This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Eureka Seven, known in Japan as Psalms of Planets Eureka Seven (Japanese: 交響詩篇エウレカセブン, Hepburn: Kōkyōshihen Eureka Sebun, lit. "Symphonic Psalms Eureka Seven"), is a 2005 Japanese anime series created by Bones. The series was directed by Tomoki Kyoda, with series composition by Dai Satō, character designs by Kenichi Yoshida and music by Naoki Satō. Eureka Seven tells the story of Renton Thurston and the outlaw group Gekkostate, his relationship with the enigmatic mecha pilot Eureka, and the mystery of the Coralians. The fifty-episode series aired on MBS between April 2005 and April 2006. It was licensed by Funimation in North America, Madman Entertainment in Australia and New Zealand and by Anime Limited in the United Kingdom for English home video releases.
The series spawned six manga adaptations, a light novel, three video games and a feature-length anime film which was released in April 2009. One of the manga titled Eureka Seven: AO which was serialized in Monthly Shōnen Ace between January 2012 and October 2013, was further adapted into an anime series which aired twenty-four episodes between April and November 2012. Eureka Seven was well received by critics and earned several awards at numerous award shows in Japan, most notably the 2006 Tokyo International Anime Fair.
Eureka Seven takes place in the year 12005 and it has been 10,000 years after humanity has made a mass exodus into space, due to the arrival of the Scub Coral (スカブ・コーラル, Sukabu Kōraru), an intelligent, sentient life who merged with the planet, forcing the humans to abandon it. In the current timeline, the remnants of humanity are now settled on an unknown planet known as the Land of Kanan, but the majority of the surface of this planet is now covered by a rock-like surface formed by the Scub Coral. The theory that the Scub Coral is an intelligent life form was proposed by the scientist Adroc Thurston, who also claimed the Scub is looking for mutual co-existence with humanity. All theories and information about the Scub Coral being a sentient being are kept from the general population. In addition to being the surface of the planet, the Scub Coral has several physical manifestations, called Coralians (コーラリアン, Kōrarian), that are observed throughout the series. These manifestations are either natural occurrences or a response to attacks from humans. The manifestations are:
Command Cluster Coralian
The Command Cluster is a large concentration of the Scub Coral which acts as the central mind for the rest of its "body". It stores all the information the Scub has collected over the last 10,000 years, and keeps the rest of the Scub Coral in a dormant state.
Kute-class Coralian
A Kute-class is massive sphere of concentrated energy that materializes suddenly in the skies. Though it is a rare natural occurrence, they can be artificially triggered by causing heavy damage to the Scub Coral. The disappearance of a Kute causes a massive release of energy, ravaging the surrounding landscape and lowering the Trapar count in the area to almost non-existent levels.
Antibody Coralians
Antibody Coralians are, as the name suggests, creatures created by the Scub Coral to destroy anything nearby that might be causing it harm. They are unleashed in massive swarms through a Kute-class Coralian when the Scub Coral is threatened or attacked. These antibodies can range in size from as small as a wheelbarrow, or as large as a bomber plane. Their shapes vary wildly, from eyeballs to flying slugs to giant hovering flower-like objects. Most forms are based on the sea creatures they absorbed when they just started their 'growth'. Their powers are: sending lasers in profusion from their bodies, thus being able to destroy large aircraft, burrowing into a victim's body and imploding it (unconfirmed), and creating a spherical void, which makes anything within its surface area to vanish. Antibody Coralians generally appear in response to deliberate attacks on the Scub Coral. They appear for 1246 seconds (20 minutes 46 seconds) - which is the amount of time the Seven Swell phenomenon is active. After those 1246 seconds, they crumble to dust. Their appearances are that of basic invertebrates such as flat worms, mollusks, and cnidaria. One of each kind appears in Another Century's Episode 3: The Final and Super Robot Wars Z.
Human-form Coralians
Human-form Coralians are beings created by the Scub Coral in the form of humans. They are regarded by scientists as emissaries of the Scub Coral, sent to learn about humanity. Humans have attempted to create their own artificial human-form Coralians, but the results are often less than satisfactory. As shown with Eureka in the sequel series, human-form Coralians are biologically capable of reproducing the same way as humans do; she gave birth to a daughter and son. However, due to her children being Human-Coralian hybrids, the high level of Trapar would be too dangerous for them.
Trapar waves and lifting
In Eureka Seven, as a result of the Scub Coral covering the planet, the atmosphere is permeated by an enigmatic energy known as Transparence Light Particles (トランサパランス・ライト・パーティクル, Toransaparansu Raito Pātikuru), dubbed Trapar (トラパー, Torapā) waves for short. Norbu, the Vodarac leader, states that all thought carries with it energy. As a result, a sentient life form on the scale of the Scub Coral produces a tremendous amount of energy. The most important use of Trapar energy is its use as a method of propulsion for flight-capable vehicles.
Though Trapar-propelled airships are relatively common, using Trapar waves for "lifting" (リフティング, Rifutingu, or "reffing", according to some fan translations, as well as official translations in some countries) is their predominant use. Lifting uses surfboard-like devices called "reflection boards" ("ref boards" (リフボード, Rifubōdo) for short) to ride Trapar waves in a manner similar to surfing, and is a popular sport in the series. The most grandiose use of Trapar—massive humanoid fightercraft—are a recent development, made possible by the discovery of bizarre alien life-forms within the Scub Coral.
The series focuses on Renton Thurston, the fourteen-year-old son of Adrock Thurston, a military researcher who died saving the world. He lives what he considers a boring life with his grandfather in a boring town. He loves lifting, a sport similar to surfing but with trapar, a substance abundant throughout the air, as the medium. He dreams of joining the renegade group Gekkostate, led by his idol Holland Novak, a legendary lifter.
An opportunity to do so literally falls into his lap when a large mechanical robot, called the Nirvash type ZERO, and Eureka, its pilot and a member of Gekkostate, crash into Renton's room. Renton's grandfather orders him to deliver a special part to the Nirvash called the "Amita Drive", which releases the immense power dormant within the type ZERO called the "Seven Swell Phenomenon". Afterwards, Renton is invited to join Gekkostate, where he quickly discovers that the behind-the-scenes life of Gekkostate is hardly as glamorous or as interesting as printed in the glossy pages of their magazine, ray=out. Only one thing makes it all worthwhile for him: the presence of Eureka, the mysterious pilot of the Nirvash. Renton, Eureka, and the Gekkostate embark on an adventure that will shape their future as well as the world's.
The series was made by Bones and co-produced by Bandai Entertainment. Bandai Entertainment provided the title and handled the creative aspects of the series.[4] Bandai had originally proposed a mecha anime series to the animation studio Bones. The studio had initially rejected it, but later reversed its position because it had already planned to create an anime using mecha designs by Shoji Kawamori. With the appointment of director Tomoki Kyoda and writer Dai Satō, Bandai's proposal was more or less scrapped and the staff began work on their own series that would become Eureka Seven.[5]
While conceptualizing Eureka Seven, Kyoda "wanted something that reflected the music and the subculture of his generation—and a love story."[6] As such the show contains several references from music of the 1980s and the 1990s, and almost all of the show's episodes are named after real songs, composed by both Japanese and foreign artists.[6][7]
The director wished to design the series as one that would at first focus on the personal elements and conflicts of the characters, then subsequently move the framework into a broader scale and perspective. The series' two halves each have their own very clear focus that reflects this design choice.[8]
With the premise of the surfer robots in mind, Satō interviewed several real-life surfers and came to conclusion that they are close to nature. From this perception, he envisioned the environmental thematic as central point of the story. He said "I thought it might be an effective message for children, especially in Japan. It's pretty veiled. I didn't want to be preachy."[6]
Eureka Seven was available for online viewing on the Adult Swim Fix, Adult Swim's online video service before its televised debut on the Adult Swim channel between April 16, 2006, and ended on April 29, 2007. Adult Swim traditionally cut down the opening and ending themes from each episode to fit the series to American television's time restraints, which resulted in the final episode's first airing having actual content cut from it as the episode originally had no theme song sequences; it was re-aired properly the following week. In Canada, Eureka Seven premiered on YTV's Bionix block on September 8, 2006.[9]
Bandai Entertainment and its affiliates distributed the English version of Eureka Seven.[10] It was released in the United States and Canada by Bandai Visual USA, in the United Kingdom by Beez Entertainment, and in Australia by Madman Entertainment. The first translated Region 1 DVD volume of the series was released on April 25, 2006, in the U.S., while the European Region 2 version was released on September 25, 2006. The English version was produced by Bang Zoom! Entertainment in Burbank, California. Following the 2012 closure of Bandai Entertainment, Funimation acquired the rights to the TV series and re-released the series on Blu-ray and DVD in 2014.[11]
An anime sequel titled Eureka Seven: AO began airing on April 12, 2012, and ended on November 20, 2012. There is a total of 24 episodes. It has been released in Japan on Blu-ray and DVD, along with an OVA titled "The Flower Fields of Jungfrau". On May 16, 2013, Funimation announced the official release date in English dub. The first twelve dubbed episodes were released on DVD/Blu-ray on August 13, 2013, and the rest of the series released on October 15, 2013.[12][13] On January 6, 2014, Manga Entertainment had released the first half of the series.[14]
Eureka Seven uses ten pieces of theme music. The opening themes of Eureka Seven are "Days" by Flow (episodes 1–13), "Shōnen Heart" (少年ハート, Shōnen Hāto) by Home Made Kazoku (episodes 14–26), "Taiyō no Mannaka e" (太陽の真ん中へ, "To the Center of the Sun"), by Bivattchee (episodes 27–32, 34–39) and "Sakura" by Nirgilis (episodes 40–49). The ending themes are "Himitsu Kichi" (秘密基地, "Secret Base") by Kozue Takada (episodes 1–13, 26), "Fly Away", by Asami Izawa (episodes 14–25), "Tip Taps Tip", by Halcali (episodes 27–39) and "Canvas", by Coolon (episodes 40–49). The two insert songs are "Storywriter", by Supercar and "Niji" (虹, "Rainbow"), by Denki Groove (episode 50).[citation needed]
The soundtrack music is available on three different albums composed by Naoki Satō and a variety of other artists who composed insert songs used in the series. The first and second soundtrack albums were released on November 2, 2005[15] and April 5, 2006, respectively.[16] The third soundtrack, titled Eureka Seven: Complete Best include the full-length versions of the opening and ending themes for both the series and game, as well as the insert song for the final episode.[17][18]
The anime adaptation of Eureka Seven: AO uses six pieces of theme music. For the 13 first episodes, the opening theme is "Escape" performed by Hemenway and the ending theme is "stand by me" by Stereopony. Starting with episode 14, the opening theme changes to "Bravelue" (ブレイブルー, Bureiburū) performed by FLOW and the ending theme changes to "Iolite" (アイオライト, Aioraito) performed by joy. The two insert songs are "Parallel Sign" and "Seven Swell", both performed by LAMA.
A manga adaptation of the original anime was created by Jinsei Kataoka and Kazuma Kondou. The manga was published by Kadokawa Shoten and began serialization in Monthly Shōnen Ace from the March 2005 issue and ended in the January 2007 issue, with a total of 23 chapters. The chapters were later compiled into six volumes. Viz Media published the manga digitally.[19] A second manga titled Eureka Seven: Gravity Boys and Lifting Girl (エウレカセ ブン グラヴィティボーイズ&リフティングガール, Eureka Sebun Guravuiti Bōizu & Rifutingu Gāru) by Miki Kizuki, features the protagonists of the video games New Wave and New Vision. It was published by Kadokawa Shoten and serialized in Comptiq magazine. Two volumes were released on November 7, 2005, and September 26, 2006, respectively.[20][21] Viz Media also published this series digitally.[22] A manga adapting a proposed alternative ending of the series, titled Psalms of Planets Eureka Seven New Order was serialized in Comptiq by Kadokawa Shoten between June 2012 and May 2013 and compiled into two volumes.[23]
On December 22, 2011, Kadokawa Shoten's Monthly Shōnen Ace magazine announced that a sequel manga titled Eureka Seven: AO based on the sequel series would be launched in their January 2012 issue. It featured an original story by Bones and was illustrated by Yūichi Katō. The manga began in January 2012, and concluded in October 2013, with a total of 21 chapters spanning over five volumes. A spin-off manga titled Eureka Seven AO - Save a Prayer began in February in Kadokawa Shoten's Newtype A and concluded in June 2013, and focuses on a girl named Yuna and her two friends as they make their way from becoming trainees in Generation Bleu's Headquarters. It was compiled into two volumes. A manga titled Eureka Seven nAnO was published as a 4koma in Kadokawa Shoten's 4-koma Nano A from July 2012 to January 2013, and featured characters from the AO series. It was compiled into one volume.
A light novel series written by Tomonori Sugihara and illustrated by Robin Kishiwada was published by Kadokawa Shoten under their male oriented Sneaker Bunko label in 2005 and 2006. Bandai Entertainment released all four volumed in English between 2009 and 2011. A novelization of the film Pocketful of Rainbows sharing the same name, also written by Tomonori Sugihara and illustrated by Hiroki Kazui and Seiji was released on May 1, 2009.[24]
Eureka Seven has four video games, developed by Bandai and later Namco Bandai Games. The first to be released was Eureka Seven Vol. 1: The New Wave (エウレカセブン TR1:NEW WAVE, Eureka Sebun TR1: Nyū Uēbu), which was released in Japan on October 27, 2005, and in North America on October 24, 2006.[25] The game features a different cast of characters and takes place two years before the anime. A sequel, Eureka Seven Vol. 2: The New Vision (エウレカセブン NEW VISION, Eureka Sebun: Nyū Bijon), was released in Japan on May 11, 2006, and in North America on April 17, 2007.[26]New Vision takes place two years after the events of New Wave. Both games were released on the PlayStation 2 and feature the theme song "Realize", sung by Flow. A PlayStation Portable game sharing the same name of the anime was released on April 6, 2006, in Japan. This game is based on the events from the first half of the show.[27] An action game based on the AO sequel series, Eureka Seven: AO Attack the Legend, was released on the PlayStation 3 on September 20, 2012.
A theatrical adaptation, Eureka Seven: Good Night, Sleep Tight, Young Lovers (Japanese: 交響詩篇エウレカセブン ポケットが虹でいっぱい, Hepburn: Kōkyōshihen Eureka Sebun: Poketto ga Niji de Ippai, subtitle literally "Pocketful of Rainbows"), was first announced in the May 2008 iss
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
The titular character is an unnamed Japanese samurai prince who wields a mystic katana capable of cutting through virtually anything. He sets out to free his kingdom after it is taken over by an evil, shapeshifting demon lord known as Aku. The two engage in a fierce battle, but just as the prince is about to deal the final strike, Aku sends him forward in time to a dystopian future ruled by the tyrannical demon. Adopting the name "Jack" after being addressed as such by beings in this time period, he quests to travel back to his own time and defeat Aku before he can take over the world. Jack's search for a way back to his own time period transcends Aku's control, but Jack's efforts are largely in vain due to the way back to his home ending up just out of his reach.
Samurai Jack, originally airing for four seasons comprising thirteen episodes each, was broadcast from August 10, 2001, to September 25, 2004, without concluding the overarching story. The show was revived twelve years later for a darker, more mature fifth season that provides a conclusion to Jack's story, with Williams Street assisting in production; it premiered on Cartoon Network's Adult Swim as part of its Toonami programming block on March 11, 2017, and concluded with its final episode (the series finale) on May 20, 2017. Episodes were directed by Tartakovsky, often in collaboration with others.
"Long ago in a distant land, I, Aku, the shapeshifting master of darkness, unleashed an unspeakable evil. But a foolish samurai warrior wielding a magic sword stepped forth to oppose me. Before the final blow was struck, I tore open a portal in time and flung him into the future where my evil is law. Now the fool seeks to return to the past and undo the future that is Aku!"
Aku's opening narration.
Samurai Jack tells the story of an unnamed young prince (voiced by Phil LaMarr) from a kingdom set in feudal Japan, whose father, the emperor of Japan (voiced by Sab Shimono as an elder man; Keone Young as a young emperor), was given a magical katana from three gods—Ra, Rama, and Odin—that he could and had used to defeat and imprison the supernatural shapeshifting demon Aku (Mako, and later Greg Baldwin for Season 5). Eight years later[10] Aku escaped, took over the land, and held the Emperor hostage, but not before the prince was sent away by his mother to travel so that he could train and return with the magic sword to defeat Aku. On his return, the prince-turned-samurai faced and almost defeated Aku, but before he could land a finishing blow, Aku placed a time travel curse and sent him into the distant future, anticipating that he would be able to deal with the samurai by that time.[11]
The samurai prince arrives on Earth surrounded in dystopianretrofuturism ruled by Aku. The first people he encounters call him "Jack" as a form of slang, which he adopts as his name.[12] His given name is never revealed. Jack only has his kimono, geta, and sword to his avail in his adventures.[13][14][15] Most episodes depict Jack overcoming various obstacles in his quest to travel back to his own time and defeat Aku, and his quest is prolonged occasionally by moments where either he nearly succeeds in returning to his own time,[16][17][18] or conversely, Aku nearly succeeds in defeating Jack,[19][20][21] only to be undermined by the unexpected.
The retro-futuristic world is inhabited by a variety of denizens such as robots, extraterrestrials, talking animals, monsters, magical beings, and deities. Some areas may have advanced technologies like flying cars, while others resemble ancient times or industrial conditions. Moreover, Aku has brought aliens from other planets to inhabit Earth, after destroying the habitability of their home worlds. Criminals and fugitives of all kinds are very common on his Earth. Mythological and supernatural creatures make regular appearances and coexist among the technologically advanced inhabitants.
Despite exponential levels of technological advancement, there are still uninhabited areas of the world. Those include forests, jungles, and mountains, which have remained largely untouched even as Aku began his conquest and reign over every sentient being.[22][23][24] A few communities of intelligent creatures, like Shaolin monks, have also remained largely untouched in spite of Aku's reign.[25]
Samurai Jack was created by Genndy Tartakovsky as a follow-up to his successful series Dexter's Laboratory. Cartoon Network executive Mike Lazzo recalled Tartakovsky pitching him the series: "He said, 'Hey, remember David Carradine in Kung Fu? Wasn't that cool?' and I was like, 'Yeah, that's really cool.' That was literally the pitch."[26] Cartoon Network billed it as a series "that is cinematic in scope and that incorporates action, humor, and intricate artistry."[27]
The basic premise of Samurai Jack comes from Tartakovsky's childhood fascination with samurai culture and the bushido code,[28]: 42:56 as well as a recurring dream where he wandered a post-apocalyptic Earth with a samurai sword and traveled the world fighting mutants with his crush.[29] The show is inspired by 1970s cinematography, as well as classic Hollywood films such as Ben-Hur, Lawrence of Arabia,[28]: 46:44 and Spartacus.[30] Thematic and visual inspirations come from Frank Miller's comic book series Rōnin, including the premise of a master-less, nameless samurai warrior thrown into a dystopic future in order to battle a shapeshifting demon. Similarly, the episode "Jack and the Spartans" was specifically inspired by Miller's graphic novel 300 that retold the Battle of Thermopylae.[30] The Japanese manga Lone Wolf and Cub and films by Akira Kurosawa were also inspirations.[31]
The network announced the series' launch at a press conference on February 21, 2001.[32][33] Weeks leading up to the series were accompanied by a sweepstakes giveaway sponsored by AOL in which the grand prize was a trip for four to Japan. AOL subscribers were also offered sneak peeks of Samurai Jack as well as a look at samurai traditions, future toys, behind-the-scenes model sheets, and exclusive Cartoon Orbit cToons.[34][35]Samurai Jack debuted on Cartoon Network on August 10, 2001, with the three-part special "The Beginning".[36] As production of the fourth season was ending, with four seasons of 13 episodes each or 52 episodes of Samurai Jack in total, Tartakovsky, and the crew moved on to other projects.[37] The show ended with the airing of the four final episodes as a marathon on September 25, 2004.[38]
The original series was left open-ended after the conclusion of the fourth season.[43] Tartakovsky said, "coming close to [the end of] the fourth season, we're like, 'are we gonna finish it?' And I didn't know... The network didn't know, they were going through a lot of transitions also. So I decided, you know, I don't want to rush and finish the whole story, and so we just left it like there is no conclusion and then [the final episode is] just like another episode". Art director Scott Wills added, "We didn't have time to think about it, because we went right into Clone Wars. They even overlapped, I think. There was no time to even think about it."[37]
A film intended to conclude the story of Samurai Jack had been in development at different times by four different studios.[44]: 2:50 As early as 2002, Cartoon Network was producing a Samurai Jacklive-action feature film,[2] in association with New Line Cinema.[45]Brett Ratner was hired as a director.[46] Tartakovsky said in a 2006 interview that the live-action version of Samurai Jack was thankfully abandoned, and that "we will finish the story, and there will be an animated film."[47]Fred Seibert announced in 2007 that the newly formed Frederator Films was developing a Samurai Jack movie,[48] which was planned to be in stereoscopic 2D[49] with a budget of 20 million dollars.[50] Seibert said in 2009 the film was being co-produced with J. J. Abrams' Bad Robot Productions.[45]Sony Pictures expressed its interest to make the film.[51] Genndy Tartakovsky said in an interview with IGN the Samurai Jack movie is in pre-production: "I've been trying so hard every year, and the one amazing thing about Jack is that I did it in 2001, you know, and it still survived. There's something about it that's connected with people. And I want it, it's number 1 on my list, and now Bob Osher, the president, is like 'Hey, let's talk about Jack. Let's see what we can do.' And I go, 'You're going to do a 2D feature animated movie?' and he's like, 'Yeah. Maybe. Let's do some research and let's see.' So it's not dead for sure by any means, and it's still on the top of my list, and I'm trying as hard as I can." Tartakovsky said the loss of Mako Iwamatsu (Aku's voice actor) would also need to be addressed.[52] The feature film project never materialized, and eventually, the series concluded with a fifth television season.[53]
Samurai Jack returned to television over twelve years after its fourth season concluded, with the first episode of its fifth season airing on Adult Swim on March 11, 2017.[54] Produced at Cartoon Network Studios and Williams Street with Tartakovsky as executive producer,[55] the fifth and final season features more mature elements and a cohesive narrative that concludes Jack's journey. The story takes place fifty years after Jack was cast into the future. In despair from the years of fighting Aku and from Aku's destruction of the remaining time portals, Jack—who has not aged as a side effect of the time travel—is haunted by warped visions of himself, his family, and an enigmatic, deathly warrior on horseback.[56]Phil LaMarr reprises his role as Jack;[57]Greg Baldwin provides the voice of Aku.[58]Mako, who voiced Aku in the show's first four seasons, died ten years before the revival was produced;[59] however, an archive recording of his voice is used for Aku's past self in the series finale.[60]
Samurai Jack received generally positive reviews from critics following its 2001 Cartoon Network debut. Steven Linan of the Los Angeles Times said of the 90-minute premiere movie, "One can quibble with some of the dialogue, which sounds like something you'd hear in Karate Kid 2 ('Let the sword guide you to your fate, but let your mind set free the path to your destiny'). Nonetheless, there is one highly unconventional aspect of the series which sets it apart from others—its willingness to go for extensive stretches in which there is no dialogue."[61]
The premiere received high praise and four award nominations,[62][63] and was released as a standalone VHS and DVD on March 19, 2002.[26]
In 2004, British broadcaster Channel 4 ran a poll of the 100 greatest cartoons, in which Samurai Jack achieved the 42nd position.[64] The show was ranked eleventh by IGN for its "Top 25 Primetime Animated Series of All Time" list in 2006.[65] In its list ranking, IGN compared the series' writing style to Tartakovsky's Star Wars: Clone Wars, stating, "episodes have little or no dialogue, relying instead on action and strong visuals to tell the stories. Entertaining for adults, yet not too violent for kids."[65] The review went on to say that the series' "unique combination of cinematic and comic book styles appeals to all ages." IGN also ranked the show 43rd in its Top 100 Animated Series list in 2009, saying that its "simple and colorful art style lends itself well to the cinematic scope and frenetic action sequences that fill each episode."[66]IGN's review also stated that the series' "unique style and humor make the most out of the animation format, producing elaborate action sequences and bizarre situations that would be impossible to do in a live action film."[66]
On review aggregator site Rotten Tomatoes, the series as a whole has received an approval rating of 93%.[67] The first season received an approval rating of 80% while the fourth and fifth seasons received an approval rating of 100%.[68] The fifth season's critical consensus reads, "An increasing intensity and maturity are evident in Samurai Jack's beautifully animated, action-packed, and overall compelling fifth season."[69]
Matt Zoller Seitz, a film critic for RogerEbert.com and television critic for Vulture, considers Samurai Jack, along with Tartakovsky's Star Wars: Clone Wars, to be a masterwork and one of the greatest American animated shows on television, mainly for its visual style.[70]
Samurai Jack would later be included in Seitz and Alan Sepinwall's 2016 book TV (The Book) as an honorable mention following the 100 greatest television series.[71]
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
This program unpacks Playstation 3 Theme files (.p3t) so that you can touch-up an existing theme to your likings or use a certain wallpaper from it (as many themes have multiple). But remember, if you use content from another theme and release it, be sure to give credit!
Download p3textractor.zip from above. Extract the files to a folder with a program such as WinZip or WinRAR. Now there are multiple ways to extract the theme.
The first way is to simply open the p3t file with p3textractor.exe. If you don’t know how to do this, right click the p3t file and select Open With. Alternatively, open the p3t file and it will ask you to select a program to open with. Click Browse and find p3textractor.exe from where you previously extracted it to. It will open CMD and extract the theme to extracted.[filename]. After that, all you need to do for any future p3t files is open them and it will extract.
The second way is very simple. Just drag the p3t file to p3textractor.exe. It will open CMD and extract the theme to extracted.[filename].
For the third way, first put the p3t file you want to extract into the same folder as p3textractor.exe. Open CMD and browse to the folder with p3extractor.exe. Enter the following: p3textractor filename.p3t [destination path]Replace filename with the name of the p3t file, and replace [destination path] with the name of the folder you want the files to be extracted to. A destination path is not required. By default it will extract to extracted.filename.
Pinder's Drugs, a defunct Western Canadian pharmaceutical chain
Topics referred to by the same term
This disambiguation page lists articles associated with the title Pinder. If an internal link led you here, you may wish to change the link to point directly to the intended article.
Jenni is a feminine given name, sometimes a modern diminutive or short form of Jennifer. The etymology is actually that of a diminutive of Jane, however.[1]
This page or section lists people that share the same given name or the same family name. If an internal link led you here, you may wish to change that link to point directly to the intended article.
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