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Conan the Barbarian
Illustration of Conan by Mark Schultz
First appearance	Weird Tales (December 1932)
Created by	Robert E. Howard
Portrayed by	Arnold Schwarzenegger (1982 and 1984 films) Jorge Sanz (1982 film, Young) Ralf Möller (Television series) Jason Momoa (2011 film) Leo Howard (2011 film, Young)
Voiced by	Michael Donovan (Conan the Adventurer) Phil Hayes (Conan and the Young Warriors) Ron Perlman (Conan (2007 video game)) Matthew Waterson (Conan Exiles)
In-universe information
Species	Human
Gender	Male
Occupation	Current: King Former: Adventurer Pirate Warrior Slave Gladiator Thief
Religion	Worship of Crom
Origin	Cimmeria, Hyboria
Nationality	Cimmerian

Conan the Barbarian (also known as Conan the Cimmerian) is a fictional sword and sorcery hero who originated in pulp magazines and has since been adapted to books, comics, films (including Conan the Barbarian and Conan the Destroyer), television programs (animated and live-action), video games, and role-playing games. Robert E. Howard created the character in 1932 for a series of fantasy stories published in Weird Tales magazine.

The earliest appearance of a Robert E. Howard character named Conan was that of a black-haired barbarian with heroic attributes in the 1931 short story "People of the Dark". By 1932, Howard had fully conceptualized Conan. Before his death, Howard had written 21 stories starring the barbarian. Over the years many other writers have written works featuring Conan.

Many Conan the Barbarian stories feature Conan embarking on heroic adventures filled with common fantasy elements such as princesses and wizards. Howard's mythopoeia has the stories set in the legendary Hyborian Age in the times after the fall of Atlantis. Conan is a Cimmerian, who are descendants of the Atlanteans and ancestors of the modern Gaels. Conan is himself a descendant of Kull of Atlantis (an earlier adventurer of Howard's). He was born on a battlefield and is the son of a blacksmith. Conan is characterized as chivalric due to his penchant to save damsels in distress. He is honorable and has a sense of enduring loyalty. In contrast to his brooding ancestor, Kull, Conan has a sense of humour. He possesses great strength, combativeness, intelligence, agility, and endurance. The barbarian's appearance is iconic, with square-cut black hair, blue eyes, tanned skin, and giant stature, often wearing a barbarian's garb.

Licensed comics published in the 1970s by Marvel Comics drew further popularity to the character, introducing the now iconic image of Conan in his loincloth. The most popular cinematic adaptation is the 1982 film, Conan the Barbarian directed by John Milius and starring Arnold Schwarzenegger as Conan, in which the plot revolves around Conan facing the villainous Thulsa Doom.

Publication history[edit]

Robert E. Howard created Conan the Barbarian in a series of fantasy stories published in Weird Tales from 1932.^[1] Howard was searching for a new character to market to the burgeoning pulp outlets of the early 1930s. In October 1931, he submitted the short story "People of the Dark" to Clayton Publications' new magazine, Strange Tales of Mystery and Terror (June 1932). "People of the Dark" is a story about the remembrance of "past lives", and in its first-person narrative, the protagonist describes one of his previous incarnations: Conan is a black-haired barbarian hero who swears by a deity called Crom. Some Howard scholars believe this Conan to be a forerunner of the more famous character.^[2]

In February 1932, Howard vacationed at a border town on the lower Rio Grande. During this trip, he further conceived the character of Conan and also wrote the poem "Cimmeria", much of which echoes specific passages in Plutarch's Lives.^[3][4] According to some scholars, reading Thomas Bulfinch inspired Howard to "coalesce into a coherent whole his literary aspirations and the strong physical, autobiographical elements underlying the creation of Conan".^[2]

Having digested these influences upon returning from his trip, Howard rewrote a rejected story, "By This Axe I Rule!" (May 1929), replacing his existing character Kull of Atlantis with his new hero and re-titling it "The Phoenix on the Sword". Howard also wrote "The Scarlet Citadel" and "The Frost-Giant's Daughter", inspired by the Greek myth of Daphne,^{[citation needed]} and submitted both stories to Weird Tales magazine. Although "The Frost-Giant's Daughter" was rejected, the magazine accepted "The Phoenix on the Sword" after it received the requested polishing, and published it in the December 1932 issue. "The Scarlet Citadel" was published the following month.^[2]

"The Phoenix on the Sword" appeared in Weird Tales cover-dated December 1932. Editor Farnsworth Wright subsequently prompted Howard to write an 8,000-word essay for personal use detailing "the Hyborian Age", the fictional setting for Conan. Using this essay as his guideline, Howard began plotting "The Tower of the Elephant", a new Conan story that was the first to integrate his new conception of the Hyborian world.^[2]

The publication and success of "The Tower of the Elephant" spurred Howard to write more Conan stories for Weird Tales. By the time of Howard's suicide in 1936, he had written 21 complete stories, 17 of which had been published, as well as multiple unfinished fragments.^[2]

Following Howard's death, the copyright of the Conan stories passed through several hands. Eventually L. Sprague de Camp was entrusted with management of the fiction line and, beginning with 1967's Conan released by Lancer Books, oversaw a paperback series collecting all of Howard's stories (Lancer folded in 1973 and Ace Books picked up the line, reprinting the older volumes with new trade dress and continuing to release new ones). Howard's original stories received additional edits by de Camp, and de Camp also decided to create additional Conan stories to publish alongside the originals, working with Björn Nyberg and especially Lin Carter. These new stories were created from a mixture of already-complete Howard stories with different settings and characters that were altered to feature Conan and the Hyborian setting instead, incomplete fragments and outlines for Conan stories that were never completed by Howard, and all-new pastiches. Lastly, de Camp created prefaces for each story, fitting them into a timeline of Conan's life that he created.

For roughly 40 years, the original versions of Howard's Conan stories remained out of print. In 1977, the publisher Berkley Books issued three volumes using the earliest published form of the texts from Weird Tales and thus no de Camp edits, with Karl Edward Wagner as series editor, but these were halted by action from de Camp before the remaining three intended volumes could be released. In the 1980s and 1990s, the copyright holders permitted Howard's stories to go out of print entirely as the public demand for sword & sorcery dwindled, but continued to release the occasional new Conan novel by other authors such as Leonard Carpenter, Roland Green, and Harry Turtledove.^{[citation needed]}

In 2000, the British publisher Gollancz Science Fiction issued a two-volume, complete edition of Howard's Conan stories as part of its Fantasy Masterworks imprint, which included several stories that had never seen print in their original form. The Gollancz edition mostly used the versions of the stories as published in Weird Tales.^[5]

The two volumes were combined and the stories restored to chronological order as The Complete Chronicles of Conan: Centenary Edition (Gollancz Science Fiction, 2006; edited and with an Afterword by Steve Jones).

In 2003, another British publisher, Wandering Star Books,^[6] made an effort both to restore Howard's original manuscripts and to provide a more scholarly and historical view of the Conan stories. It published hardcover editions in England, which were republished in the United States by the Del Rey imprint of Ballantine Books. The first book, Conan of Cimmeria: Volume One (1932–1933) (2003; published in the US as The Coming of Conan the Cimmerian) includes Howard's notes on his fictional setting as well as letters and poems concerning the genesis of his ideas. This was followed by Conan of Cimmeria: Volume Two (1934) (2004; published in the US as The Bloody Crown of Conan) and Conan of Cimmeria: Volume Three (1935–1936) (2005; published in the US as The Conquering Sword of Conan). These three volumes include all the original Conan stories.

Setting[edit]

The stories occur in the fictional "Hyborian Age", set after the destruction of Atlantis and before the rise of any historical ancient civilization. This is a specific epoch in a fictional timeline created by Howard for many of the low fantasy tales of his artificial legendary.^[7]

Howard invented the Hyborian Age as a useful literary device. He had an intense love for history and historical dramas, but he also recognized the difficulties and the time-consuming research work needed in maintaining historical accuracy. Also, the poorly-stocked libraries in the rural part of Texas where Howard lived didn't have the material needed for such research. By conceiving a fictional "vanished age" and choosing names that resembled historical ones, Howard avoided anachronisms and the need for lengthy exposition.^[2]

According to "The Phoenix on the Sword", the adventures of Conan take place "Between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas."^[8]

Personality and character[edit]

Conan is a Cimmerian. The writings of Robert E. Howard (particularly his essay "The Hyborian Age") suggests that his Cimmerians are based on the Celts or perhaps the historic Cimmerians. Conan was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian fortress of Venarium.^[9] After its demise, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary, and pirate.^[10] As he grew older, he began commanding vast units of warriors and escalating his ambitions. In his forties, he seized the crown from the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of his own throne.^[11] Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely to protect his own survival or for personal gain.

A conspicuous element of Conan's character is his chivalry. He is extremely reluctant to fight women (even when they fight him) and has a strong tendency to save a damsel in distress. In "Jewels of Gwahlur", he has to make a split-second decision whether to save the dancing girl Muriela or the chest of priceless gems which he spent months in search of. So, without hesitation, he rescues Muriela and allows for the treasure to be irrevocably lost. In "The Black Stranger", Conan saves the exile Zingaran Lady Belesa at considerable risk to himself, giving her as a parting gift his fortune in gems big enough to have a comfortable and wealthy life in Zingara, while asking for no favors in return. Reviewer Jennifer Bard also noted^[12] that when Conan is in a pirate crew or a robber gang led by another male, his tendency is to subvert and undermine the leader's authority, and eventually supplant (and often, kill) him (e.g. "Pool of the Black One", "A Witch Shall be Born", "Shadows in the Moonlight"). Conversely, in "Queen of the Black Coast", it is noted that Conan "generally agreed to Belit's plan. Hers was the mind that directed their raids, his the arm that carried out her ideas. It was a good life." And at the end of "Red Nails", Conan and Valeria seem to be headed towards a reasonably amicable piratical partnership.

Appearance[edit]

Conan has "sullen", "smoldering", and "volcanic" blue eyes with a black "square-cut mane". Howard once describes him as having a hairy chest and, while comic book interpretations often portray Conan as wearing a loincloth or other minimalist clothing to give him a more barbaric image, Howard describes the character as wearing whatever garb is typical for the kingdom and culture in which Conan finds himself. Howard never gave a strict height or weight for Conan in a story, only describing him in loose terms like "giant" and "massive".^[13] In the tales, no human is ever described as being stronger than Conan, although a few are mentioned as taller (including the strangler, Baal-Pteor) or of larger bulk. In a letter to P. Schuyler Miller and John D. Clark in 1936, only three months before Howard's death, Conan is described as standing 6 ft/183 cm and weighing 180 pounds (82 kg) when he takes part in an attack on Venarium at only 15 years old, though being far from fully grown. At one point, when he is meeting Juma in Kush, he describes Conan as tall as his friend, at nearly 7 ft. in height. Conan himself says in "Beyond the Black River" that he had "not yet seen 15 snows". at the Battle of Venarium. "At Vanarium he was already a formidable antagonist, though only fifteen, He stood six feet tall [1.83 m] and weighed 180 pounds [82 kg], though he lacked much of having his full growth." Although Conan is muscular, Howard frequently compares his agility and way of moving to that of a panther (see, for instance, "Jewels of Gwahlur", "Beyond the Black River", or "Rogues in the House"). His skin is frequently characterized as bronzed from constant exposure to the sun. In his younger years, he is often depicted wearing a light chain shirt and a horned helmet, though appearances vary with different stories.

During his reign as king of Aquilonia, Conan was^{[excessive quote]}

[...] a tall man, mightily shouldered and deep of chest, with a massive corded neck and heavily muscled limbs. He was clad in silk and velvet, with the royal lions of Aquilonia worked in gold upon his rich jupon, and the crown of Aquilonia shone on his square-cut black mane; but the great sword at his side seemed more natural to him than the regal accoutrements. His brow was low and broad, his eyes a volcanic blue that smoldered as if with some inner fire. His dark, scarred, almost sinister face was that of a fighting-man, and his velvet garments could not conceal the hard, dangerous lines of his limbs.^[14]

Howard imagined the Cimmerians as a pre-Celtic people with mostly black hair and blue or grey eyes. Ethnically, the Cimmerians to which Conan belongs are descendants of the Atlanteans, though they do not remember their ancestry. In his fictional historical essay "The Hyborian Age", Howard describes how the people of Atlantis—the land where his character King Kull originated—had to move east after a great cataclysm changed the face of the world and sank their island, settling where Ireland and Scotland would eventually be located. Thus they are (in Howard's work) the ancestors of the Irish and Scottish (the Celtic Gaels) and not the Picts, the other ancestor of modern Scots who also appear in Howard's work. In the same work, Howard also described how the Cimmerians eventually moved south and east after the age of Conan (presumably in the vicinity of the Black Sea, where the historical Cimmerians dwelt).

Abilities[edit]

Despite his brutish appearance, Conan uses his brains as well as his brawn. The Cimmerian is a highly skilled warrior, possibly without peer with a sword, but his travels have given him vast experience in other trades, especially as a thief. He's also a talented commander, tactician, and strategist, as well as a born leader. In addition, Conan has advanced knowledge of languages and codes and is able to recognize, or even decipher, certain ancient or secret signs and writings. For example, in "Jewels of Gwahlur" Howard states: "In his roaming about the world the giant adventurer had picked up a wide smattering of knowledge, particularly including the speaking and reading of many alien tongues. Many a sheltered scholar would have been astonished at the Cimmerian's linguistic abilities." He also has incredible stamina, enabling him to go without sleep for a few days. In "A Witch Shall be Born", Conan fights armed men until he is overwhelmed, captured, and crucified, before going an entire night and day without water. However, Conan still possesses the strength to pull the nails from his feet, while hoisting himself into a horse's saddle and riding for ten miles.

Another noticeable trait is his sense of humor, largely absent in the comics and movies, but very much a part of Howard's original vision of the character (particularly apparent in "Xuthal of the Dusk", also known as "The Slithering Shadow".) His sense of humor can also be rather grimly ironic, as was demonstrated by how he unleashes his own version of justice on the treacherous—and ill-fated—innkeeper Aram Baksh in "Shadows in Zamboula".

He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales.

Conan is a formidable combatant both armed and unarmed. With his back to the wall, Conan is capable of engaging and killing opponents by the score. This is seen in several stories, such as "Queen of the Black Coast", "The Scarlet Citadel", and "A Witch Shall Be Born". Conan is not superhuman, though; he needed the providential help of Zelata's wolf to defeat four Nemedian soldiers in Howard's novel The Hour of the Dragon. Some of his hardest victories have come from fighting single opponents of inhuman strength: one such as Thak, an ape-like humanoid from "Rogues in the House", or the strangler Baal-Pteor in "Shadows in Zamboula". Conan is far from untouchable and has been captured or defeated several times (on one occasion, knocking himself out after drunkenly running into a wall).

Influences[edit]

Howard frequently corresponded with H. P. Lovecraft, and the two would sometimes insert references or elements of each other's settings in their works. Later editors reworked many of the original Conan stories by Howard, thus diluting this connection. Nevertheless, many of Howard's unedited Conan stories are arguably part of the Cthulhu Mythos.^[15] Additionally, many of the Conan stories by Howard, de Camp, and Carter used geographical place names from Clark Ashton Smith's Hyperborean Cycle.

Original Robert E. Howard Conan stories[edit]

Conan stories published in Weird Tales[edit]

1. "The Phoenix on the Sword" (novelette; vol. 20, #6, December 1932)
2. "The Scarlet Citadel" (novelette; vol. 21, #1, January 1, 1933)
3. "The Tower of the Elephant" (novelette; vol. 21, #3, March 1933)
4. "Black Colossus" (novelette; vol. 21, #6, June 1933)
5. "The Slithering Shadow" (novelette; vol. 22, #3, September 1933, alternate title "Xuthal of the Dusk")
6. "The Pool of the Black One" (novelette; vol. 22, #4, October 1933)
7. "Rogues in the House" (novelette; vol. 23, #1, January 1934)
8. "Iron Shadows in the Moon" (novelette; vol. 23, #4, April 1934, published as "Shadows in the Moonlight")
9. "Queen of the Black Coast" (novelette; vol. 23, #5, May 1934)
10. "The Devil in Iron" (novelette; vol. 24, #2, August 1934)
11. "The People of the Black Circle" (novella; vol. 24, #3–5, September–November 1934)
12. "A Witch Shall Be Born" (novelette; vol. 24, #6, December 1934)
13. "Jewels of Gwahlur" (novelette; vol. 25, #3, March 1935, author's original title "The Servants of Bit-Yakin")
14. "Beyond the Black River" (novella; vol. 25, #5–6, May–June 1935)
15. "Shadows in Zamboula" (novelette; vol. 26, #5, November 1935, author's original title "The Man-Eaters of Zamboula")
16. "The Hour of the Dragon" (novel; vol. 26, #6 & vol. 27, #1–4, December 1935, January–April 1936)
17. "Red Nails" (novella; vol. 28, #1–3, July, September, October 1936)

Conan stories published in Fantasy Fan magazine[edit]

• "Gods of the North" (March 1934) – published as The Frost-Giant's Daughter in The Coming of Conan, 1953.^[16]

Conan stories not published in Howard's lifetime[edit]

• "The God in the Bowl" – Published in Space Science Fiction, Sep. 1952.
• "The Black Stranger" – Published in Fantasy Magazine, Feb. 1953.
• "The Vale of Lost Women" – Published in The Magazine of Horror, Spring 1967.

Unfinished Conan stories by Howard[edit]

• "The Drums of Tombalku" – Fragment. Published in Conan the Adventurer, 1966.
• "The Hall of the Dead" – Synopsis. Published in The Magazine of Fantasy and Science Fiction, February 1967.
• "The Hand of Nergal" – Fragment. Published in Conan, 1967.
• "The Snout in the Dark" – Fragment. Published in Conan of Cimmeria, 1969.

A number of untitled synopses for Conan stories also exist.

Other Conan-related material by Howard[edit]

• "Wolves Beyond the Border" – A non-Conan story set in Conan's world. Fragment. Published in 1967 in Conan the Usurper
• "The Hyborian Age" – An essay written in 1932. Published in 1938 in The Hyborian Age.
• "Cimmeria" – A poem written in 1932. Published in 1965 in The Howard Collector.

Book editions[edit]

The character of Conan has proven durably popular, resulting in Conan stories by later writers such as Poul Anderson, Leonard Carpenter, Lin Carter, L. Sprague de Camp, Roland J. Green, John C. Hocking, Robert Jordan, Sean A. Moore, Björn Nyberg, Andrew J. Offutt, Steve Perry, John Maddox Roberts, Harry Turtledove, and Karl Edward Wagner. Some of these writers have finished incomplete Conan manuscripts by Howard. Others were created by rewriting Howard stories which originally featured entirely different characters from entirely different milieus. Most, however, are completely original works. In total, more than fifty novels and dozens of short stories featuring the Conan character have been written by authors other than Howard.

The Gnome Press edition (1950–1957) was the first hardcover collection of Howard's Conan stories, including all the original Howard material known to exist at the time, some left unpublished in his lifetime. The later volumes contain some stories rewritten by L. Sprague de Camp (like "The Treasure of Tranicos"), including several non-Conan Howard stories, mostly historical exotica situated in the Levant at the time of the Crusades, which he turned into Conan yarns. The Gnome edition also issued the first Conan story written by an author other than Howard—the final volume published, which is by Björn Nyberg and revised by de Camp.

The Lancer/Ace editions (1966–1977), under the direction of de Camp and Lin Carter, were the first comprehensive paperbacks, compiling the material from the Gnome Press series together in a chronological order with all the remaining original Howard material, including that left unpublished in his lifetime and fragments and outlines. These were completed by de Camp and Carter. The series also included Howard stories originally featuring other protagonists that were rewritten by de Camp as Conan stories. New Conan stories written entirely by de Camp and Carter were added as well. Lancer Books went out of business before bringing out the entire series, the publication of which was completed by Ace Books. Eight of the eventual twelve volumes published featured dynamic cover paintings by Frank Frazetta that, for many fans,^[who?] presented the definitive, iconic impression of Conan and his world. For decades to come, most other portrayals of the Cimmerian and his imitators were heavily influenced by the cover paintings of this series.^[