting Without Borders (working title) which will focus on families around the world and their beliefs and culture.[77]

Other endeavors[edit]

The Honest Company[edit]

In January 2012, Alba and business partner Christopher Gavigan launched The Honest Company, selling a collection of household goods, diapers, and body care products.[7] The company was successful, and was valued at US$1 billion as of 2014.[78]

In early 2013, Alba released her book, The Honest Life, based on her experiences creating a natural, non-toxic life for her family. The book became a New York Times Best Seller.[79][80] In October 2015, Alba launched a collection of skin care and beauty products called Honest Beauty.[81][82]

As of April 2022, Alba owned 6.5 percent of the company. She was employed as the company's chief creative officer, receiving an annually base salary of $700,000 and restricted stock valued $1,500,000.[83] Alba stepped down as chief creative officer in April 2024.[84]

Charity and activism[edit]

Alba posed for a bondage-themed print advertising campaign by Declare Yourself, a campaign encouraging voter registration among youth for the 2008 United States presidential election. The ads, photographed by Mark Liddell,[85][86] feature Alba wrapped in and gagged with black tape, and drew national media attention.[86] Alba said of doing the advertisements that "it didn't freak me out at all." Alba also said, "I think it is important for young people to be aware of the need we have in this country to get them more active politically...People respond to things that are shocking."[86]

Alba endorsed and supported Democratic presidential hopeful Barack Obama during the 2008 primary season.[87] She also endorsed Hillary Clinton's campaign for president.[88]

Alba in 2009

In June 2009, while filming The Killer Inside Me in Oklahoma City, Alba was involved in a controversy with residents when she pasted posters of sharks around town.[89] Alba said that she was trying to bring attention to the diminishing population of great white sharks. Media outlets speculated that Alba would be pursued and charged with vandalism.[90] On June 16, 2009, Oklahoma City police said that they would not pursue criminal charges against Alba, because none of the property owners wanted to pursue it.[91][92] Alba apologized in a statement to People magazine and said that she regretted her actions.[91] She later donated an undisclosed amount of money (over US$500)[93] to the United Way, whose billboard she had obscured with one of the shark posters.[94][95][96][97]

In 2011, Alba participated in a two day lobbying effort in Washington D.C. in support of the Safe Chemicals Act, a revision of the Toxic Substances Control Act of 1976.[98][99] Alba returned to Capitol Hill in 2015 to lobby lawmakers as they once again debated a replacement for the 1976 Substances Control Act.[100] She has also been a strong supporter of gay rights and on June 27, 2013, she expressed her delight with the Supreme Court's decision to strike down DOMA on her Twitter account. She tweeted "#equality #love".[101]

Alba's charity work has included participation with Clothes Off Our Back, Habitat for Humanity, National Center for Missing and Exploited Children, Project HOME, RADD, Revlon Run/Walk for Women, SOS Children's Villages, Soles4Souls, Step Up and Baby2Baby.[102][103] Alba is an ambassador for the 1Goal movement to provide education to children in Africa.[104] She has also served as a Baby2Baby "angel" ambassador, donating and helping to distribute items such as diapers and clothing to families in Los Angeles.[105] In 2015, Alba and The Honest Company sponsored a laboratory at Mount Sinai Hospital in New York City. The lab was announced to be a specialized room designed to keep out dust and particles, where a team of epidemiologists would research links between household chemicals and autism.[106]

Public image[edit]

Smiling young woman with wavy hair pulled up in a loose bun, wearing a gold low-cut dress and accompanied by a man. She is signing autographs.

iPhone

iPhone theme by argen_213

Download: iPhone_argen_213.p3t

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iPhone
Front face of the latest model, the iPhone 15 Pro
DeveloperApple
ManufacturerContract manufacturers:
TypeSmartphone
Units sold2.3 billion (as of January 1, 2024)[1]
Operating systemiOS
Storage64, 128, 256, 512 GB or 1 TB[note 1] flash memory[2] (current models)
Sound
PowerBuilt-in rechargeable lithium-ion battery
Online services
Related
Websiteapple.com/iphone

The iPhone is a line of smartphones produced by Apple that use Apple's own iOS mobile operating system. The first-generation iPhone was announced by then–Apple CEO Steve Jobs on January 9, 2007. Since then, Apple has annually released new iPhone models and iOS updates. As of November 1, 2018, more than 2.2 billion iPhones had been sold.

The iPhone was the first mobile phone to use multi-touch technology.[3] Since the iPhone's launch, it has gained larger screen sizes, video-recording, waterproofing, and many accessibility features. Up to the iPhone 8 and 8 Plus, iPhones had a single button on the front panel, with the iPhone 5s and later integrating a Touch ID fingerprint sensor.[4] Since the iPhone X, iPhone models have switched to a nearly bezel-less front screen design with Face ID facial recognition, and app switching activated by gestures. Touch ID is still used for the budget iPhone SE series.

The iPhone is one of the two largest smartphone platforms in the world alongside Android, and is a large part of the luxury market. The iPhone has generated large profits for Apple, making it one of the world's most valuable publicly traded companies. The first-generation iPhone was described as a "revolution" for the mobile phone industry and subsequent models have also garnered praise.[5] The iPhone has been credited with popularizing the smartphone and slate form factor, and with creating a large market for smartphone apps, or "app economy". As of January 2017, Apple's App Store contained more than 2.2 million applications for the iPhone.

History[edit]

Development of an Apple smartphone began in 2004, when Apple started to gather a team of 1,000 employees led by hardware engineer Tony Fadell, software engineer Scott Forstall, and design officer Jony Ive,[6] to work on the highly confidential "Project Purple".[7][8]

Then-Apple CEO Steve Jobs steered the original focus away from a tablet (which was later revisited in the form of the iPad) towards a phone.[9] Apple created the device during a secretive collaboration with Cingular Wireless (later renamed AT&T Mobility) at an estimated development cost of US$150 million over thirty months.[10] According to Jobs in 1998, the "i" word in "iMac" (and thereafter "iPod", "iPhone" and "iPad") stands for internet, individual, instruct, inform, and inspire.[11][12]

Apple rejected the "design by committee" approach that had yielded the Motorola ROKR E1, a largely unsuccessful "iTunes phone" made in collaboration with Motorola. Among other deficiencies, the ROKR E1's firmware limited storage to only 100 iTunes songs to avoid competing with Apple's iPod nano.[13][14] Cingular gave Apple the liberty to develop the iPhone's hardware and software in-house, a rare practice at the time,[15][16] and paid Apple a fraction of its monthly service revenue (until the iPhone 3G),[17] in exchange for four years of exclusive U.S. sales, until 2011.[18]

Jobs unveiled the first-generation iPhone to the public on January 9, 2007, at the Macworld 2007 convention at the Moscone Center in San Francisco.[19] The iPhone incorporated a 3.5-inch multi-touch display with few hardware buttons, and ran the iPhone OS operating system with a touch-friendly interface, then marketed as a version of Mac OS X.[20] It launched on June 29, 2007, at a starting price of US$499 in the United States, and required a two-year contract with AT&T.[21] The price was reduced by a third after two months. The resulting complaints forced Jobs to issue an apology and offer a partial rebate to early purchasers of the phone.[22]

Worldwide iPhone availability:
  iPhone available since its original release
  iPhone available since the release of iPhone 3G

On July 11, 2008, at Apple's Worldwide Developers Conference (WWDC) 2008, Apple announced the iPhone 3G, and expanded its launch-day availability to twenty-two countries, and it was eventually released in 70 countries and territories.[23][24] The iPhone 3G introduced faster 3G connectivity, and a lower starting price of US$199 (with a two-year AT&T contract).[25] It proved commercially popular, overtaking Motorola RAZR V3 as the best selling cell phone in the US by the end of 2008.[26] Its successor, the iPhone 3GS, was announced on June 8, 2009, at WWDC 2009, and introduced video recording functionality.[27]

First iPhone on display under glass at the January 2007 Macworld show

The iPhone 4 was announced on June 7, 2010, at WWDC 2010, and introduced a redesigned body incorporating a stainless steel frame and a rear glass panel.[28] At release, the iPhone 4 was marketed as the "world's thinnest smartphone";[28] it uses the Apple A4 processor, being the first iPhone to use an Apple custom-designed chip. It introduced the Retina display, having four-times the display resolution of preceding iPhones, and was the highest-resolution smartphone screen at release;[28] a front-facing camera was also introduced, enabling video calling functionality via FaceTime.

Users of the iPhone 4 reported dropped/disconnected telephone calls when holding their phones in a certain way, and this issue was nicknamed "antennagate".[29] In January 2011, as Apple's exclusivity agreement with AT&T was expiring, Verizon announced that they would be carrying the iPhone 4, with a model compatible with Verizon's CDMA network releasing on February 10.[30][31]

The iPhone 4s was announced on October 4, 2011, and introduced the Siri virtual assistant, a dual-core A5 processor, and an 8 megapixel camera with 1080p video recording functionality. The iPhone 5 was announced on September 12, 2012, and introduced a larger 4-inch screen, up from the 3.5-inch screen of all previous iPhone models, as well as faster 4G LTE connectivity.[32] It also introduced a thinner and lighter body made of aluminum alloy, and the 30-pin dock connector of previous iPhones was replaced with the new, reversible Lightning connector.[32]

Bottom angle comparison between iPhone 5c (top), iPhone 5s (middle), and iPhone 4s (bottom)

The iPhone 5s and iPhone 5c were announced on September 10, 2013. The iPhone 5s included a 64-bit A7 processor, becoming the first ever 64-bit smartphone;[33] it also introduced the Touch ID fingerprint authentication sensor. The iPhone 5c was a lower-cost device that incorporated hardware from the iPhone 5, into a series of colorful plastic frames.[34]

On September 9, 2014, Apple introduced the iPhone 6 and iPhone 6 Plus, and included significantly larger screens than the iPhone 5s, at 4.7-inch and 5.5-inch respectively; both models also introduced mobile payment technology via Apple Pay.[35] Optical image stabilization was introduced to the 6 Plus' camera. The Apple Watch was also introduced on the same day, and is a smartwatch that operates in conjunction with a connected iPhone. Some users experienced bending issues from normal use with the iPhone 6 and 6 Plus, particularly on the latter model, and this issue was nicknamed "bendgate".[36]

The iPhone 6s and 6s Plus were introduced on September 9, 2015, and included a more bend-resistant frame made of a stronger aluminum alloy, as well as a higher resolution 12 megapixel main camera capable of 4K video recording.[37] The first-generation iPhone SE was introduced on March 21, 2016, and was a low-cost device that incorporated newer hardware from the iPhone 6s, in the frame of the older iPhone 5s.[38]

The iPhone 7 and 7 Plus were announced on September 7, 2016, which introduced larger camera sensors, IP67-certified water and dust resistance, and a quad-core A10 Fusion processor utilizing big.LITTLE technology;[39] the 3.5 mm headphone jack was removed, and was followed by the introduction of the AirPods wireless earbuds.[40] Optical image stabilization was added to the 7's camera. A second telephoto camera lens was added on the 7 Plus, enabling two-times optical zoom, and "Portrait" photography mode which simulates bokeh in photos.[41]

The iPhone 8, 8 Plus, and iPhone X were announced on September 12, 2017, in Apple's first event held at the Steve Jobs Theater in Apple Park. All models featured rear glass panel designs akin to the iPhone 4, wireless charging, and a hexa-core A11 Bionic chip with "Neural Engine" AI accelerator hardware. The iPhone X additionally introduced a 5.8-inch OLED "Super Retina" display with a "bezel-less" design, with a higher pixel density and contrast ratio than previous iPhones with LCD displays, and introduced a stronger frame made of stainless steel. It also introduced Face ID facial recognition authentication hardware, in a "notch" screen cutout, in place of Touch ID;[42][43] the home button was removed to achieve the “bezel-less” design, replacing it with a gesture-based navigation system.[44] At its US$999 starting price, the iPhone X was the most expensive iPhone at launch.[45]

Picture of the cameras on the iPhone 13 Pro.

The iPhone XR, iPhone XS, and XS Max were announced on September 12, 2018. All models featured the "Smart HDR" computational photography system, and a significantly more powerful "Neural Engine".[46] The XS Max introduced a larger 6.5-inch screen. The iPhone XR included a 6.1-inch LCD "Liquid Retina" display, with a "bezel-less" design similar to the iPhone X, but does not include a second telephoto lens; it was made available in a series of vibrant colors, akin to the iPhone 5c, and was a lower-cost device compared to the iPhone X and XS.[47]

The iPhone 11, 11 Pro, and 11 Pro Max were announced on September 10, 2019. The iPhone 11 was the successor to the iPhone XR, while the iPhone 11 Pro and 11 Pro Max succeeded the iPhone XS and XS Max. All models gained an ultra-wide lens, enabling two-times optical zoom out, as well as larger batteries for longer battery life.[48][49] The second-generation iPhone SE was introduced on April 17, 2020, and was a low-cost device that incorporated newer hardware from the iPhone 11, in the frame of the older iPhone 8, while retaining the home button and the Touch ID sensor.[50]

The iPhone 12, 12 Mini, 12 Pro, and 12 Pro Max were announced via a livestream event on October 13, 2020. All models featured OLED "Super Retina XDR" displays, introduced faster 5G connectivity, and the MagSafe magnetic charging and accessory system; a slimmer flat-edged design was also introduced, which combined with stronger glass-ceramic front glass, added better drop protection compared to previous iPhones.[51][52] The iPhone 12 Mini introduced a smaller 5.4-inch screen, while the 12 Pro and 12 Pro Max had larger screens of 6.1-inch and 6.7-inch respectively. The iPhone 12 Pro and 12 Pro Max additionally added a Lidar sensor for better accuracy in augumented reality (AR) applications.

The iPhone 13, 13 Mini, 13 Pro, and 13 Pro Max were announced via a livestream event on September 14, 2021. All models featured larger camera sensors, larger batteries for longer battery life, and a narrower "notch" screen cutout.[53] The iPhone 13 Pro and 13 Pro Max additionally introduced smoother adaptive 120 Hz refresh rate "ProMotion" technology in its OLED display, and three-times optical zoom in the telephoto lens.[54] The low-cost third-generation iPhone SE was introduced on March 8, 2022, and incorporated the A15 Bionic chip from the iPhone 13, but otherwise retained similar hardware to the second-generation iPhone SE.

The iPhone 14, 14 Plus, 14 Pro, and 14 Pro Max were announced on September 7, 2022. All models introduced satellite phone emergency calling functionality. The iPhone 14 Plus introduced the large 6.7-inch screen size, first seen on the iPhone 12 Pro Max, into a lower-cost device.[55] The iPhone 14 Pro and 14 Pro Max additionally introduced a higher-resolution 48-megapixel main camera, the first increase in megapixel count since the iPhone 6s; it also introduced always-on display technology to the lock screen, and an interactive status bar interface integrated in a redesigned screen cutout, entitled "Dynamic Island".[56]

The iPhone 15, 15 Plus, 15 Pro, and 15 Pro Max were announced on September 12, 2023. Starting with this group of devices, all models switch to using USB-C as their power connector to comply with European Commission regulations, replacing Apple's proprietary Lightning connector after eleven years of use in previous models.[57] All models feature the Dynamic Island, which debuted with the iPhone 14 Pro (effectively retiring the "notch" display cutout), slightly curved edges, and a frosted glass back.[58][59][60] The iPhone 15 Pro and 15 Pro Max also replace the mute switch and stainless-steel edges with the "Action" button and titanium, respectively.[60]

Models[edit]

42 iPhone models have been produced. The models in bold are devices of the latest generation:

iPhone models currently in production[61]
Release date Model System-on-a-chip
September 24, 2021 iPhone 13 Apple A15
March 18, 2022 iPhone SE (3rd generation)
September 16, 2022 iPhone 14
October 7, 2022 iPhone 14 Plus
September 22, 2023 iPhone 15 Apple A16
iPhone 15 Plus
iPhone 15 Pro Apple A17
iPhone 15 Pro Max

Availability and Support Lifespan of all iPhone Models
Model Release(d) Discontinued Support
With OS Date Ended Final OS[a] Lifespan[b]
Max[c] Min[d]
iPhone iPhone OS 1.0 June 29, 2007 (2007-06-29) June 9, 2008 (2008-06-09) June 20, 2010 (2010-06-20) iPhone OS 3.1.3 2 years, 11 months 2 years
iPhone 3G iPhone OS 2.0 July 11, 2008 (2008-07-11) August 9, 2010 (2010-08-09) March 3, 2011 (2011-03-03) iOS 4.2.1 2 years, 7 months 6 months
iPhone 3GS iPhone OS 3.0 June 19, 2009 (2009-06-19) September 12, 2012 (2012-09-12) September 18, 2013 (2013-09-18)
(late, single update: February 21, 2014 (2014-02-21))
iOS 6.1.3
(6.1.6)
4 years, 2 months 1 year
iPhone 4 iOS 4.0 June 24, 2010 (2010-06-24) September 10, 2013 (2013-09-10) September 17, 2014 (2014-09-17) iOS 7.1.2 4 years, 2 months 1 year
iPhone 4s iOS 5.0 October 14, 2011 (2011-10-14) September 9, 2014 (2014-09-09) September 12, 2016 (2016-09-12)
(late, single update: July 22, 2019 (2019-07-22))
iOS 9.3.5
(9.3.6)
4 years, 10 months 2 years
iPhone 5 iOS 6.0 September 21, 2012 (2012-09-21) September 10, 2013 (

Batman

Batman theme by shagg_187

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Batman
Cover of the DC Comics Absolute Edition of Batman: Hush (2011)
Art by Jim Lee
Publication information
PublisherDC Comics
First appearanceDetective Comics #27
(cover-dated May 1939; published March 30, 1939)[1]
Created by
In-story information
Alter egoBruce Wayne
Place of originGotham City
Team affiliations
Partnerships
Notable aliases
  • Matches Malone
  • Dark Knight
  • World's Greatest Detective
  • Caped Crusader
  • Darknight Detective
Abilities
  • Genius-level intellect
  • Expert detective
  • Master martial artist and hand-to-hand combatant
  • Master tactician, strategist, and field commander
  • Peak human physical and mental condition
  • Utilizes high-tech equipment and weapons

Batman[a] is a superhero appearing in American comic books published by DC Comics. The character was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939. In the DC Universe continuity, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in Gotham City. Batman's origin story features him swearing vengeance against criminals after witnessing the murder of his parents Thomas and Martha as a child, a vendetta tempered with the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth, James Gordon, and love interest Catwoman; and foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker.

DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders. In addition to Bruce Wayne, other characters have taken on the Batman persona on different occasions, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, son of Wayne's ally Lucius, as of 2021.[4] DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations from Elseworlds stories.

One of the most iconic characters in popular culture, Batman has been listed among the greatest comic book superheroes and fictional characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games like the Batman: Arkham series. Batman has been adapted in live-action and animated incarnations, including the 1960s Batman television series played by Adam West and in film by Michael Keaton in Batman (1989), Batman Returns (1992), and The Flash (2023), Val Kilmer in Batman Forever (1995), George Clooney in Batman & Robin (1997), Christian Bale in The Dark Knight trilogy (2005–2012), Ben Affleck in the DC Extended Universe (2016–2023), and Robert Pattinson in The Batman (2022). Many actors, most prolifically Kevin Conroy, have provided the character's voice in animation and video games.

Publication history[edit]

Creation[edit]

First published image of Batman, in Action Comics #12, announcing the character's debut in the forthcoming Detective Comics #27[5]

In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man".[6] Collaborator Bill Finger recalled that "Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ...reddish tights, I believe, with boots ...no gloves, no gauntlets ...with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ...BATMAN".[7] According to Kane, the bat-wing-like cape was inspired by his childhood recollection of Leonardo da Vinci's sketch of an ornithopter flying device.[8]

Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume.[9][10][11][12] Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert the Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ...then I thought of Mad Anthony Wayne."[13] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.[14]

Kane and Finger drew upon contemporary 1930s popular culture for inspiration regarding much of the Bat-Man's look, personality, methods, and weaponry. Details find predecessors in pulp fiction, comic strips, newspaper headlines, and autobiographical details referring to Kane himself.[15] As an aristocratic hero with a double identity, Batman has predecessors in the Scarlet Pimpernel (created by Baroness Emmuska Orczy, 1903) and Zorro (created by Johnston McCulley, 1919). Like them, Batman performs his heroic deeds in secret, averts suspicion by playing aloof in public, and marks his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the character's iconography. Finger, drawing inspiration from pulp heroes like Doc Savage, The Shadow, Dick Tracy, and Sherlock Holmes, made the character a master sleuth.[16][17]

In his 1989 autobiography, Kane detailed Finger's contributions to Batman's creation:

One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at.' He came over and I showed him the drawings. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face. Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious?' At this point, the Bat-Man wore a red union suit; the wings, trunks, and mask were black. I thought that red and black would be a good combination. Bill said that the costume was too bright: 'Color it dark grey to make it look more ominous.' The cape looked like two stiff bat wings attached to his arms. As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.[14]

Subsequent creation credit[edit]

Kane signed away ownership in the character in exchange for, among other compensation, a mandatory byline on all Batman comics. This byline did not originally say "Batman created by Bob Kane"; his name was simply written on the title page of each story. The name disappeared from the comic book in the mid-1960s, replaced by credits for each story's actual writer and artists. In the late 1970s, when Jerry Siegel and Joe Shuster began receiving a "created by" credit on the Superman titles, along with William Moulton Marston being given the byline for creating Wonder Woman, Batman stories began saying "Created by Bob Kane" in addition to the other credits.

Finger did not receive the same recognition. While he had received credit for other DC work since the 1940s, he began, in the 1960s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman #169 (February 1965) for example, editor Julius Schwartz names him as the creator of the Riddler, one of Batman's recurring villains. However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by."[13] At the time of Finger's death in 1974, DC had not officially credited Finger as Batman co-creator.

Jerry Robinson, who also worked with Finger and Kane on the strip at this time, has criticized Kane for failing to share the credit. He recalled Finger resenting his position, stating in a 2005 interview with The Comics Journal:

Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why ...[he was] going to leave [Kane's employ]. ...[Kane] should have credited Bill as co-creator, because I know; I was there. ...That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman. As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer, and artist.[18]

Although Kane initially rebutted Finger's claims at having created the character, writing in a 1965 open letter to fans that "it seemed to me that Bill Finger has given out the impression that he and not myself created the ''Batman, t' [sic] as well as Robin and all the other leading villains and characters. This statement is fraudulent and entirely untrue." Kane himself also commented on Finger's lack of credit. "The trouble with being a 'ghost' writer or artist is that you must remain rather anonymously without 'credit'. However, if one wants the 'credit', then one has to cease being a 'ghost' or follower and become a leader or innovator."[19]

In 1989, Kane revisited Finger's situation, recalling in an interview:

In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version. So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.[20]

In September 2015, DC Entertainment revealed that Finger would be receiving credit for his role in Batman's creation on the 2016 superhero film Batman v Superman: Dawn of Justice and the second season of Gotham after a deal was worked out between the Finger family and DC.[2] Finger received credit as a creator of Batman for the first time in a comic in October 2015 with Batman and Robin Eternal #3 and Batman: Arkham Knight Genesis #3. The updated acknowledgment for the character appeared as "Batman created by Bob Kane with Bill Finger".[3]

Golden Age[edit]

Early years[edit]

Batman made his debut in Detective Comics #27 (cover dated May 1939), cover art by Bob Kane

The first Batman story, "The Case of the Chemical Syndicate", was published in Detective Comics #27 (cover dated May 1939). It largely duplicated the plot of the story "Partners of Peril" in The Shadow #113, which was written by Theodore Tinsley and illustrated by Tom Lovell.[21] Finger said, "Batman was originally written in the style of the pulps",[22] and this influence was evident with Batman showing little remorse over killing or maiming criminals. Batman proved a hit character, and he received his own solo title in 1940 while continuing to star in Detective Comics. By that time, Detective Comics was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.[23] The two characters were featured side by side as the stars of World's Finest Comics, which was originally titled World's Best Comics when it debuted in fall 1940. Creators including Jerry Robinson and Dick Sprang also worked on the strips during this period.

Over the course of the first few Batman strips elements were added to the character and the artistic depiction of Batman evolved. Kane noted that within six issues he drew the character's jawline more pronounced, and lengthened the ears on the costume. "About a year later he was almost the full figure, my mature Batman", Kane said.[24] Batman's characteristic utility belt was introduced in Detective Comics #29 (July 1939), followed by the boomerang-like batarang and the first bat-themed vehicle, the Batplane, in #31 (September 1939). The character's origin was revealed in #33 (November 1939), unfolding in a two-page story that establishes the brooding persona of Batman, a character driven by the death of his parents. Written by Finger, it depicts a young Bruce Wayne witnessing his parents' murder at the hands of a mugger. Days later, at their grave, the child vows that "by the spirits of my parents [I will] avenge their deaths by spending the rest of my life warring on all criminals".[25][26][27]

The early, pulp-inflected portrayal of Batman started to soften in Detective Comics #38 (April 1940) with the introduction of Robin, Batman's junior counterpart.[28] Robin was introduced, based on Finger's suggestion, because Batman needed a "Watson" with whom Batman could talk.[29] Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks".[30] The first issue of the solo spin-off series Batman was notable not only for introducing two of his most persistent enemies, the Joker and Catwoman, but for a pre-Robin inventory story, originally meant for Detective Comics #38, in which Batman shoots some monstrous giants to death.[31][32] That story prompted editor Whitney Ellsworth to decree that the character could no longer kill or use a gun.[33]

By 1942, the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[34] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy". The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[35]

Silver and Bronze Ages[edit]

1950s and early 1960s[edit]

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity.[36] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[37] The team-up of the characters was "a financial success in an era when those were few and far between";[38] this series of stories ran until the book's cancellation in 1986.

Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers.[39] Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.[40] Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.[41]

In the late 1950s, Batman stories gradually became more science fiction-oriented, an attempt at mimicking the success of other DC characters that had dabbled in the genre.[42] New characters such as Batwoman, the original Bat-Girl, Ace the Bat-Hound, and Bat-Mite were introduced. Batman's adventures often involved odd transformations or bizarre space aliens. In 1960, Batman debuted as a member of the Justice League of America in The Brave and the Bold #28 (February 1960), and went on to appear in several Justice League comic book series starting later that same year.

"New Look" Batman and camp[edit]

By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was "planning to kill Batman off altogether".[43] In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964's Detective Comics #327 (May 1964), which was cover-billed as the "New Look". Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman's costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace the Bat-Hound, and Bat-Mite were retired. Bruce Wayne's butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet Cooper, came to live with Bruce Wayne and Dick Grayson.[44]

The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies.[45] Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."[46]

Cover of Batman#227 (November 1970) returning Batman to the darker roots of the original publications. Art by Neal Adams.

Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night".[47] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[48]

O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" in Detective Comics #395 (January 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous".[49] Giordano said: "We went back to a grimmer, darker Batman, and I think that's why these stories did so well ..."[50] While the work of O'Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992.[51] Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.[52]

Modern Age[edit]

The Dark Knight Returns[edit]

Frank Miller's limited series The Dark Knight Returns (February–June 1986) returned the character to his darker roots, both in atmosphere and tone. The comic book, which tells the story of a 55-year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[53] The series also sparked a major resurgence in the character's popularity.[54]

That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering 12-issue miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[55] One outcome of this new approach was the "Year One" storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character's origins.[56] Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot issue Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.[57]

The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason's death by a narrow margin of 28 votes (see Batman: A Death in the Family).[56]

Knightfall[edit]

The 1993 "Knightfall" story arc introduced a new villain, Bane, who critically injures Batman after pushing him to the limits of his endurance. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench,

Autonomy

Autonomy Theme by Qwazar55

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In developmental psychology and moral, political, and bioethical philosophy, autonomy[note 1] is the capacity to make an informed, uncoerced decision. Autonomous organizations or institutions are independent or self-governing. Autonomy can also be defined from a human resources perspective, where it denotes a (relatively high) level of discretion granted to an employee in his or her work.[1] In such cases, autonomy is known to generally increase job satisfaction. Self-actualized individuals are thought to operate autonomously of external expectations.[2] In a medical context, respect for a patient's personal autonomy is considered one of many fundamental ethical principles in medicine.

Sociology[edit]

In the sociology of knowledge, a controversy over the boundaries of autonomy inhibited analysis of any concept beyond relative autonomy,[3] until a typology of autonomy was created and developed within science and technology studies. According to it, the institution of science's existing autonomy is "reflexive autonomy": actors and structures within the scientific field are able to translate or to reflect diverse themes presented by social and political fields, as well as influence them regarding the thematic choices on research projects.

Institutional autonomy[edit]

Institutional autonomy is having the capacity as a legislator to be able to implant and pursue official goals. Autonomous institutions are responsible for finding sufficient resources or modifying their plans, programs, courses, responsibilities, and services accordingly.[4] But in doing so, they must contend with any obstacles that can occur, such as social pressure against cut-backs or socioeconomic difficulties. From a legislator's point of view, to increase institutional autonomy, conditions of self-management and institutional self-governance must be put in place. An increase in leadership and a redistribution of decision-making responsibilities would be beneficial to the research of resources.[5]

Institutional autonomy was often seen as a synonym for self-determination, and many governments feared that it would lead institutions to an irredentist or secessionist region. But autonomy should be seen as a solution to self-determination struggles. Self-determination is a movement toward independence, whereas autonomy is a way to accommodate the distinct regions/groups within a country. Institutional autonomy can diffuse conflicts regarding minorities and ethnic groups in a society. Allowing more autonomy to groups and institutions helps create diplomatic relationships between them and the central government.[6]

Politics[edit]

In governmental parlance, autonomy refers to self-governance. An example of an autonomous jurisdiction was the former United States governance of the Philippine Islands. The Philippine Autonomy Act of 1916 provided the framework for the creation of an autonomous government under which the Filipino people had broader domestic autonomy than previously, although it reserved certain privileges to the United States to protect its sovereign rights and interests.[7] Other examples include Kosovo (as the Socialist Autonomous Province of Kosovo) under the former Yugoslav government of Marshal Tito[8] and Puntland Autonomous Region within Federal Republic of Somalia.

Although often being territorially defined as self-governments, autonomous self-governing institutions may take a non-territorial form. Such non-territorial solutions are, for example, cultural autonomy in Estonia and Hungary, national minority councils in Serbia or Sámi parliaments in Nordic countries.[9][10]

Philosophy[edit]

Autonomy is a key concept that has a broad impact on different fields of philosophy. In metaphysical philosophy, the concept of autonomy is referenced in discussions about free will, fatalism, determinism, and agency. In moral philosophy, autonomy refers to subjecting oneself to objective moral law.[11]

According to Kant[edit]

Immanuel Kant (1724–1804) defined autonomy by three themes regarding contemporary ethics. Firstly, autonomy as the right for one to make their own decisions excluding any interference from others. Secondly, autonomy as the capacity to make such decisions through one's own independence of mind and after personal reflection. Thirdly, as an ideal way of living life autonomously. In summary, autonomy is the moral right one possesses, or the capacity we have in order to think and make decisions for oneself providing some degree of control or power over the events that unfold within one's everyday life.[12]

The context in which Kant addresses autonomy is in regards to moral theory, asking both foundational and abstract questions. He believed that in order for there to be morality, there must be autonomy. "Autonomous" is derived from the Greek word autonomos [13] where 'auto' means self and 'nomos' means to govern (nomos: as can be seen in its usage in nomárchēs which means chief of the province). Kantian autonomy also provides a sense of rational autonomy, simply meaning one rationally possesses the motivation to govern their own life. Rational autonomy entails making your own decisions but it cannot be done solely in isolation. Cooperative rational interactions are required to both develop and exercise our ability to live in a world with others.

Kant argued that morality presupposes this autonomy (German: Autonomie) in moral agents, since moral requirements are expressed in categorical imperatives. An imperative is categorical if it issues a valid command independent of personal desires or interests that would provide a reason for obeying the command. It is hypothetical if the validity of its command, if the reason why one can be expected to obey it, is the fact that one desires or is interested in something further that obedience to the command would entail. "Don't speed on the freeway if you don't want to be stopped by the police" is a hypothetical imperative. "It is wrong to break the law, so don't speed on the freeway" is a categorical imperative. The hypothetical command not to speed on the freeway is not valid for you if you do not care whether you are stopped by the police. The categorical command is valid for you either way. Autonomous moral agents can be expected to obey the command of a categorical imperative even if they lack a personal desire or interest in doing so. It remains an open question whether they will, however.

The Kantian concept of autonomy is often misconstrued, leaving out the important point about the autonomous agent's self-subjection to the moral law. It is thought that autonomy is fully explained as the ability to obey a categorical command independently of a personal desire or interest in doing so—or worse, that autonomy is "obeying" a categorical command independently of a natural desire or interest; and that heteronomy, its opposite, is acting instead on personal motives of the kind referenced in hypothetical imperatives.

In his Groundwork of the Metaphysic of Morals, Kant applied the concept of autonomy also to define the concept of personhood and human dignity. Autonomy, along with rationality, are seen by Kant as the two criteria for a meaningful life. Kant would consider a life lived without these not worth living; it would be a life of value equal to that of a plant or insect.[14] According to Kant autonomy is part of the reason that we hold others morally accountable for their actions. Human actions are morally praise- or blame-worthy in virtue of our autonomy. Non- autonomous beings such as plants or animals are not blameworthy due to their actions being non-autonomous.[14] Kant's position on crime and punishment is influenced by his views on autonomy. Brainwashing or drugging criminals into being law-abiding citizens would be immoral as it would not be respecting their autonomy. Rehabilitation must be sought in a way that respects their autonomy and dignity as human beings.[15]

According to Nietzsche[edit]

Friedrich Nietzsche wrote about autonomy and the moral fight.[16] Autonomy in this sense is referred to as the free self and entails several aspects of the self, including self-respect and even self-love. This can be interpreted as influenced by Kant (self-respect) and Aristotle (self-love). For Nietzsche, valuing ethical autonomy can dissolve the conflict between love (self-love) and law (self-respect) which can then translate into reality through experiences of being self-responsible. Because Nietzsche defines having a sense of freedom with being responsible for one's own life, freedom and self-responsibility can be very much linked to autonomy.[17]

According to Piaget[edit]

The Swiss philosopher Jean Piaget (1896–1980) believed that autonomy comes from within and results from a "free decision". It is of intrinsic value and the morality of autonomy is not only accepted but obligatory. When an attempt at social interchange occurs, it is reciprocal, ideal and natural for there to be autonomy regardless of why the collaboration with others has taken place. For Piaget, the term autonomous can be used to explain the idea that rules are self-chosen. By choosing which rules to follow or not, we are in turn determining our own behaviour.[18]

Piaget studied the cognitive development of children by analyzing them during their games and through interviews, establishing (among other principles) that the children's moral maturation process occurred in two phases, the first of heteronomy and the second of autonomy:

  • Heteronomous reasoning: Rules are objective and unchanging. They must be literal because the authority are ordering it and do not fit exceptions or discussions. The base of the rule is the superior authority (parents, adults, the State), that it should not give reason for the rules imposed or fulfilled them in any case. Duties provided are conceived as given from oneself. Any moral motivation and sentiments are possible through what one believes to be right.
  • Autonomous reasoning: Rules are the product of an agreement and, therefore, are modifiable. They can be subject to interpretation and fit exceptions and objections. The base of the rule is its own acceptance, and its meaning has to be explained. Sanctions must be proportionate to the absence, assuming that sometimes offenses can go unpunished, so that collective punishment is unacceptable if it is not the guilty. The circumstances may not punish a guilty. Duties provided are conceived as given from the outside. One follows rules mechanically as it is simply a rule, or as a way to avoid a form of punishment.

According to Kohlberg[edit]

The American psychologist Lawrence Kohlberg (1927–1987) continues the studies of Piaget. His studies collected information from different latitudes to eliminate the cultural variability, and focused on the moral reasoning, and not so much in the behavior or its consequences. Through interviews with adolescent and teenage boys, who were to try and solve "moral dilemmas", Kohlberg went on to further develop the stages of moral development. The answers they provided could be one of two things. Either they choose to obey a given law, authority figure or rule of some sort or they chose to take actions that would serve a human need but in turn break this given rule or command.

The most popular moral dilemma asked involved the wife of a man approaching death due to a special type of cancer. Because the drug was too expensive to obtain on his own, and because the pharmacist who discovered and sold the drug had no compassion for him and only wanted profits, he stole it. Kohlberg asks these adolescent and teenage boys (10-, 13- and 16-year-olds) if they think that is what the husband should have done or not. Therefore, depending on their decisions, they provided answers to Kohlberg about deeper rationales and thoughts and determined what they value as important. This value then determined the "structure" of their moral reasoning.[19]

Kohlberg established three stages of morality, each of which is subdivided into two levels. They are read in progressive sense, that is, higher levels indicate greater autonomy.

  • Level 1: Premoral/Preconventional Morality: Standards are met (or not met) depending on the hedonistic or physical consequences.
    • [Stage 0: Egocentric Judgment: There is no moral concept independent of individual wishes, including a lack of concept of rules or obligations.]
    • Stage 1: Punishment-Obedience Orientation: The rule is obeyed only to avoid punishment. Physical consequences determine goodness or badness and power is deferred to unquestioningly with no respect for the human or moral value, or the meaning of these consequences. Concern is for the self.
    • Stage 2: Instrumental-Relativist Orientation: Morals are individualistic and egocentric. There is an exchange of interests but always under the point of view of satisfying personal needs. Elements of fairness and reciprocity are present but these are interpreted in a pragmatic way, instead of an experience of gratitude or justice. Egocentric in nature but beginning to incorporate the ability to see things from the perspective of others.
  • Level 2: Conventional Morality/Role Conformity: Rules are obeyed according to the established conventions of a society.
    • Stage 3: Good Boy–Nice Girl Orientation: Morals are conceived in accordance with the stereotypical social role. Rules are obeyed to obtain the approval of the immediate group and the right actions are judged based on what would please others or give the impression that one is a good person. Actions are evaluated according to intentions.
    • Stage 4: Law and Order Orientation: Morals are judged in accordance with the authority of the system, or the needs of the social order. Laws and order are prioritized.
  • Level 3: Postconventional Morality/Self-Accepted Moral Principles: Standards of moral behavior are internalized. Morals are governed by rational judgment, derived from a conscious reflection on the recognition of the value of the individual inside a conventionally established society.
    • Stage 5: Social Contract Orientation: There are individual rights and standards that have been lawfully established as basic universal values. Rules are agreed upon by through procedure and society comes to consensus through critical examination in order to benefit the greater good.
    • Stage 6: Universal Principle Orientation: Abstract ethical principles are obeyed on a personal level in addition to societal rules and conventions. Universal principles of justice, reciprocity, equality and human dignity are internalized and if one fails to live up to these ideals, guilt or self-condemnation results.

According to Audi[edit]

Robert Audi characterizes autonomy as the self-governing power to bring reasons to bear in directing one's conduct and influencing one's propositional attitudes.[20]: 211–212 [21] Traditionally, autonomy is only concerned with practical matters. But, as Audi's definition suggests, autonomy may be applied to responding to reasons at large, not just to practical reasons. Autonomy is closely related to freedom but the two can come apart. An example would be a political prisoner who is forced to make a statement in favor of his opponents in order to ensure that his loved ones are not harmed. As Audi points out, the prisoner lacks freedom but still has autonomy since his statement, though not reflecting his political ideals, is still an expression of his commitment to his loved ones.[22]: 249 

Autonomy is often equated with self-legislation in the Kantian tradition.[23][24] Self-legislation may be interpreted as laying down laws or principles that are to be followed. Audi agrees with this school in the sense that we should bring reasons to bear in a principled way. Responding to reasons by mere whim may still be considered free but not autonomous.[22]: 249, 257  A commitment to principles and projects, on the other hand, provides autonomous agents with an identity over time and gives them a sense of the kind of persons they want to be. But autonomy is neutral as to which principles or projects the agent endorses. So different autonomous agents may follow very different principles.[22]: 258  But, as Audi points out, self-legislation is not sufficient for autonomy since laws that do not have any practical impact do not constitute autonomy.[22]: 247–248  Some form of motivational force or executive power is necessary in order to get from mere self-legislation to self-government.[25] This motivation may be inherent in the corresponding practical judgment itself, a position known as motivational internalism, or may come to the practical judgment externally in the form of some desire independent of the judgment, as motivational externalism holds.[22]: 251–252 

In the Humean tradition, intrinsic desires are the reasons the autonomous agent should respond to. This theory is called instrumentalism.[26][27] Audi rejects instrumentalism and suggests that we should adopt a position known as axiological objectivism. The central idea of this outlook is that objective values, and not subjective desires, are the sources of normativity and therefore determine what autonomous agents should do.[22]: 261ff 

Child development[edit]

Autonomy in childhood and adolescence is when one strives to gain a sense of oneself as a separate, self-governing individual.[28] Between ages 1–3, during the second stage of Erikson's and Freud's stages of development, the psychosocial crisis that occurs is autonomy versus shame and doubt.[29] The significant event that occurs during this stage is that children must learn to be autonomous, and failure to do so may lead to the child doubting their own abilities and feel ashamed.[29] When a child becomes autonomous it allows them to explore and acquire new skills. Autonomy has two vital aspects wherein there is an emotional component where one relies more on themselves rather than their parents and a behavioural component where one makes decisions independently by using their judgement.[28] The styles of child rearing affect the development of a child's autonomy. Autonomy in adolescence is closely related to their quest for identity.[28] In adolescence parents and peers act as agents of influence. Peer influence in early adolescence may help the process of an adolescent to gradually become more autonomous by being less susceptible to parental or peer influence as they get older.[29] In adolescence the most important developmental task is to develop a healthy sense of autonomy.[29]

Religion[edit]

In Christianity, autonomy is manifested as a partial self-governance on various levels of church administration. During the history of Christianity, there were two basic types of autonomy. Some important parishes and monasteries have been given special autonomous rights and privileges, and the best known example of monastic autonomy is the famous Eastern Orthodox monastic community on Mount Athos in Greece. On the other hand, administrative autonomy of entire ecclesiastical provinces has throughout history included various degrees of internal self-governance.

In ecclesiology of Eastern Orthodox Churches, there is a clear distinction between autonomy and autocephaly, since autocephalous churches have full self-governance and independence, while every autonomous church is subject to some autocephalous church, having a certain degree of internal self-governance. Since every autonomous church had its own historical path to ecclesiastical autonomy, there are significant differences between various autonomous churches in respect of their particular degrees of self-governance. For example, churches that are autonomous can have their highest-ranking bishops, such as an archbishop or metropolitan, appointed or confirmed by the patriarch of the mother church from which it was granted its autonomy, but generally they remain self-governing in many other respects.

In the history of Western Christianity the question of ecclesiastical autonomy was also one of the most important questions, especially during the first centuries of Christianity, since various archbishops and metropolitans in Western Europe have often opposed centralizing tendencies of the Church of Rome.[30] As of 2019, the Catholic Church comprises 24 autonomous (sui iuris) Churches in communion with the Holy See. Various denominations of Protestant churches usually have more decentralized power, and churches may be autonomous, thus having their own rules or laws of government, at the national, local, or even individual level.

Sartre brings the concept of the Cartesian god being totally free and autonomous. He states that existence precedes essence with god being the creator of the essences, eternal truths and divine will. This pure freedom of god relates to human freedom and autonomy; where a human is not subjected to pre-existing ideas and values.[31]

According to the first amendment, In the United States of America, the federal government is restricted in building a national church. This is due to the first amendment's recognizing people's freedom's to worship their faith according to their own belief's. For example, the American government has removed the church from their "sphere of authority"[32] due to the churches' historical impact on politics and their authority on the public. This was the beginning of the disestablishment process. The Protestant churches in the United States had a significant impact on American culture in the nineteenth century, when they organized the establishment of schools, hospitals, orphanages, colleges, magazines, and so forth.[33] This has brought up the famous, however, misinterpreted term of the separation of church and state. These churches lost the legislative and financial support from the state.

The disestablishment process[edit]

The first disestablishment began with the introduction of the bill of rights.[34] In the twentieth century, due to the great depression of the 1930s and the completion of the second world war, the American churches were revived. Specifically the Protestant churches. This was the beginning of the second disestablishment[34] when churches had become popular again but held no legislative power. One of the reasons why the churches gained attendance and popularity was due to the baby boom, when soldiers came back from the second world war and started their families. The large influx of newborns gave the churches a new wave of followers. However, these followers did not hold the same beliefs as their parents and brought about the political, and religious revolutions of the 1960s.

During the 1960s, the collapse of religious and cultural middle brought upon the third disestablishment.[34] Religion became more important to the individual and less so to the community. The changes brought from these revolutions significantly increased the personal autonomy of individuals due to the lack of structural restraints giving them added freedom of choice. This concept is known as "new voluntarism"[34] where individuals have free choice on how to be religious and the free choice whether to be religious or not.

Medicine[edit]

In a medical context, respect for a patient's personal autonomy is considered one of many fundamental ethical principles in medicine.[35] Autonomy can be defined as the ability of the person to make his or her own decisions. This faith in autonomy is the central premise of the concept of informed consent and shared decision making. This idea, while considered essential to today's practice of medicine, was developed in the last 50 years. According to Tom Beauchamp and James Childress (in Principles of Biomedical Ethics), the Nuremberg trials detailed accounts of horrifyingly exploitative medical "experiments" which violated the subjects' physical integrity and personal autonomy.[36] These incidences prompted calls for safeguards in medical research, such as the Nuremberg Code which stressed the importance of voluntary participation in medical research. It is believed that the Nuremberg Code served as the premise for many current documents regarding research ethics.[37]

Respect for autonomy became incorporated in health care and patients could be allowed to make personal decisions about the health care services that they receive.[38] Notably, autonomy has several aspects as well as challenges that affect health care operations. The manner in which a patient is handled may undermine or support the autonomy of a patient and for this reason, the way a patient is communicated to becomes very crucial. A good relationship between a patient and a health care practitioner needs to be well defined to ensure that autonomy of a patient is respected.[39] Just like in any other life situation, a patient would not like to be under the control of another person. The move to emphasize respect for patient's autonomy rose from the vulnerabilities that were pointed out in regards to autonomy.

However, autonomy does not only apply in a research context. Users of the health care system have the right to be treated with respect for their autonomy, instead of being dominated by the physician.[40] This is referred to as paternalism. While paternalism is meant to be overall good for the patient, this can very easily interfere with autonomy.[41] Through the therapeutic relationship, a thoughtful dialogue between the client and the physician may lead to better outcomes for the client, as he or she is more of a participant in decision-making.

There are many different definitions of autonomy, many of which place the individual in a social context. Relational autonomy, which suggests that a person is defined through their relationships with others, is increasingly considered in medicine and particularly in critical[42] and end-of-life care.[43] Supported autonomy[44] suggests instead that in specific circumstances it may be necessary to temporarily compromise the autonomy of the person in the short term in order to preserve their autonomy in the long-term. Other definitions of the autonomy imagine the person as a contained and self-sufficient being whose rights should not be compromised under any circumstance.[45]

There are also differing views with regard to whether modern health care systems should be shifting to greater patient autonomy or a more paternalistic approach. For example, there are such arguments that suggest the current patient autonomy practiced is plagued by flaws such as misconceptions of treatment and cultural differences, and that health care systems should be shifting to greater paternalism on the part of the physician given their expertise.[46]  On the other hand, other approaches suggest that there simply needs to be an increase in relational understanding between patients and health practitioners to improve patient autonomy.[47]

One argument in favor of greater patient autonomy and its benefits is by Dave deBronkart, who believes that in the technological advancement age, patients are capable of doing a lot of their research on medical issues from their home. According to deBronkart, this helps to promote better discussions between patients and physicians during hospital visits, ultimately easing up the workload of physicians.[48] deBronkart argues that this leads to greater patient empowerment and a more educative health care system.[48] In opposition to this view, technological advancements can sometimes be viewed as an unfavorable way of promoting patient autonomy. For example, self-testing medical procedures which have become increasingly common are argued by Greaney et al. to increase patient autonomy, however, may not be promoting what is best for the patient. In this argument, contrary to deBronkart, the current perceptions of patient autonomy are excessively over-selling the benefits of individual autonomy, and is not the most suitable way to go about treating patients.[49] Instead, a more inclusive form of autonomy should be implemented, relational autonomy, which factors into consideration those close to the patient as well as the physician.[49] These different concepts of autonomy can be troublesome as the acting physician is faced with deciding which concept he/she will implement into their clinical practice.[50] It is often references as one of the four pillars of medicine, alongside beneficence, justice and nonmaleficence[51]

Autonomy varies and some patients find it overwhelming especially the minors when faced with emergency situations. Issues arise in emergency room situations where there may not be time to consider the principle of patient autonomy. Various ethical challenges are faced in these situations when time is critical, and patient consciousness may be limited. However, in such settings where informed consent may be compromised, the working physician evaluates each individual case to make the most professional and ethically sound decision.[52] For example, it is believed that neurosurgeons in such situations, should generally do everything they can to respect patient autonomy. In the situation in which a patient is unable to make an autonomous decision, the neurosurgeon should discuss with the surrogate decision maker in order to aid in the decision-making process.[52] Performing surgery on a patient without informed consent is in general thought to only be ethically justified when the neurosurgeon and his/her team render the patient to not have the capacity to make autonomous decisions. If the patient is capable of making an autonomous decision, these situations are generally less ethically strenuous as the decision is typically respected.[52]

Not every patient is capable of making an autonomous decision. For example, a commonly proposed question is at what age children should be partaking in treatment decisions.[53] This question arises as children develop differently, therefore making it difficult to establish a standard age at which children should become more autonomous.[53] Those who are unable to make the decisions prompt a challenge to medical practitioners since it becomes difficult to determine the ability of a patient to make a decision.[54] To some extent, it has been said that emphasis of autonomy in health care has undermined the practice of health care practitioners to improve the health of their patient as necessary. The scenario has led to tension in the relationship between a patient and a health care practitioner. This is because as much as a physician wants to prevent a patient from suffering, they still have to respect autonomy. Beneficence is a principle allowing physicians to act responsibly in their practice and in the best interests of their patients, which may involve overlooking autonomy.[55] However, the gap between a patient and a physician has led to problems because in other cases, the patients have complained of not being adequately informed.

The seven elements of informed consent (as defined by Beauchamp and Childress) include threshold elements (competence and voluntariness), information elements (disclosure, recommendation, and understanding) and consent elements (decision and authorization).[56] Some philosophers such as Harry Frankfurt consider Beauchamp and Childress criteria insufficient. They claim that an action can only be considered autonomous if it involves the exercise of the capacity to form higher-order values about desires when acting intentionally.[57] What this means is that patients may understand their situation and choices but would not be autonomous unless the patient is able to form value judgements about their reasons for choosing treatment options they would not be acting autonomously.

In certain unique circumstances, government may have the right to temporarily override the right to bodily integrity in order to preserve the life and well-being of the person. Such action can be described using the principle of "supported autonomy",[44] a concept that was developed to describe unique situations in mental health (examples include the forced feeding of a person dying from the eating disorder anorexia nervosa, or the temporary treatment of a person living with a psychotic disorder with antipsychotic medication). While controversial, the principle of supported autonomy aligns with the role of government to protect the life and liberty of its citizens. Terrence F. Ackerman has highlighted problems with these situations, he claims that by undertaking this course of action physician or governments run the risk of misinterpreting a conflict of values as a constraining effect of illness on a patient's autonomy.[58]

Since the 1960s, there have been attempts to increase patient autonomy including the requirement that physician's take bioethics courses during their time in medical school.[59] Despite large-scale commitment to promoting patient autonomy, public mistrust of medicine in developed countries has remained.[60] Onora O'Neill has ascribed this lack of trust to medical institutions and professionals introducing measures that benefit themselves, not the patient. O'Neill claims that this focus on autonomy promotion has been at the expense of issues like distribution of healthcare resources and public health.

One proposal to increase patient autonomy is through the use of support staff. The use of support staff including medical assistants, physician assistants, nurse practitioners, nurses, and other staff that can promote patient interests and better patient care.[61] Nurses especially can learn about patient beliefs and values in order to increase informed consent and possibly persuade the patient through logic and reason to entertain a certain treatment plan.[62][63] This would promote both autonomy and beneficence, while keeping the physician's integrity intact. Furthermore, Humphreys asserts that nurses should have professional autonomy within their scope of practice (35–37). Humphreys argues that if nurses exercise their professional autonomy more, then there will be an increase in patient autonomy (35–37).

International human rights law[edit]

After the Second World War, there was a push for international human rights that came in many waves. Autonomy as a basic human right started the building block in the beginning of these layers alongside liberty.[64] The Universal declarations of Human rights of 1948 has made mention of autonomy or the legal protected right to individual self-determination in article 22.[65]

Documents such as the United Nations Declaration on the Rights of Indigenous Peoples reconfirm international law in the aspect of human rights because those laws were already there, but it is also responsible for making sure that the laws highlighted when it comes to autonomy, cultural and integrity; and land rights are made within an indigenous context by taking special attention to their historical and contemporary events[66]

The United Nations Declaration on the Rights of Indigenous Peoples article 3 also through international law provides Human rights for Indigenous individuals by giving them a right to self-determination, meaning they have all the liberties to choose their political status, and are capable to go and improve their economic, social, and cultural statuses in society, by developing it. Another example of this, is article 4 of the same document which gives them autonomous rights when it comes to their internal or local affairs and how they can fund themselves in order to be able to self govern themselves.[67]

Minorities in countries are also protected as well by international law